Social media companies could be sued for addicting children in California 

Facebook, Instagram, TikTok and Snapchat could be sued under the state’s law if a prosecutor believes the companies utilized features they knew or should have known would addict minors. (AFP/File Photo)
Facebook, Instagram, TikTok and Snapchat could be sued under the state’s law if a prosecutor believes the companies utilized features they knew or should have known would addict minors. (AFP/File Photo)
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Updated 29 June 2022

Social media companies could be sued for addicting children in California 

Social media companies could be sued for addicting children in California 
  • Facebook, Instagram, TikTok and Snapchat could be sued under the state’s law

LONDON: The California state senate voted on Tuesday to pass a law that would allow state lawyers to sue social media companies, such as Facebook and TikTok, for features that harm children. 

Facebook, Instagram, TikTok and Snapchat could be sued under the state’s law if a prosecutor believes the companies utilized features they knew or should have known would addict minors.  

Supported by youth advocates, teachers’ unions and customer groups, the bill passed by a vote of 8-0. 

“I was addicted to the place that was killing me, that was reminding me of who I would never become, what I would never look [like],” activist Larissa May said in the hearing. “There needs to be some accountability. The more that we suffer, the more money that they make.”

However, Dylan Hoffman, an executive director at Technet, testified that the measure would violate free speech rights because the algorithms used to curate content on social media platforms are a protected form of speech.

In an earlier version of the bill, parents would have been able to sue the companies for harm to their children.

However, after lobbying from business and tech groups, the bill was amended so that only government attorneys can file the lawsuits.

The measure must be approved before the end of the legislative session in August. Democratic Gov. Gavin Newsom has not taken a public position on the bill.

In response, Meta, Twitter and Snapchat have individually lobbied against the measure.

While Meta has increased the age-verification protocols on Instagram, a Meta representative said the measure would do nothing to encourage companies to make meaningful changes.  

“We want to make sure that the people on our platforms have a safe and positive experience,” said a Meta spokesperson.


Google opposes Facebook-backed proposal for self-regulatory body in India - sources

Google opposes Facebook-backed proposal for self-regulatory body in India - sources
Updated 1 min 34 sec ago

Google opposes Facebook-backed proposal for self-regulatory body in India - sources

Google opposes Facebook-backed proposal for self-regulatory body in India - sources
  • India wants a panel to review complaints about content decisions
  • Google says self-regulatory system sets bad precedent - sources
NEW DELHI: Google has grave reservations about developing a self-regulatory body for the social media sector in India to hear user complaints, though the proposal has support from Facebook and Twitter, sources with knowledge of the discussions told Reuters.
India in June proposed appointing a government panel to hear complaints from users about content moderation decisions, but has also said it is open to the idea of a self-regulatory body if the industry is willing.
The lack of consensus among the tech giants, however, increases the likelihood of a government panel being formed — a prospect that Meta Platforms Inc’s Facebook and Twitter are keen to avoid as they fear government and regulatory overreach in India, the sources said.
At a closed-door meeting this week, an executive from Alphabet Inc’s Google told other attendees the company was unconvinced about the merits of a self-regulatory body. The body would mean external reviews of decisions that could force Google to reinstate content, even if it violated Google’s internal policies, the executive was quoted as saying.
Such directives from a self-regulatory body could set a dangerous precedent, the sources also quoted the Google executive as saying.
The sources declined to be identified as the discussions were private.
In addition to Facebook, Twitter and Google, representatives from Snap Inc. and popular Indian social media platform ShareChat also attended the meeting. Together, the companies have hundreds of millions of users in India.
Snap and ShareChat also voiced concern about a self-regulatory system, saying the matter requires much more consultation including with civil society, the sources said.
Google said in a statement it had attended a preliminary meeting and is engaging with the industry and the government, adding that it was “exploring all options” for a “best possible solution.”
ShareChat and Facebook declined to comment. The other companies did not respond to Reuters requests for comment.

THORNY ISSUE
Self-regulatory bodies to police content in the social media sector are rare, though there have been instances of cooperation. In New Zealand, big tech companies have signed a code of practice aimed at reducing harmful content online.
Tension over social media content decisions has been a particularly thorny issue in India. Social media companies often receive takedown requests from the government or remove content proactively. Google’s YouTube, for example, removed 1.2 million videos in the first quarter of this year that were in violation of its guidelines, the highest in any country in the world.
India’s government is concerned that users upset with decisions to have their content taken down do not have a proper system to appeal those decisions and that their only legal recourse is to go to court.
Twitter has faced backlash after it blocked accounts of influential Indians, including politicians, citing violation of its policies. Twitter also locked horns with the Indian government last year when it declined to comply fully with orders to take down accounts the government said spread misinformation.
An initial draft of the proposal for the self-regulatory body said the panel would have a retired judge or an experienced person from the field of technology as chairperson, as well as six other individuals, including some senior executives at social media companies.
The panel’s decisions would be “binding in nature,” stated the draft, which was seen by Reuters.
Western tech giants have for years been at odds with the Indian government, arguing that strict regulations are hurting their business and investment plans. The disagreements have also strained trade ties between New Delhi and Washington.
US industry lobby groups representing the tech giants believe a government-appointed review panel raises concern about how it could act independently if New Delhi controls who sits on it.
The proposal for a government panel was open to public consultation until early July. No fixed date for implementation has been set.

Saudi Arabia to host Arab Radio and Television Festival

Saudi Arabia to host Arab Radio and Television Festival
Updated 11 August 2022

Saudi Arabia to host Arab Radio and Television Festival

Saudi Arabia to host Arab Radio and Television Festival
  • Festival running from Nov. 7 to Nov. 10 in Riyadh

RIYADH: Hundreds of media officials are expected at the 22nd edition of the Arab Radio and Television Festival, which will be hosted in Saudi Arabia.

Running from Nov. 7 to Nov. 10 in Riyadh, more than 1,000 media professionals are expected at the four-day event.

Activities will include a broad selection of workshops, discussions and competitions based on the broadcast industry.

The festival, organized by the Saudi Broadcasting Authority, will also have representatives from media organizations including World Broadcasting Unions, European Broadcasting Union, Asia-Pacific Broadcasting Union, African Union of Broadcasting, Asia-Pacific Institute for Broadcasting Development, China Global Television Network, International Telecommunication Union and the Mediterranean Center for Audiovisual Communication.

Saudi Arabia’s hosting of the festival, considered one of the most prominent media forums, gives a nod to its importance in the Arab and Islamic worlds as well as efforts to push for cultural transformation the Kingdom is witnessing, state news agency SPA reported.


All you need to know about Saudi Arabia’s new social media influencer permit

All you need to know about Saudi Arabia’s new social media influencer permit
Updated 11 August 2022

All you need to know about Saudi Arabia’s new social media influencer permit

All you need to know about Saudi Arabia’s new social media influencer permit
  • Kingdom’s media regulator says new law to take effect from October, with all social media influencers affected

LONDON: As more Saudis connect through their social media profiles and even begin to profit from these platforms, the Kingdom has launched a new licensing system to properly monitor the influencer industry.

From early October, every Saudi and non-Saudi content creator in the Kingdom who earns revenue through advertising on social media must first apply for an official permit from the General Commission for Audiovisual Media (GCAM).

For a fee of SR15,000 (roughly $4,000), content creators will receive a permit lasting three years, during which time they can work with as many private entities as they wish and promote any product or service, as long as it does not violate the Kingdom’s laws or values.
 

The incoming influencer license “is not a permit to censor or to block,” Esra Assery, CEO at GCAM, told Arab News. “It’s more of a permit to enable the maturity of the sector. We want to help those individuals grow, but grow in a professional way so they can make a career out of (social media revenue).”

The new regulations are being touted as legal protections, both for influencers and businesses wishing to advertise with them, so that rates and contractual obligations are standardized across the industry.

“The market is so unregulated,” said Assery. “We’re not against influencers or those individuals. Actually, we want to enable them. If you check out the new bylaw, it protects them also, because the bylaw regulates their relationship with the advertisers.”
 

Esra Assery, CEO at Saudi Arabia's General Commission for Audiovisual Media. (Supplied)

Currently, anyone in Saudi Arabia is able to advertise on social media and earn money from deals with private entities — with payments per post climbing into the thousands of riyals, depending on the number of followers an influencer can reach.

Concern has been expressed that introducing permits and regulations will undermine how much money influencers can make and might even constitute censorship. However, GCAM insists the permits are designed to ensure transparency between influencers and their clients.

Saudi influencers, whether based in the Kingdom or abroad, must apply for the permit if they wish to work with a brand — local or international. However, non-Saudi residents in the country must follow a different track.

After applying to the Ministry of Investment for a permit to work in the country, they can then apply for an influencer permit through GCAM. However, non-Saudi residents must be represented by specific advertising agencies.

“While some influencers may focus on the short-term loss of paying the license fee, there is a huge benefit to licensing coming in as it legitimizes the sector on a national level,” Jamal Al-Mawed, founder and managing director of Gambit Communications, told Arab News.

“This is crucial in the influencer industry as it has been a bit of a wild west for marketing in the past, with no clear benchmarking for rates or contracts.”

Al-Mawed said that the new measures can protect brands that are susceptible to fraud “when they pay huge budgets to influencers who are buying fake followers and fake engagements. This creates a vicious circle, as hard-working content creators are undermined by the bad apples.”

Although the new license is unlikely to solve every issue overnight, “it does create a foundation for more professionalism and accountability,” Al-Mawed added.

Under new rules, non-Saudi residents and visitors to the Kingdom are prohibited from posting ads on social media without a license. (Shutterstock image)

In June, non-Saudi residents and visitors to the Kingdom were prohibited from posting ads on social media without a license. Those who ignore the ruling face a possible five-year prison sentence and fines of up to SR5 million.

GCAM announced the ban after finding “violations by numerous non-Saudi advertisers, both residents and visitors, on social media platforms.”

“After checking their data, it was found that they had committed systemic violations, including lack of commercial registrations and legal licenses, and they are not working under any commercial entity or foreign investment license,” the commission said at the time.

Now, with a regulated license, such violations will be easier to monitor and the sector will be better regulated to ensure full transparency.
 

Businesses such as bakeries or hair salons that hold social media accounts and advertise their own products or services are not covered by the prohibition. (Shutterstock image)

Although Saudi influencers will be able to hold full-time jobs while earning on the side through promotional campaigns on their social media profiles, the law states that non-Saudis can work only in one specific role while residing in the Kingdom.

However, the system does not apply to businesses and entities — such as bakeries or hair salons — that hold social media accounts and advertise their own products or services on these platforms. Only individuals are affected by the new law.

There are certain exceptions, however, such as individuals who have been invited to the country by a ministry or government entity in order to perform, including musicians and entertainers.

With the rise of social media over the past decade, content creators and so-called influencers with thousands of followers on Instagram, TikTok, Snapchat and other platforms have drawn audiences away from traditional outlets, such as television, newspapers and magazines, to new and largely unregulated media.
 

Sensing the shift in content consumption, advertisers have followed the herd. Crystal-blue waters caressing white, sandy beaches at luxury resorts and scrumptious feasts at the finest restaurants are now commonplace on influencer profiles as businesses rush to take advantage of more “natural-feeling” product placement.

However, regulators have struggled to keep up with this rapid transformation, leaving the process open to legal disputes, exploitation and abuse. That is why authorities elsewhere in the world have also been exploring influencer permits.

Dubai, widely seen as the influencer hub of the Middle East, is among them.

In 2018, the UAE’s National Media Council launched a new electronic media regulation system, which required social media influencers to obtain a license to operate in the country.

The cost of the annual license is 15,000 AED (roughly $4,000). Those who fail to obtain or renew the license can face penalties including a fine of up to 5,000 AED, a verbal or official warning, and even closure of their social media accounts.

The rules apply to influencers visiting the UAE as well. They must either have a license or be signed up with an NMC-registered influencer agency to operate in the country.

With Saudi Arabia progressing in the entertainment and creative industries, the introduction of the license is viewed as a step in the right direction.

“It’s great news for the industry,” said Al-Mawed. “When someone is licensed by the government to offer their services, that gives them a level of safety and trust and can help filter out the scammers who prefer to fly under the radar.”

 

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Disney+ subscribers surge as Netflix stumbles

Disney+ subscribers surge as Netflix stumbles
Updated 11 August 2022

Disney+ subscribers surge as Netflix stumbles

Disney+ subscribers surge as Netflix stumbles

SAN FRANCISCO: The Disney+ streaming service saw its number of paying subscribers leap beyond expectations in the last quarter, as rival Netflix’s client count ebbed, results showed Wednesday.
The number of people subscribing to Disney+ topped 152 million, up some 31 percent from the same period a year earlier, the entertainment giant said in an earnings report.
Disney’s bottom line was also boosted by rising revenue from its theme parks, which showed signs of recovering from stifled attendance during the pandemic.
Better-that-expected earnings reported by Disney came as many of the tech titans that flourished during the pandemic curb costs in the face of inflation and people get back to living life in the real world instead of online.
Disney shares were up more than 6 percent in after-market trades that followed release of the earnings figures.
“We had an excellent quarter, with our world-class creative and business teams powering outstanding performance at our domestic theme parks, big increases in live-sports viewership, and significant subscriber growth at our streaming services,” said Disney chief executive Bob Chapek.
The 14.4 million Disney+ subscribers added in the recently ended quarter raised the overall number of subscriptions to its streaming services, which include Hulu and ESPN+, to 221 million, Chapek added.
The overall number of subscribers to Disney streaming services topped those of Netflix for the first time.
“Investors will breathe a sigh of relief from Disney’s robust fiscal (quarterly) earnings,” said Insider Intelligence principal analyst Paul Verna.
“The streaming figures will be seen as an indicator of the health of the market, especially after lackluster subscriber figures from Netflix and Comcast.”
Disney also announced that an ad-subsidized version of its streaming television subscription service will be offered in the United States starting December 8 at a monthly price $3 less than the ad-free offering.
Taking a page from Netflix’s playbook, Disney has been investing in shows created in places outside the United States.
The company plans to “step up” investments in such local original content, Chapek said, pointing out a film concert and docu-series focused on South Korean music sensation BTS.
He expressed confidence in Disney theater films in the works, including an eagerly anticipated “Black Panther: Wakanda Forever” addition to its Marvel superhero line-up.
A trailer for the Black Panther film logged more than 170 million views in the 24 hours after its release, Chapek said.
“Disney still faces economic uncertainty and intense competition, but performance should at least temporarily put to rest some of Wall Street’s gloomier perceptions about the company, and more broadly about the entertainment industry,” said Paul Verna, an analyst at Insider Intelligence.
Rival Netflix has reported losing subscribers for two quarters in a row, as the streaming giant battles fierce competition and viewer belt tightening, though the firm assured investors of better days ahead.
The loss of 970,000 paying customers in the most recent quarter was less than expected, leaving Netflix with just shy of 221 million subscribers.
“Our challenge and opportunity is to accelerate our revenue and membership growth... and to better monetize our big audience,” the firm said in its earnings report.
After years of amassing subscribers, Netflix lost 200,000 customers worldwide in the first quarter compared to the end of 2021.
Netflix said in its earnings report that it had expected to gain a million paid subscribers in the current quarter.
Netflix executives have made it clear the company will get tougher on sharing logins and passwords, which allow many to access the platform’s content without paying.
In an effort to draw new subscribers, Netflix said it will work with Microsoft to launch a cheaper subscription plan that includes advertisements.
The ad-supported offering will be in addition to the three account options already available, with the cheapest plan coming in at $10 per month in the United States.


Universal Pictures International partners with Majid Al Futtaim Distribution in new deal for Arab world

Universal Pictures International partners with Majid Al Futtaim Distribution in new deal for Arab world
Updated 10 August 2022

Universal Pictures International partners with Majid Al Futtaim Distribution in new deal for Arab world

Universal Pictures International partners with Majid Al Futtaim Distribution in new deal for Arab world
  • Partnership comes amid rapid cinema growth and strong box office results in Saudi Arabia and Middle East
  • Under the deal, Majid Al Futtaim Distribution will release Universal Pictures’ titles, including the M. Night Shyamalan thriller “Knock at the Cabin”

LONDON: Universal Pictures International and Majid Al Futtaim Distribution on Wednesday announced a partnership that will see the Emirati-based distribution company release Universal films in Saudi Arabia and other Middle Eastern countries, including Bahrain, Kuwait, Oman, Qatar, the UAE and Egypt.
“This is a very exciting time for cinema in the Middle East with the investment and audience interest at unprecedented levels. We are thrilled to be partnering with Majid Al Futtaim, one of the most ambitious and forward-thinking groups in the region,” said Paul Higginson, executive vice president, EMEA for Universal Pictures International.
News of the partnership, which will take effect on Feb. 1, 2023, comes as Saudi Arabia and the wider Middle East experience rapid growth and strong box office results.
Under the deal, Majid Al Futtaim Distribution, one of the largest film distributors in the region and a subsidiary of Majid Al Futtaim Leisure, Entertainment & Cinemas, will release Universal Pictures’ titles, including the M. Night Shyamalan thriller “Knock at the Cabin,” the Super Mario Bros movie and “Renfield” starring Nicolas Cage.
“This strategic partnership reaffirms Majid Al Futtaim’s commitment to deliver compelling content and the ultimate cinematic experience to cinemagoers in the region,” said Ignace Lahoud, CEO of Majid Al Futtaim Leisure, Entertainment & Cinemas.
“We are proud to collaborate with Universal Pictures International, which has a long legacy of producing commercially successful and critically acclaimed movies. We look forward to bringing their impressive slate of blockbuster films and popular movie franchises to the big screen and working together to grow the Middle East’s cinema industry with films that attract a large and diverse audience,” he added.
Niels Swinkels, EVP and managing director of Universal Pictures International, said that the company will continue its distribution relationship with Four Star Films in Lebanon and Cyprus.
He said that Four Star Films “has been our trusted and exemplary partner in the region for over 40 years.”