Fans praise co-star as May Calamawy’s role is cut from ‘Gladiator II’

Fans praise co-star as May Calamawy’s role is cut from ‘Gladiator II’
Pedro Pascal posted a series of photographs on Instagram taken on the film shoot in Morocco, including several snaps with May Calamawy. (Instagram)
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Updated 24 November 2024
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Fans praise co-star as May Calamawy’s role is cut from ‘Gladiator II’

Fans praise co-star as May Calamawy’s role is cut from ‘Gladiator II’

DUBAI: Fans of Egyptian Palestinian “Moon Knight” actress May Calamawy have taken to social media to complain after almost all her scenes were cut from Ridley Scott’s “Gladiator II,” while co-star Pedro Pascal seemed to wade into the online debate this week by sharing behind-the-scenes shots including the actress.

Pascal posted a series of photographs on Instagram taken on the film shoot in Morocco, including several snaps with Calamawy, after she was removed from all promotional material and largely removed from the film.

“Thank you for reminding people May Calamawy was in ‘Gladiator II.’ So sad how she’s been treated in this,” one user commented on his Instagram post.

The 38-year-old star played the dual role of Layla El-Faouly and Scarlet Scarab in Marvel series “Moon Knight” before being cast in the highly anticipated “Gladiator II,” a sequel to the Oscar-winning original released in 2000.

Her casting in the film was first announced in May 2023.

At the time, Deadline reported that Scott had cast Calamawy after a lengthy search, writing: “While many of the leading roles were straight offers, Scott wanted to do a similar search he did for the (Paul) Mescal part for the role that Calamawy ultimately landed.

“Given the importance of the character to the story, Scott wanted a thorough search, and following multiple auditions Calamawy landed the part,” Deadline added.

However, fans noticed that in the final cut, which hit cinemas last weekend, Calamawy is only seen in passing and she has no dialogue.

Scott has yet to comment on Calamawy’s removal from the two hour and 28-minute film, although her storyline may have not made it past the editing stage in order to trim the runtime.

Regardless, fans on social media are unhappy about the cuts.

“May Calamawy you will always be loved!!! They didn’t deserve you anyway,” one social media user wrote on X, while another posted: “You had May Calamawy … and you decided to cut her? This could’ve possibly been her breakout role!”

Calamawy also stars in upcoming crime mystery “The Actor,” alongside André Holland, Gemma Chan, Toby Jones and Tracey Ullman.


Saad Tahaitah showcases cultural heritage in ‘Aseer Memory’ at Red Sea International Film Festival

Saad Tahaitah showcases cultural heritage in ‘Aseer Memory’ at Red Sea International Film Festival
The film focuses on Mohammed Al-Matali, who lives in Asir. (Supplied)
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Saad Tahaitah showcases cultural heritage in ‘Aseer Memory’ at Red Sea International Film Festival

Saad Tahaitah showcases cultural heritage in ‘Aseer Memory’ at Red Sea International Film Festival

JEDDAH: Saudi director Saad Tahaitah is set to present his short documentary “Aseer Memory” at the Red Sea International Film Festival in Jeddah, which runs until Dec. 14.

In an interview with Arab News, he discussed on the film’s exploration of cultural identity and the significance of preserving local history through the lens of its central character, Mohammed Al-Matali. The 18-minute film narrates the journey of Al-Matali, who dedicates his life to curating his father’s library, filled with invaluable old books and documents that serve as vital links to the history of the Asir region in Saudi Arabia.

Tahaitah reflected on his filmmaking journey, saying: “I started making documentary films about eight years ago. What always inspires me is the story of people and their places; it’s a significant motivation and inspiration for making every film.”

His attraction to Al-Matali’s story stemmed from the “great legacy that this person possesses.” The director believes that Al-Matali's efforts will have an even more pronounced impact on the culture of the region in the coming years, highlighting that “the film serves as an extension and preservation of his efforts over the past decades.”

Born into a family of scholars, Al-Matali works to preserve precious old books and original documents that are often the only local sources of information about the area in which he grew up. Along with his collections, he has photographed and made videos of the prehistoric petroglyphs and ancient forts that stand in the area. In his latest project, he discovers forgotten local street names in the hope of restoring them to local villages.

Set to run among a slate of international titles hailing from countries including South Korea and the US, Tahaitah hopes that “Aseer Memory” will enlighten the international festival goers who flock to Jeddah about rich heritage of the Asir region.

“The external audience may not be aware of the extent of the culture and heritage we have in our country, especially regarding the subject of the film, the Asir region. The film showcases events and documents from hundreds of years ago, as well as the way of life of people decades ago. I aspire to create more works that focus on this aspect because documentaries are the soft power to convey what we want,” Tahaitah said.

“Documenting culture and human life will create an eternal memory for the region, making films immortal,” he added.


Olivia Wilde inspires emerging filmmakers at RSIFF

Olivia Wilde inspires emerging filmmakers at RSIFF
Updated 08 December 2024
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Olivia Wilde inspires emerging filmmakers at RSIFF

Olivia Wilde inspires emerging filmmakers at RSIFF
  • Actor talks about creativity, perseverance, collaborative spirit

JEDDAH: Hollywood star Olivia Wilde took center stage during an In Conversation segment on Sunday at the Red Sea International Film Festival in Jeddah’s Al-Balad.

Known as an actor, director, and producer, Wilde’s career includes acclaimed roles in film and television, including “House” and “Tron: Legacy.” Her directorial debut in 2019’s “Booksmart” made waves before she followed it up with the 2022 Venice Film Festival title “Don’t Worry Darling.”

Wilde delved into creativity, perseverance, and the collaborative spirit that fuels the film industry.

Reflecting on the challenges of modern filmmaking, she said: “Out of boredom comes great ideas sometimes, but now no one’s ever bored. Kids are much more interesting and imaginative than adults because they haven’t been indoctrinated by cliches. As filmmakers, it’s so important to challenge ourselves and not force our stories to be something familiar.”

She also pointed out that narratives from diverse cultures can offer refreshing perspectives.

She said: “When you get out of what I consider to be the central hub of entertainment in the Western world, you find a lot more interesting stories because people aren’t raised with the same materials and cycles.

“Films coming from societies that haven’t been indoctrinated with the same cliches have a singularity that is incredibly refreshing.”

Wilde likened the filmmaking process to solving a puzzle, highlighting the integral role of casting, and added: “Casting is the most important part of the process because putting together a film is like solving a puzzle.

“If you aren’t chosen, it’s not because you’re a failure — it’s about whether you fit into the bigger picture of that specific project.”

Olivia Wilde poses in the portrait studio during the Red Sea International Film Festival 2024 on Dec. 8, 2024 in Jeddah, Saudi Arabia. (Getty Images)

She also discussed the challenge of making films, describing the completion of any project as a “miracle.” She said: “When you actually get a movie made, no matter how big it is, it feels so satisfying because you did it, you got it made. Anyone who’s made something knows that feeling.”

Taking risks is a factor, and she added: “I naturally gravitate toward roles that have a little bit of risk involved. Part of it is being willing to not be accepted, to not be celebrated by everyone.”

Wilde most recently starred in and directed “Don’t Worry Darling,” which debuted at the 2022 Venice Film Festival and grossed nearly $100 million worldwide.

She said: “A director should be so prepared that they can answer any question.

“Actors enjoy taking risks and being vulnerable when there’s a director who feels like they have their backs.”

Reflecting on her dual experience as an actor and director, she added: “My experience acting made me a better producer and director because I understood the extreme vulnerability actors experience every day on set.”

The multi-hyphenate is set to star in Sarah Adina Smith’s upcoming psychological thriller “Monkey Hill” and she is also set to direct “Avengelyne,” a film adaptation about the ’90s comic book character.

Wilde encouraged aspiring filmmakers hoping to follow in her footsteps to embrace non-traditional paths, highlighting that passion for storytelling transcends formal education in the field.

She said: “I think having done another career entirely is very beneficial to filmmaking or acting. You could have gone to school for economics, but love movies and become an incredible director.”

The fourth edition of the Red Sea International Film Festival features a stellar lineup of speakers, including Academy Award-winning actor Brendan Fraser; director Michael Mann; Academy Award-nominated actor Jeremy Renner; celebrated director Spike Lee; and Academy Award-nominated Benedict Cumberbatch.


South Korean star Park Sung-hoon talks K-dramas at Red Sea International Film Festival

South Korean star Park Sung-hoon talks K-dramas at Red Sea International Film Festival
Updated 08 December 2024
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South Korean star Park Sung-hoon talks K-dramas at Red Sea International Film Festival

South Korean star Park Sung-hoon talks K-dramas at Red Sea International Film Festival

JEDDAH: South Korean actor Park Sung-hoon, who stars in Netflix’s smash hit “Squid Game,” jetted to Saudi Arabia for the Red Sea International Film Festival and spoke to Arab News about his hopes for Saudi-Korean cultural collaboration.

The rising South Korean star, who is also known for his roles in dramas such as “The Glory” and “Queen of Tears,” lauded the popularity of Korean entertainment content in the Kingdom.

“I am grateful for this, and this really motivated me to try to pay back for this interest, and here I am at the Red Sea International Film Festival enjoying every bit of it,” he said.

The rising South Korean star, who is also known for his roles in dramas such as “The Glory” and “Queen of Tears,” lauded the popularity of Korean entertainment content in the Kingdom. (Getty Images)

Globally, three South Korean subscription platforms lead in Korean content offerings: Wavve and Watcha, each with over 4,000 titles, and Tving, with over 3,500 titles, according to data science firm BB Media. Excluding local platforms, Amazon Prime Video currently holds the top position among global subscription streaming platforms in terms of Korean titles with 1,394, though Netflix is close behind and boasts more original K-dramas.

The actor touched on the role of streaming platforms in popularizing Korean content internationally, saying “Korea has always put an effort to make good quality movies and dramas because it is a way of bringing joy and comfort to people even during hard times, and I think with the advanced changes in technology, streaming networks and platforms provided ways for Korean movies and dramas to be shown to a wider audience.”

As the Kingdom’s entertainment scene continues to expand — with the likes of Film AlUla and the Red Sea Film Foundation offering support to rising filmmakers — the actor said he would like to see more cross-cultural collaboration.

“I was very impressed with what I have (seen) here in Saudi Arabia, and I am aware that the movie industry in Saudi Arabia is moving rapidly, and I would love to see more collaboration between Saudi Arabia and Korea in the film industry,” he said.

On the question of making a film in Saudi Arabia, the young Korean actor, who plays a contestant named Cho Sang-woo in “Squid Game,” said: “I would love definitely to work here. I am very impressed with the beautiful landscape and architecture. Just last night, I was thinking of how wonderful to be in the screen around this amazing landscape.”

He also pointed out that he will convey a positive message to friends and colleagues in Korea about Saudi Arabia, which he is visiting for the first time.

“I am so amazed (by) the great hospitality and passion that we felt at the festival. So, I hope that I will come back next year and also hope for future collaboration between South Korea and Saudi Arabia film industry,” he said.


Tunisian short at RSIFF explores ‘universal desire for freedom of movement’ 

Tunisian short at RSIFF explores ‘universal desire for freedom of movement’ 
Updated 08 December 2024
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Tunisian short at RSIFF explores ‘universal desire for freedom of movement’ 

Tunisian short at RSIFF explores ‘universal desire for freedom of movement’ 

DUBAI: Sparked by real-life events, the Tunisian short film, “In Three Layers of Darkness,” explores the experience of many immigrants traveling to the Western hemisphere.

Director Houcem Slouli told Arab News that his film, now playing at Jeddah’s Red Sea International Film Festival, critiques the “dehumanizing aspects of bureaucratic systems.”

“Last year, a Tunisian filmmaker had her first short film selected for a festival in France, but her visa was repeatedly denied, despite having all the necessary documents,” he said. He was referring to the case of filmmaker Wafa Lazhari, who was unable to attend the International Animation Film Festival in Annecy, France.

 

 

Outraged by this, Slouli sought to take the issue to the silver screen in his 15-minute film that features dialogue in French and Arabic. The director cast actors Ghassen Trabelsi, Mohamed Kolsi, Leila Masrouhi, Sinda Boudriga, Azza Medimegh, Nessrin Bani and Slim Dhib in the short.

“The film addresses themes such as immigration, bureaucratic injustice, dreams and ambition. A dream without borders, with no geographical limits,” the filmmaker explained, adding: “Through the character of Ghassen, we see someone defending his skills and his dreams, fighting for a fundamental right — the right to move freely in the world … unfortunately, for years, Arabs and Africans have not had this freedom and this blocks their ambitions and their dreams.”

Inspired by a verse in the Qur’an — verse six of Surah Az-Zumar — the film’s title symbolizes the many challenges that its protagonist faces in his quest to obtain a visa to stay in France. 

“The three layers represent personal, bureaucratic and social obstacles that trap him in a system,” Slouli said. Meanwhile, the Qur’anic verse is interpreted to mean layers within a mother’s womb.

From a malfunctioning parking ticket machine that makes him late for his interview to an invasive health inspection and an unfeeling immigration officer, the narrative presents its lead character with various obstacles.

Slouli hopes that portraying these hurdles will encourage a shift in thinking.

“I hope decision-makers will think about this universal desire for freedom of movement and about human rights that should be available to everyone, no matter their nationality or status,” he said.

He is particularly keen to take the story to the shores of the Red Sea, as “it’s also a chance to share Ghassen’s story with an Arab audience that understands the struggles related to migration and achieving dreams,” Slouli said.

It is not Slouli’s first experience at an international festival — in 2023, his short film “Conditional Desire” won the Best Short Film Award at Turkiye’s Accessible Film Festival. It was also featured as part of the Short Film Competition of the Silicon Valley African Film Festival in the US.

That varied experience seems to have been handy when it comes to collaborating with the cast and crew on any given project, something that he says is his favorite part of the process. (Supplied)

Born in Tunisia in 1994, Slouli completed a degree in film and audiovisual studies at the Higher Institute of Arts and Multimedia in Manouba, Tunisia, before working with notable Tunisian production firms such as Nomadis Images, Artistes Producteurs Associes and Instinct Bleu Films, in addition to ad-hoc projects working as an assistant director and casting director.

That varied experience seems to have been handy when it comes to collaborating with the cast and crew on any given project, something that he says is his favorite part of the process.  

“Of course, sometimes the discussions lead to conflicts, but there’s also real pleasure in these moments. They give life to the collaboration,” he said.

“It’s amazing to see how ideas come to life with the help of the production team, the actors, the director of photography, and everyone involved in the project. Cinema has this unique ability to capture human experiences and present them in a way that speaks to everyone.”

 


Marrakech Film Festival bestows Palestinian film ‘Happy Holidays’ with top award

It is the first Palestinian film to win Marrakech’s Etoile D’Or award. (X @Marrakech_Fest)
It is the first Palestinian film to win Marrakech’s Etoile D’Or award. (X @Marrakech_Fest)
Updated 08 December 2024
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Marrakech Film Festival bestows Palestinian film ‘Happy Holidays’ with top award

It is the first Palestinian film to win Marrakech’s Etoile D’Or award. (X @Marrakech_Fest)
  • “The Village Next to Paradise” participated last year in the Marrakech festival’s Atlas Workshops, an initiative to develop filmmakers from Morocco, the Middle East and Africa and promote their work

MARRAKECH, Morocco: The Marrakech International Film Festival bestowed its top prize Friday on “Happy Holidays,” a Palestinian drama set in Israel whose screenplay won an award at the Venice Film Festival in September.
The film, directed by Scandar Copti, follows Israeli and Palestinian characters facing familial and societal pressures in present-day Haifa and stars both professional and non-professional actors. It is the first Palestinian film to win Marrakech’s Etoile D’Or award.
Screenwriter Mona Copti in an acceptance speech said the film team’s joy at winning was tempered by war in the Middle East and she denounced what she called the dehumanization of Palestinians.

The festival awarded its jury prize to two additional films from Somalia and Argentina. (X @Marrakech_Fest)

Eight features, each a director’s first or second film, competed in the festival. The winning films tackled social issues through the lens of family, a theme that the festival’s artistic director Remi Bonhomme underlined at its opening.
The festival awarded its jury prize to two additional films from Somalia and Argentina. The nine-member jury awarded Mo Harawe’s “The Village Next to Paradise” — a story about a family living under the threat of drone strikes dreaming of a better life — and Silvina Schnicer’s “The Cottage” about children who commit an unspeakable act at a rich family’s summer vacation home.
“The Village Next to Paradise” participated last year in the Marrakech festival’s Atlas Workshops, an initiative to develop filmmakers from Morocco, the Middle East and Africa and promote their work. In his acceptance speech, Harawe lauded the film’s Somali cast and crew and highlighted the significance of the award for Somalia.
Cecilia Rainero, the lead actor of “The Cottage,” thanked the jury and said it was meaningful amid Argentinian President Javier Milei’s moves to defund the country’s film industry.