Saudi Arabia’s Tuwaiq Sculpture exhibition opens doors to art, cultural exchange

Special Saudi Arabia’s Tuwaiq Sculpture exhibition opens doors to art, cultural exchange
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Saudi sculptor Lamia Moraished. (Tuwaiq Sculpture)
Special Saudi Arabia’s Tuwaiq Sculpture exhibition opens doors to art, cultural exchange
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Iranian sculptor Sahar Khalaji. (Tuwaiq Sculpture)
Special Saudi Arabia’s Tuwaiq Sculpture exhibition opens doors to art, cultural exchange
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Egyptian sculptor Ahmed Karaly. (Tuwaiq Sculpture)
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Updated 18 February 2024
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Saudi Arabia’s Tuwaiq Sculpture exhibition opens doors to art, cultural exchange

Saudi Arabia’s Tuwaiq Sculpture exhibition opens doors to art, cultural exchange
  • Held under the theme ‘Dimensions of Movement,’ symposium is spotlighting 30 artists from around the world
  • Lamia Moraished: ‘The symposium wasn’t just about contributing a piece, but it was also a global cultural experience’

RIYADH: In the past month, 30 artists from 20 countries carved and sculpted their way through raw stone. Now, the annual Tuwaiq Sculpture symposium has opened its doors to the public, displaying their large-scale public works until Feb. 24 just north of ROSHN Front.

Under the theme “Dimensions of Movement,” each artist explored the progress and expansion they all witnessed across the Kingdom, specifically Riyadh, in their own language. The symposium is curated by Head Curator Marek Wolynski, and Associate Curator Fahad Al-Jebreen.

Wolynski told Arab News: “‘Dimensions of Movement’ pays tribute to how society can develop and integrate progress within daily life. I’m hoping that (it) captures a moment in time and serves as a point of reference for the generations to come.”

Once the sculptures are relocated to public spaces across the Kingdom’s capital, he hopes they will reflect the optimism, passion, and dynamism embedded within Saudi society.

The 30 artists not only carved raw granite into large-scale artworks, but also shared breakfasts and dinners, enjoyed cultural exchanges and Sunday excursions, demonstrating that Tuwaiq’s goal is to forge collaboration between artist communities around the world.

“It’s not only about the production of sculptures, it’s predominantly about the exchange of knowledge and transfer of skills that happens between artists themselves,” Wolynski said.

The program received an unprecedented 700 applications from 84 countries. After careful selection by the jury panel, 30 artists were selected from Saudi Arabia, China, India, Iran, through to the Arab world, Europe and South America, including Chile, Ecuador, Mexico, Canada, and others.

Spanish artist Jordi Raga has developed methodologies that combine constructive and subtractive techniques using manual and digital technologies. The work intends to behave as a sundial during the summer solstice.

Influenced by the notions of progress and evolution, Raga has centered two of Saudi Arabia’s most vibrant cities, Riyadh and Makkah, in his artwork titled “The Spark,” which combines techniques of manual and digital technologies. Using 3D software, he predicted a shadow that points from Riyadh to Makkah on June 21, reflecting the importance of will and hope as a driver of progress and evolution.

“The spark is the beginning of a chain reaction. So, all progress can create a revolution … I believe art is a catalyst as well,” Raga told Arab News.

The Spanish artist’s practice also champions sustainability. At Tuwaiq, he made a point to generate a spatial experience with minimal materials and waste.

The cohort features 10 Saudi artists, half of whom are women. Artist Azhar Saeed centered her work, titled “Extension,” around the Kingdom’s multitude of pioneering feats in various fields.

“It symbolizes an extension of past efforts, from the Kingdom’s foundation until now. The country is experiencing the largest construction renaissance in the modern Arab world, so we as Saudis are working quickly and ambitiously to cope with this change,” she told Arab News.

The five stone pieces, derived from the geometrical shape of honeycombs, are a nod to the essential component of cooperation between various projects under the Kingdom’s Vision 2030.

Saudi artist Lamia Moraished’s sculpture consists of horizontal columns resting on natural-textured stone pieces. The work intends to evoke a feeling of firmness and solidity even while in movement.

“The symposium wasn’t just about contributing a piece, but it was also a global cultural experience. We created friendships, exchanged knowledge and cultures, and learned about sculptural heritage in other countries as well,” she told Arab News.

The program also incorporates public engagement through ongoing workshops, panel discussions, masterclasses, and university and school visits. The program was designed to “allow for the community to embrace the transformation on different levels,” Wolynski said.

“This is very important, especially for children to see different models for things they can do in the future. If they see art, they can think maybe to become creators in multiple fields, so that’s already a catalyst,” Raga noted.


AlUla’s rich cultural heritage beckons travelers from far and wide

AlUla’s rich cultural heritage beckons travelers from far and wide
Updated 26 August 2024
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AlUla’s rich cultural heritage beckons travelers from far and wide

AlUla’s rich cultural heritage beckons travelers from far and wide
  • Geological diversity, inscriptions and rock carvings are attractions
  • Hegra, the UNESCO World Heritage site, features Nabatean tombs 

JEDDAH: Culture is a fundamental component of the tourism offering in AlUla, which is situated in the Kingdom’s northwest, the Saudi Press Agency reported recently.

Every visitor to AlUla is eager to learn about the region’s ancient heritage, reflected in its rich history spanning thousands of years. This makes it a bucket-list destination for history and travel enthusiasts.

AlUla is centered around an ancient town that emerged in the 12th century, featuring around 900 houses built from mud bricks, the SPA reported.

In the past, trade caravans laden with incense passed nearby, overlooking palm oases with around 3 million trees.

A towering fortress, standing 45 meters tall, was constructed within it, serving as a watchtower and defensive fortification for the town’s wall, which included 14 gates, the report explained. 

The town now has several local shops, restaurants and cafes, providing a retreat for families and tourists from various countries. 

The old town of AlUla was selected as one of the best tourist villages in the world by the World Tourism Organization in 2022, among 32 from around the globe, for meeting all the selection criteria.

AlUla offers its visitors numerous tourism options. Amidst its natural landscape distinguished by geological diversity and stunning rock formations, visitors can experience desert trips, camping, stargazing in its clear skies, nature reserves, and mountain climbing.

Jabal Ikmah is one of the most prominent historical sites in AlUla, popularly dubbed “the largest open-air library” in the Arabian Peninsula due to its hundreds of ancient inscriptions and rock carvings. 

At the same time, visitors can explore historical and archaeological sites, most notably the Hegra area, which is listed as a UNESCO World Heritage site. Here one can discover Nabatean tombs, various inscriptions, and excavation sites. 

Every year, the Royal Commission for AlUla organizes several diverse artistic and cultural events, including the upcoming Winter at Tantora Festival. 

The event features traditional sports of horseback archery and tent pegging, as well as exploratory tours, art and cultural exhibitions, including the Ancient Kingdoms Festival, and much more.


Museum of Islamic Art exhibition to showcase new works by artists from Qatar and Morocco

Museum of Islamic Art exhibition to showcase new works by artists from Qatar and Morocco
Updated 25 August 2024
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Museum of Islamic Art exhibition to showcase new works by artists from Qatar and Morocco

Museum of Islamic Art exhibition to showcase new works by artists from Qatar and Morocco

DUBAI: An exhibition presenting the artistic visions of designers from Qatar and Morocco will open at the Museum of Islamic Art in Doha, Qatar.

“Crafting Design Futures” will open on Nov. 30 as part of the Qatar-Morocco 2024 Year of Culture.

On show will be specially created works by nine designers from Qatar and Morocco,  with characteristics intrinsic to each maker’s homeland and culture.  

Moroccan artist Hmaza Kadiri in his studio. (Courtesy of Design Doha 2024) 

Curated by Gwen Farrelly, the exhibition, which runs until Jan. 7, 2025, will feature new works by designers from Qatar and Morocco created during Design Doha Residency Program 2024 Qatar | Morocco: Crafting Design Futures.

The residency program, staged under the auspices of Design Doha, a biennial event launched in 2024 to creative innovation from the Middle East and North Africa region, aims to foster long-term exchanges of knowledge, craft and design practices. 

“A key objective of the biennial is to establish networks of exchange and collaboration among regional designers, which is where the Design Doha Residency Qatar | Morocco: Crafting Design Futures plays a crucial role,” Farrelly said. “This program explores the connections between contemporary craft practices and innovative design through an exchange between Moroccan and Qatari makers.” 

Majdulin Nassrallah in front of artwork by Sara Ouhaddou. (Courtesy of Design Doha 2024)

Designers based in Qatar include Nada Elkharashi, Reema Abu Hassan, Majdulin Nassrallah and Abdulrahman Al-Muftah, all of whom interpreted traditional Moroccan craft-making skills acquired during the exchange program to design multifunctional installations, products and artistic displays, while also highlighting important cultural narratives.  

Simultaneously, in Morocco,  Amine Asselman, Bouchra Boudoua, Amine El-Gotaibi, Hamza Kadiri  and Sara Ouhaddou focused on earthworks, textiles, wood craftsmanship, ceramic and glass installations and pottery. 

Through the residency artists offered a first-hand experience for participants to learn from expert artisans and craftspeople in each country.

The Moroccan artists participated in a two-week research residency in Qatar at the Liwan Design Studios & Labs and Torba Farm, immersing themselves in the local culture and traditions.

Participants from Qatar, in turn, traveled to Morocco, visiting studios and artisan schools in Rabat, Casablanca, Marrakech and Fes to gain insights and inspiration from the rich Moroccan craft traditions. 
 
The designers from both countries, Al-Obaidly said, “immersed themselves in each other’s craft traditions — ranging from ceramics to textiles — and developed new works that reflect and support the heritage and contemporary practices of their cultures.”  

Abdulrahman Al-Muftah’s work, for example, incorporated wood — a material that is not commonly associated with Qatar.  

“It was so valuable to our ancestors and why I chose to work with this material for the Crafting Design Futures exhibition,” he told Arab News. “Wooden beams were traditionally used to construct roofs, often dictating room dimensions. These beams were never cut to size, becoming a distinct design element in heritage buildings, visible in the protruding ends that symbolize traditional construction practices.” 

Amine El-Gotaibi Studio. (Courtesy of Design Doha 2024)

The piece Al-Muftah created for the exhibition is his own interpretation of woodworking. He was particularly inspired by Moroccan artist Hamza Kadiri’s woodwork, highlighting his artistry native to his North African homeland, which also reflected the important element of cultural exchange through the residency and exhibition. 
 
“In Kadiri’s hands, hardwoods become as malleable as clay, with household furniture items emerging as if they were poured into shape,” he said. “My piece for the Crafting Design Futures exhibition is my interpretation of woodworking, drawing on Kadiri’s innovative techniques to create something uniquely my own.” 

The goal is the exhibition goes beyond the beauty and innovation of the works on show to reflect the mission of Qatar’s Years of Culture to transcend borders and culture through creativity. 

“Crafting Design Futures demonstrates the transformative impact of finding inspiration through shared experiences that draw on the wisdom of our ancestors, our lifestyles, and our deep-rooted connections with our societies, landscapes and environment — all of which collectively shape our unique perspectives, creative endeavors and shared narratives,” Al-Obaidly said. “Designing opportunities for creatives to engage in programs that have the capacity for such deep experiences is crucial to nurturing talents within the MENA region.” 


National Film Archive launches Film Deposit Initiative

National Film Archive launches Film Deposit Initiative
Updated 22 August 2024
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National Film Archive launches Film Deposit Initiative

National Film Archive launches Film Deposit Initiative
  • Initiative will collect films from various sources; from private and public sector institutions as well as filmmakers
  • By preserving the films, the National Film Archive aims to solidify the Kingdom’s position as a premier hub for movie production

RIYADH: The National Film Archive has launched the Film Deposit Initiative, which aims to collect and archive more than 1,000 Saudi and Arab films, the Saudi Press Agency reported on Thursday.

The initiative will collect films from various sources; from private and public sector institutions as well as filmmakers. By preserving the films, the National Film Archive aims to solidify the Kingdom’s position as a premier hub for movie production in the heart of the Middle East.

According to SPA, the Film Deposit Initiative aims to preserve films for future generations and ensure their availability. Its mission extends beyond archiving; aiming for strategic digital transformation, systematic classification, and enhanced engagement with global film communities and cinema audiences.

Anyone can deposit their film by filling out the form and the National Film Archive will guide people through the required stages.


Museum of Modern Art in Paris explores French capital’s influence on Arab art

Museum of Modern Art in Paris explores French capital’s influence on Arab art
Updated 21 August 2024
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Museum of Modern Art in Paris explores French capital’s influence on Arab art

Museum of Modern Art in Paris explores French capital’s influence on Arab art

DUBAI: Throughout the 20th century, Paris became a new home for artists from across the Arab world. Young, aspiring creatives from the Levant and North Africa moved to the French capital to study or seek refuge during political upheaval in their homelands.

Set to wrap up next week, the exhibition “Arab Presences: Modern Art and Decolonization: Paris 1908-1988” at the Musée d'Art Moderne (also known as MAM) offers an exploration of a unique facet of the history of modern art by tracing the rarely documented links between Paris and Arab creatives. Curated by Morad Montazami with assistance from Odile Burluraux and Madeleine de Colnet, the exhibition aims to explore the impact Arab artists left on the French art scene and how Paris affected their work.

“The exhibition is dedicated to reviving the history of Arab artists and their links with Paris, to tell a story that has never been told in this way,” Burluraux told Arab News. “It shows — through exhibitions, acquisitions, articles — how the trajectories of some Arab artists were intertwined with the Parisian art scene at the time. However, it will certainly contribute also to enrich Arab art history. Because it reveals mutual interests, curiosity, shared moments.”

The exhibition is organized chronologically, beginning in 1908, the year in which the Lebanese poet and artist Gibran Khalil Gibran arrived in Paris and the year that saw the opening of the Ecole des Beaux-Arts in Cairo. The show runs until 1988, when the first exhibition devoted to contemporary Arab artists at the Institut du Monde Arabe, which had officially opened in Paris a few months earlier in 1987, took place.

Featured in the exhibition are more than 200 works, many of which have rarely been exhibited in France, and more than 130 rarely shown artists whose works offer a significant contribution to the study of the Arab avant-garde movement and the history of art in the 20th century. Major Arab artists including Iraqi artist Jamil Hamoudi, Algerian painter Baya, Iraqi artists Dia Azzawi, Kadhim Hayder and Rafa Nasiri and Turkish artist Fahrelnissa Zeid are also present.

“Paris at the beginning of 20th century was an important colonial empire,” Burluraux said.“The French language was spoken in most of North Africa and the Middle East. Arab artists who wanted to complete their art education were travelling to Paris to study in official art schools or ateliers.”

Paris then became a place where modernity became a source of inspiration, a chance also to break free from styles of art that were taught in Arab French colonies.

“Paris was also a place of emancipation, of awakening of consciousness about de-colonialism,” Burluraux explained. “It was also a place to get rid of the orientalist style that was still taught in their origin schools.”

In many ways, as the exhibition demonstrates, Paris was not just a place of refuge but a breeding ground for artistic discovery, experimentation and also artistic liberty.


REVIEW: ‘One Fast Move’ takes viewers into the thrilling world of motorcycle racing

REVIEW: ‘One Fast Move’ takes viewers into the thrilling world of motorcycle racing
Updated 17 August 2024
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REVIEW: ‘One Fast Move’ takes viewers into the thrilling world of motorcycle racing

REVIEW: ‘One Fast Move’ takes viewers into the thrilling world of motorcycle racing

CHENNAI: Now on Amazon Prime Video, “One Fast Move” races into excitement the moment it opens with Wes Neal (KJ Apa of “Riverdale” fame) in an illegal motorbike run being taken down and jailed for six months. So begins the narrative of a young man who has being toying with motorcycles for an eternity till he decides to find his long lost father, Dean Miller (Eric Dane).

The film is directed with a touch of brilliance by Kelly Blatz, who also wrote it with a great twist at the end making the movie a captivating watch. There may not be much of a story, but that is adequately compensated for by arresting visuals (by cinematographer Luca Del Puppo) of pulse-pounding races and smart editing (by Seth Clark) that does not let a single dull moment creep into the narrative.

As a relief to the speeding wheels on the tracks, Blatz takes us into the personal journey of Neal. There are touching moments between the estranged father and son, whose own romance with the local girl, Camila, played by Maia Reficco, adds depth to the plot. Their chemistry glows, highlighted by the costume choices made for both characters.

The unique style of photography, capturing races at unbelievably diverse angles, will wow the viewer. Add in the first rate performances and the film is a treat.

However, this is one rare work which I felt could have been slightly longer than its 107 minutes. A little more back story of characters like Wes and Camila could have really made the work feel more complete. The end seemed rather abrupt; a couple of more minutes there would have worked wonders. Although some parts of “One Fast Move” are predictable, it is a breathtaking work, especially with those stunning scenes captured with incredible precision.