Book written by Dubai prison inmates launched at UAE literature festival

The book was launched at the Emirates Airline Festival of Literature in the UAE. (Supplied)
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Updated 07 February 2020

Book written by Dubai prison inmates launched at UAE literature festival

  • ‘Tomorrow, I Will Fly’ is a collection of essays and stories penned entirely by convicts from the city’s penal and correctional institutions

DUBAI: A book written by inmates held in Dubai prisons was launched on Thursday at the Emirates Airline Festival of Literature in the UAE.

The event hosted the release of the ground-breaking publication “Tomorrow, I Will Fly,” a collection of essays and stories penned entirely by convicts from the city’s penal and correctional institutions.

A first of its kind in the Arab world, the book is the culmination of a year-long project by British international best-selling writers Clare Mackintosh and Annabel Kantaria.

During the launch, both authors shared their experiences as writers-in-residence at the prisons. After visiting a jail last year as part of the program, Mackintosh and Kantaria saw an opportunity to develop the initiative and help the prisoners find their voices and tell their stories.

Following a week of intense creative writing workshops with a group of male and female inmates, the resulting collection of essays and personal reflections were collated in the anthology.

“Writing can be an extremely effective way of processing thoughts, experiences and emotions, bringing long-term benefits for mental health, and in turn reducing the risk of reoffending,” said Ahlam Bolooki, director of the literature festival.

“The results of this project could be potentially life-changing. We hope this ongoing initiative will continue to make a positive contribution to the outcomes for inmates in Dubai and elsewhere.”

Copies of the book will be made available to other prisons in the UAE, the Arab world and further afield, including jails in the UK.


‘Hamilton’ makes a successful transition to the big screen

Updated 04 July 2020

‘Hamilton’ makes a successful transition to the big screen

CHENNAI: Cinema sometimes looks to go back to its roots. Some years ago, European auteurs like Lars Von Trier, Thomas Vinterberg and others introduced “Dogme 95” as a new form of moviemaking, which meant using no props, no artificial lighting and no makeup. It did not last long. However, Thomas Kail’s “Hamilton” — released to coincide with the Fourth of July and streaming on Disney Plus — is another experiment that reminded me of the very early days of motion pictures when some directors in India captured a stage play with a static camera and then screened it in remote regions, where it was not feasible to cart the entire cast.

Kail used six cameras to shoot what was originally a theatrical production. Over two nights in 2016, he filmed the play with most of the actors, including Tony Award winners, who were in the stage version. Every attempt has been made to make it look cinematic, with impeccable camerawork and editing. There is a bonus here. The movie enables you to be a front-bencher at Richard Rogers’ stage production. This closeness that allows you to see clearly the expressions of the actors establishes an intimacy between the audience and the cast.

Inspired by Ron Chernow’s 2004 biography of Alexander Hamilton, the 160-minute show makes a fabulous musical. The release of the film with its intentionally diverse cast comes at a critical time when race relations in the USA have hit the rock bottom. When Aaron Burr (Leslie Odom Jr) sings that he wants to be in “the room where it happens”, the lyrics are sung by a black man.

Alexander Hamilton (played by Lin-Manuel Miranda, also the creator of the piece) is the least well known of the American founding fathers. An immigrant and orphan, he was George Washington’s right-hand man. Credited as being responsible for setting up the country’s banking system, Hamilton was killed in a duel by Burr.

The musical is inspired by Ron Chernow’s 2004 biography of Alexander Hamilton. Courtesy of Disney

The story is narrated through hip-hop beats. Thomas Jefferson (Daveed Diggs) sings his speech to Congression, and the debates he has with Alexander Hamilton are verbalized through lyrics. Hamilton also has a lot to say about America’s immigrant past. In one scene French aristocrat Marquis de Lafayette tells Alexander, “Immigrants, we get the job done!”

Performances are top notch. Miranda is superb, and evokes an immediate connection between the film and the viewer. King George III is brilliantly portrayed by Jonathan Groff, and Hamilton’s wife, Eliza (Philippa Soo), is an endearing presence who has a calming effect on her often ruffled and troubled husband.

“Hamilton” is a great, if subjective, account of early American political history for those not familiar with that period. It must be said, however, the musical makes a long movie, which might be a trifle tiring for those not used to this format.