‘Age-Old Cities’ exhibition in Riyadh museum breathes new life into ancient sites 

Prince Badr bin Abdullah Al-Saud
Updated 21 April 2019
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‘Age-Old Cities’ exhibition in Riyadh museum breathes new life into ancient sites 

  • National Museum in Riyadh hosts digital show that tells the story of Mosul, Palmyra, Aleppo and Leptis Magna

JEDDAH: An exhibition that uses digital technology to revive the region’s ancient sites and civilizations that have been destroyed or are under threat due to conflict and terrorism opened at the National Museum in Riyadh on April 18.

“Age-Old Cities” tells the story of four historically significant cities that have been devastated by violence: Mosul in Iraq, Palmyra and Aleppo in Syria, and Leptis Magna in Libya. 

Using stunning giant-screen projections, virtual reality, archival documents and images, and video testimonials from inhabitants of the affected sites, the immersive exhibition transports visitors back in time and presents the cities as they were in their prime. 

It charts their journey from the origins of their ancient civilizations to their modern-day state, and presents plans for their restoration and repair. 

The exhibition has been organized by the Ministry of Culture in collaboration with the Institut du Monde Arabe in Paris. Riyadh is the first stop outside the French capital on the exhibition’s global tour. 

The exhibition follows last month’s unveiling of the Kingdom’s new cultural vision, which included the announcement of several initiatives, including a new residency scheme for international artists to practice in the Kingdom and the establishment of the Red Sea International Film Festival. 

Prince Badr bin Abdullah bin Farhan Al-Saud, minister of culture, said: “I am delighted to welcome the ‘Age-Old Cities’ exhibition to Riyadh. 

“It highlights the importance of heritage preservation, particularly here in the Middle East, and the vulnerability of some of our historic sites. 

“It must be the responsibility of governments to put an end to this damage and neglect, and to put heritage at the heart of action, investment, and policy.

“I will be encouraging my fellow members of government to attend this eye-opening exhibition in our National Museum, and hope to work in the future with partners, governments and experts to do what we can to secure our region’s heritage.”

The exhibition carries a significant message about the importance of preserving and protecting these precious but fragile sites — one which resonates strongly in the week when one of the world’s most-famous heritage sites, Paris’ Notre-Dame Cathedral, went up in flames.


UAE gift helps French palace reopen ‘forgotten theater’

Updated 18 June 2019
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UAE gift helps French palace reopen ‘forgotten theater’

  • Now called the Sheikh Khalifa bin Zayed Al-Nahyan Theatre, it is the latest example of the close relations between Paris and Abu Dhabi
  • The UAE capital already hosts the Louvre Abu Dhabi, opened by Crown Prince Mohammed bin Zayed and President Emmanuel Macron in 2017

FONTAINEBLEAU: An exquisite 19th-century French theater outside Paris that fell into disuse for one and half centuries has been restored with the help of a €10 million donation from oil-rich Abu Dhabi.
The Napoleon III theater at Fontainebleau Palace south of Paris was built between 1853 and 1856 under the reign of the nephew of emperor Napoleon I.
It opened in 1857 but was used only a dozen times, which has helped preserve its gilded adornments, before being abandoned in 1870 after the fall of Napoleon III.
But during a state visit to France in 2007, Sheikh Khalifa, ruler of Abu Dhabi and president of the United Arab Emirates, was reportedly entranced by the abandoned theater and offered €10 million ($11.2 million) on the spot for its restoration.
After a project that has lasted 12 years the theater is now being reopened.
An official inauguration is expected soon, hosted by French Culture Minister Franck Riester and attended by UAE Foreign Minister Abdullah bin Zayed Al-Nahyan.
Now called the Sheikh Khalifa bin Zayed Al-Nahyan Theatre, it is the latest example of the close relations between Paris and Abu Dhabi.
The UAE capital already hosts the Louvre Abu Dhabi, opened by Crown Prince Mohammed bin Zayed and President Emmanuel Macron in 2017, the first foreign institution to carry the name of the great Paris museum.
For all its ornate beauty, the theater has hardly ever been used for its orginal purpose, hosting only a dozen performances between 1857 and 1868, each attended by around 400 people.
“While it had been forgotten, the theater was in an almost perfect state,” said the head of the Fontainebleau Palace, Jean-Francois Hebert.
“Let us not waste this jewel, and show this extraordinary place of decorative arts,” he added.
According to the palace, the theater is “probably the last in Europe to have kept almost all its original machinery, lighting and decor.”
Having such a theater was the desire of Napoleon III’s wife Eugenie. But after the defeat, his capture in the Franco-Prussian war in 1870 and the declaration of France’s Third Republic, the theater fell into virtual oblivion.
Following the renovation, the theater will mainly be a place to visit and admire, rather than for regularly holding concerts.
“The aim is not to give the theater back to its first vocation” given its “very fragile structure,” said Hebert.
Short shows and recitals may be performed in exceptional cases, under the tightest security measures and fire regulations. But regular guided tours will allow visitors to discover the site, including the stage sets.
The restoration aimed to use as little new material as possible, with 80 percent of the original material preserved.
The opulent central chandelier — three meters high and 2.5 meters wide — has been restored to its original form.