Yara Shahidi glows on NAACP Image Awards red carpet

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Updated 23 February 2020

Yara Shahidi glows on NAACP Image Awards red carpet

DUBAI: On Saturday night, A-listers descended upon the Pasadena Civic Auditorium in Pasadena, California, for the 51st annual NAACP Image Awards. Among the stars in attendance was US actress and activist Yara Shahidi, who was nominated for the Best Actress in a Comedy Series award for her role in “Grown-ish.” While the 20-year-old didn’t take home the prize — the accolade went to her “Black-ish” co-star Tracee Ellis Ross — Shahidi was a major winner when it came to her scene-stealing red carpet look.

The US-Iranian actress stepped out wearing a mint green satin minidress covered in embellishments by Gucci and a pair of chunky metallic leather platform sandals, also from the Italian house.

As for her beauty look, Shahidi decided to embrace her natural curls on the red carpet. Glowy skin, brushed up brows, a feline flick of liquid eyeliner and a swipe of reflective gloss rendered her makeup look complete.  




The US-Iranian actress stepped out wearing a mint green satin minidress covered in embellishments by Gucci. (Getty)

Other stars who turned heads at the annual awards ceremony include “9-1-1” actress Angela Bassett who accepted the NAACP Image Award for Outstanding Actress in a Drama Series award wearing a mint-colored, structured evening gown by Lebanese couture duo Azzi & Osta. The dress featured a waist-cinching belt with an asymmetric neckline and was accessorized with a matching emerald-green clutch and drop earrings.

Other winners on the night included singer Lizzo, who was named the Entertainer of the Year, and “Just Mercy,” which won the Best Motion Picture award, while its lead actor Michael B. Fox nabbed the Best Actor trophy and its secondary star Jamie Foxx won the Best Supporting Actor prize at the awards ceremony that recognizes entertainers of color.




Angela Bassett accepted the NAACP Image Award for Outstanding Actress in a Drama Series award wearing a dress from Azzi & Osta. (AFP)

Jordan won for his role as a crusading defense attorney in the film, while Foxx won for his portrayal of the wrongly convicted man he fought for.

Elsewhere, Lupita Nyong’o won the Best Actress in a Film prize for her role in “Us,” and 15-year Marsai Martin won the Best Supporting Actress award for her role in “Little” over superstar names including Jennifer Lopez, Janelle Monáe and Octavia Spencer.

Meanwhile, singer-turned-beauty-mogul Rihanna received the NAACP President’s Award for Special Achievement and Distinguished Public Service. She called for racial, religious and cultural unity during her acceptance speech. “If there’s anything that I’ve learned, it’s that we can only fix this world together,” she stated, adding: “We can’t do it divided.”


‘Hamilton’ makes a successful transition to the big screen

Updated 04 July 2020

‘Hamilton’ makes a successful transition to the big screen

CHENNAI: Cinema sometimes looks to go back to its roots. Some years ago, European auteurs like Lars Von Trier, Thomas Vinterberg and others introduced “Dogme 95” as a new form of moviemaking, which meant using no props, no artificial lighting and no makeup. It did not last long. However, Thomas Kail’s “Hamilton” — released to coincide with the Fourth of July and streaming on Disney Plus — is another experiment that reminded me of the very early days of motion pictures when some directors in India captured a stage play with a static camera and then screened it in remote regions, where it was not feasible to cart the entire cast.

Kail used six cameras to shoot what was originally a theatrical production. Over two nights in 2016, he filmed the play with most of the actors, including Tony Award winners, who were in the stage version. Every attempt has been made to make it look cinematic, with impeccable camerawork and editing. There is a bonus here. The movie enables you to be a front-bencher at Richard Rogers’ stage production. This closeness that allows you to see clearly the expressions of the actors establishes an intimacy between the audience and the cast.

Inspired by Ron Chernow’s 2004 biography of Alexander Hamilton, the 160-minute show makes a fabulous musical. The release of the film with its intentionally diverse cast comes at a critical time when race relations in the USA have hit the rock bottom. When Aaron Burr (Leslie Odom Jr) sings that he wants to be in “the room where it happens”, the lyrics are sung by a black man.

Alexander Hamilton (played by Lin-Manuel Miranda, also the creator of the piece) is the least well known of the American founding fathers. An immigrant and orphan, he was George Washington’s right-hand man. Credited as being responsible for setting up the country’s banking system, Hamilton was killed in a duel by Burr.

The musical is inspired by Ron Chernow’s 2004 biography of Alexander Hamilton. Courtesy of Disney

The story is narrated through hip-hop beats. Thomas Jefferson (Daveed Diggs) sings his speech to Congression, and the debates he has with Alexander Hamilton are verbalized through lyrics. Hamilton also has a lot to say about America’s immigrant past. In one scene French aristocrat Marquis de Lafayette tells Alexander, “Immigrants, we get the job done!”

Performances are top notch. Miranda is superb, and evokes an immediate connection between the film and the viewer. King George III is brilliantly portrayed by Jonathan Groff, and Hamilton’s wife, Eliza (Philippa Soo), is an endearing presence who has a calming effect on her often ruffled and troubled husband.

“Hamilton” is a great, if subjective, account of early American political history for those not familiar with that period. It must be said, however, the musical makes a long movie, which might be a trifle tiring for those not used to this format.