AlUla Design Award announces 10 finalists for upcoming second edition

AlUla Design Award announces 10 finalists for upcoming second edition
The 10 finalists for the second edition of the AlUla Design Award have been announced. (Supplied)
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Updated 01 August 2023

AlUla Design Award announces 10 finalists for upcoming second edition

AlUla Design Award announces 10 finalists for upcoming second edition
  • Entrants from Saudi, Bahrain, India, Lebanon, Tunisia, France made the list
  • Organizers laud ‘stronger voice from the Middle East with emerging new talents’

DUBAI: The 10 finalists for the second edition of the AlUla Design Award have been announced.

The award recognizes exceptional creations inspired by AlUla’s heritage, landscapes and artistic legacy.


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The organizers had invited emerging and established designers to conceptualize and propose several categories of retail items including jewelry, footwear, clothing, home accessories and leather goods.

In addition to being recognized by their peers, winners will receive an invitation to the Product Design Exhibition and the winners will be announced at Paris Design Week in September.


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The 10 designs will be exhibited in an exhibition conceived by acclaimed designer Herve Sauvage from Sept. 8 to 16 at Galerie MR21 in Paris.

Twenty creatives were originally shortlisted and the prototypes of their work were evaluated by a jury of recognized leaders from the design world.

Jury member, Cyril Zammit said in a statement: “The designers have captivated the jury with their innovative concepts, artistic excellence, and imaginative interpretations of AlUla’s rich cultural heritage. The quality and innovation have proven exceptional.

“There were more international entries than the first edition and I was pleased to discover a stronger voice from the Middle East with emerging new talents. All the finalists have managed to truly capture the essence of AlUla and transform it into tangible retail designs.”

The 10 works that made it to the final list are:

“Tawa” by Shaddah Studio (Saudi, based in Saudi Arabia)

“Naba Tea Tiffin” by Ikkis, Gunjan Gupta (Indian, based in India)

“AlUla Terrains: Dates Serving Set” by Teeb (Lebanese and Saudi, based in Saudi Arabia)

“Incense Heritage Collection” by Sarra Hafaiedh (Tunisian, based in Tunisia)

“Ohjea” by Thaqeb Studio (Saudi, based in Saudi Arabia)

“Oil Lantern” by Imane Mellah (French, based in Paris)

“Book Lithic” by Ahmed AlMannai, Rashed AlAraifi and Hamad AlMannai, and Abdulla Binhindi (Bahraini, based in Bahrain)

“Arabian Leopard Sculpture Set” by Abdulla Binhindi (Bahraini, based in Bahrain)

“Steps Clasp” by Sara Kanoo (Bahraini, based in Bahrain)

“Sand Garden” by Tajalla Studio (Saudi, based in Saudi Arabia)

Ludovico Einaudi, James Blunt, Swiss Orchestra to perform at Saudi Arabia’s AlUla 

Ludovico Einaudi, James Blunt, Swiss Orchestra to perform at Saudi Arabia’s AlUla 
Updated 42 min 3 sec ago

Ludovico Einaudi, James Blunt, Swiss Orchestra to perform at Saudi Arabia’s AlUla 

Ludovico Einaudi, James Blunt, Swiss Orchestra to perform at Saudi Arabia’s AlUla 

DUBAI: The “Hegra Candlelit Classics” concert series — headed by renowned pianist and composer Ludovico Einaudi, the world-famous Swiss Orchestra, and award-winning singer-songwriter James Blunt — is returning to AlUla in January.

The cherished candlelight concerts will take place at the UNESCO World Heritage Site of Hegra, coinciding with the Winter at Tantora festival. 

The concert will feature a repertoire of live classical music performed by Einaudi on Jan. 18 alongside a talented mix of Saudi musicians.

Einaudi’s breakthrough came with “Le Onde” (1996), followed by a series of influential albums blending classical and minimalist elements.

His ambitious project “Seven Days Walking” and recent solo piano album “Underwater” showcase his evolving artistry, earning him the prestigious Opus Klassik award in 2022. 

Blunt, renowned for hit singles such as “You’re Beautiful” and “Goodbye My Lover,” will perform at AlUla’s Maraya Concert Hall on Feb. 9. 

The British musician’s 2004 debut album “Back to Bedlam” was the UK’s best-selling album of the 2000s, and set the scene for his popularity ever since. 

The Swiss Orchestra will headline on Jan. 19 during Winter at Tantora. The orchestra has dazzled global audiences with renditions of famous Swiss composers and legendary figures including Beethoven and Mozart.

Award-winning filmmaker Mohamed Ben Attia discusses ‘Behind the Mountains’ set to screen at RSIFF

Award-winning filmmaker Mohamed Ben Attia discusses ‘Behind the Mountains’ set to screen at RSIFF
Updated 30 November 2023

Award-winning filmmaker Mohamed Ben Attia discusses ‘Behind the Mountains’ set to screen at RSIFF

Award-winning filmmaker Mohamed Ben Attia discusses ‘Behind the Mountains’ set to screen at RSIFF
  • The film heads to Saudi Arabia after screening at the Venice Film Festival this year
  • The director has won multiple awards at the Berlin International Film Festival and has been nominated for prizes in Venice and Chicago, among other festivals

DUBAI: Years ago, Tunisian filmmaker Mohamed Ben Attia was struck by an image he couldn’t get out of his head. It was a man running towards a cliff, and when he reached the edge, he started to fly. He knew there was greatness in it — a perfect image of freedom. He felt it could perhaps be the basis for his greatest film. But as he wrote and he wrote, nothing came of it. The emotions felt flat. It wasn’t that the idea wasn’t ready — he wasn’t ready himself.   

“I was maybe 20 years old at the time. I was childish and immature. Everything I wrote made little sense to me,” Ben Attia tells Arab News. “But when I finished my film ‘Hedi’ in 2016, the idea returned. Suddenly this idea of a man flying started appearing in my mind beside my own emotions — the rage I was feeling deep within myself. And then these feelings and that image started to blend.” 

At the start of December, “Behind the Mountains,” the result of that renewed inspiration, will screen in competition at the 2023 Red Sea International Film Festival, after receiving support from the Red Sea Fund while in production. The film made its acclaimed debut at the Venice International Film Festival in September, and as much as Ben Attia put his all into the making of the film, seeing audiences react to such a deeply personal and multifaceted movie can sometimes be painful.  

Ben Attia on set with Walid Bouchhioua, who stars as Yassine in “Behind the Mountains.” (Supplied)

“I hate this at times, to be honest. I know I’m supposed to love it, but it can be difficult when people get so confused by watching it, trying to figure out what it’s trying to tell them,” Ben Attia says. “This is part of doing cinema — a film cannot be loved by everyone. But it’s a very strange feeling with this film particularly, because it’s hard even for me to explain the meaning of the film, as well as for many to understand what drives this character to begin with.”  

“Behind the Mountains” begins simply enough, at least. Rafik is released from a Tunisian prison, four years after his mental health issues manifested as a violent outburst in his former workplace. He now believes he can fly, and kidnaps his young son to take him to a special place behind the mountains to show him that his vision is real.  

There are many potential interpretations of this tale, but it’s hard not to draw parallels to the story of Tunisia itself, even for Ben Attia. Almost exactly 13 years ago, the Tunisian Revolution began, culminating in the ousting of the Ben Ali government and the start of a still-ongoing redrawing of the Tunisian political landscape and a reorganization of the country’s society at large.  

Ben Attia on set with Majd Mastoura, who stars as Rafik in “Behind the Mountains.” (Supplied)

In a time of great upheaval, a world of possibility emerges. Suddenly, the future feels free — enough to make a man feel that he could fly, because perhaps he can. But is the anarchy of freedom a blessing? A curse? Both? And can anything truly change if people continue to impose the same mental shackles on themselves as they did before? It’s a complicated subject that has caused more than a few headaches, to put it lightly.  

“I would say that, since our revolution happened, the busiest people in our society have been the psychiatrists. Because it wasn’t just that things changed politically — it was also a revolution of the individual; a revolution of feeling,” Ben Attia explains. 

“The idea that this regime could change was impossible for us to imagine. So it gave us the feeling that anything could happen, even in our own lives. That’s why people started changing professions, getting divorced… That’s exactly where this film finds its characters — in moments where they come to their own realizations of possibility, their own understandings of how things can be different, for better or for worse.”  

A still from “Behind the Mountains.” (Supplied) 

Ben Attia has changed a lot, too. Over the last decade, his work has captured the attention of the film community cross the world. 2016’s “Hedi” won the Best First Feature award at the 2016 Berlin International Film Festival and was co-produced by the renowned Dardenne brothers. His next film, “Dear Son,” was selected for the Directors’ Fortnight section of the 2018 Cannes Film Festival, and was the Tunisian entry for the Best International Film category of that year’s Academy Awards.   

Part of what has kept him grounded as his star rises is his second career, the one he rarely talks about.  

“I have a strange life, to be frank. While I’m doing all of this, I’m also a chef in my family’s Italian restaurants in Tunis. I get my ideas for films when I’m working in my kitchen. It gives me balance in my own life when I have these dual identities. It takes the pressure off. When I was just doing nothing, no ideas came. I have to work in the restaurant — I have to be making pasta fresca to get a little bit inspired. It allows me to see things I couldn’t have in any other circumstance,” says Ben Attia.  

But while the kitchen is where the ideas start to flow, art is still an act of self-therapy, especially as it can often contain complex and contradictory ideas that everyday linear thought often can’t. 

A still from “Behind the Mountains.” (Supplied)

“We are living in strange times, especially with what’s happening in Gaza and everywhere else,” Ben Attia says. “It’s not just our region of the world, it’s also about the identity of the Arab people and our relation to the Occident. As an artist, that fills us with contradictions — today I think something and tomorrow I think something very different. But thankfully, we are not making science, we are making cinema. We’re still discovering what the truth could be, and what our future could be.”  

At each screening of “Behind the Mountains,” Ben Attia gets different interpretations from the audience of all the things it may be saying. And with every question, he has more time to consider what he thinks about both the work and the world he’s living in — and he hasn’t quite worked it out. But that’s the beauty of cinema, as he says, and when his next film idea comes to the boil back in his kitchen, he’s ready to see where his inspiration takes him next.  

“I’m giving myself boundaries: first, just follow the promotion of this film just to understand better what I did and how, and why I did it. Even if that hurts, it’s good to do, and it’s good to react to what happened with this film,” he says. “Even now, I have a vague idea — I have another image I’m getting ready to pursue. But I’m in no rush. I want to take my time and see if it’s still there in a few months, and if that’s the case, then I’m ready to start for sure on the right foot.” 

Director Yasir Al-Yasiri talks ‘surreal’ opportunity to open Red Sea International Film Festival with ‘HWJN’

Director Yasir Al-Yasiri talks ‘surreal’ opportunity to open Red Sea International Film Festival with ‘HWJN’
Updated 30 November 2023

Director Yasir Al-Yasiri talks ‘surreal’ opportunity to open Red Sea International Film Festival with ‘HWJN’

Director Yasir Al-Yasiri talks ‘surreal’ opportunity to open Red Sea International Film Festival with ‘HWJN’
  • Fantasy film based on hit novel ‘about the journey of discovery,’ director says
  • Baraa Alem stars as kindhearted jinn who falls for mortal woman

DUBAI: Iraqi director Yasir Al-Yasiri said he was delighted that his new film, “HWJN,” had been chosen to open this year’s Red Sea International Film Festival in Jeddah.

Speaking to Arab News before the big night on Thursday, the Dubai-based filmmaker said: “I feel really surreal. Getting to open the festival in Jeddah about a story set in Jeddah itself is pretty fantastic.”

The fantasy film is based on the hit young adult novel of the same name by Saudi Ibraheem Abbas, which was praised for combining Western sci-fi and fantasy tropes with Arab culture and folklore.

Al-Yasiri said he was drawn to the challenge of making a fantasy film in Saudi Arabia as the genre was still new in Arab cinema.

A poster for opening film 'HWJN.' (Supplied) 

“And to actually have Image Nation Abu Dhabi, MBC and Vox excited to bring this to life was very fortunate. For me, it was an ideal opportunity to bring such a story to life.”

Set in modern-day Jeddah, “HWJN” follows the story of Hwjn, a kindhearted jinn (genie), played by Baraa Alem, as he discovers the truth about his royal lineage and falls in love with Sawsan, a mortal woman played by Nour Al-Khadra.

“‘Hwjn’ is a story about the jinn world. Of course, jinn is deep-rooted in our culture and religion and it’s a familiar subject to our audience. Yet, there is no visual representation of jinns. So, I wanted to make a movie about them and at the same time make it relatable to the audience, so they feel what they have in their minds — as a legacy and from a cultural standpoint — can be relatable visually,” Al-Yasiri said.

“The story is about the journey of discovery that one of the jinns takes and a forbidden relationship that he has with someone from the other realm, which is the human realm.”

Al-Yasiri, whose previous films include “Murk Light” and “On Borrowed Time,” spent five years making “HWJN” and said its cast were as obsessed with the novel as its many fans.

“When it comes to casting, I always follow my instant gut feeling,” he said. “Most of my previous films, I cast my actors upon first viewing, like I get butterflies when I see their performance. And when I see that both performance and looks really match with what I have in mind for the character, it clicks.

“Noura Al-Kadra really was one of those actors who really clicked right away as soon as I saw her audition tape. And I said, ‘That’s it, this is Sawsan.’ And it was the same with the others, like Baraa and Naif (Al-Daferi),” he said.

“Their hunger and appetite to the story itself and how aware they were to the success of the novel I think added an additional layer to how excited they were about it and that was really showing in their auditions.”

The Red Sea International Film Festival runs from Thursday to Dec. 9.

Paul Chowdhry set to bring ‘family-friendly’ comedy to Riyadh  

Paul Chowdhry set to bring ‘family-friendly’ comedy to Riyadh  
Updated 30 November 2023

Paul Chowdhry set to bring ‘family-friendly’ comedy to Riyadh  

Paul Chowdhry set to bring ‘family-friendly’ comedy to Riyadh  

DUBAI: Paul Chowdhry — the first British Asian standup comedian to sell out London’s Wembley Arena — will perform his first show in the Kingdom as part of the comedy festival Riyadh Laughs, which began Nov. 23 and ends Dec. 2 in Boulevard Riyadh City.   

Chowdhry will be performing his hit show, “Family Friendly Comedian,” in which he lays out the plan for his transition into a happy-go-lucky “guy next door” persona that will turn him into a national TV treasure to Muvi Cinemas on Dec 1. 

“It’s a show that plays on topics that are considered family-friendly to some, but maybe not to others,” he says. “It’s a show about political correctness. I talk about my life, I talk about families, as well as the UK government and English people a lot. So, it’ll be interesting if we get a mix of British people and locals (in the audience), because we talk about both sides of it, as well as traditional upbringings in comparison to Western upbringings and all that.”  

In August 2019, Chowdhry’s record-breaking stand-up show, “Live Innit,” was released as an Amazon Prime original special in 200 countries worldwide. The tour received two nationwide extensions, including five nights at Hammersmith Apollo and that sold-out show at the 10,000-seater Wembley Arena. His performance there was voted one of the venue’s top ten shows of 2017.  

Apart from his current tour, Chowdhry is also excited about audiences soon getting to watch him in a Christmas episode of Sky’s “The Unofficial Science Of…” — a format in which comedians investigate the science behind the stunts of famous films. Alongside fellow comedian Chris Ramsey, Chowdhry will “reenact the stunts from ‘Die Hard’ and then the show goes to America to interview the cast of ‘Die Hard.’ This has never been done before. We’re going to be jumping off buildings and jumping through fire.”  

Chowdhry, who is of Indian Sikh descent, is no stranger to the Middle East, having performed multiple times in the UAE. “I’ve always loved performing in the Middle East, because the crowds are always so great,” he said, adding that he was looking forward to his first show in Saudi Arabia. 

Chowdhry, 49, said he grew up loving comedy, “but you never know you can do it until you stand in front of an audience.” He actually quit university in order to give stand-up a go.  

“I’ve been addicted ever since,” he said. “From my first ever show, I immediately got a real buzz from it. It felt like I was flying.”  

Chowhdhry credits his family with being supportive of his decision to give up on higher education to pursue his dream.  

“They’ve supported me throughout my career so far. Some of my extended family may have had some issues, but that’s not really my concern,” he said. “You have to live your own life. As long as everything you do is legal, then follow your own dreams and live your own life — you’re not living somebody else’s.”  

The local filmmakers on show in RSIFF’s ‘Arab Spectacular’ section 

The local filmmakers on show in RSIFF’s ‘Arab Spectacular’ section 
Updated 30 November 2023

The local filmmakers on show in RSIFF’s ‘Arab Spectacular’ section 

The local filmmakers on show in RSIFF’s ‘Arab Spectacular’ section 


Director: Abu Bakr Shawky 

Starring: Omar Al-Atawi, Azzam Nemr, Toleen Barbood 

Matar is the youngest child in a family of camel jockeys. When his brother falls in a race and is killed, Matar steps up to save his own camel, Hofara, from the butcher, beginning a potentially deadly trek through the desert in search of a better life. “This is a Saudi film, but it’s so universal,” Egyptian director Abu Bakr Shawky told Arab News in August. “The deeper we got into exploring this world, the more I found themes that are at the heart of great global storytelling; ideas of vengeance, of love, of running away from your problems and finding your destiny.” 


Director: Yasir Al-Yasiri 

Starring: Alanoud Saud, Nour Alkhadra 

The Iraqi director’s fantasy movie — based on the best-selling novel by Saudi writer Ibraheem Abbas — was given the honor of opening the festival on Nov. 30 (it also screens Dec. 1). “Hwjn” is set in a world where djinn are living invisibly among humans. The titular djinn and his family are disturbed when a human family moves into their Jeddah home, but he soon becomes fascinated by them, particularly Sawsan, played by Nour Alkhadra. Alkhadra told Arab News that she landed the part after sending Al-Yasiri a tape of her playing out scenes from Quentin Tarantino’s “Pulp Fiction.” 

‘Fever Dream’ 

Director: Faris Godus 

Starring: Sohayb Godus, Najm, Hakeem Jomah 

Expectations are high for the latest from the Godus brothers after the success of their debut feature “The Book of Sun,” which was picked up by Netflix. “Fever Dream” focuses on Abdulsamad, a former football star with a bad reputation who tries to mend his awkward relationship with his daughter Ahlam so that she will help him manage his reputation on social media and rebuild his fame in a positive light. They partner with a high-profile PR team and move into real-estate marketing. But as Abdulsamad’s fame grows, he discovers it’s not quite what he dreamed it would be. 


Director: Meshal Aljaser 

Starring: Adwa Bader, Yazeed Almaiyul 

Bader was officially recognized as one of the Rising Stars at the Toronto International Film Festival, where “Naga” premiered. Bader plays Sarah, whose conservative father approves a shopping trip, on condition that she abide by a strict curfew. That ‘shopping trip’ is actually a cover story for Sarah’s secret date with Saad at a party in the desert, which quickly turns into a disaster, with Sarah stranded miles from home and in a desperate race against the clock to avoid her father’s ire. TIFF programmer Peter Kuplowsky said the film “blew me away with its shocking prologue” and that Meshal “was navigating so many provocative themes, and never at the expense of character or momentum.” 

‘Yesterday After Tomorrow’ 

Director: Abdulghani Alsaigh 

Starring: Ismael Al-Hassan, Ahmad Alsadam 

Alsaigh’s sci-fi movie is the story of two brothers living with their widowed mother having moved back into their childhood home. There, they discover a portal to the past — to a time when their father, whom they never met, was still alive. But the longer they stay there and try to connect with him, the harder it will be to reunite with their mother in the present. Meanwhile, distressed by their disappearance, she teams up with her best friend to try and discover what happened to them. 

‘Khaled El-Sheikh: Between the Thorns of Art and Politics’ 

Director: Jamal Kutbi 

Starring: Khaled El-Sheikh, Samawa El-Sheikh 

Kutbi’s documentary focuses on the famed Bahraini singer Khaled El-Sheikh, whose appetite for pushing musical boundaries has seen him richly rewarded, but also brought opprobrium from audiences uncomfortable with innovation. Kutbi follows El-Sheikh’s rise to stardom from his time as a university student in Kuwait studying economics and politics before dropping out to focus on music.