Coffee, an integral part of Saudi culture, hospitality 

Special Coffee, an integral part of Saudi culture, hospitality 
Coffee and the people in Saudi Arabia are inseparable, as admiration for coffee is deeply rooted in the culture. (Supplied)
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Updated 28 September 2023
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Coffee, an integral part of Saudi culture, hospitality 

Coffee, an integral part of Saudi culture, hospitality 
  • Ministry of Culture’s Saudi Coffee Festival is open until Oct. 1
  • Gathering for an afternoon drink has deep value as it brings people together

RIYADH: Coffee is deeply rooted in Saudi culture, with families in most regions savoring the hot beverage late afternoon or early morning every day, whether at home or at the workplace.  

Almost all commercial and residential neighborhoods have cozy local coffee outlets nestled between shops. 

To introduce Saudi coffee to visitors and highlight its role as part of Saudi heritage, the Ministry of Culture is organizing the Saudi Coffee Festival for 2023 in the eastern part of King Abdullah Financial District from Thursday until Oct. 1

Targeting all age groups, the festival will offer visitors the opportunity to learn more about the history of Saudi coffee, as well as its cultivation methods, preparation and presentation.

Saudi coffee is made by roasting coffee beans until they are golden brown. The coffee is then boiled and served as a dark, unfiltered drink. Spices such as saffron, cardamom and cloves are also added to the boiled coffee for flavor and richness. Dates or desserts are served alongside Saudi coffee to balance the bitter taste of the drink. 

Saudi national Nourah Al-Harbi, who is originally from Madinah but has lived mostly in Riyadh, said: “When the sun sets, we bring our coffee and dates.” 

Sharing an anecdote from her childhood, Al-Harbi said: “I remember one of my uncles owned a farm in Madinah at the time, when I was a child …  His neighbors used to gather at his farm every evening after sunset prayer for coffee.”

Despite the popularity of the beverage, some of the Kingdom’s regions prefer other drinks during their afternoon hours, such as tea.

Hashid Adeel Mohammed, who works at a local company that specializes in warm beverages like coffee and tea, said: “Some people prefer black tea, while others like green tea, which they also have specific ways of preparing.”

Another business entrepreneur, Anas Al-Balouchi, who works as a general manager at a coffee and tea company, spoke to Arab News about some of the norms when it comes to afternoon hot drinks for people in Madinah, where he is from.

“In Madinah, tea time starts from late afternoon until sunset. But coffee is consumed from sunset to early in the evening,” he said.

“Black coffee is served in the morning.”

In a family-oriented culture, gathering for an afternoon drink has deep value as it brings people together, whether relatives sharing a house or neighbors living in the same community.


Arabs grace the red carpet at Venice Film Festival opening

Arabs grace the red carpet at Venice Film Festival opening
Updated 29 August 2024
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Arabs grace the red carpet at Venice Film Festival opening

Arabs grace the red carpet at Venice Film Festival opening

DUBAI: The opening red carpet of the 81st Venice Film Festival played host to a number of media and entertainment industry leaders from the Arab world on Wednesday. 

Jomana Alrashid, chairwoman of the Red Sea Film Foundation, and Mohammed Asseri, CEO, attended the opening ceremony alongside Saudi producer Mohammed Al-Turki, the foundation’s former CEO.

They weren’t the only Arabs spotted on the red carpet. Lebanese presenter Raya Abirached also attended, wearing a pink cape gown by Lebanese designer Georges Hobeika.

The Venice Film Festival kicked off with the devilish debut of Tim Burton’s “Beetlejuice” sequel and a surge of star power for the glitzy competition. 

Lady Gaga, George Clooney, Daniel Craig, Julianne Moore and Brad Pitt are among the A-listers expected over the next 10 days in Italy’s watery city for the world’s longest-running movie festival, known as “La Mostra.” 

The return of big-budget Hollywood pizzazz – after a low-key edition last year due to the Hollywood writers’ strike – was on full display with the out-of-competition world premiere of “Beetlejuice Beetlejuice.”

The film again features Michael Keaton as a chaos-causing ghoul, alongside Winona Ryder, Catherine O'Hara, Monica Bellucci and young star Jenna Ortega – who sported a backless red gauze confection that matched the red carpet.

Wednesday’s opening ceremony saw Sigourney Weaver presented with a lifetime achievement Golden Lion, with the “Alien” star calling the honor "jet fuel of encouragement.”

The festival shifts tone on Thursday, when eyes turn to Angelina Jolie as Maria Callas in “Maria,” Pablo Larrain’s biopic about the opera diva’s tormented life – one of 21 films in contention for the top Golden Lion prize to be awarded Sept. 7.

Also much anticipated is the dark psychological thriller “Joker: Folie a Deux,” the sequel to US director Todd Phillips’ 2019 Venice-winning film loosely based on the DC Comics characters and set in a gritty Gotham City.

The film brings back Joaquin Phoenix, who won an Oscar for his depiction of the failed clown descending into mental illness, this time paired with Lady Gaga as his sidekick and love interest Harley Quinn.


AlUla’s rich cultural heritage beckons travelers from far and wide

AlUla’s rich cultural heritage beckons travelers from far and wide
Updated 26 August 2024
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AlUla’s rich cultural heritage beckons travelers from far and wide

AlUla’s rich cultural heritage beckons travelers from far and wide
  • Geological diversity, inscriptions and rock carvings are attractions
  • Hegra, the UNESCO World Heritage site, features Nabatean tombs 

JEDDAH: Culture is a fundamental component of the tourism offering in AlUla, which is situated in the Kingdom’s northwest, the Saudi Press Agency reported recently.

Every visitor to AlUla is eager to learn about the region’s ancient heritage, reflected in its rich history spanning thousands of years. This makes it a bucket-list destination for history and travel enthusiasts.

AlUla is centered around an ancient town that emerged in the 12th century, featuring around 900 houses built from mud bricks, the SPA reported.

In the past, trade caravans laden with incense passed nearby, overlooking palm oases with around 3 million trees.

A towering fortress, standing 45 meters tall, was constructed within it, serving as a watchtower and defensive fortification for the town’s wall, which included 14 gates, the report explained. 

The town now has several local shops, restaurants and cafes, providing a retreat for families and tourists from various countries. 

The old town of AlUla was selected as one of the best tourist villages in the world by the World Tourism Organization in 2022, among 32 from around the globe, for meeting all the selection criteria.

AlUla offers its visitors numerous tourism options. Amidst its natural landscape distinguished by geological diversity and stunning rock formations, visitors can experience desert trips, camping, stargazing in its clear skies, nature reserves, and mountain climbing.

Jabal Ikmah is one of the most prominent historical sites in AlUla, popularly dubbed “the largest open-air library” in the Arabian Peninsula due to its hundreds of ancient inscriptions and rock carvings. 

At the same time, visitors can explore historical and archaeological sites, most notably the Hegra area, which is listed as a UNESCO World Heritage site. Here one can discover Nabatean tombs, various inscriptions, and excavation sites. 

Every year, the Royal Commission for AlUla organizes several diverse artistic and cultural events, including the upcoming Winter at Tantora Festival. 

The event features traditional sports of horseback archery and tent pegging, as well as exploratory tours, art and cultural exhibitions, including the Ancient Kingdoms Festival, and much more.


Museum of Islamic Art exhibition to showcase new works by artists from Qatar and Morocco

Museum of Islamic Art exhibition to showcase new works by artists from Qatar and Morocco
Updated 25 August 2024
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Museum of Islamic Art exhibition to showcase new works by artists from Qatar and Morocco

Museum of Islamic Art exhibition to showcase new works by artists from Qatar and Morocco

DUBAI: An exhibition presenting the artistic visions of designers from Qatar and Morocco will open at the Museum of Islamic Art in Doha, Qatar.

“Crafting Design Futures” will open on Nov. 30 as part of the Qatar-Morocco 2024 Year of Culture.

On show will be specially created works by nine designers from Qatar and Morocco,  with characteristics intrinsic to each maker’s homeland and culture.  

Moroccan artist Hmaza Kadiri in his studio. (Courtesy of Design Doha 2024) 

Curated by Gwen Farrelly, the exhibition, which runs until Jan. 7, 2025, will feature new works by designers from Qatar and Morocco created during Design Doha Residency Program 2024 Qatar | Morocco: Crafting Design Futures.

The residency program, staged under the auspices of Design Doha, a biennial event launched in 2024 to creative innovation from the Middle East and North Africa region, aims to foster long-term exchanges of knowledge, craft and design practices. 

“A key objective of the biennial is to establish networks of exchange and collaboration among regional designers, which is where the Design Doha Residency Qatar | Morocco: Crafting Design Futures plays a crucial role,” Farrelly said. “This program explores the connections between contemporary craft practices and innovative design through an exchange between Moroccan and Qatari makers.” 

Majdulin Nassrallah in front of artwork by Sara Ouhaddou. (Courtesy of Design Doha 2024)

Designers based in Qatar include Nada Elkharashi, Reema Abu Hassan, Majdulin Nassrallah and Abdulrahman Al-Muftah, all of whom interpreted traditional Moroccan craft-making skills acquired during the exchange program to design multifunctional installations, products and artistic displays, while also highlighting important cultural narratives.  

Simultaneously, in Morocco,  Amine Asselman, Bouchra Boudoua, Amine El-Gotaibi, Hamza Kadiri  and Sara Ouhaddou focused on earthworks, textiles, wood craftsmanship, ceramic and glass installations and pottery. 

Through the residency artists offered a first-hand experience for participants to learn from expert artisans and craftspeople in each country.

The Moroccan artists participated in a two-week research residency in Qatar at the Liwan Design Studios & Labs and Torba Farm, immersing themselves in the local culture and traditions.

Participants from Qatar, in turn, traveled to Morocco, visiting studios and artisan schools in Rabat, Casablanca, Marrakech and Fes to gain insights and inspiration from the rich Moroccan craft traditions. 
 
The designers from both countries, Al-Obaidly said, “immersed themselves in each other’s craft traditions — ranging from ceramics to textiles — and developed new works that reflect and support the heritage and contemporary practices of their cultures.”  

Abdulrahman Al-Muftah’s work, for example, incorporated wood — a material that is not commonly associated with Qatar.  

“It was so valuable to our ancestors and why I chose to work with this material for the Crafting Design Futures exhibition,” he told Arab News. “Wooden beams were traditionally used to construct roofs, often dictating room dimensions. These beams were never cut to size, becoming a distinct design element in heritage buildings, visible in the protruding ends that symbolize traditional construction practices.” 

Amine El-Gotaibi Studio. (Courtesy of Design Doha 2024)

The piece Al-Muftah created for the exhibition is his own interpretation of woodworking. He was particularly inspired by Moroccan artist Hamza Kadiri’s woodwork, highlighting his artistry native to his North African homeland, which also reflected the important element of cultural exchange through the residency and exhibition. 
 
“In Kadiri’s hands, hardwoods become as malleable as clay, with household furniture items emerging as if they were poured into shape,” he said. “My piece for the Crafting Design Futures exhibition is my interpretation of woodworking, drawing on Kadiri’s innovative techniques to create something uniquely my own.” 

The goal is the exhibition goes beyond the beauty and innovation of the works on show to reflect the mission of Qatar’s Years of Culture to transcend borders and culture through creativity. 

“Crafting Design Futures demonstrates the transformative impact of finding inspiration through shared experiences that draw on the wisdom of our ancestors, our lifestyles, and our deep-rooted connections with our societies, landscapes and environment — all of which collectively shape our unique perspectives, creative endeavors and shared narratives,” Al-Obaidly said. “Designing opportunities for creatives to engage in programs that have the capacity for such deep experiences is crucial to nurturing talents within the MENA region.” 


National Film Archive launches Film Deposit Initiative

National Film Archive launches Film Deposit Initiative
Updated 22 August 2024
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National Film Archive launches Film Deposit Initiative

National Film Archive launches Film Deposit Initiative
  • Initiative will collect films from various sources; from private and public sector institutions as well as filmmakers
  • By preserving the films, the National Film Archive aims to solidify the Kingdom’s position as a premier hub for movie production

RIYADH: The National Film Archive has launched the Film Deposit Initiative, which aims to collect and archive more than 1,000 Saudi and Arab films, the Saudi Press Agency reported on Thursday.

The initiative will collect films from various sources; from private and public sector institutions as well as filmmakers. By preserving the films, the National Film Archive aims to solidify the Kingdom’s position as a premier hub for movie production in the heart of the Middle East.

According to SPA, the Film Deposit Initiative aims to preserve films for future generations and ensure their availability. Its mission extends beyond archiving; aiming for strategic digital transformation, systematic classification, and enhanced engagement with global film communities and cinema audiences.

Anyone can deposit their film by filling out the form and the National Film Archive will guide people through the required stages.


Museum of Modern Art in Paris explores French capital’s influence on Arab art

Museum of Modern Art in Paris explores French capital’s influence on Arab art
Updated 21 August 2024
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Museum of Modern Art in Paris explores French capital’s influence on Arab art

Museum of Modern Art in Paris explores French capital’s influence on Arab art

DUBAI: Throughout the 20th century, Paris became a new home for artists from across the Arab world. Young, aspiring creatives from the Levant and North Africa moved to the French capital to study or seek refuge during political upheaval in their homelands.

Set to wrap up next week, the exhibition “Arab Presences: Modern Art and Decolonization: Paris 1908-1988” at the Musée d'Art Moderne (also known as MAM) offers an exploration of a unique facet of the history of modern art by tracing the rarely documented links between Paris and Arab creatives. Curated by Morad Montazami with assistance from Odile Burluraux and Madeleine de Colnet, the exhibition aims to explore the impact Arab artists left on the French art scene and how Paris affected their work.

“The exhibition is dedicated to reviving the history of Arab artists and their links with Paris, to tell a story that has never been told in this way,” Burluraux told Arab News. “It shows — through exhibitions, acquisitions, articles — how the trajectories of some Arab artists were intertwined with the Parisian art scene at the time. However, it will certainly contribute also to enrich Arab art history. Because it reveals mutual interests, curiosity, shared moments.”

The exhibition is organized chronologically, beginning in 1908, the year in which the Lebanese poet and artist Gibran Khalil Gibran arrived in Paris and the year that saw the opening of the Ecole des Beaux-Arts in Cairo. The show runs until 1988, when the first exhibition devoted to contemporary Arab artists at the Institut du Monde Arabe, which had officially opened in Paris a few months earlier in 1987, took place.

Featured in the exhibition are more than 200 works, many of which have rarely been exhibited in France, and more than 130 rarely shown artists whose works offer a significant contribution to the study of the Arab avant-garde movement and the history of art in the 20th century. Major Arab artists including Iraqi artist Jamil Hamoudi, Algerian painter Baya, Iraqi artists Dia Azzawi, Kadhim Hayder and Rafa Nasiri and Turkish artist Fahrelnissa Zeid are also present.

“Paris at the beginning of 20th century was an important colonial empire,” Burluraux said.“The French language was spoken in most of North Africa and the Middle East. Arab artists who wanted to complete their art education were travelling to Paris to study in official art schools or ateliers.”

Paris then became a place where modernity became a source of inspiration, a chance also to break free from styles of art that were taught in Arab French colonies.

“Paris was also a place of emancipation, of awakening of consciousness about de-colonialism,” Burluraux explained. “It was also a place to get rid of the orientalist style that was still taught in their origin schools.”

In many ways, as the exhibition demonstrates, Paris was not just a place of refuge but a breeding ground for artistic discovery, experimentation and also artistic liberty.