Salma Hayek’s husband pledges €100m for Notre Dame reconstruction

Pinault and Hayek married in a town hall minutes from Notre Dame cathedral. (Shutterstock)
Updated 17 April 2019

Salma Hayek’s husband pledges €100m for Notre Dame reconstruction

  • Hayek's husband is chairman and CEO of Kering
  • French President Emmanuel Macron wants to rebuild the cathedral within 5 years

JEDDAH: Salma Hayek’s husband François-Henri Pinault has pledged over $113 million (€100 million) towards the rebuilding of the Notre Dame cathedral.

Pinault is the chairman and CEO of Kering, which is behind brands such as Gucci, Balenciaga, and Yves Saint Laurent.

Hayek, who is of Lebanese descent, tied the knot with Pinault on Valentine’s Day in 2009 in Paris’ 6th arrondissement just minutes from the famous cathedral.

Pinault and his billionaire father Francois said they were giving the amount immediately from their company, Artemis, to help finance repairs to the landmark devastated by fire Monday night.

A statement from Francois-Henri Pinault said: "This tragedy impacts all French people" and "everyone wants to restore life as quickly as possible to this jewel of our heritage."

That donation was then trumped by French tycoon Bernard Arnault and his luxury goods group LVMH, which pledged €200 million.

LVMH called the cathedral a "symbol of France, its heritage and its unity."

French President Emmanuel Macron pledged to rebuild the beloved Roman Catholic architectural landmark, and wanted to see it completed within five years.

"We have so much to rebuild," Macron said in a televised address to the nation. "We will rebuild Notre Dame Cathedral even more beautifully. We can do it, and once again, we will mobilize (to do so)."


‘The Dead Don’t Die’ drags zombie film genre back to its roots

Updated 20 May 2019

‘The Dead Don’t Die’ drags zombie film genre back to its roots

  • The “Dead Don’t Die” explores relations between humans in the face of an apocalypse
  • Each zombie receives a different death

CANNES: “Paterson,” the last film that the legendary, idiosyncratic director Jim Jarmusch screened at Cannes, was a love letter to poetry, small town life and the depth of soul that exists inside all of us. He’s followed that up with a zombie film — “The Dead Don’t Die” and he’s brought some stars along for the ride to explore how a small town deals with its own demise.

Zombie films and television shows have, since their resurgence after “28 Days Later” (2002), been as omnipresent as they’ve been impotent. Before them all, the films of George Romero —namely “Night of the Living Dead” (1968) and its follow up “Dawn of the Dead” (1978) — were explorations of racism, consumerism and broader society. The “Dead Don’t Die” drags the genre back to those roots, tackling the impending climate-driven catastrophe, the bad actors who hurtle us towards it and the way we treat each other in the face of a potential apocalypse.

As nihilistic as it is at points, “The Dead Don’t Die” is the most irreverent and playful Jarmusch has been since “Coffee and Cigarettes” (2003), with a cast just as star-studded. Recent collaborators, such as Adam Driver, feature alongside long-time friends Bill Murray, the Rza of the Wu Tang Clan, Tilda Swinton, Iggy Pop, Steve Buscemi and Tom Waits. Young stars Caleb Landry Jones and Selena Gomez stare down death, clinging to the music and pop culture they love. For many of the film’s players, their personas are standing in the place of fully drawn characters, with meta jokes scattered throughout that lampoon the actors and even their relationships with Jarmusch. The film consciously references other zombie films as well, though none of that awareness is enough to help the poor souls of Centerville. 

As the zombies, each of whom audibly yearns for the thing they loved most in life (Coffee! WiFi! Fashion!) come for the townspeople one by one, death reaches them in different ways. For some, including the racist, hateful Farmer Miller (Steve Buscemi), death is called justice. Even as some townspeople manage to fight back, the dead never stop — as Driver’s character continually reminds us, this is all going to end badly. 

As the bodies pile up, a voice on the radio denies the catastrophe was caused by greedy businessmen. Tom Waits, who plays a hermit who lives in the woods and is the only one who seems to see anything clearly, can’t offer a cure, only a diagnosis — a summary of life that is too explicit to print.