Art Dubai spotlights the Global South and art as healing

Art Dubai spotlights the Global South and art as healing
Art Dubai once again reflects the city’s diverse global communities, identities and cultures with over 72 cities represented through artists. (Supplied)
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Updated 03 March 2024
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Art Dubai spotlights the Global South and art as healing

Art Dubai spotlights the Global South and art as healing

DUBAI: Long a crossroads for cultures from the Far East, South Asia, Europe and the Americas, Dubai’s strategic global location has made it a pivotal place for cultural exchange. Art Dubai’s 17th edition, which wraps up on March 3, further exemplifies the Gulf city’s unique location and cosmopolitan nature, particularly for artists and cultural platforms from the Global South.

The “Global South” has been a buzzword for some time, largely denoting various countries around the world that are sometimes described as “developing” with the majority, although by no means all, situated in the Southern Hemisphere, largely in Africa, Asia, the Middle East and Latin America.




Work by Saudi artist Abdulsattar Al-Mussa at Art Dubai. (Supplied)

Art Dubai this year welcomes more than 120 gallery presentations, drawn from more than 60 cities and over 40 countries across four sections: Contemporary, Bawwaba, Art Dubai Modern and Art Dubai Digital. Over 65 percent of the galleries hail from the regions that make up the Global South.

“Art Dubai has been focusing on the Global South for the last eight years,” Pablo del Val, Art Dubai’s artistic director, told Arab News. “We are trying to deepen the conversation about the Global South is as well as about issues regarding displacement and how the Global South is present in the outskirts of Paris and Los Angeles.

“For us, the Global South is really a state of mind more than a state of geographic belonging,” added Del Val. “We are very interested in illustrating how this idea reflects the times in which we are living.”

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

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Of equal importance, stresses Del Val is this year’s Bawwaba gallery section curated by Emiliano Valdes under the theme “Sanación/Healing.” It will feature a series of new performances and activations focusing on ideas of spirituality, introspection, community and the power of art to help human beings navigate challenging times by embracing unity. 

Participating artists in this section include a number of names from the so-called Global South, including Argentinian artist, choreographer and dancer Cecilia Bengolea, Kerala-born Berlin-based artist Sajan Mani, Debashish Paul from West Bengal in India, Palestinian artist Mirna Bamieh, Indian artists Mithu Sen and Emirati creative Hashel Lamki.

Hailing from cities including Sao Paolo, Bogota, Tehran, Dubai and Mumbai, among others, participating galleries at Art Dubai further build on the fair’s commitment to representing and championing art from the Global South. These include the Aisha Alabbar Gallery, among the first galleries in Dubai focused on contemporary and modern art by Emirati, local and regional artists that is exhibiting a solo booth of works by Emirati artist Alia Hussain Lootah; Dastan Gallery from Tehran, Iran, dedicated to promoting Iranian contemporary art globally that is presenting a dynamic group showing of emerging and established artists from Iran, including Reza Aramesh, Fereydoun Ave, Farah Ossouli, Sahand Hesamiyan and the Ghasemi Brothers; Gallery One from Ramallah, Palestine, showcasing works by Libyan artist Samira Badran and Palestinian Manal Mahamid; and Galeria Espacio Continuo from Bogota, Colombia, a gallery that opened in 2020 dedicated to showcasing an exclusive program of local artists that highlights dynamic abstract works by Miler Lagos and Ana María Rueda.

The Global South is additionally representing strongly in the fair’s Modern section,curated by Dr. Christianna Bonin, which traces the emergence of new modernisms across the Global South through works of modernists from Syria, Egypt, Uganda and Sri Lanka who exhibited and studied in the Soviet Union in the 1960s.

Another talent from the Global South who is playing a major role at the event is Goa-based artist Sahil Naik who devised the the fourth edition of the A.R.M. Holding Children’s Program. It will be launched launching at the fair before expanding to over 100 schools and 15,000 students.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Art Dubai (@artdubai)

“He is going to be encouraging children to imagine little worlds and environments based on the ideas of their homes and the environment and how you actually constitute and lay out cities,” Art Dubai’s Executive Director Benedetta Ghione told Arab News. “He will ask them what makes a home, how do we imagine the future, etc... We these programs we try to encourage the children to think about the world through the lens of culture and creativity.”

“The children’s program continues to grow outside of the fair,” added Ghione. “For eight weeks after the fair, we are going into more than 100 schools and reaching over 15,000 children. This is a program that continues to grow and is now reaching all seven Emirates.”

 


Saudi jewelry brand APOA celebrates Fashion Trust Arabia Awards nomination 

Saudi jewelry brand APOA celebrates Fashion Trust Arabia Awards nomination 
Updated 35 sec ago
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Saudi jewelry brand APOA celebrates Fashion Trust Arabia Awards nomination 

Saudi jewelry brand APOA celebrates Fashion Trust Arabia Awards nomination 

DUBAI: “Small wearable sculptures” is how the founders of APOA (A Piece of Art) describe their jewelry. 

Within a year of launching their Riyadh-based brand, Saudi Princesses Mashael Khalid Al-Saud, Nourah Abdulaziz Al-Saud and Sarah Naif Al-Saud are thrilled that it has made the shortlist of finalists in Fashion Trust Arabia Awards’ jewelry section. 

“We knew it was a long shot but we were very confident in our brand and the achievements we've made so far,” Mashael — the youngest of the three cousins — tells Arab News. “It was just such an exciting moment to learn we were in the top three.” 

“I can't describe how I feel honestly,” Sarah adds. “We have worked so hard for it. We are so happy with this achievement.” 

The idea for the brand arose in 2020, during the COVID pandemic. 

“It was Sarah and Nourah who were talking about this at first,” says Mashael. “Then they asked me to join.” (“Mashael has amazing taste,” Sarah adds.)  

“Sarah and Nourah are older than me, so they've shared a lot of their experience with me. We complement each other: Our fashion tastes are very different, but we balance each other out,” Mashael continues. 

“We are cousins and we live together and we travel together. We’re always wearing each other’s clothes. And when we travel, we use each other's things. We’ve always had a love for accessories. We can't wear anything if we do not accessorize our outfit,” Sarah says. “We saw that there was a need in the market for fashion accessories. We wanted to make fashion accessories that are affordable and yet very dressy, so you can wear them for special occasions and you can keep them for a lifetime. These aren’t things you will wear and get bored with after a month or two, or a year or two.” 

Since its launch in 2023, APOA — “injected with strong Saudi DNA” and inspired by culture, architecture, nature and travel — has dropped four eclectic collections, which the cousins call “chapters.” 

“We call them chapters because, basically, it's like you’re reading a book. So, each chapter has a storyline — an idea or a whimsical thought behind it,” says Mashael. 

The first chapter was a tribute to the Kingdom’s heritage of pearl diving and a way to put their Arab roots on full display. The latest is dedicated to “women on the go.” 

While all design ideas come from the three founders, APOA has a technical designer based in Barcelona and the pieces are manufactured at an atelier in Italy. 

“We work with our technical designer to basically clean up the mess of our ideas and put them on paper, so we can hand it over to the manufacturers. But each piece is approved by the three of us before that happens,” Mashael explains. 

The founders celebrated another milestone earlier this year when they participated at Paris Fashion Week as part of the Saudi 100 Brands initiative. 

“It was an immense experience,” Mashael says. “And we're very thankful, because not everyone gets this opportunity. We are part of this initiative that our government is funding. It takes people many years to join a show or to get this recognition. And we've got that in our pocket. It's literally a dream come true,” said Mashael. 

“I get very anxious and nervous meeting people. I believe in my brand, but it's another thing trying to convince a stranger: ‘Yes, trust me, this brand is going places.’ Or, ‘These pieces are amazing.’ So, it was really nice seeing people from all over — publishers, buyers… we met a lot of amazing people in the industry.” 

Before the announcement of the FTA Awards winners in Morocco, the cousins are already looking forward to chapter five, which will have a floral focus, as well as to their second collaboration with Saudi label Ashi Studio — a “very bold” piece, according to Sarah, that will launch in October. 


Arabs grace the red carpet at Venice Film Festival opening

Arabs grace the red carpet at Venice Film Festival opening
Updated 34 min 20 sec ago
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Arabs grace the red carpet at Venice Film Festival opening

Arabs grace the red carpet at Venice Film Festival opening

DUBAI: The opening red carpet of the 81st Venice Film Festival played host to a number of media and entertainment industry leaders from the Arab world on Wednesday. 

Jomana Alrashid, chairwoman of the Red Sea Film Foundation, and Mohammed Asseri, CEO, attended the opening ceremony alongside Saudi producer Mohammed Al-Turki, the foundation’s former CEO.

They weren’t the only Arabs spotted on the red carpet. Lebanese presenter Raya Abirached also attended, wearing a pink cape gown by Lebanese designer Georges Hobeika.

The Venice Film Festival kicked off with the devilish debut of Tim Burton’s “Beetlejuice” sequel and a surge of star power for the glitzy competition. 

Lady Gaga, George Clooney, Daniel Craig, Julianne Moore and Brad Pitt are among the A-listers expected over the next 10 days in Italy’s watery city for the world’s longest-running movie festival, known as “La Mostra.” 

The return of big-budget Hollywood pizzazz – after a low-key edition last year due to the Hollywood writers’ strike – was on full display with the out-of-competition world premiere of “Beetlejuice Beetlejuice.”

The film again features Michael Keaton as a chaos-causing ghoul, alongside Winona Ryder, Catherine O'Hara, Monica Bellucci and young star Jenna Ortega – who sported a backless red gauze confection that matched the red carpet.

Wednesday’s opening ceremony saw Sigourney Weaver presented with a lifetime achievement Golden Lion, with the “Alien” star calling the honor "jet fuel of encouragement.”

The festival shifts tone on Thursday, when eyes turn to Angelina Jolie as Maria Callas in “Maria,” Pablo Larrain’s biopic about the opera diva’s tormented life – one of 21 films in contention for the top Golden Lion prize to be awarded Sept. 7.

Also much anticipated is the dark psychological thriller “Joker: Folie a Deux,” the sequel to US director Todd Phillips’ 2019 Venice-winning film loosely based on the DC Comics characters and set in a gritty Gotham City.

The film brings back Joaquin Phoenix, who won an Oscar for his depiction of the failed clown descending into mental illness, this time paired with Lady Gaga as his sidekick and love interest Harley Quinn.


Incoming: The best movies heading your way in the rest of the year 

Incoming: The best movies heading your way in the rest of the year 
Updated 29 August 2024
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Incoming: The best movies heading your way in the rest of the year 

Incoming: The best movies heading your way in the rest of the year 

DUBAI: From long-awaited sequels to an intriguing biopic, these are the Fall/Winter films we’re most looking forward to 

Gladiator II 

Starring: Paul Mescal, Pedro Pascal, Connie Nielsen 

Director: Ridley Scott 

When: Nov. 21 

Discussions about a sequel to Scott’s huge 2000 hit “Gladiator” reportedly began the following year. It was another 17 years before official confirmation of “Gladiator II” was given, and a further five years before filming actually began. So there’s a considerable weight of expectation for all involved, particularly Paul Mescal, who is essentially stepping into the sandals of Russell Crowe’s iconic Maximus Decimus Meridius — albeit as a different character. Mescal plays Lucius, grandson of Rome’s former emperor, Marcus Aurelius, and son of Lucilla (Nielsen) — Marcus Aurelius’ oldest child — making Lucius the former heir to the Roman Empire. He is living with his family in North Africa when the Roman army invade and he is captured and forced into slavery. Inspired by the story of Maximus, Lucius resolves to fight as a gladiator and resist tyranny, under the guidance of the power-hungry Macrinus (Denzel Washington).  

Beetlejuice Beetlejuice 

Starring: Michael Keaton, Winona Ryder, Jenna Ortega 

Director: Tim Burton 

When: Sept. 5 

The sequel to Burton’s 1988 cult-classic comedy horror sees Keaton reprise his role as the decidedly non-woke ‘bio-exorcist’ Beetlegeuse, while Ryder and Catherine O’Hara return as Lydia and Delia Deetz, and Ortega plays Lydia’s teenage daughter Astrid. Thirty-six years on from the events of the original, the three generations of Deetz females return to the family home in Winter River, where Astrid accidentally opens the portal to the Afterlife, allowing Beetleguese to return to the world of the living and wreak havoc again. 

Joker: Folie à Deux 

Starring: Joaquin Phoenix, Lady Gaga, Zazie Beets 

Director: Todd Phillips 

When: Oct. 3 

The sequel to Phillips’ acclaimed 2019 movie “Joker” once again features Phoenix as the title character, loosely based on the arch-rival of Batman from DC Comics. Set two years on from the events of “Joker,” Arthur Fleck/Joker is now a patient at Gotham’s Arkham Asylum, where he falls in love with his music therapist Harleen ‘Lee’ Quinzel (Lady Gaga). The pair begin to experience shared delusions, and Quinzel transforms into her alter-ego of Harley Quinn. Outside the psychiatric hospital’s walls, Fleck’s followers launch a protest movement to secure his release.  

Wicked 

Starring: Cynthia Erivo, Ariana Grande, Michelle Yeoh 

Director: Jon M. Chu 

When: Nov. 21 

The first of a two-film adaptation of the hugely successful stage musical of the same name, which is based on character’s from “The Wonderful Wizard of Oz.” It is set in the Land of Oz, and follows green-skinned Elphaba (Erivo) — a misunderstood young woman who ultimately becomes the Wicked Witch of the West, adversary of Dorothy Gale in the “Oz” novels — and her friendship-turned-rivalry with the popular Galinda Upland, who becomes the mighty Glinda the Good. When the pair encounter the Wizard of Oz, their lives take very different trajectories. 

A Complete Unknown 

Starring: Timothée Chalamet, Edward Norton, Elle Fanning 

Director: James Mangold 
When: Dec. 24 

Chalamet plays arguably the world’s greatest singer-songwriter, Bob Dylan, in this biopic that covers Dylan’s rise to prominence in the New York (then wider US) folk-music scene up to his controversial (for folk-music aficionados) switch from acoustic to electric instrumentation on his fifth album in 1965, and his subsequent live performances over the next couple of years (including his famed appearance at the Newport Folk Festival), where he was booed by many in the audience for what they saw as a betrayal of his roots, but which has since been recognized as one of his most inspiring creative periods and a vital moment in the development of folk rock. 

Nosferatu 

Starring: Bill Skarsgard, Nicholas Hoult, Lily-Rose Depp 

Director: Robert Eggers 

When: Dec. 24 

Remake of the seminal silent German 1922 classic (itself based on Bram Stoker’s “Dracula”), about a young woman, Ellen (Depp) who becomes the obsession of Count Orlok (Skarsgard), a terrifying vampire who will stop at nothing to possess her. It requires some serious self-confidence to remake such an acclaimed piece of pop-culture, but Eggers has considerable pedigree as writer-director of two of the most accomplished and atmospheric horror (or, at least, horror-adjacent) films in recent memory, “The Witch” and “The Lighthouse.” 


REVIEW: ‘The First Descendant’ offers grind-based fun and frustration

REVIEW: ‘The First Descendant’ offers grind-based fun and frustration
Updated 28 August 2024
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REVIEW: ‘The First Descendant’ offers grind-based fun and frustration

REVIEW: ‘The First Descendant’ offers grind-based fun and frustration

LONDON: The First Descendant (Steam, XBOX, PS4, PS5) is a free-to-play, third-person looter-shooter that aims to carve out its niche in a genre dominated by big names (Destiny 2, The Division, etc.).

Developed by Nexon, this live-service game combines the thrill of shooting hordes of alien enemies with a complex system of character progression, weapon variety, and loot collection. While it has its moments of excitement and visual appeal, it struggles to stand out in a crowded market and can often feel like a grind-heavy experience.

One of the game’s most appealing features is its cross-platform accessibility, allowing players on different systems to join forces and tackle the game’s 30-hour campaign together, although the reality of grind-based looting takes many more hours.

The cooperative play is at the heart of The First Descendant, with players able to choose from 14 unique characters, each offering different abilities and playstyles. This variety is bolstered by a wide range of weapons, from standard firearms to oversized, powerful guns that add a satisfying punch to combat.

Visually, The First Descendant impresses with its richly detailed environments and character designs. The game’s world is a mix of futuristic urban settings and eerie, desolate ruins, providing a visually engaging backdrop for the action. The art direction and graphical fidelity are undoubtedly high points, with each character looking distinct and the enemies, such as the towering Colossi and swarming Vulgus, providing memorable, if not particularly innovative, designs.

Gameplay-wise, the game offers a mix of standard looter-shooter mechanics with some unique twists. The combat feels solid, particularly when using the game’s oversized weapons, and the inclusion of a grappling hook adds an element of verticality and mobility that sets it apart from other games in the genre. Mastering the grappling hook can be particularly satisfying, offering opportunities for creative strategies and quick escapes during intense battles.

However, where The First Descendant starts to falter is in its reliance on grinding and the free-to-play monetization model. The game is heavily built around the concept of grinding for loot, character upgrades, and weapons, which can feel tedious after a while. Players might spend hours farming for a particular item or character unlock, only to come up empty-handed. This grind is compounded by the game’s monetization system, which, while not overly aggressive, is always present, tempting players to spend real money to bypass the grind.

The missions themselves, while varied in type, often boil down to repetitive tasks such as standing in one spot to gather resources or defending an area against waves of enemies. Despite the variety of enemies and the spectacle of big boss battles, this repetition can make the game feel “perfectly mediocre,” with moments of excitement that are often overshadowed by the monotony of its core gameplay loop.

The First Descendant is a visually striking game with solid combat mechanics and a promising cooperative experience. However, it is held back by a grind-heavy progression system and a reliance on repetitive mission structures. For fans of the looter-shooter genre, it may offer some enjoyment, especially in its early hours, but it ultimately struggles to rise above its peers in a meaningful way.


Georgina Rodriguez spotlights Saudi Arabia on social media 

Georgina Rodriguez spotlights Saudi Arabia on social media 
Updated 28 August 2024
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Georgina Rodriguez spotlights Saudi Arabia on social media 

Georgina Rodriguez spotlights Saudi Arabia on social media 

DUBAI: Argentine model Georgina Rodriguez shared a video with her 62 million Instagram followers this week promoting Saudi Arabia, captioning it: “This is real, this is Saudi Arabia.”

Originally posted by Visit Saudi, the video captures the diverse landscapes of Saudi Arabia, showcasing everything from the desert areas to the country’s seascapes. It highlights the Kingdom’s history and modern developments, featuring scenes of golden sand dunes, the Ithra cultural center, the ancient site of AlUla, the mirrored Maraya concert hall, the Red Sea and lush greenery in gardens and forests.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Visit Saudi (@visitsaudi)

Rodriguez has been living in Saudi Arabia since January 2023 and has made a point of exploring the Kingdom, so much so that her experiences will be featured in her upcoming Netflix show. 

She is set to return to Netflix with the third season of her reality TV show “Soy Georgina” (“I Am Georgina”), which will place a heavy focus on her life in Saudi Arabia. The new season will follow Rodriguez’s life after her move to the Kingdom with her partner, football star Cristiano Ronaldo, who plays for Al-Nassr in the Saudi Pro League.

“What is true luxury like in Saudi Arabia? We will find out when Gio and her family settle in Riyadh with Cristiano's signing for Al-Nassr,” Netflix stated.

According to the announcement, the season will also show Rodriguez enjoying a number of firsts, including the opening of her first beach house, Villa Perla, to starring in an international campaign for a famous clothing brand and her biggest dream — making her debut at Paris Fashion Week.

Meanwhile, the star couple have been taking some time off from their hectic schedules to explore Saudi Arabia’s coastline and the Red Sea development in June.

The two took to social media to post photos from their relaxing getaway at what seemed to be The St. Regis Red Sea Resort. They were seen enjoying the resort and its pristine beaches along with their children.

“My world,” Rodriguez captioned her post. 

The couple was also recently spotted enjoying a staycation at The Red Sea Project, where Rodriguez wore a necklace from the Egyptian brand Nado’s Jewelry’s Perle collection, featuring large, rounded links alternating between polished gold and diamond-encrusted surfaces.