Arab artists pay homage to Notre Dame in new exhibition

New works are a reaction to the fire in France’s most-famous cathedral earlier this year. (Supplied)
Updated 30 September 2019

Arab artists pay homage to Notre Dame in new exhibition

PARIS: Millions around the world were in a state of shock when Paris’ beloved Notre Dame Cathedral was engulfed in flames last April. Having survived the turmoil of the French Revolution and two World Wars, the revered 850-year-old Gothic-style monument suffered the collapse of its spiral and wooden roof and damage to its high altar. One commentator wrote: “The very heart of France and the soul of Europe have been suddenly and viciously ripped out.”

The day after the blaze broke out, Jack Lang — president of Paris’ Insitut du Monde Arabe (IMA) — joined forces with the French-Lebanese art collector and champion of Arab artists Claude Lemand to set up a tribute to Notre Dame from Arab artists. Deeply saddened by the damage caused by the fire, Lemand started contacting artist friends, to see if they would be willing to contribute commemorative works of art.




Azzawi, Notre-Dame, 2019. (Supplied)

“When I was watching this tragedy unfold on television, it reminded me of the beginning of the civil war in Lebanon,” Lemand told Arab News. “Notre Dame is a historical building that doesn’t belong just to French and European civilization, but to all of humanity. The Arab artist — like his European counterpart — has the right to convey his feelings and admiration towards this monument.”

Running through December 20, “Arab Artists’ Tribute to Notre Dame” showcases four new artworks created by contemporary artists from the Arab diaspora in response to the fire and its aftermath.

The renowned Iraqi artist Dia Al-Azzawi is one of them. His symbolic acrylic-on-3D-wood panel portrays a profile of the cathedral guarded by a carved-out cross — standing out in the midst of a red mass that not only represents the fire, but also rebirth.

Another contribution comes in the form of an abstract painting by the French-Moroccan painter Najia Mehadji. Completed in a single broad brushstroke, the painting’s dominating blue (a color associated with the Virgin Mary) swirl hints at the shape of the Madonna and Child statue that stands inside Notre Dame.




Najia Mehadji, Notre-Dame, 2019. (Supplied)

Montpellier-based Mohamed Lekleti’s mixed-media canvas is a conceptual work potraying “the duality of the world,” divided into two halves: good and evil. Lekleti’s work reminds the viewer of life’s inevitability, and to accept that events are sometimes beyond human control, but that taking action — no matter how slow or small — to heal wounds is important, as emphasized by the artist’s depiction of a hand sewing a thread.

Syrian figurative artist Boutros Al-Maari contributes a circular canvas illustrating fictional characters from Victor Hugo’s iconic novel “The Hunchback of Notre Dame” surrounding the burning cathedral. Inspired by his own heritage, Al-Maari depicts Hugo as a ‘hakawati’ — a storyteller in Damascus’ old cafés. It is a scene of both anguish and hope; of men crying in disbelief and the Virgin Mary being consoled with the offering of a flower.




Boutros Al-Maari, Notre-Dame, 2019. (Supplied)

According to Lemand, a second part of the exhibition will materialize early next year, exhibiting a new roster of artists.

“The goal of this exhibition is neither political nor financial,” he explained. “We just wanted to give an opportunity for Arab artists to present a brighter image of the region — far from the violence, the killing, and religious strife that have in recent years given the world a miserable image of the Arab world.”


Global stars shine at Saudi leisure forum

Updated 14 October 2019

Global stars shine at Saudi leisure forum

  • “It (Saudi Movies) will bring Saudis closer to the world and the world closer to Saudi,” Shahrukh Khan 

RIYADH: Saudi Arabia took another step toward establishing its place on the global entertainment map with a major industry event in Riyadh on Sunday.

The Joy Forum19 brought together entertainment promoters and pioneers from around the world, along with global stars such as Indian actor and film producer Shah Rukh Khan; Hong Kong martial artist, actor, film director Jackie Chan and Belgian actor and martial artist Jean-Claude Van Damme.

The event was organized by the General Entertainment Authority (GEA), which signed several important agreements on the day, including a financing guarantee program for small and medium-sized enterprises.

Participants are ushered in on the first day of the Joy Forum19 event in Riyadh. (Social media photo)

“Our message is for both, locally and internationally. Me and my generation suffered a lot, we had lots of time on our hands,” GEA chairman Turki Al-Sheikh said at the event.

“Today you are witnessing things we have never had in Saudi Arabia. We have 300,000 visitors to our events, and our sales have hit 80 percent.

“Saudi Arabia has never seen anything like Riyadh Season, we have over 400 sponsors, which is unprecedented.”

Al-Sheikh announced that the authority had named a stadium after singer Mohammed Abdo, the “Artist of Arabs,” and another after Abu Baker Salim, the father of Khaleeji music. 


READ MORE: Three MoUs signed at opening day of Joy Forum19 in Riyadh



Drunken master

The actors expressed what it meant to be movie stars and how wide-reaching their influence could be.

Jackie Chan recalled that when he was a new actor, he often acted like a drunken fighter until he realized that he has a responsibility towards younger fans. 

Jackie Chan: no longer a "drunken master". (AN photo by Basheer Saleh)

“All over the world I keep drinking and fighting (in films).  I realized that I made drunken master cool — so I stopped,” he said. One of Chan's most popular movies was the 1978 action comedy martial arts film "Drunken Master".

“When you’re 20 you don’t have this inner thought — anything that makes the audience laugh you do, but later on especially (when I went) to Africa so many years ago — they started doing the drunken style — the children look up to me. So, I realized we have a responsibility to the children so all those years I corrected those actions: no dirty comedy words or action,” he said.

He attributed his awareness in being responsible for the content he produces to the fans. “I’m really thankful to the fans in making me a good actor.”

Chan spoke about his experience in acting martial arts in both the United States and Asia. “I realized we have two different markets one for America another for Asia. They are totally two different things.”

The safety measures the US takes for stunts is very impeccable making sure of the wellbeing of the actor comes first. However, in Asia it’s a different story, “In Asia when I want to do a stunt, I roll, jump (and then go to the) hospital, he said laughingly.

“It’s so difficult sometimes in the USA so many rules- Jackie Chan movies: NO RULES!” he said and received applause from the audience.

 

Good start

Jean Claude Van Damme gave a shout out and a big thank you to all his “brother and sisters from Saudi Arabia,” He said he got a royal treatment fit for “Kings and Queens”. He went on to reveal that his hotel room at the Ritz Carlton Riyadh was so big he could easily “roller-skate” in it.

Jean Claude Van Damme: "Let's do a movie together". (AN photo by Basheer Saleh)

“I’m honored to be invited here. I know it’s your first time to do this event, but I know it will have a very bright future and I hope next year you will invite more people,” he said.

He said he may not be a “good talker” but expressed his joy at being in Saudi Arabia saying. “I’m happy to be here and I hope to have more connection later with the audience.”

Van Damme remarked how that in every country in the world you have treasure actors and movies with different cultures, “In the Middle East I don’t know what the taste will be, but I know they love American, Asian and Indian movies. They have a broad taste. (Saudi Arabia) should do a movie with all of us together!”

 

Crossing barriers

Sharukh Khan emphasized the importance of every country telling their story through movies; “As long as we are telling the story in whatever language it doesn’t matter. Cinema crosses all barriers.”
 

Shahrukh Khan: "I'd audition for a Saudi movie". (Social media photo)

With the opening of Saudi Arabia to the world and Cinemas, he said, “I can’t wait to talk about the Saudi films...It will bring Saudis closer to the world and the world closer to Saudi.”

“The stories that you tell should talk about goodness and people should be engaged with the content and it should bring them together. People want to laugh and sadly have to cry, to be entertained and to feel.”

Sharukh noted that Saudi Arabia has started to make movies and he’s watched the King Faisal movie, "Born a King". 

“You’ll always find gems in all movie industries and I think there’s are gems in Saudi and as a matter of fact one of the things I’d like to do is audition for a Saudi movie … Please give me an opportunity!” he said, eliciting a thunderous applause from the audience.


Red carpet

Abdulaziz AlMuzaini, co-founder and CEO of the Saudi Arabian Myrkott Animation Studio; gave a heartfelt thanks full of gratitude to King Salman and the Crown Prince Mohammed bin Salman, saying: “If it wasn’t for them, I wouldn’t have dreamed of this moment or this panel.”

Some of the celebrities invited to the event walk the red carpet. (AN photo by Basheer Saleh)

Lebanese actor Wahid Jalal, who was the voice of Long John Silver in Treasure Island, came onstage for the opening of the event. “Children love heroes and they try to imitate them,” he said. 

He also delighted the crowd by performing Silver’s famous laugh.

Some of the celebrities who walked down the red carpet were American actor Jason Momoa, star of Aquaman; Amr Adeeb, Balqis Fathi, Yusra, Boosy Shalabi, Lojien and Aseel Omran, Mohammed Hamaki, Nawal AlZoghbi, Talal Salama, Ahlam Al-Shamsi, Hussain AlJismi, Suad Abdulla, Ibrahem Alharbi, Tariq Alali and Abdulnaser Darweesh.

The gala dinner hosted 500 guests and was a private event, but the red carpet captured the essence of where Saudi is moving to culturally.