Palestinian student film ‘Ambiance’ honored at the 72nd Cannes Film Festival

Jury and Award Winners of the Cinéfondation 2019. (Supplied)
Updated 24 May 2019
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Palestinian student film ‘Ambiance’ honored at the 72nd Cannes Film Festival

  • The film is directed by Wisam al-Jafari of Palestine’s Dar Al-Kalima University College of Arts and Culture
  • It follows the story of two young Palestinians trying to record a music demo inside a noisy refugee camp

DUBAI: Palestinian film “Ambiance” headed into a podium finish at the 22nd Cinéfondation Selection, the Cannes Film Festival’s top film school shorts awards, beating out more than 2,000 submissions.

The film, which is directed by Wisam al-Jafari of Palestine’s Dar Al-Kalima University College of Arts and Culture, landed third place with Polish entry “Duszyczka” by Barbara Rupik.

Praised for its “humor, coolness, and extraordinary use of cinema and sound,” the short film follows the story of two young Palestinians trying to record a music demo inside a noisy refugee camp.

The top prize was handed to “Mano a Mano” by Louise Courvoisier from France, followed by “Hieu” by Richard Van from the US.

The award was presented on Thursday by a jury headed by French director Claire Denis. Cash grants of up to $16,760 were given to the winners.

Aimed at supporting new and emerging talent in filmmaking, the Cinéfondation Selection chooses fifteen to twenty short and medium-length films each year from film schools all around the world.


UAE gift helps French palace reopen ‘forgotten theater’

Updated 21 min 28 sec ago
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UAE gift helps French palace reopen ‘forgotten theater’

  • Now called the Sheikh Khalifa bin Zayed Al-Nahyan Theatre, it is the latest example of the close relations between Paris and Abu Dhabi
  • The UAE capital already hosts the Louvre Abu Dhabi, opened by Crown Prince Mohammed bin Zayed and President Emmanuel Macron in 2017

FONTAINEBLEAU: An exquisite 19th-century French theater outside Paris that fell into disuse for one and half centuries has been restored with the help of a €10 million donation from oil-rich Abu Dhabi.
The Napoleon III theater at Fontainebleau Palace south of Paris was built between 1853 and 1856 under the reign of the nephew of emperor Napoleon I.
It opened in 1857 but was used only a dozen times, which has helped preserve its gilded adornments, before being abandoned in 1870 after the fall of Napoleon III.
But during a state visit to France in 2007, Sheikh Khalifa, ruler of Abu Dhabi and president of the United Arab Emirates, was reportedly entranced by the abandoned theater and offered €10 million ($11.2 million) on the spot for its restoration.
After a project that has lasted 12 years the theater is now being reopened.
An official inauguration is expected soon, hosted by French Culture Minister Franck Riester and attended by UAE Foreign Minister Abdullah bin Zayed Al-Nahyan.
Now called the Sheikh Khalifa bin Zayed Al-Nahyan Theatre, it is the latest example of the close relations between Paris and Abu Dhabi.
The UAE capital already hosts the Louvre Abu Dhabi, opened by Crown Prince Mohammed bin Zayed and President Emmanuel Macron in 2017, the first foreign institution to carry the name of the great Paris museum.
For all its ornate beauty, the theater has hardly ever been used for its orginal purpose, hosting only a dozen performances between 1857 and 1868, each attended by around 400 people.
“While it had been forgotten, the theater was in an almost perfect state,” said the head of the Fontainebleau Palace, Jean-Francois Hebert.
“Let us not waste this jewel, and show this extraordinary place of decorative arts,” he added.
According to the palace, the theater is “probably the last in Europe to have kept almost all its original machinery, lighting and decor.”
Having such a theater was the desire of Napoleon III’s wife Eugenie. But after the defeat, his capture in the Franco-Prussian war in 1870 and the declaration of France’s Third Republic, the theater fell into virtual oblivion.
Following the renovation, the theater will mainly be a place to visit and admire, rather than for regularly holding concerts.
“The aim is not to give the theater back to its first vocation” given its “very fragile structure,” said Hebert.
Short shows and recitals may be performed in exceptional cases, under the tightest security measures and fire regulations. But regular guided tours will allow visitors to discover the site, including the stage sets.
The restoration aimed to use as little new material as possible, with 80 percent of the original material preserved.
The opulent central chandelier — three meters high and 2.5 meters wide — has been restored to its original form.