‘Gulf Art Movements’ exhibition showcases history of Arab creatives

‘Gulf Art Movements’ exhibition showcases history of Arab creatives
1 / 6
Guest curator Aisha Stoby during a media tour at the exhibition. (Supplied)
‘Gulf Art Movements’ exhibition showcases history of Arab creatives
2 / 6
Abdulhalim Radwi, Harat Al-Sham in Al-Balad, 1985, Art Jameel Collection. (Nada Hameed)
‘Gulf Art Movements’ exhibition showcases history of Arab creatives
3 / 6
Supplied
‘Gulf Art Movements’ exhibition showcases history of Arab creatives
4 / 6
Thuraya Al Baqsami, the artwork titled: Funeral, 1985. Barjeel Art Foundation, Sharjah. (Nada Hameed)
‘Gulf Art Movements’ exhibition showcases history of Arab creatives
5 / 6
Abdulhalim Radwi, Hajj Day 1987, Mathaf: Arab Museum of Modern art, Doha. (Nada Hameed)
‘Gulf Art Movements’ exhibition showcases history of Arab creatives
6 / 6
Anwar Sonya, Fatma 2005, video installation, private collection. (Nada Hameed)
Short Url
Updated 23 May 2025
Follow

‘Gulf Art Movements’ exhibition showcases history of Arab creatives

‘Gulf Art Movements’ exhibition showcases history of Arab creatives
  • 50 artists from 1930s to 2000s at Jeddah’s Hayy Jameel
  • Curator Aisha Stoby highlights leadership role of artists

JEDDAH: Art Jameel launched the “Gulf Art Movements” exhibition on Thursday to trace the evolution of modern creatives in the Arabian Gulf from the 1930s to the early 2000s.

The exhibition at Hayy Jameel in Jeddah, titled “Redrawing the Boundaries: Art Movements and Collectives of the 20th Century Khaleej” opened on May 22 and runs until Oct. 15.

It features works by more than 50 artists, drawn from 20 state and private collections, and traces the evolution of modern art movements in the Arabian Gulf from the 1930s to the early 2000s.

The “Redrawing the Boundaries” show explores the emergence and development of key art movements across Bahrain, Kuwait, Oman, Qatar, Saudi Arabia, and the UAE.

It examines how artists responded to dramatic shifts in their urban environments and societies while engaging with themes including changing landscapes, public and private spheres, and the rise of formal art institutions.

The exhibition includes works from the Art Jameel Collection alongside loans from notable public and private collections, including Mathaf: Arab Museum of Modern Art, Barjeel Art Foundation, the Sultanate of Oman’s Ministry of Culture, Sports and Youth Collection, and the Sharjah Art Foundation.

Featuring over 80 works, the exhibition highlights a variety of influences —from local folklore and traditions to Western modernist movements, as well as Egyptian and South Asian visual cultures.

From the calligraphic abstraction of Hurufiyya, an artistic movement exploring the potential of Arabic script, to the experimental ethos of collectives such as The Five, The Circle, and the Shatta Collective, the exhibition captures the innovative spirit that defined a generation of artists.

These artists not only shaped national art movements but also worked collaboratively, founded institutions, and envisioned new futures for art in the Gulf.

The show builds on an earlier exhibition curated by Aisha Stoby titled “Khaleej Modern: Pioneers and Collectives from the Arabian Peninsula,” which was held at New York University Abu Dhabi Art Gallery in 2022.

In an exclusive interview with Arab News, Stoby elaborated on her curatorial approach.

“They were artists who were not just foundational figures within their practices, who are without question leaders of the art movements within their own countries, but were influential through all these criteria.”

“They were establishing institutions, mentoring, and building movements. So it was above and beyond the artwork.”

The exhibition is organized into four thematic sections: “The Landscape and Public Sphere,” “Identity and Private Space,” “Abstraction and Ephemerality,” and “The Conceptual New Wave.”

Stoby said: “For me what became very pronounced is if you look at the material thematically, with it comes chronologies and with it comes geographies.”

“It seemed eventually that the most natural way that these conversations could come out themselves was by putting it into a thematic structure,” she added.

The exhibition opens with a pairing of paintings in the first section, dedicated to landscape and public space. The two works, by Abdulkarim Al-Orrayed and Abdulhalim Radwi, set the tone for a dialogue between cities, histories, and artistic legacies.

Al-Orrayed, a seminal figure in Bahraini modern art and a founding force behind numerous art institutions and ateliers, presents a large painting capturing the development of Manama — its houses, buildings, and evolving urban identity.

In contrast, Radwi’s piece captures the vibrancy of Jeddah’s historic district, Al-Balad. His depiction of movement and bustle evokes the city’s rich cultural rhythm.

Displayed side by side, these works create one of Stoby’s favorite moments in the exhibition, “A conversation between two city centers,” reflecting shared regional experiences through local lenses.

The second section, features deeply emotional and historical pieces, including two evocative works by Kuwaiti artist Thuraya Al-Baqsami.

Created during the Gulf War, one of them is “Note to the Invasion” and “The Parting” of two people who are in love and being separated. It explores themes of separation, loss, migration and resilience.

“One piece reflects the devastation of conflict, while the other speaks to the aching tenderness of lovers pulled apart by war. These artworks do more than document — they humanize a collective trauma experienced across the Gulf,” said Stoby.

In the third section, themed around abstraction and ephemerality, another wall greets visitors with three interconnected works. Among them is a piece by Abdulhalim Radwi portraying the Hajj, sourced from the Mathaf: Arab Museum of Modern Art.

“It is an act of symbolic homecoming as the artwork returns to Jeddah, the city it represents. Beside it hangs ‘Worshippers Leaving the Mosque’ by Abdulrahman Al-Soliman.

“Together, these paintings resonate as a spiritual dialogue between two pioneering artists: one rooted in Jeddah, the other in Riyadh.

“The wall extends further with contributions from Khalifa Al-Qattan and Ali Al-Mahmeed, artists who reflect on the multifaceted ways religion is experienced in daily life across the region,” said Stoby.

Finally, on the upper floor — where conceptual and new media works take center stage — a deeply symbolic film by Omani artist Anwar Sonya stands out.

Known for his landscapes and cross-border artistic relationships, Sonya here turns his lens toward memory and myth. The work began as a documentary about a prominent woman who led an art institution in Kuwait.

During filming, a coffee cup reading foretold she would live a long and dynamic life, only for her to pass away shortly thereafter.

“The project transformed into an elegiac reflection on mortality, folklore, and the unseen threads that bind lives and legacies. It became an artwork looking at her memory,” said Stoby.

It portrays “our relationship to myth, what is real, and what meaning we can hold onto,” Stoby added.

Nora Razian, Art Jameel’s deputy director and head of exhibitions and programs, said that “Redrawing the Boundaries” offers “a compelling rethink of modernism.”

Razian added that it adds “significantly to the study and understanding of a distinct aesthetic that developed across the Khaleej with a focus on the 1930s through to the early 2000s, a time of state formation, nation building and social transformation.”

She added that the exhibition “foregrounds the critical and foundational roles artists played in shaping institutions and cultivating creative communities during times of transformation.”


Exploring the hidden gems of Saudi Arabia’s sacred heritage

Beyond the holy cities, other sacred destinations continue to attract pilgrims in search of spiritual enrichment. (Supplied/File
Beyond the holy cities, other sacred destinations continue to attract pilgrims in search of spiritual enrichment. (Supplied/File
Updated 09 June 2025
Follow

Exploring the hidden gems of Saudi Arabia’s sacred heritage

Beyond the holy cities, other sacred destinations continue to attract pilgrims in search of spiritual enrichment. (Supplied/File
  • In the holy city of Makkah, pilgrims visit Jabal Al-Nour, whose name means “Mountain of Light”

JEDDAH: As pilgrims complete the sacred rites of Hajj, many embark on a deeper spiritual journey by exploring historic Islamic sites across Saudi Arabia to connect with the roots of their faith.

In the holy city of Makkah, pilgrims visit Jabal Al-Nour, whose name means “Mountain of Light.” At its peak lies the Cave of Hira, where the first verses of the Qur’an were revealed through the Angel Jibreel.

The mountain’s distinctive camel-hump shape makes it a striking landmark, especially with the nearby Hira Cultural District, where the Revelation Gallery offers pilgrims to learn the story of divine revelation and history.

Beyond the holy cities, other sacred destinations continue to attract pilgrims in search of spiritual enrichment. (Supplied/File photo)

Ahmed Khan, a private tour guide said: “There’s something unexplainable about standing where it all began. When I take pilgrims to Jabal al-Nour, many of them are moved to tears it’s not just a climb, but it’s a spiritual awakening.”

To the south lies Jabal Thawr, the mountain that cradled the Prophet and his companion Abu Bakr as-Siddiq in its cave during their migration to Madinah. The story of divine protection, where a spider’s web and a dove’s nest concealed their presence from their pursuers, resonates deeply with pilgrims.

Another frequently visited site is Jabal Abu Qubays, believed in some traditions to be the first mountain placed on Earth. As the closest peak to the Grand Mosque, it resonates with the early public da’wah and the great spiritual responsibility.

FASTFACTS

• Al-Qiblatain Mosque, where revelation changed the direction of prayer from Jerusalem to Makkah, remains a must-visit site for pilgrims. 

• Programs like ‘Hala,’ launched by Al-Bait Guests Co., are curating journeys for pilgrims to explore with knowledgeable guides. 

Nearby, the modest yet historically significant Al-Bay’ah Mosque marks the location of the Pledge of Aqabah, where the Ansar of Madinah pledged allegiance to the Prophet Muhammad.

Built during the Abbasid era, it symbolizes early Muslim unity and commitment to the new faith. A short distance away in Al-Hajun district is Jabal Al-Sayyidah, at the base of which lies the revered Al-Ma’la Cemetery, resting place of Khadijah, the Prophet’s beloved wife. Her grave remains a focal point of deep reverence.

“Pilgrims love visiting these places and it helps them to understand the sacrifices of the people who shaped Islam,” Khan added.

Madinah has its own timeless legacy. Al-Qiblatain Mosque, where revelation changed the direction of prayer from Jerusalem to Makkah and marked a defining shift in Muslim identity and remains a must-visit site for pilgrims.

Hussain Rauff, regional director of Madinah Hotels at Elaf Al-Taqwa, said: “We’re planning to organize guided tours across Madinah to help pilgrims explore the city’s rich Islamic heritage. It’s a meaningful way to extend their spiritual journey beyond the rituals of Hajj.”

Further west of the Prophet’s Mosque lies the cluster known as the Seven Mosques, each linked to events from the Battle of the Trench. Among them are Al-Fath Mosque and those named after figures such as Fatimah, Ali ibn Abi Talib, and Salman Al-Farsi. These mosques are rich in historical memory and serve as reminders of hardship during one of Islam’s critical battles.

Mount Uhud rises just north of Madinah city, its slopes reminds of the Battle of Uhud and the place where the Prophet’s uncle, Hamza ibn Abdul Muttalib, and 70 companions were martyred. Today, pilgrims pause at the Uhud Martyrs Cemetery indicating the modesty found in victory and the strength drawn from loss.

Equally powerful is a visit to Baqi’ Al-Gharqad Cemetery, the resting place of many of the Prophet’s family members and companions. Located near the Prophet’s Mosque, the cemetery has long served as a site for prayer and remembrance, offering pilgrims a moment of intimate connection with those who stood beside the Prophet during Islam’s formative years.

Beyond the holy cities, other destinations continue to attract pilgrims in search of spiritual enrichment. Northwest of Madinah lies Khaybar, the site of a pivotal military campaign that showcases both the strategic and ethical dimensions of the Prophet’s leadership. Its volcanic terrain and ancient fortifications tell stories etched in stone.

Fatima Al-Mutairi, a pilgrim from Kuwait: “I am planning to visit these places in Jeddah and Taif after my Hajj. I am planning to visit the Tomb of Hawa in Jeddah and in Taif, I look forward to visiting Masjid Abdullah ibn Abbas, to pay tribute to one of the great scholars whose work in Qur’anic interpretation and Hadith continues to inspire many seekers of knowledge.”

Recognizing the growing desire for such experiences, programs like “Hala,” launched by Al-Bait Guests Co., are curating immersive journeys for pilgrims to explore these sacred sites with knowledgeable guides and spiritual context.

Mohammed Al-Shahrani, experience officer in Hajj and Umrah sector said: “Our aim is to enrich the post-Hajj experience. We want pilgrims to understand that the journey of faith continues, and Saudi Arabia is opening its heritage for those who wish to walk in the footsteps of the Prophet.”

 


MWL, GCC chiefs praise Saudi Arabia’s Hajj success

MWL, GCC chiefs praise Saudi Arabia’s Hajj success
Updated 09 June 2025
Follow

MWL, GCC chiefs praise Saudi Arabia’s Hajj success

MWL, GCC chiefs praise Saudi Arabia’s Hajj success
  • Muslim World League Secretary-General Dr. Mohammed bin Abdulkarim Al-Issa also extended his congratulations on behalf of all MWL agencies

RIYADH: The secretary-general of the Gulf Cooperation Council, Jassem Al-Budaiwi, has congratulated King Salman and Crown Prince Mohammed bin Salman on a successful Hajj season.

“This success reflects the Saudi government’s great efforts and capabilities in serving pilgrims and ensuring they perform rituals with ease, safety and security,” he said.

Al-Budaiwi praised the Kingdom’s advanced infrastructure, precise organization, use of modern technologies — including artificial intelligence — and skilled workforce.

“These efforts delivered an exceptional Hajj experience and reaffirmed Saudi Arabia’s leadership in serving Islam and Muslims,” he added. The secretary-general also lauded the Kingdom’s continuous development of the Hajj system.

Muslim World League Secretary-General Dr. Mohammed bin Abdulkarim Al-Issa also extended his congratulations on behalf of all MWL agencies.

He praised the generous care provided to pilgrims, highlighting the smooth movement between holy sites and the commitment to ensuring their comfort and spiritual focus.

 


Maldivian president leaves Saudi Arabia after official visit

Maldivian president leaves Saudi Arabia after official visit
Updated 09 June 2025
Follow

Maldivian president leaves Saudi Arabia after official visit

Maldivian president leaves Saudi Arabia after official visit
  • Deputy Mayor of Jeddah Ali Mohammed Al-Qarni and Ahmed bin Dhafer, director of the Royal Protocol Office in the Makkah region, were among the officials present

JEDDAH: Maldivian President Mohamed Muizzu departed Saudi Arabia on Monday.

Jeddah Gov. Prince Saud bin Abdullah bin Jalawi and several other officials accompanied Muizzu to King Abdulaziz International Airport to wish him farewell, the Saudi Press Agency reported.

Deputy Mayor of Jeddah Ali Mohammed Al-Qarni and Ahmed bin Dhafer, director of the Royal Protocol Office in the Makkah region, were among the officials present.

 


Spiritual journey of Hajj pilgrims ends with gifts and souvenirs

As Hajj concludes, pilgrims commonly engage in the cherished custom of purchasing gifts. (SPA)
As Hajj concludes, pilgrims commonly engage in the cherished custom of purchasing gifts. (SPA)
Updated 09 June 2025
Follow

Spiritual journey of Hajj pilgrims ends with gifts and souvenirs

As Hajj concludes, pilgrims commonly engage in the cherished custom of purchasing gifts. (SPA)
  • Many gifts symbolize the holy sites and carry deep religious significance
  • Popular choices include Zamzam water, prayer beads, and copies of the Holy Qur’an

MAKKAH: Throughout their profound journey of faith, especially as Hajj concludes, pilgrims commonly engage in the cherished custom of purchasing gifts.

They flock to the malls and markets of Makkah, particularly those around the Grand Mosque. This tradition expresses their spiritual fulfillment and prepares them for their return home, blessed by Allah for having performed the sacred rites, according to a Saudi Press Agency report.

Gift buying represents joy at Hajj’s successful conclusion and strengthens social bonds between relatives, SPA added.

Many gifts symbolize the holy sites and carry deep religious significance. Popular choices include Zamzam water, prayer beads, and copies of the Holy Qur’an.

Pilgrims also frequently buy perfumes like incense and musk, along with various types of dates — ajwa dates being especially sought after.

The markets of Makkah and Madinah see a significant boom after Hajj, bustling with pilgrims of diverse nationalities.

These vibrant markets include modern malls in the Haram area, the traditional Aziziyah Market, the Hijaz Market, and bazaars near the Prophet’s Mosque in Madinah.

Merchants actively meet this demand, offering a wide range of products, special offers for pilgrims, and often discounts on bulk purchases.


Saudi Interior Ministry confirms sustained care, loyalty to martyrs’ families during Hajj

Ministry of Interior is supporting families of deceased and injured armed forces personnel with humanitarian program.
Ministry of Interior is supporting families of deceased and injured armed forces personnel with humanitarian program.
Updated 09 June 2025
Follow

Saudi Interior Ministry confirms sustained care, loyalty to martyrs’ families during Hajj

Ministry of Interior is supporting families of deceased and injured armed forces personnel with humanitarian program.
  • A key part of the program enables relatives of martyrs and injured personnel to perform Hajj at the ministry’s expense
  • Psychological, medical and social care is provided to relatives of martyrs and injured personnel throughout the year

MAKKAH: The Ministry of Interior, through the Agency for Military Affairs, is supporting the families of deceased and injured armed forces personnel with a humanitarian program reflecting the leadership’s commitment to citizens.

A key part of the program enables relatives of martyrs and injured personnel to perform Hajj at the ministry’s expense, along with providing psychological, medical and social care throughout the year.

One beneficiary speaking from Mina, Ibrahim bin Abdulkarim Al-Zahrani — injured in the line of duty and brother to two martyrs — expressed his appreciation for the Kingdom’s support.

He said such care reassures families that the Kingdom stands by them and gives them strength to continue serving, a Saudi Press Agency report said.

Al-Zahrani added that the ministry’s efforts, under Minister of Interior Prince Abdulaziz bin Saud bin Naif, represent the state’s respect for the sacrifices of martyrs and its commitment to their families.

Chief Sgt. Salem Al-Qahtani of the General Department for the Care of Martyrs and Injured Families shared his 14-year experience serving the group, highlighting the department’s close, familial bond with their families.

“We have followed the children of the martyrs since their early years, watching them grow — some are now our colleagues, while others are performing Hajj through this program under the leadership’s close supervision,” he said.

The department develops support programs for beneficiaries, demonstrating the Kingdom’s commitment to honoring those who gave their lives for the nation and continuing support for their families.

It also reflects the leadership’s approach to supporting citizens and honoring the sacrifices of martyrs.