Art D’Égypte’s ‘Forever is Now’ set to kick off at the Pyramids of Giza

Art D’Égypte’s ‘Forever is Now’ set to kick off at the Pyramids of Giza
JR's ‘Greetings from Giza.' from last year's exhibition. Supplied
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Updated 25 October 2023
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Art D’Égypte’s ‘Forever is Now’ set to kick off at the Pyramids of Giza

Art D’Égypte’s ‘Forever is Now’ set to kick off at the Pyramids of Giza

DUBAI: It is a busy day for French Egyptian curator Nadine Abdel Ghaffar and it is only noon in Cairo. "I'm running around like always. I went to the Pyramids at 8 a.m.," she said with a laugh.

The curator, who founded the Egyptian arts platform "Art D’Égypte” in 2016, is close to launching the third edition of "Forever Is Now," a site-specific installation exhibition, opening Oct. 26, that is set against the extraordinary backdrop of the Pyramids of Giza. Executed in 2021 with worldwide attention, the exhibition is a symbol of cultural continuity, combining contemporary art with ancient heritage. 

 

 

 

“The Pyramids for me are a token of hope for humanity," Abdel Ghaffar told Arab News. "It’s a world wonder that was not lost. It withstood pandemics, wars, different religions and it’s still there.” She recalls when the COVID-19 pandemic hit, one of the first people she telephoned was the veteran 

Egyptian archaeologist Dr. Zahi Hawass whose words reassured her during a time of uncertainty. "He was like, “Look at the Pyramids: This will give you hope. It’s still there. So, humanity will not be erased. Don’t worry.”" 

 

 

It is a huge undertaking setting up near the Pyramids as it reportedly involves dealing with the Secret Services, UNESCO and the Ministry of Tourism and Antiquities, among other top officials. Ten days prior to the exhibition, a team of 150 workers, including architects and electricians, work on-site 24 hours a day. Challenges aside, seeing the exhibition come to life every year still feels like a miracle. “On the night of the opening, everyone is blown away,” Abdel Ghaffar said.   

 In previous editions of "Forever Is Now," renowned artists such as JR, El-Seed and Lorenzo Quinn, among others, installed their sculptural pieces on-site. 

Aside from the show, cultural events in Downtown Cairo have also been organized by Art D’Égypte. In light of the recent violence in Gaza, the organization will set up Egyptian Red Crescent donation booths. This year, a total of 14 works will be installed at the interactive Giza exhibition, running until Nov. 18. Participating artists include Arne Quinze, Dionysios, and Pilar Zeta. "The audience is a player in this theater that we’re putting together," explained Abdel Ghaffar. "We created a trilogy that is between the heritage site, the artist, and the audience."  


Ancient astronomical device reveals ties between Muslims, Jews in medieval Europe

Ancient astronomical device reveals ties between Muslims, Jews in medieval Europe
Updated 13 sec ago
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Ancient astronomical device reveals ties between Muslims, Jews in medieval Europe

Ancient astronomical device reveals ties between Muslims, Jews in medieval Europe
  • Astrolabe is believed to have been produced in 11th-century Al-Andalus
  • Historian discovers hidden Arabic, Hebrew, Western etchings after chance online encounter

London: A reappraisal of an ancient astronomical device in Italy has sparked new interest in the medieval interaction between Muslim and Jewish scientists, The Times reported on Monday.

The astrolabe, an instrument once used by astronomers to measure time and distance based on the position of stars, has been on display at a museum in Verona for decades.

But a historian’s chance online encounter with the device, long thought to be a fake, has opened new theories about social and scientific interactions between the Islamic and Jewish faiths in medieval Europe.

Federica Gigante from Cambridge University came across an image of the astrolabe in an online post, and traveled to the museum to investigate the object.

The device is believed to have been produced in Al-Andalus, the Muslim-ruled kingdom of the Iberian Peninsula that encompassed much of modern-day Spain and Portugal.

At the museum, Gigante held the astrolabe in the sunlight and discovered a series of hidden Arabic, Hebrew and modern Western etchings.

She said: “The museum didn’t know what it was and thought it might be fake. It’s now the single most important object in their collection.”

The device is said to be from 11th-century Toledo, during a period known as the Convivencia, or Coexistence, when members of all three Abrahamic faiths lived in relative harmony.

The first markings on the astrolabe are in Arabic and denote the times of Muslim prayers in Toledo and Cordoba.

A brass plate later added to the device allowed the user of the astrolabe to determine prayer times in North Africa.

Further Arabic etchings contain two Jewish names, suggesting that the device was later used by Sephardic Arabic-speaking communities in Al-Andalus.

Hebrew text is also inscribed on the astrolabe, implying that “at a certain point the object left Spain or North Africa and circulated among the Jewish diaspora in Italy,” Gigante said.

Further Hebrew etchings translate the Arabic terms for the astrological signs Scorpio, Sagittarius, Capricorn, Aquarius, Pisces and Aries.

Gigante believes that the astrolabe may have reached Italy in the 12th century. Once in medieval Verona, Western numerals are believed to have been added to the device by a Latin or Italian speaker.

A 17th-century Veronese nobleman, Ludovico Moscardo, is thought to have obtained the astrolabe, before it was passed to the prominent aristocratic Miniscalschi family which, in 1990, founded the museum where the device remains today.

Gigante said: “The Verona astrolabe stands out, attesting to the contacts and exchanges between Arabs, Jews and Europeans in the medieval and early modern periods.”


Israel to amend Eurovision entry over political lyrics

Israel to amend Eurovision entry over political lyrics
Updated 55 min 38 sec ago
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Israel to amend Eurovision entry over political lyrics

Israel to amend Eurovision entry over political lyrics

DUBAI: Israel’s public broadcaster will request changes to the lyrics of a song under consideration for this year’s Eurovision Song Contest, reversing its previous stance on the issue.

Eurovision barred the song last week for breaking rules on political neutrality in song lyrics. Artist Eden Golan‘s Israel entry, “October Rain,” contains references to Hamas’ Oct. 7 attack on Israel.

Israeli broadcaster Kan, which will determine which song enters Eurovision for the country, pledged last week that it wouldn’t request any alteration of the lyrics.

But Israel’s President Isaac Herzog today called for “necessary adjustments” to ensure Israel can enter the show.

The original lyrics of the song were published on Kan's website last month in English. 

They include the lines "They were all good children, every one of them" and "Who told you boys don't cry/ Hours and hours/ And flowers/ Life is not a game for the cowards."

The reference to flowers often denotes war fatalities, according to Israeli media. 

Kan is also considering a song called “Dance Forever.”

The 68th Eurovision Song Contest will be held in Malmo, Sweden, in May.


Art auction at London’s Dorchester Hotel raises over $200,000 for Palestine

Art auction at London’s Dorchester Hotel raises over $200,000 for Palestine
Updated 03 March 2024
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Art auction at London’s Dorchester Hotel raises over $200,000 for Palestine

Art auction at London’s Dorchester Hotel raises over $200,000 for Palestine
  • A miniature sculpture of Banksy’s “Flower Thrower” fetched the highest bid of £16,000

LONDON: A prestigious art auction in London has raised £165,000 ($208,800) for nonprofit organizations providing medical aid in Gaza and advocating for Palestinian human rights, its organizers said on Sunday. 

Voices of Palestine, which took place on Feb. 25 at the prestigious Dorchester Hotel, featured 15 pieces of Arab artwork, including a miniature sculpture of Banksy’s “Flower Thrower,” painted by Palestinian artists. This piece, originally sold at the Walled Off Hotel in Bethlehem, fetched the highest bid of £16,000.

The proceeds from the auction are earmarked for two primary causes: supporting Fajr Scientific’s comprehensive healthcare initiative in Gaza, and the efforts of the International Centre of Justice for Palestinians.

The event hosted a panel discussion featuring a high-profile list of speakers. (AN Photo/Tamara Turki)

Egyptian activist and Editor-in-Chief of Scoop Empire Rahma Zein told Arab News: “These kinds of events are important to reiterate the message that we need to empower ourselves to have the right kinds of discussions as to how to do that, be it economically or politically.”

The 30-year-old went viral in a video confronting CNN’s Clarissa Ward for her reporting at the Rafah border. She was then invited to appear on Piers Morgan’s TalkTV show to discuss Palestinians’ suffering.

She added: “Right now there is a void; there is an empty space because the veil has fallen.

“We’ve seen that these institutions that we deemed as prestigious, these news outlets that we deemed as prestigious, are no longer the case; they’re duds.

“Now is the time to look inwards, and look regionally and see so that we’re not looking at token politicians that look like us but speak in the name of Zionism or appease the colonizers.

“We need to empower ourselves. We need to own back our narrative and these are the events to do so.”

Fajr Scientific CEO Dr. Mosab Nasser has detailed a $55 million post-war plan aiming to enhance Gaza's medical infrastructure by adding 120 hospital beds, numerous operating rooms, and intensive care units over the next three years.

Meanwhile, the ICJP focuses on strategic legal actions and advocacy to align foreign policy with the realities Palestinians face, guided by international law.

Palestinian Ambassador to the UK Husam Zomlot and South African High Commissioner to the UK Jeremiah Nyamane Mamabolo. (AN Photo/Tamara Turki)

The event hosted a panel discussion featuring a high-profile list of speakers including Rahma Zein and Nasser alongside Palestinian Ambassador to the UK Husam Zomlot, award-winning journalist Ahmed Eldin, surgeon Dr. Ghassan Abu-Sitta, and Israeli-British historian Avi Shlaim.

The panelists tackled a wide range of issues on Israel’s war in Gaza, which has killed over 30,000 people. Eldin spoke on the democratization of the media and its role in challenging Western narratives about Palestine, while Abu-Sitta shared harrowing experiences of treating patients under siege in Gaza, including Israel’s bombing of hospitals.

The event drew 450 attendees, with tickets sold at between £150 to £250.
 


Culture Summit Abu Dhabi kicks off with call to ‘create a world of understanding’

Culture Summit Abu Dhabi kicks off with call to ‘create a world of understanding’
Updated 03 March 2024
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Culture Summit Abu Dhabi kicks off with call to ‘create a world of understanding’

Culture Summit Abu Dhabi kicks off with call to ‘create a world of understanding’
  • World-renowned Syrian poet Adonis gave the first keynote speech of the summit
  • Mohamed Al-Mubarak, Chairman of the Department of Culture and Tourism - Abu Dhabi, stressed his desire to ‘create a world of understanding’

ABU DHABI: Culture Summit Abu Dhabi kicked off its sixth edition in the UAE capital with a diverse program of keynote speeches, creative talks, panel discussions and cultural performances.

On the first day of the three-day event, held under the theme of “A Matter of Time,” the summit explored the role of culture in creating collective memories while looking at alternatives to the linear concept of time.

Mohamed Khalifa Al-Mubarak, chairman of the Department of Culture and Tourism, Abu Dhabi, at Culture Summit Abu Dhabi 2024. (Supplied)

In his opening remarks, Mohamed Al-Mubarak, Chairman of the Department of Culture and Tourism - Abu Dhabi (DCT Abu Dhabi), said, “‘A Matter of Time’ is the theme for this year's Culture Summit Abu Dhabi, which serves as an invitation for us all to reflect and pause. Culture Summit is more than just words — issues will be discussed and tangible solutions will be found for global communities. Culture will allow us to understand each other, respect each other, accept and preserve each other’s culture. Once we attain this level of harmony, we will create a world of understanding.”

Al-Mubarak also made a call to attendees to make connections at the conference. “These are not just words in summits like this. Our job is to make sure we find platforms and other solutions to be a positive voice for our youth,” he said. “They will be the catalyst to make sure all of our actions and all of our fruits bear.”

Al-Mubarak then introduced world-renowned Syrian poet and philosopher Adonis, who gave the summit’s first keynote speech where he framed the relationship between people and time, exploring both in the context of technological advancements.

“Time is a creation and we are living in an era of technological advancements and modernism, enslaving us where it should have set us free. At the culture summit, we share one common goal with distinct yet similar views on culture, poetry and art. We are living in an era where nature and creativity are the need of the hour. Technology cannot be creative, cannot think, breathe or feel — technology is not the problem but relying too much on it is,” said Adonis.

"When man lives according to his creative nature, they will be a source of continuous innovation," he continued. "Understanding that is the key to a person's relationship with himself, to others and the world."

Emirati celebrity singer and Goodwill Ambassador at Large Hussain Al-Jassmi also took part in a conversation with Egyptian talk show host Mona Al-Shazly. “The UAE is a strong enabler for creative talents, including emerging artists. I personally received great support from the late Sheikh Zayed bin Sultan Al-Nahyan, who I believe was the first supporter of creative talents in the UAE. In addition, the UAE is the best example of coexistence and harmony, embracing residents of more than 200 nationalities — you can walk across any walkway in the UAE and come across five different dialects and languages.”

Nobel Prize in Literature winner, playwright, and professor of theater at NYU Abu Dhabi Wole Soyinka sat in conversation with Manthia Diawara, professor in the department of cinema studies at New York University’s Tisch School of the Arts to discuss the intricacies of African culture as well as issues around identity, as well as his thoughts on restitution.

Culture Summit Abu Dhabi, which runs until March 5, is organised by DCT Abu Dhabi.


Elie Saab unveils Fall/Winter 2024 line at Paris Fashion Week

Elie Saab unveils Fall/Winter 2024 line at Paris Fashion Week
Updated 03 March 2024
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Elie Saab unveils Fall/Winter 2024 line at Paris Fashion Week

Elie Saab unveils Fall/Winter 2024 line at Paris Fashion Week

DUBAI/PARIS: Lebanese designer Elie Saab unveiled his Fall/Winter ready-to-wear 2024-25 collection at Paris Fashion Week on Saturday, with a showcase of darker colors in a suitably wintery palette.

Figure-hugging olive green gowns were shown off on the runway, with deep purple and a muted dark blue also punctuating the new offering.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by ELIE SAAB (@eliesaabworld)

“The Elie Saab ready-to-wear Fall/ Winter 2024-25 collection is a never-ending song where the melodies of Graceland resound beyond Elvis (Presley),” the fashion house declared on Instagram.

Besides gowns, the designer also offered a variety of chic tailored separates, with a glittering coat with razor-sharp lapels contrasting well against the soft curves and floral elements of another all-white overcoat.

Guests included influencers such as Olivia Palermo, Nathalie Fanj and Tamara Kalinic.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by ELIE SAAB (@eliesaabworld)

Elsewhere at a rainy Paris Fashion Week on Saturday, luxury label Hermes explored the meaning of “quiet luxury.” This season the narrative took a darker, more introspective turn as creative head Nadege Vanhee-Cybulski offered brooding black leathers that evoked the deep, reflective tones of the late French painter Soulages.

Nipped buckles and gentle ribbing on skin-tight pants demonstrated Vanhee-Cybulski’s adeptness at blending Hermes’ storied craftsmanship with innovative design. Amidst this darker palette, muted flashes emerged, weaving poetically through the collection, The Associated Press reported.

Braving the persistent Parisian drizzle, K-Pop star Sandara Park led the pack at Andreas Kronthaler for Vivienne Westwood, captivating the audience in a punk-tinged corset adorned with pearls. The opening ensembles transported the audience back in time amid contemporary fusions, channeling the essence of a serf, the medieval agricultural laborer. The designs incorporated leggings, jockstraps resembling codpieces, mystical talismanic pendants, and tear-shaped cutouts on thick knit sweaters.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by ELIE SAAB (@eliesaabworld)

Meanwhile, elegant sophistication, minimalism, and a hint of nonchalance continued to define Carven. The storied house, originally founded by Marie Louise Carven in 1945, evolved under the guidance of various male creative directors since its reboot 2009 and 2018. Stepping into this lineage as the first female leader since its reboot, Louise Trotter presented her second collection Saturday, skillfully weaving together the brand’s 1950s origins with a minimalist aesthetic reminiscent of the 1990s.

The show opened with a statement piece: A brown round-shouldered coat that was both loose and indicative of the new direction Trotter is steering Carven towards.

This piece set the stage for a collection with dimensions and perceptions — for example, a striking dress featured a trompe l’oeil effect, cleverly designed to appear two-dimensional.