The Arabian horse is the oldest breed in the world, greatly admired for its abilities, intelligence, hardiness and disposition. Nineteenth century painters and travelers regarded the horse as 'man's best friend' - it was their preferred method of travel in the desert and a loyal companion, valued for strength and endurance as well as for its docile good temper.
The Mathaf's Exhibition includes both 19th century and contemporary paintings. Probably the most famous of 19th century orientalist painters and travelers was Jean-Leon Gerome (1824-1904). His love of the horse as seen in such paintings as 'Arabs crossing the Desert' (Najd Collection) and 'Retour de la Chasse' (Mathaf Gallery) greatly inspired other orientalist painters such as Tadeusz Ajdukiewicz (Polish 1852-1916). His painting 'Desert Crossing' is featured in the exhibition. John Alexander Harington Bird's (British 1846-1936) meticulous attention to equine anatomy and artistic skill make him a leading horse painters among orientalist painters.
Contemporary artists include the internationally recognized author, artist and judge of the Arabian horse, Peter Upton who is a regular exhibitor at the Mathaf. New to the gallery, Ali Al Mimar has been called one of the few truly excellent Arab painters of horses in the world today, reflecting the nobility, fire and romance of the Arabian horse. Harold Wood's time spent in the Middle East kindled his interest in the Arabian horse, which often features in his paintings of historical scenes. Terence Gilbert receives many commissions for equestrian portraits from owners, trainers and breeders.
The Exhibition compliments The Festival of the Arab Horse to be held at Lingfield Racecourse, Surrey 12/13 June.
For more information and photographs please contact the Mathaf Gallery
e-mail: [email protected]
