Heritage village offers glimpses into AlUla traditions
The Al Qafila Market offers visitors an eclectic mix of locally made souvenirs and handicrafts
Hailah Al-Enezi: Camel racing is part of our heritage and culture, but just as important as camel racing are our traditional arts and crafts
Updated 16 March 2023
Arab News
JEDDAH: A heritage village has given visitors to the AlUla Camel Cup venue an opportunity to take a trip down memory lane.
The Al Qafila Market offers visitors an eclectic mix of locally made souvenirs and handicrafts.
Hailah Al-Enezi, 60, is from AlUla and is the founder of the Bint Albadiyah label. She sells goods such as sadu carpets, rugs, pillows and cushion covers, and decorations for abayas.
She said: “Events that the RCU are organizing, such as the AlUla Camel Cup, are very important.
“We are given space to sell our wares at the heritage village. Camel racing is part of our heritage and culture, but just as important as camel racing are our traditional arts and crafts.”
Al-Enezi is assisted by her daughter to create goods using camel, sheep and goat wool.
She also helps train youngsters in traditional art, and considers it her duty not to let the old traditions die.
She added: “We have a rich gift in our country, and I will always share my knowledge with anyone who wants to learn.”
Al-Enezi began her work at the age of 12 after learning the techniques from her mother, who in turn had them passed down by her family.
Hanadi Abu Kasheem, who was also born in AlUla, sells her Abaq brand at the market. Products include handmade soaps, creams, candles, lip salve, and henna.
She said: “This is my passion and through this platform I have already had many visitors from outside AlUla buying my products and appreciating them.”
Bayan Saud, 30, is a pottery maker from AlUla selling earthenware coffee cups and decorative vases. She spent two years perfecting her craft at Madrasat Addeera, the art school in AlUla Old Town.
She said: “It is my passion and also an integral part of our culture.
“I find a lot of my work is bought by the younger generation, who are embracing the traditions of the past. It is very interesting to be able to sell our products at the AlUla Camel Cup, which people from all over the world are visiting.”
Alkhobar designer Salhah Al Shahrani is the founder of the Therahdresses label, which specializes in decorated abayas inspired by the mountains of Abha.
She said: “The AlUla Camel Cup has been so good and the heritage village is a good addition for talented people to showcase their work.”
The rebirth of AlUla
Hegra, ancient city of the Nabataeans in Saudi Arabia’s historic AlUla Valley, is emerging from the mists of time to take its rightful place as one of the wonders of the world
Saudi Arabia showcases crafts, culture at Milan exhibition
The Saudi Company for Crafts and Handicrafts will display its most notable craftwork, while the Royal Institute of Traditional Arts will exhibit work from 12 of its students
Updated 02 December 2023
Arab News
RIYADH: Saudi Arabia is participating in the Artigiano in Fiera exhibition in Milan, Italy, which runs from Dec. 2-10. The Saudi pavilion, overseen by the Ministry of Culture, will showcase various aspects of the country’s culture and rich national heritage.
According to a report by the Saudi Press Agency, participating organizations include the Saudi Heritage Commission, the Culinary Arts Commission, the Theater and Performing Arts Commission, the Royal Institute of Traditional Arts, and the Saudi Handicrafts Company.
The pavilion will also highlight Arabic poetry’s relationship to Italian culture. A selection of Arabic verses will be translated into Italian and hung on murals at the entrance.
Saudi Arabia has previously participated in Milan’s Artigiano in Fiera exhibition and offered cultural experience workshops. (Ministry of Culture)
The Heritage Commission will showcase the creative ingenuity of 25 artisans and the traditional handicrafts and crafts that have long been a source of pride for the nation.
The Saudi Company for Crafts and Handicrafts will display its most notable craftwork, while the Royal Institute of Traditional Arts will exhibit work from 12 of its students.
Twelve chefs from the Culinary Arts Commission will be on hand to provide the public with a live cooking demonstration of popular delicacies from across Saudi Arabia. A traditional restaurant will offer coffee and traditional produce, too.
FASTFACT
The Royal Institute of Traditional Arts will exhibit work from 12 of its students at Artigiano in Fiera exhibition in Milan, Italy, until Dec. 10.
The Theater and Performing Arts Commission, meanwhile, will present shows involving 13 traditional performing arts.
Saudi Arabia’s participation in Artigiano in Fiera is a component of the Ministry of Culture’s efforts, in cooperation with other cultural organizations, to represent the Kingdom in international forums in line with Saudi Vision 2030’s aims is to promote worldwide cultural exchange.
As part of the 2023 Year of Arabic Poetry project, the ministry is focusing on the Kingdom’s interest in “intangible cultural heritage,” such as the relationship between Arabic poetry and Italian culture.
Film AlUla, Stampede Ventures reveal films to be shot in Saudi Arabia under 10-project deal
Updated 02 December 2023
Saffiya Ansari
JEDDAH: Hollywood movies “Fourth Wall” and “Chasing Red” are set to be filmed in Saudi Arabia’s AlUla in 2024 as part of a 10-project deal between Film AlUla — the Royal Commission for AlUla’s film agency — and global media company Stampede Ventures.
The announcement was made at the Red Sea International Film Festival on Saturday. Stampede Ventures CEO Greg Silverman and executive director of Film AlUla Charlene Deleon-Jones gave further details of the three-year deal, which also includes the previously announced dramatic comedy “K-Pops!”
“Fourth Wall” follows a former child star from a popular TV sitcom who is kidnapped and wakes up in a complete recreation of the show’s set with the rest of the cast, where she must work through her trauma and recreate iconic moments from the series to stay alive and find a way out.
The announcement was made at the Red Sea International Film Festival on Saturday. (AN/ Huda Bashatah)
Meanwhile, “Chasing Red” is a romance centered around straight-A student Veronica and wealthy playboy Caleb. It is an adaptation of a book by Filipino-Canadian author Isabelle Ronin and is being directed by Jessika Borsiczky, who told Arab News that the story attracted her because “romance is so universal, especially first love, and especially stories about women finding who they are and then finding who they are in relation to the world.”
Stampede Ventures will be among the first to use Film AlUla’s production facility, which includes a 30,000-square-foot soundstage, backlot, production support buildings, workshops, warehouses, recording studio and training and rehearsal space.
Jessika Borsiczky told Arab News that the story attracted her because “romance is so universal.” (AN/ Huda Bashatah)
There will be emphasis on using Saudi talent during the production process, Deleon-Jones said, adding: “One of the most significant parts of what we’re doing is the training and development, because this gives us an opportunity to really develop below-the-line crew in somewhere like AlUla, where traditionally the main careers open to you would have been agriculture. We have a young working population who are vibrant and digitally engaged somewhere which is seen as one of the more remote places, (and now) you have this whole new exciting career path.”
The key, she said, was to prove to talent in Saudi Arabia that the film industry is a “sustainable” career choice. Silverman echoed that, saying the deal was “designed specifically so that people can come in and get a chance to prove (themselves) and then there’s another movie coming in the next month that they can be pulled into.”
Silverman is an entertainment industry veteran known for his track record at Warner Bros. where he shepherded over 125 films to more than $38 billion in worldwide box office, most notably the “Harry Potter” series, Christopher Nolan’s “Batman” trilogy, Zack Snyder’s “300,” Todd Phillips’ iconic “Hangover” trilogy, and “Joker.”
Previous Hollywood productions shot in AlUla include the Gerard Butler-led action-thriller “Kandahar,” directed by Ric Roman Waugh, and “Cherry,” starring Tom Holland and directed by Anthony and Joe Russo.
DUBAI: The UN World Food Programme this week announced that its goodwill ambassador, Canadian singer The Weeknd — whose birth name is Abel Tesfaye — has donated $2.5 million from his XO Humanitarian Fund to aid WFP’s humanitarian response in Gaza.
The donation, which equates to 4 million emergency meals, will fund 820 tons of food parcels that could feed more than 173,000 Palestinians for two weeks, the organization said.
“This conflict has unleashed a humanitarian catastrophe beyond reckoning. WFP is working round the clock to provide aid in Gaza but a major scale up is needed to address the desperate level of hunger we are seeing,” Corinne Fleischer, WFP’s director for the Middle East, North Africa and Eastern Europe, said in a statement.
“We thank Abel for this valuable contribution towards the people of Palestine. We hope others will follow Abel’s example and support our efforts.”
The multi-platinum global recording artist was appointed a goodwill ambassador in October 2021.
Johnny Depp walks the red carpet at ‘Jeanne Du Barry’ Red Sea Film Fest premiere
Updated 01 December 2023
Arab News
JEDDAH : Hollywood superstar Johnny Depp on Friday walked the red carpet at the Red Sea International Film Festival for the regional premiere of his film “Jeanne Du Barry.”
The actor wore a black suit as he posed for pictures on the red carpet.
French director Maïwenn’s period drama features the director as the titular 18th Century courtesan Madame du Barry opposite Depp, who plays King Louis XV. The director also hit the carpet at the Red Sea Mall.
Mohammed Al-Turki and Johnny Depp. (Huda Bashatah)
RSIFF provided post-production support for the period drama, marking the first time the foundation co-produced a French movie. The film had its world premiere at the Cannes Film Festival in May.
On Thursday, Depp attended the opening night of the festival alongside US star Will Smith, US actress Michelle Williams, German actress Diane Kruger, Lebanese songstress Maya Diab, Brazilian model Alessandra Ambrosio, Saudi singer Aseel Omran — among many more — it was an affair to remember.
The glittering event kicked off with a gala screening of Dubai-based Iraqi director Yasir Al-Yasiri’s “HWJN,” which is based on a YA novel by Saudi writer Ibraheem Abbas. Set in modern-day Jeddah, “HWJN” follows the story of a kind-hearted jinn — an invisible entity in Islamic tradition — as he discovers the truth about his royal lineage.
French director Maïwenn’s period drama features the director as the titular 18th Century courtesan Madame du Barry opposite Depp, who plays King Louis XV. (Huda Bashatah)
This year’s celebrity-studded festival jury is presided over by director Baz Luhrmann, joined by Swedish-American actor Joel Kinnaman (“Suicide Squad”); Freida Pinto (“Slumdog Millionaire”); Egyptian actor Amina Khalil (“Grand Hotel”) and Spain’s Paz Vega (“Sex and Lucía,” “The OA”).
The Red Sea International Film Festival runs from Nov. 30 to Dec. 9 and boasts 11 categories of films: Special Screenings; Red Sea: Competition; Red Sea: Shorts Competition; Festival Favorites; Arab Spectacular; International Spectacular; New Saudi/ New Cinema: Shorts; Red Sea: New Vision; Red Sea: Families and Children; Red Sea: Series and Red Sea: Treasures.
The theme of year’s festival is “Your Story, Your Festival.”
Visitors to compose their own symphony of lights at Noor Riyadh 2023
Updated 01 December 2023
Nada Alturki
RIYADH: From Nov. 30 to Dec. 16, Noor Riyadh, the largest annual light art festival in the world, returns for its third edition, boasting 120 large-scale works from 100 contemporary artists from over 35 countries.
The festival lets every visitor follow the map to glowing artworks within each location, with pieces spread not just across Riyadh, but throughout the landscapes of the five main festival hubs: King Abdullah Financial District, Salam Park, Wadi Hanifa, Wadi Namar, and Jax District.
“For us, it’s very important that people in Riyadh feel like this is their festival. The main purpose of it is to be part of the fabric of Riyadh … It’s to make the city vibrant, beautiful, and relevant to the citizens and residents,” Miguel Blanco-Carrasco, adviser at the Royal Commission for Riyadh City and Riyadh Art, told Arab News.
From Nov. 30 to Dec. 16, every Riyadh resident will get a chance to forge a path for their own story using illuminating artworks from across the globe. (Arab News)
After running over 20,000 surveys across the Saudi populace, the team found that Riyadh’s citizens and residents preferred a more concise experience.
Nouf Almoneef, director of the festival, told Arab News: “Last year, a lot of people didn’t get the chance to go to the other locations …We want accessibility for everyone.”
Their approach was to create a contained, yet conspicuous experience: last year’s 40 locations became the five main hubs, each containing over 15 artworks, and some partnering activations in other areas.
Berlin-based French-Swiss artist Julian Charriere’s artwork “Vertigo.” (Arab News)
“Our mission is to transform the city to a gallery without walls … We’re building this legacy for artists to grow and show their works internationally. Our aim is to highlight our artists and the festival globally and for the people to also come and visit,” Almoneef said.
What truly marks out the festival is its strong curatorial narrative which leaves visitors to build a narrative out of the existing pieces placed across Riyadh.
Jerome Sans, co-founder of Palais de Tokyo in Paris and lead curator of this year’s festival, said: “We invented this as a symphony with different acts. You can take it in any order.
“Here for example, in KAFD, the story starts in the city — from mineral to nature; from the Financial District to the door of the desert, or vice versa. Salam Park is a way for us modern people to create our own garden, to shape it, but then there’s a real nature in itself. So we create all different flavors and steps where you can go from one to the other.”
Sans, supported by curators Pedro Alonzo, Fahad bin Naif, and Alaa Tarabzouni, took six months in curation to orchestrate a symphonic storyline within the city’s multifaceted landscape.
Nouf Almoneef, director of the festival said: “Last year, a lot of people didn’t get the chance to go to the other locations … We want accessibility for everyone.” (Arab News)
On the theme, the lead curator noted that desertification is a growing issue globally, not just within Riyadh, which is located in the heart of the Nafud desert. The theme “Bright Side of the Desert Moon” contemplates the light within the arid.
Like the moon, the hubs physically circle Riyadh. As visitors approach each location, they create a celebratory cross-city bonfire marked by gleaming artworks.
For Sans, the concise number of locations act as members of the “family,” bringing the festival to a much more human scale and “easier for everyone to understand.”
For Bjornstjerne Christiansen, one of the three founders of Copenhagen-based collective SUPERFLEX, the theme lay close to the group’s way of thinking as an expanded collective, that “we need to change our behavior and perspective, and we believe we can do that through art,” he told Arab News.
Public art is an important aspect of SUPERFLEX’s work, bringing unique projects to corners of the globe, like the famous Superkilen Park in Denmark with works from 80 nationalities, The Bank urban park in UAE’s Sharjah, a projection on the UN headquarters in New York City, and many others.
SUPERFLEX’s artwork “Vertical Migration” explores territories buried within the depths of the sea projected on a high-rise building in KAFD. (Arab News)
Noor Riyadh, under the umbrella of Riyadh Art, aims to create space for the city’s populace to engage with art in a much more dynamic way. It strays away from confining the works merely within an art space and incorporates them within everyday locations, such as KAFD, a home to many corporate buildings and popular dining spots, and Salam Park, where families go to picnic and play.
SUPERFLEX’s artwork “Vertical Migration” explores territories buried within the depths of the sea projected on a high-rise building in KAFD. It highlights the importance of understanding the ocean’s health through a siphonophore, a creature that comes in trillions every night from the bottom to the surface to clean.
“It’s very beautiful but has a lot of layers of politics in it. And that’s the good thing about art: you can look at it as beauty or aesthetics while also having many layers,” Christiansen said.
Saudi artist Dur Kattan’s “Closer than They Appear” is a collection of approximately 400 car side mirrors, using the blindspot within them as a metaphor for people’s collective blindness to our own humanity.
“In a city like Riyadh, things are very busy. It’s amazing, all these changes that are happening, but you also have to somehow ground yourself and find time to reflect on yourself, your own blindspots, and that will basically protect you from crashing,” Kattan told Arab news.
Kattan is an emerging artist whose contribution to the festival becomes her second showcase after her debut in the exhibition “Heartache” by Very Public earlier this year. While the festival hosts big-name international artists like Yayoi Kusama, it also acts as a platform for younger contemporary names to surface.
Noor Riyadh has become a staple event in the city’s events calendar, the success of which was made possible by “these amazing, talented (artists) and the teams behind the festival” as well as the interaction of the public, Almoneef said.
