LONDON: Teen horror is a surprisingly tricky thing to get right. Go to far with the ‘horror’ and it makes it unsuitable for teen audiences. Go to far with the ‘teen’ and it makes it a tough sell for anyone else. In an attempt to tread this finest of lines, Disney+ has opted to adapt the works of prolific teen-horror writer R. L. Stine into a new, eight-part anthology series, featuring standalone episodes and a cast of fresh young actors.
“Just Beyond” covers a lot of ground in those eight episodes — from aliens and monsters to ghosts and alternate universes. Each episode stays unerringly on the right side of family-friendly, with just the occasional jump scare and a tendency to wrap every episode up with a nice, narrative bow by the time the credits roll. Fans of Stine’s books and graphic novels will find a lot to like in “Just Beyond”.
Where the series really finds its feet is during its more allegorical moments. In among the stories of witches and ghouls are some heart-warming (yet still teen-friendly) parallels. When a young girl realizes that the monster stalking her (“My Monster”) is created by her anxiety following her parents’ divorce, she discovers it only chases her if she keeps running. A teenage witch tries to hide her gifts from her friends (“Which Witch”) until she realizes that they love her no matter what. A grieving son takes his widowed mother for granted (“The Treehouse”) until a trip to an alternate dimension teaches him to appreciate that they both miss his dad. You get the idea.
Some of the messages are a little heavy handed, and some of the performances a little over earnest. But though “Just Beyond” can be a tad on the nose, that’s probably what it’s going for. Parents, admittedly, might not find a huge amount to draw them in, but this show isn’t really for them, as the title of the first episode in the series makes clear. Its name? “Leave Them Kids Alone.”
‘I’d Do Anything for Love’ singer Meat Loaf dead at 74
The beefy Texas-born singer distinguished himself in the late 1970s with his soaring vocal range and lavish stage productions
After a career rut, Meat Loaf enjoyed a revival with his biggest success in 1993: the single "I'd Do Anything for Love (But I Won't Do That)"
Updated 21 January 2022
WASHINGTON: US singer Meat Loaf, famous for his “Bat Out of Hell” rock anthem, has died aged 74, after a career in which he sold more than 100 million albums and appeared in scores of movies.
“Our hearts are broken to announce that the incomparable Meat Loaf passed away tonight with his wife Deborah by his side,” read a statement on his Facebook page early on Friday.
“Daughters Pearl and Amanda and close friends have been with him throughout the last 24 hours.” No cause of death was given.
The beefy Texas-born singer distinguished himself in the late 1970s with his soaring vocal range and lavish stage productions.
His 1977 “Bat out of Hell” album, which reportedly sold some 43 million copies, is one of the highest-selling ever.
After a career rut, Meat Loaf enjoyed a revival with his biggest success in 1993: the single “I’d Do Anything for Love (But I Won’t Do That)” topped the charts in 28 countries and won him a Grammy Award.
“We know how much he meant to so many of you and we truly appreciate all of the love and support as we move through this time of grief in losing such an inspiring artist and beautiful man,” it said.
“From his heart to your souls... don’t ever stop rocking!“
Tributes poured in, including from former US president Donald Trump, and stars such as Cher, who tweeting she was “Very Sorry For His Family, Friends, & Fans.”
“R.I.P Meatloaf. Love and prayers to all his family and close friends,” tweeted singer Boy George.
Adam Lambert, the lead singer for Queen since 2011, described Meat Loaf as “a gentle hearted powerhouse rockstar forever and ever.”
“You were so kind. Your music will always be iconic,” Lambert said on Twitter.
Born Marvin Lee Aday on September 27, 1947, Meat Loaf’s early years in Texas were rough.
“I’ve forgiven my father for trying to kill me with a butcher’s knife,” he once told The Telegraph.
But the bullying at school over his weight — the nickname Meat Loaf came early — was followed by the devastating loss of his mother to cancer while he was still a teenager.
Not long after, he was on his way to New York, looking for ways to channel the angst and histrionics into performance.
There, he teamed up with musician and playwright Jim Steinman, who provided the wild, theatrical backing music to accompany Meat Loaf’s bellowing voice.
Meat Loaf’s other hit singles include “Paradise by the Dashboard Light” (1977) and “I’m Gonna Love Her for Both of Us” (1981).
Meat Loaf had started off seeking acting work — winning parts in “Hair” and the original cast of “The Rocky Horror Picture Show” and its film adaptation.
Throughout his career, he also had several small parts in TV shows and films, including “Wayne’s World” (1992).
His role in the 1999 cult classic “Fight Club” highlighted his acting prowess in one of the decade’s most critically acclaimed films.
In 2016, he released a new album — his first since 2011 — and returned to a busy schedule after a two-year gap in touring, a string of health scares and speculation he would retire.
The singer had collapsed onstage at least three times since 2003, including once in Canada in 2016 after suffering from dehydration while singing “I’d Do Anything For Love.”
He was one of the few major US musicians outside of the country genre to support the Republican Party actively.
In the lead-up to the 2012 election that Barack Obama ended up winning, Meat Loaf campaigned for his challenger Mitt Romney.
Meat Loaf also became friends with Donald Trump after appearing on the latter’s reality television show “The Celebrity Apprentice.”
Trump described the singer as “smart, talented, open, and warm” in a statement Friday.
DUBAI: The Syrian Arts and Culture Festival, a new multidisciplinary event showcasing the country’s creative talents, has opened in London.
The inaugural event, running until Feb. 4, brings together established and emerging artists, filmmakers, performers, and musicians to offer audiences alternative narratives and perspectives on Syria, its people, and its culture.
The SACF is a project by Zamakan, a non-profit platform that aims to create opportunities for artists, cultural workers, and creatives from West Asia and North Africa, and Marsm, a London-based events company.
SACF is a transliteration of the Arabic word saqf, meaning roof or ceiling, a word which is also used to represent the limit of something. According to the website, the festival, “aspires to be a creative platform where limits can be pushed and boundaries are broken.”
For the opening night, the festival presented two solo performances by the acclaimed Syrian classical guitarist Ayman Jarjour and and Palestinian ney (a type of flute) virtuoso Faris Ishaq.
Upcoming events feature screenings of Syrian filmmaker Omar Amiralay’s movies, a traditional food workshop, and a performance by Syrian musician Ibrahim Keivo.
Meet Saudi beauty guru Hessa Alajaji: The face behind Han Makeup
Updated 21 January 2022
DUBAI: Saudi makeup artist Hessa Alajaji’s beauty brand Han Makeup, which she has been working on since 2017, is finally here much to the delight of makeup aficionados.
“Our goal is to have a brand that covers all the products that anyone would need when doing their makeup,” said the content creator who co-founded the brand in an interview with Arab News. “We have started with makeup brushes as we have noticed a lack of sets that give you the requirements that you need.”
Alajaji first gained popularity on social media, where beauty lovers flocked to her Instagram account for creative shots of colorful, otherworldly makeup looks and sneak peaks of the artist’s life. With more than 35,000 followers on Instagram, it was time for the creative talent to translate her know-how into a business.
The pandemic slowed down the artist’s production plan, but she said it allowed her to test the brushes with several leading makeup artists and users who “all praised the quality” of her set.
The feedback on her release “exceeded” her expectations. “Clients loved the brush set and we have been receiving amazing feedback. We love that our brushes were a part of the most memorable moments of our clients like their wedding day, engagement party, New Year’s Eve, etc.,” she said.
The Riyadh-based entrepreneur, who has collaborated with international brands like Sephora, is currently working on developing three new products. “We want to venture into cosmetics in 2022 and launch a few products,” she teased.
As of now, her products are not manufactured in Saudi Arabia, but the beauty guru said she hopes to produce her brand in her home country one day.
“We secure different samples from factories across the world like Italy, Korea, China, etc., and we proceed with the best quality we get. Quality is the determining factor not location nor the “made in” label,” she added.
Alajaji said she has always had a passion for arts. “That passion grew with me as I got older and I started discovering makeup when I was in high school. I fell in love with it from the beginning as it allowed me to express my creativity and art,” she said.
LOS ANGELES: US actress Jessica Chastain’s “The 355” just hit theaters to mixed reviews and Arab News sat down with the star to hear more about the game-changing film.
In early 2018, Chastain pitched studios on a movie about an all-female team of spies — four years later, she’s starring in it.
Perhaps best known for her dramatic roles, the bombastic action of “The 355” is something of a departure for Chastain.
The story sees a team of spies from agencies around the world uniting to stop a dangerous enemy.
“It was never my intention even with making this film to be an action star or that kind of sarcastic one-liner character that you would see in all these genre movies,” the actress, who stars as spy Mace Brown, told Arab News. “I like playing all different kinds of parts as we see in ‘The Eyes Of Tammy Faye’ or in ‘Scenes From a Marriage’ and I just want to do everything.”
The film had a lacklustre showing at the American box office and with critics who cited a generic plot, flat characters and uninventive action. Chastain, however, believes the movie is being held to unfair standards.
“The industry tends to be more critical of a film that may be an ensemble of women or about a group of people that aren’t often celebrated by this industry,” she said.
“We’re living in a pandemic and there is no sense to anything that’s happening right now because people’s safety is the only thing that they care about. And we need to stop using the pandemic as a way to devalue the stories of others,” added Chastain.
Co-star Diane Kruger, who plays the role of spy Marie Schmidt, said her cast members helped her to overcome the physical and emotional stress of filming only six months after having a baby.
“It became exhilarating, week after week feeling I was able to kick higher, lift heavier just feeling my body coming back and becoming stronger again and taking control over myself again,” Kruger said. “It felt really empowering. It’s a little silly to say, but it did feel like this movie in a way helped me get back to me.”
‘I’m carried by passion’: Syrian actress Kinda Alloush says as she discusses upcoming projects
Updated 21 January 2022
DUBAI: It’s been five years since Kinda Alloush, one of the most popular actresses in the Arab world, decided to take a prolonged break for the first time in her career. She had dominated Syrian television in one decade and then Egyptian film and TV in the next, but Alloush had found, at the height of her fame, something that mattered more: The chance to start a family with her husband, Egyptian actor Amr Youssef.
Alloush, 39 and now the mother to a 3-year-old daughter named Hayat, has since returned to the screens both big and small, but while she is as popular as ever, the Syrian superstar is not the same person she was in the last phase of her acting journey. With each project she now takes, Alloush yearns for more, and she’s tired of playing it safe.
“For a long time, I played roles that were very similar to each other. I’m not sure why — maybe I fit a type. Maybe it’s my face,” Alloush, who has long played the ‘good girl’, tells Arab News.
“Now, I don't want to just add a new film to my archive, I don’t want to just say ‘I did a new movie, it’s so successful, I’m so happy.’ That’s not what I'm looking for. What I’m looking for is to learn. It’s about how to really make yourself richer on a human level, not just the acting level. I want to go back to my country and to feel that I am now a different person,” Alloush continues.
Each role that she has taken since her break from acting has pushed her in a different direction, stretching muscles — physical, mental, and spiritual — that she didn’t know she had. Currently, she’s filming “Yellow Bus” in Abu Dhabi, an OSN Original about an Indian girl who goes missing after falling asleep on a school bus, and her mother’s search to find out the truth. Alloush plays Mira, the missing girl’s school principal.
“I read maybe 10 pages of the script before I knew I had to be in this movie. It’s a human story that could have happened anywhere in the world. I assure you that if anyone watches this movie, they will feel the pain this family felt. And that is what happened to me; I felt the pain, I felt every detail written into this movie. And I felt that I wanted to be a part of this, no matter how busy my schedule was,” says Alloush.
The film also offers Alloush something none of her previous work has — the chance to act in a different language with a multi-cultural cast featuring Bollywood stars Tannishtha Chatterjee and Amit Sial along with an American director in Wendy Bednarz.
“It’s my first time acting in English. I’ve been doing this for more than 17 years in Syria and Egypt, but all my projects were in Arabic. I’ve spoken English for a long time, but it’s different to act in English rather than to just speak it. You need to be so real. I need to make you believe me, to make you feel what I’m feeling. And pushing myself to do that, opposite these amazing actors from different backgrounds and different styles, makes it such a rich and challenging experience,” says Alloush.
And with Mira, Alloush is finally playing against type, abandoning her ‘good girl’ persona.
“Mira is really different. She’s a bit controversial. You can’t really put your finger on her. You need to finish the movie before you have a full view of her many layers. At the beginning, you’ll wonder, ‘Why did she react like this? Why did she do that?’ And your curiosity pays off as you learn more about her story. She’s so unlike anyone I’ve ever inhabited.”
Alloush, who already boasts 10 million followers on Instagram, will also soon be introduced to a wider audience than ever before when she stars in the upcoming Netflix original film “The Swimmers,” based on the real-life story of Sara and Yusra Mardini, the famed Syrian refugees-turned-Olympians. The film was written by BAFTA-winner Jack Thorne and directed by Egyptian filmmaker Sally El-Hosaini.
“‘The Swimmers’ is so interesting, because every bit of it is true to life, with all the characters still living, including these two famous swimmers. Although my character is pure Syrian, working with German actor Matthias Schweighöfer, Ali Suliman from Palestine, and Ahmed Malek from Egypt also brought a real multicultural spirit to the project, which made for a rich experience as well,” says Alloush.
While Alloush moved to Egypt just as the Syrian civil war began, the actress has devoted much of her free time to the refugee cause ever since, becoming a ‘High Profile Supporter’ of the United Nations High Commissioner for Refugees. In another upcoming film, entitled “Nuzooh” (Displacement), Alloush will tackle the country’s trauma from the civil war, giving perhaps the most harrowing experience of her career.
“It’s about a Syrian family, and it’s a very difficult, sensitive subject. We filmed it in Turkey,” she says. “While I’m from Syria, I didn’t live through the war in Syria. With this movie that I’ve just finished, I felt like I was living the war in every small detail. It was a really difficult experience unlike any I’ve had.”
While Alloush is testing her limits as an actor, she’s also never been more fulfilled by her craft.
“I’m collecting experiences. When I enter a new project, I feel like I am empty, and I want to fill myself in some way — to learn, to hear, to talk to people from a different culture,” she says. “I’m carried by passion. Maybe other people have a different approach, but for me, it’s about love. I want this to make me richer on a human level. And it is working.”
With each of her three upcoming movies, she hopes that audiences can take away just as much as she did.
“With a great movie, you feel that you traveled to another civilization. With this craft, I can take you there. I can open your eyes to a new horizon, a new space, and new stories that you've never heard about, and people that you've never met,” says Alloush. “Each of these (films) can do that, I believe.”