Rasha Saafan’s Ghazala offers accessories with a personal touch

Rasha Saafan’s Ghazala offers accessories with a personal touch
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Hang loose necklace made of Egyptian linen from Akhmim, beads, and upcycled old silver beads of Saafan’s. (Supplied)
Rasha Saafan’s Ghazala offers accessories with a personal touch
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Rasha Saafan in Wadi Rum, Jordan. (Supplied)
Updated 21 June 2018

Rasha Saafan’s Ghazala offers accessories with a personal touch

Rasha Saafan’s Ghazala offers accessories with a personal touch

CAIRO: “Whenever her name is mentioned, I am immediately reminded of her smell. It’s the same familiar scent that always told me I was in her home. She was an avid storyteller and so my memory of her is marked by a hint of magic.”

The Egyptian artist Rasha Saafan is talking about her late maternal grandmother, whose memory serves as inspiration for Saafan’s hobby-turned business, Ghazala.

Ghazala, which translates as ‘female deer,’ is a Cairo-based jewelry and accessories brand that specializes in distinctive handmade accessories, with a focus on necklaces and earrings. The brand stems from, among other things, Saafan’s fascination with the past.

A graduate of both Cairo’s Helwan Faculty of Fine Arts and the Higher Institute of Theatrical Arts, Saafan spent the years after college sketching at her Manyal-based atelier. A while later, she began experimenting with creating accessories using a range of textiles, including fragments from her late father’s shirts as well as woven fabrics collected on her travels to India, Nepal, Thailand, Tunisia, Romania and Turkey. Saafan also used snippets of her late grandmother’s clothes discovered during frequent visits to her house.

“I was tidying her room one day when I found a suitcase stored under her bed. When I opened it, I found old photographs of her with my grandfather, a handful of her clothes and a collection of fabrics,” Saafan recalls. “I could recognize her traces in her garments, in how they carried her distinctive smell, and I wanted to capture these hints in a beautiful necklace that would always keep me company.”

But Saafan was also honoring her grandmother’s vocation as an avid arts-and-crafts lover. “Grandma had a sewing machine and was adept at crochet and hand knitting. She made all of her children’s clothes from scratch. She was truly an artist at heart,” Saafan says.

Typically, Saafan mixes her fabrics with beads and old silver to create her accessories. “This blending of materials is what renders something unique,” she explains.

More than celebrating the memory of loved ones, Ghazala also attests to the remedial power of art. Saafan responds to the loss of loved ones by sewing fruit seeds on to the heart of an accessory then wrapping it with fabric. “It’s exactly as if you’re planting something within an otherwise lifeless object, pumping life into it,” she says.

A self-taught jewelry designer, Saafan thinks of Ghazala as her own rebellion against the academy and how it grounded her art education in technicalities.

“I think education ruins an artist’s spontaneity,” she says. “Whenever I sketch, I start thinking about proportions right away. I can’t seem to free myself from this excessive obsession with technicalities and this is precisely why I never wanted to ‘learn’ jewelry making.”

In fact, Saafan recognizes and takes pride in the beauty of imperfection. From keeping untrimmed threads to preserving visible signs of wear on her accessories, she places strong emphasis on “the spontaneity that drives the creative process.”

With every purchase, a Ghazala piece embarks on a new journey. So far, Ghazala accessories have been bought by clients in Germany, France, the UK, the US, Lebanon and Tunisia. Saafan takes meticulous care of the packaging process, personalizing every new order.  She puts her artful pieces in hand-made boxes carrying the client’s name. She also scribbles a few words about her feelings towards each artwork.

“I want to remind Ghazala’s clients that these accessories were crafted by human hands,” she remarks.  

When Saafan’s not traveling and “showing Ghazala the world,” she’s in her studio, testing new designs and working on orders. She hopes to start incorporating sequins, “an under-rated decorative spangle,” into Ghazala’s designs soon. Her upcoming projects include working with families who have lost loved ones to cancer. The idea behind that project, Saafan explains, is to try and keep their memory alive by upcycling their clothes and reworking them into another of her inimitable accessories.  


Moroccan-Italian model Malika El-Maslouhi stars in new Hugo Eyewear campaign

The model posed for the new Hugo Eyewear Spring 2021 campaign. Instagram
The model posed for the new Hugo Eyewear Spring 2021 campaign. Instagram
Updated 25 min 9 sec ago

Moroccan-Italian model Malika El-Maslouhi stars in new Hugo Eyewear campaign

The model posed for the new Hugo Eyewear Spring 2021 campaign. Instagram

DUBAI: There’s no slowing down Malika El-Maslouhi. This week, the Moroccan-Italian model was selected to star in the new Hugo Eyewear Spring 2021 campaign, which was shot by fashion photographer Matteo Montanari.

Featuring alongside model Parker Van Noord, the catwalker appears in a video and campaign photographs wearing key pieces from the German label’s most recent eyewear collection. For the campaign, the 22-year-old posed on a rooftop wearing the brand’s newest range of optical frames and sunglasses, paired with a mustard yellow double-breasted suit and a black, logo emblazoned Hugo Boss top.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by HUGO (@hugo_official)

The campaigns keep on rolling in for the rising star, who was born in Milan to an Italian mother and a Moroccan father.

In addition to her latest work with Hugo Eyewear, El-Maslouhi also recently appeared in campaigns for Zadig & Voltaire, Ralph Lauren, Calvin Klein Swim, Jacquemus and Mango alongside fellow Moroccan model Nora Attal.

Memorably, she was the star of designer Peter Dundas’ most recent collection. The Norwegian designer selected the breakout model to  showcase the brand’s glamorous new offering for Fall 2021, which was digitally presented in a look book format.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by MALIKA (@malika.elmaslouhi)

And when she’s not modeling different collections for brands, she’s helping design them.

She recently teamed up with London-based retailer Ishkar on a range of necklaces delicately handcrafted by jewelers in Kabul, Afghanistan. 

According to the online store, founded by former UAE residents Edmund Le Brun and Flore de Taisne in 2016, the Malika x Ishkar collection is set to drop soon.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by I S H K A R (@ishkar.co)

El-Maslouhi, who is signed to VIVA Model Management, made her modelling debut when she was 18 years old at the Alberta Ferretti Fall 2019 show and went on to walk for the Dior Cruise 2020 show held in Marrakech a month later.

She would go on to quit her university studies to pursue modeling full-time, gracing the runways of storied fashion houses such as Hermes and Chanel.

The model, who splits her time between Italy, France and the Netherlands, also has a few editorials under her belt, including Vogue Russia, British Vogue, Dazed Magazine and Elle France, for which she recently served as the cover star.


Beauty mogul Huda Kattan donates one million meals to new UAE campaign

The beauty mogul urged her followers on social media to donate to the campaign. File/Getty Images
The beauty mogul urged her followers on social media to donate to the campaign. File/Getty Images
Updated 18 April 2021

Beauty mogul Huda Kattan donates one million meals to new UAE campaign

The beauty mogul urged her followers on social media to donate to the campaign. File/Getty Images

DUBAI: Dubai-based beauty mogul Huda Kattan took to Instagram on Saturday to reveal she has taken part in a food drive campaign launched by the ruler of Dubai, Sheikh Mohammed bin Rashid Al-Maktoum.

The 100 Million Meals mission was launched to provide food parcels to disadvantaged communities across 20 countries in the Middle East, Asia and Africa in an effort to combat hunger and malnutrition, exacerbated by COVID-19. 

Kattan announced that she has donated one million meals to those less fortunate via her cosmetics company Huda Beauty.

“It’s hard to believe that in today’s world, in 2021, we’re still dealing with issues of malnutrition and that every ten seconds a child dies because of hunger. This initiative is so incredible and it’s just a reminder of how each and every single one of us has the power to make a change,” said Kattan in a video posted to her Instagram account.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Huda Kattan (@huda)

“I’m so proud to live in a country that prioritizes world hunger,” she said, urging her 2.2 million followers to donate to the charitable initiative.

The 100 Million Meals campaign is an expansion of the 10 Million Meals campaign, which was launched in 2020 to help those worst hit by the COVID-19 pandemic.

Within a week of its launch, the initiative has raised over $21,200, equivalent to providing more than 78 million meals, as massive donations continue to pour in from individuals and companies inside and outside the UAE.

Kattan is an avid humanitarian and often steps up to help those who need it most.

In June, her cosmetics brand, Huda Beauty, donated $500,000 to the NAACP Legal Defense Fund, a civil and human rights organization that provides legal assistance to low-income African Americans, during the height of the Black Lives Matters protests that swept through the US last year. 

Before that, the US-Iraqi beauty mogul pledged to donate $100,000 — to be split between 100 different freelance makeup artists providing them with $1000 each — in a bid to help people in the industry stay afloat financially during the pandemic.


Middle East Fashion Week announces dates for inaugural edition

The event is set to take place at Atlantis The Palm in Dubai. Instagram/@middleeast.fashionweek
The event is set to take place at Atlantis The Palm in Dubai. Instagram/@middleeast.fashionweek
Updated 18 April 2021

Middle East Fashion Week announces dates for inaugural edition

The event is set to take place at Atlantis The Palm in Dubai. Instagram/@middleeast.fashionweek

DUBAI: There’s a new fashion week in the region to look forward to. Middle East Fashion Week has announced its inaugural edition in a statement today. The six-day event is scheduled to take place at Dubai’s Atlantis The Palm from May 14-19. 

Unlike the traditional fashion week format we’ve all become accustomed to, Middle East Fashion Week is adopting a unique schedule, with a three-day sustainable fashion forum featuring high-profile international speakers, followed by three days of in-person fashion shows from international and regional designers, a gala dinner and a slew of other VIP events.

CEO of Middle East Fashion Council Simon J Lo Gatto, said in a statement: “Middle Eastern Fashion Week has been created as a platform to allow designers to come together with a unique opportunity to showcase in Dubai and to reach audiences not only across the GCC, but also the larger Indian subcontinent and Europe.”

He added: “Our goal is for the Middle East Fashion Week to become a biannual Fashion Week that acts as a reference point for designers from all corners of the world. Since inception in 2020, MEFC has positioned itself as the world’s first fashion council with sustainability as its core value and long-term objective. The platform was born from an inspiration to tackle climate change and pollution brought on as a direct result of the industry we love.”

The participating designers have yet to be revealed.


Ramadan recipes: An Arab take on TikTok’s famous baked feta pasta

Baked feta pasta.
Baked feta pasta.
Updated 18 April 2021

Ramadan recipes: An Arab take on TikTok’s famous baked feta pasta

Baked feta pasta.

DUBAI: If you’re on social media, chances are you’ve drooled over one of countless images of baked feta pasta — a dish that went viral this year for that holy grail combination of anyone-can-do-it easiness and blissful deliciousness.

The dish, which consists of feta cheese, cherry tomatoes and pasta, has been blasted all over the For You pages of millennials and Gen Z’ers on TikTok, and as of April 18,  #bakedfetapasta has more than 111.4 million views on the social media platform.

For those looking to whip up the dish for iftar, we asked Iraqi-Canadian chef Faisal Hasoon to share a simple baked feta pasta recipe with an Arab twist. 

The chef incorporates a fresh Middle Eastern flavor by way of roasted red peppers, sliced kalamata olives, a spritz of lemon juice and a sprinkling of zest.  

Baked Feta Pasta

(Serves 2-3)

Ingredients:

Olive oil 3tbsp

6 cloves garlic (minced)

60g kalamata olives (sliced thin)

250g roasted red peppers (diced)

6 fresh basil leaves (chiffonade)

350g pasta (rigatoni) 

200g feta cheese (Greek, sheep or goat)

1 lemon (zest and juice)

Chilli pepper oil 1tbsp

Dried chilli flakes 1tsp

Salt and pepper to taste 

Instructions: 

Step 1: In a medium sized pot bring salted water to a boil and cook pasta as per the instructions. Reserve 1 cup of pasta water, drain the remainder and set aside.

Step 2: Starting with a cold pan, cook garlic on low heat in olive oil. Allow it to simmer just before turning golden brown. Be sure not to overcook it as it will become bitter.  Add red chilli flakes and roasted red peppers, let it simmer for a few minutes then add sliced olives. Maintaining low heat and turning with a spatula frequently.

Step 3: Place the whole block of feta into the center of the pan and into the oven at 375 Celsius for 10 minutes or until the cheese melts. 

Step 4: Place the pasta into the pan and mix well until all ingredients are well incorporated, adding reserved pasta water as needed.

Step 5: Finish with the zest and juice of one lemon, fresh cracked black pepper and thinly sliced basil. For an extra kick, drizzle over chilli oil and enjoy!

 

 


Lebanese author Hoda Barakat’s ‘Voices of the Lost’ is a dark, profound novel

The book won the International Prize for Arabic Fiction. Supplied
The book won the International Prize for Arabic Fiction. Supplied
Updated 17 April 2021

Lebanese author Hoda Barakat’s ‘Voices of the Lost’ is a dark, profound novel

The book won the International Prize for Arabic Fiction. Supplied

CHICAGO: Winner of the International Prize for Arabic Fiction, “Voices of the Lost,” written by acclaimed Lebanese author Hoda Barakat and newly translated into English by Marilyn Booth, is a dark, profound novel that follows the lives of six men and women who confess their untold truths to their loved ones through letters. None of the letters reaches their intended recipients, however, and their devastating admissions are left to strangers who are then inspired to disclose their own secrets. And through their confessions, a series of letters emerges on life, love and devastating loss.

In an unknown part of the world, where war, poverty and destruction have caused life to veer in unpredictable directions, strangers struggle with the events of the past, both those they were responsible for and those they were victims of, which forced them into lives they neither wanted nor could have ever dreamed of. Split into three parts — for the lost, for the searching, and those left behind — the novel begins with an undocumented immigrant who is writing to an ex-girlfriend. He writes to her of the most profound and disturbing moment in his childhood, one that changed the trajectory of his life forever. From that moment on, life has never quite been the same, and it has led him to a dark place where he cannot mentally, spiritually or physically settle.

Barakat’s novel is a delicate experiment in confession and a testament to the catalyzing power of writing to reveal the truth. Her characters commit their lives to paper without the fear of retribution, confessing their crimes of infidelity, torture and more. None of the writers can return to his or home, to a state of comfort or to the past. Some have lost their countries, while others have simply run out of time.

Barakat’s characters must force themselves to move forward from their past sufferings. Where loved ones and society may not accept their revelations of shortcomings or shame, their confessions are a reconciliation with themselves. And in writing of their pain, they connect with one another. They are not alone, no matter how lonely the act of writing a letter can be. And in a moment of consciousness, awake in their confessions, Barakat’s characters reach a spiritual peak within themselves, one that pushes them to continue surviving.