Jumbo drop in estimates of India elephant population

Jumbo drop in estimates of India elephant population
Above, a herd of wild Asiatic elephants bathe at Khamrenga wetland in Thakurkuchi village, outskirts of Guwahati. (AFP file poto)
Updated 15 October 2025
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Jumbo drop in estimates of India elephant population

Jumbo drop in estimates of India elephant population
  • India is home to the majority of the world’s remaining wild Asian elephants
  • The species listed as endangered by the International Union for Conservation of Nature

NEW DELHI: India’s wild elephant population estimates have dropped sharply by a quarter, a government survey incorporating a new DNA system has found, marking the most accurate but sobering count yet.
India is home to the majority of the world’s remaining wild Asian elephants, a species listed as endangered by the International Union for Conservation of Nature (IUCN) and increasingly threatened by shrinking habitat.
The Wildlife Institute of India’s new All-India Elephant Estimation report released this week puts the wild elephant population at 22,446 – down from nearly 29,964 estimated in 2017, a fall of 25 percent.
The survey drew on genetic analysis of more than 21,000 dung samples, alongside a vast network of camera traps and 667,000 kilometers (414,400 miles) of foot surveys.
But researchers said the methodological overhaul meant the results were “not comparable to past figures and may be treated as a new monitoring baseline.”
‘Gentle giants’
But the report also warned that the figures reflect deepening pressures on one of India’s most iconic animals.
“The present distribution of elephants in India represents a mere fraction of their historical range,” it said, estimating they now occupy only about 3.5 percent of the area they once roamed.
Habitat loss, fragmentation, and increasing human-elephant conflict are driving the decline.
“Electrocution and railway collisions cause a significant number of elephant fatalities, while mining and highway construction disrupt habitats, intensifying man-wildlife conflicts,” the report added.
The Western Ghats, lush southern highlands stretching through Karnataka, Tamil Nadu, and Kerala, remain a key stronghold with nearly 12,00 elephants.
But even there, populations are increasingly cut off from one another by commercial plantations, farmland fencing, and human encroachment.
Another major population center lies in India’s northeast, including Assam and the Brahmaputra floodplains, which host more than 6,500 elephants.
“Strengthening corridors and connectivity, restoring habitat, improving protection, and mitigating the impact of development projects are the need of the hour to ensure the well-being of these gentle giants,” the report said.


Monumental art displayed in shade of Egypt’s pyramids

Monumental art displayed in shade of Egypt’s pyramids
Updated 11 November 2025
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Monumental art displayed in shade of Egypt’s pyramids

Monumental art displayed in shade of Egypt’s pyramids
  • “There is an estimate that it’s more or less five million people reached by the message of the Third Paradise”
  • A thousand small cylindrical acrylic mirrors planted in the sand compose a Morse code poem imagining a dialogue between Tangun, the legendary founder of the first Korean kingdom, and an Egyptian pharaoh

CAIRO: Installations by renowned international artists including Italy’s Michelangelo Pistoletto and Portugal’s Alexandre Farto have been erected in the sand under the great pyramids of Giza outside Cairo.
The fifth edition of the contemporary art exhibition “Forever is Now” is due to run to December 6.
The 92-year-old Pistoletto’s most famous work, Il Terzo Paradiso, comprises a three-meter-tall mirrored obelisk and a series of blocks tracing out the mathematical symbol for infinity in the sand.
“We have done more than 2,000 events all around the world, on five continents, in 60 nations,” said Francesco Saverio Teruzzi, construction coordinator in Pistoletto’s team.
“There is an estimate that it’s more or less five million people reached by the message of the Third Paradise.”
The Franco-Beninese artist King Houndekpinkou presented “White Totem of Light,” a column composed of ceramic fragments recovered from a factory in Cairo.
“It’s an incredible opportunity to converse with 4,500 years — or even more — of history,” he told AFP.
South Korean artist Jongkyu Park used the measurements of the Great Pyramid of Giza to create the geometric structures of his installation “Code of the Eternal.”
A thousand small cylindrical acrylic mirrors planted in the sand compose a Morse code poem imagining a dialogue between Tangun, the legendary founder of the first Korean kingdom, and an Egyptian pharaoh.
Farto, better known as Vhils, collected doors in Cairo and elsewhere in the world for a bricolage intended to evoke the archaeological process.
Six other artists, including Turkiye’s Mert Ege Kose, Lebanon’s Nadim Karam, Brazil’s Ana Ferrari, Egypt’s Salha Al-Masry and the Russian collective “Recycle Group,” are also taking part.