Everything you need to know about Saudi designer Tima Abid’s Paris Haute Couture debut

Tima Abid Spring 2020 Couture. (Instagram)
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Updated 27 January 2020

Everything you need to know about Saudi designer Tima Abid’s Paris Haute Couture debut

  • Saudi couturiere Tima Abid presented her first-ever collection during Paris Haute Couture Week
  • The collection boasted a lineup of show-stopping couture gowns mostly dreamed up at the designer’s Jeddah atelier

DUBAI: On Jan. 23, Saudi couturiere Tima Abid presented her first-ever collection during Paris Haute Couture Week. The Jeddah-born designer, who founded her eponymous womenswear label 16-years-ago, debuted her glamorous Spring 2020 couture offering during a candle-lit dinner held at Paris’ the Four Seasons Hotel Georges V, in the presence of her private clients, which included the royal family and Syrian singer Assala Nasri.

The show was set against the soundtrack of Tunisian singer Omayma Taleb’s soothing vocals, who serenaded guests for the first few looks of the 50-piece offering, which was a year in the making.

The indelible collection boasted a lineup of show-stopping couture gowns mostly dreamed up at the designer’s Jeddah atelier.

Featuring luxe fabrics such as crepe and tulle, embellished with gold and silver embroidery, beads, molded sequins and plumes, Abid’s range of body-hugging eveningwear is a true testament to the ability and skills she and her petit mains are undoubtedly capable of.

Standout pieces included a metallic skirt that ropes up the shoulder like a braid, another skirt made entirely out of metallic sequins and red and blue feathers as well as a wedding dress with bejeweled silk panels. There was perfectly-executed tailoring aplenty in Abid’s Spring 2020 couture collection, as well as waist-cinching corsets and embellished bolero jackets.

Indeed, Abid may be a newcomer to the couture week schedule, but she’s already proving to be a force to be reckoned with.


Film review: Great storytelling makes for fascinating watch in Netflix’s ‘Yeh Ballet’

“Yeh Ballet” is no rags-to-riches story, but one of sheer fortitude and a bit of luck. (Supplied)
Updated 24 February 2020

Film review: Great storytelling makes for fascinating watch in Netflix’s ‘Yeh Ballet’

CHENNAI: Sooni Taraporevala gained immense fame by writing for Mira Nair’s films, such as “The Namesake,” “Mississippi Masala” and the Oscar-nominated “Salaam Bombay.” In 2009, Taraporevala stepped behind the camera to helm a small movie called “Little Zizou” about the Parsi community. It was a hit, and three years ago, she took up the camera again to create a virtual reality short documentary about two boys from Mumbai’s slums who became renowned ballet dancers. 

Taraporevala converted her documentary into a full-length feature, “Yeh Ballet,” for Netflix, and the work, though with a somewhat documentary feel, is fascinating storytelling — a talent we have seen in her writings for Nair. 

Happily, “Yeh Ballet” is no rags-to-riches story (of the kind “Gully Boy” was), but one of sheer fortitude and a bit of luck. The film begins with a breathtaking aerial shot of the Arabian Ocean on whose shores Mumbai stands — an element that points toward the director’s background as a photographer. 

The film chronicles the lives of Nishu and Asif Beg. (Supplied) 

A story inspired by true events, “Yeh Ballet” chronicles the lives of Nishu (Manish Chauhan) and Asif Beg (newcomer Achintya Bose). The two lads are spotted by a ballet master, Saul Aaron (British actor Julian Sands) who, driven away from America because of his religion, lands in a Mumbai dance school.

Nishu and Asif, despite their nimble-footed ballet steps, find their paths paved with the hardest of obstacles. When foreign scholarships from famous ballet academies come calling, they cannot get a visa because they have no bank accounts. And while Asif’s father, dictated by his religion, is dead against the boy’s music and dancing, Nishu’s dad, a taxi driver, feels that his son’s passion is a waste of time and energy.

Well, all this ends well — as we could have guessed — but solid writing and imaginative editing along with Ankur Tewari’s curated music and the original score by Salvage Audio Collective turn “Yeh Ballet” into a gripping tale. It is not an easy task to transform a documentary into fiction, but Taraporevala does it with great ease. Or so it appears. Of course, the two protagonists add more than a silver lining to a movie that will be long remembered — the way we still mull over “Salaam Bombay” or “The Namesake.” But what I missed was a bit more ballet; the two guys are just wonderful to watch as they fly through the air.