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In “Lost Realms,” Thomas Williams focuses on nine kingdoms representing every corner of the island of Britain.
From the Scottish Highlands to the Cornish coastline, from the Welsh borders to the Thames Estuary, Williams uncovers the forgotten life and untimely demise of realms that hover in the twilight between history and fable.
This is a book about those lands and peoples who fell by the wayside: the lost realms of early medieval Britain.
Author: Anne Trumbore
From AI tutors who ensure individualized instruction but cannot do math to free online courses from elite universities that were supposed to democratize higher education, claims that technological innovations will transform education often fall short.
Yet, as Anne Trumbore shows in “The Teacher in the Machine,” the promises of today’s cutting-edge technologies aren’t new. Scholars at Stanford, MIT, and the University of Illinois in the 1960s and 1970s were encouraged by the US government to experiment with computers and AI in education.
Author: Andrew Kahn and Mark Lipovetsky
The Russian cultural tradition treats poetry as the supreme artistic form, with Alexander Pushkin as its national hero. Modern Russian lyric poets, often on the right side of history but the wrong side of their country’s politics, have engaged intensely with subjectivity, aesthetic movements, ideology (usually subversive), and literature itself.
“All the World on a Page” gathers 34 poems, written between 1907 and 2022, presenting each poem in the original Russian and an English translation, accompanied by an essay that places the poem in its cultural, historical, and biographical contexts.
The poems, both canonical and lesser-known works, extend across a range of moods and scenes: Velimir Khlebnikov’s Futurist revolutionary prophecy, Anna Akhmatova’s lyric cycle about poetic inspiration, Vladimir Nabokov’s Symbolist erotic dreamworld, and Joseph Brodsky’s pastiche of a Chekhovian play set on a country estate.
It’s easy to think that ancient history is, well, ancient history —obsolete, irrelevant, unjustifiably focused on Greece and Rome, and at risk of extinction.
In “What Is Ancient History?” Walter Scheidel presents a compelling case for a new kind of ancient history — a global history that captures antiquity’s pivotal role as a decisive phase in human development, one that provided the shared foundation of our world and continues to shape our lives today.
For Scheidel, ancient history is when the earliest versions of today’s ways of life were created and spread — from farming, mining, and engineering to housing and transportation, cities and government, writing and belief systems.
Transforming the planet, this process unfolded all over the world, in Eurasia, Africa, and the Americas, often at different times, sometimes haltingly but ultimately unstoppably.
Seeking to find a song of the self that can survive or even thrive amid the mundane routines of work, Ariel Yelen’s lyrics include wry reflections on the absurdities and abjection of being a poet who is also an office worker and commuter in New York.
In the poems’ dialogues between labor and autonomy, the beeping of a microwave in the staff lounge becomes an opportunity for song, the poet writes from a cubicle as it is being sawed in half, and the speaker of the title poem decides “to quit everything except work.”
Ages before the dawn of modern medicine, wild animals were harnessing the power of nature’s pharmacy to heal themselves.
“Doctors by Nature” reveals what researchers are now learning about the medical wonders of the animal world. In this visionary book, Jaap de Roode argues that we have underestimated the healing potential of nature for too long and shows how the study of self-medicating animals could impact the practice of human medicine.
