First Van Gogh in 20 years to go under hammer in Paris auction

The painting "Raccommodeuses de filet dans les dunes" by Dutch painter Vincent van Gogh is presented at Artcurial auction house in Paris on March 28, 2018. (AFP)
Updated 28 March 2018

First Van Gogh in 20 years to go under hammer in Paris auction

PARIS: The first Van Gogh painting to go under the hammer in France in more than two decades was unveiled Wednesday.
“Women Mending Nets in the Dunes,” which the Dutch artist painted early in his career at Scheveningen near The Hague, is expected to go for around five million euros ($6 million) when it is auctioned in June.
But with the art market booming, and prices for artists like Van Gogh rocketing, experts said it was hard to predict exactly when the bidding would stop.
The scene dates from the same period in 1882 when Van Gogh painted “View of the Sea at Scheveningen,” which was stolen by the Italian Camorra organized crime syndicate from the Van Gogh Museum in Amsterdam in 2002 and discovered in Naples in 2016 thanks to a tip-off from a suspected drug trafficker.
The oil on paper, which belongs to a European collector, also graced the walls of the Van Gogh Museum for eight years after being previously on show in Montreal.
Bruno Jaubert, of auction house Artcurial, said the work comes from very early in Van Gogh’s career, when he was painting working class people in his homeland.
“He had only started painting two years before,” he told AFP.
Jaubert described the sale as an art market event, “with fewer and fewer Van Goghs coming to the market.”
The world record for a Van Gogh was for his “Portrait of Dr. Gachet,” which sold for $82.5 million in 1990.
“Women Mending Nets in the Dunes” will be sold on June 4.


Lebanese Youssef El-Hadi launches accessories brand to honor painter Celia El-Hadi

Youssef El-Hadi is the grandson of the Lebanese painter Celia El-Hadi. (Supplied)
Updated 36 min 45 sec ago

Lebanese Youssef El-Hadi launches accessories brand to honor painter Celia El-Hadi

BEIRUT: When Beirut-based architecture student Youssef El-Hadi was 20, he decided to launch a passion project that affectionately honors his late grandmother, the little-known Lebanese painter Celia El-Hadi, who died in 2009.

Founded in 2018, Celia Creations is a small but meaningful, all-Lebanese brand  — from concept to production — that ingeniously incorporates a selection of Celia’s vivid paintings onto small clutches and handbags, meticulously crafted by Youssef, assisted by local manufacturers and artisans.

“People in Lebanon are obsessed with Chanel, Louis Vuitton and all these brands,” Youssef told Arab News. “So, they forget the jewels that we have in our country.”

Youssef El-Hadi decided to launch Celia Creations when he was 20. (Supplied)

During his adolescence, the designer was influenced by Celia’s nurturing presence. She accompanied him to exhibitions, taught him how to draw and paint, and enlightened him through conversations on art and culture. “My grandmother was the first one in my family to have this drive for art,” he said. “I thought a woman like Celia — someone so giving and thoughtful — should have the recognition that she didn’t get when she was alive. That’s why I started the brand.”

Youssef El-Hadi ingeniously incorporates a selection of Celia’s vivid paintings onto small clutches and handbags. (Supplied)

A bold beauty with bouffant hair and arching eyebrows, Celia led a fascinating, cosmopolitan life: born in Mexico (where her family established soap factories), she was educated in Egypt, and travelled to Europe — all of which were quite unheard of for a woman whose family came from the Lebanese village of Bzebdine. As an artist, Celia was mentored by respected Lebanese artists Aref El-Rayess and Rafic Sharaf, and became a dedicated art instructor herself, teaching at Beirut’s Russian Cultural Center and the Soeurs des Saints Coeurs schools in Hadath and Ghazir.

Celia Creations is an all-Lebanese brand — from concept to production. (Supplied)

Highly productive during the 1970s and 1980s, Celia created around 4,000 works of art. She tried her hand with the classical themes of portraiture, still-life and landscape painting, often portraying people and places that meant the most to her. She once said that she preferred to paint in oil, “because it obeys me more and makes me feel more comfortable.”

Aside from producing charming imagery, Celia also pushed boundaries in terms of style, according to her grandson. “She was one of the first artists in her era to draw nudes and to paint with live models, which was very shocking — a taboo,” said Youssef.

Today, her paintings are found in the family’s residences, a few museums and government buildings in Lebanon, and private collections across the world. After her passing, Celia’s home in Bzebdine was turned into a museum, inviting visitors into Celia’s private world.  

Celia El-Hadi died in 2009. (Supplied)

What makes Celia Creations unique is the thoughtfulness of the overall design of each and every crafted handbag. Elements of Celia’s life and spirit permeate through the smallest of details. For instance, a vintage handbag that Celia formerly owned inspired the shape of the current handbag design. In addition, some of the brand’s bags are embellished with beading stitched by an artisan in Bzebdine who was Celia’s friend.

Most significantly, the clutch’s copper clasp is beautifully engraved with Celia’s own signature, adding a personal touch: “A lot of people told me to do another logo. But I told them that there’s nothing that can top her own signature — it’s as if she actually touched each bag,” Youssef said. Ethics lie at the heart of the brand  — all of the handbags are vegan, meaning leather, fur, and animal skin are not used — something Youssef feels is crucial.

Celia created around 4,000 works of art. (Supplied)

Although Celia Creations is in its infancy, there is significant potential for growth. Youssef plans to expand the brand, but said he is wary of it becoming too commercial. “Anyone who wants to buy our bag needs to know the value of the painting,” he explained. “You’re not buying a handbag, you’re buying a piece of art and you’re buying the spirit and ideology of Celia, a woman who was fearless and always took risks.”