UN puts brakes on peacekeepers’ pullout from Sudan’s Darfur

The UN Security Council agrees on a four-month pause in the drawdown of a peacekeeping mission from Sudan's Darfur region. (AFP)
Updated 28 June 2019

UN puts brakes on peacekeepers’ pullout from Sudan’s Darfur

  • The target for ending the mission is June 30, 2020

UNITED NATIONS: The UN Security Council voted unanimously Thursday to put the brakes on the withdrawal of the joint UN-African Union peacekeeping force in Sudan’s vast western Darfur region as the country deals with a political crisis.
The council approved a resolution to extend the current mandate of the force, known as UNAMID, for four months until October 31.
It asks Secretary-General Antonio Guterres to provide an update in 60 days on the situation on the ground — and it asks the UN and AU to make recommendations by Sept. 30 on what the council should do about continuing the withdrawal.
Last July, the Security Council voted to dramatically cut the UNAMID force in response to reduced fighting and improved security conditions. The target for ending the mission is June 30, 2020.
Britain’s UN deputy ambassador Jonathan Allen, whose country co-sponsored the resolution with Germany, said the council made “the responsible decision to pause the withdrawal,” which he said aligns with the decision of the AU Peace and Security Council.
“Moreover, it recognizes that Darfur is affected by wider instability in Sudan and that there is a need for continued protection of civilians in Darfur,” he said.


Emotions stir in Jerusalem as HBO’s ‘Our Boys’ hits local airwaves

Updated 30 min 7 sec ago

Emotions stir in Jerusalem as HBO’s ‘Our Boys’ hits local airwaves

  • The deaths of the four youths spiraled into a seven-week war between Israel and Hamas, which rules Gaza

JERUSALEM: A new HBO series on the killing of a Palestinian youth after three Israeli teens were murdered in a deadly summer five years ago is stirring up painful memories for bereaved families on both sides of the conflict.

“Our Boys,” which premiered in Israel and the US last week, centers on Mohammed Abu Khdeir, a 16-year-old Palestinian who was abducted near his East Jerusalem home and burned to death by three Israelis, two of them also teenagers, in July 2014.

“I wish I could reach into the screen and grab hold of my son,” Abu Khdeir’s mother, Suha, told Reuters, her voice breaking, soon after watching the first two episodes of the series, a co-production of HBO and Israel’s Keshet International and produced by Movie Plus.

“The show brought me right back to the pain, to the day he was kidnapped,” she said.

Prosecutors said Abu Khdeir’s convicted killers were avenging the kidnapping and murder of three Israeli teens — Naftali Frankel, Gilad Sha’er and Eyal Yifrach — in the occupied West Bank two weeks earlier by members of Hamas.

The deaths of the four youths spiraled into a seven-week war between Israel and Hamas, which rules the Gaza Strip.

HBO’s 10-episode dramatization dissects Israel’s internal investigation into the three ultra-Orthodox Jews eventually convicted of Abu Khdeir’s murder and the frantic initial days after his parents learned of his disappearance and death.

The Hebrew- and Arabic-language series was written, directed and produced by two Jewish Israelis and an Arab Israeli, who mix documentary footage with live production to delve into the micro details they say drive the conflict.

“We live in an extremely nuanced world where wars erupt because of tiny things,” co-director Joseph Cedar, 50, said in an interview alongside collaborators Hagai Levi and Tawfik Abu Wael. “We tried to peel back the layers of this hate crime,” he said.

But some bereaved Israeli families have said the show largely glosses over the murder of the three Israeli teens, who are referenced throughout the series but not included as characters.

Two Hamas suspects in the murders were killed in a 2014 shootout and in 2015 an Israeli court sentenced a third Hamas member to three life terms for the teens’ abduction and murder.

Levi said the creators felt they had portrayed the context of Abu Khdeir’s killing. “But the crime is the story,” he said.