Rapper Young Thug pleads guilty to gang, drug and gun charges

Rapper Young Thug pleads guilty to gang, drug and gun charges
Atlanta rapper Young Thug. (AFP)
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Updated 01 November 2024
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Rapper Young Thug pleads guilty to gang, drug and gun charges

Rapper Young Thug pleads guilty to gang, drug and gun charges

ATLANTA: Rapper Young Thug pleaded guilty Thursday in Atlanta to gang, drug and gun charges and will be released from jail, though he could be put back behind bars if he violates the terms of his sentence.
The 33-year-old Grammy winning artist, whose given name is Jeffery Williams, entered his pleas without reaching a deal with prosecutors after negotiations between the two sides broke down, lead prosecutor Adriane Love said. That left the sentence completely up to Fulton County Superior Court Judge Paige Reese Whitaker.
Young Thug’s plea comes two and a half years after he was arrested and charged and nearly a year after the prosecution started presenting evidence in the problem-plagued trial. Jury selection at the courthouse in Atlanta began in January 2023 and took nearly 10 months. Prosecutors have called dozens of witnesses since opening statements last November in the trial of six defendants.
The trial has faced many delays, including in July when the original judge was removed after two defendants sought his recusal, citing a meeting the judge held with prosecutors and a state witness.
Young Thug pleaded guilty to one gang charge, three drug charges and two gun charges. He also entered a no contest plea to another gang charge and a racketeering conspiracy charge, meaning that he decided not to contest those charges but can be punished for them as if he had pleaded guilty.
The judge imposed a sentence of 40 years with the first five to be served in prison but commuted to time served, followed by 15 years on probation. If he successfully completes that probation without any violations, another 20 years will be commuted to time served. But if he violates the conditions, he will have to serve those 20 years in addition to any penalty for a probation violation.
Young Thug must stay away from the metro Atlanta area for the first 10 years of his probation, except for weddings, funerals, graduations or serious illness of family members, the judge said.
But she also ordered him to return to the Atlanta area four times a year during his probation to make a live anti-gang, anti-gun violence presentation at a school or a community organization serving children. She said that can count toward the 100 hours of community service she ordered him to perform each year during probation.
He’s also not allowed to associate with gang members or with the victims or other defendants in the case, with the exception of his brother and the rapper Gunna, with whom he has contractual obligations. He also cannot promote any criminal street gang or gang activity and can’t use hand signs or terminology that promotes a street gang.
Additional conditions include submitting to random drug screens and not possessing a gun. But he is allowed to travel both nationally and internationally for work, even while on probation.
Love had outlined for the judge the evidence she would have presented to prove Young Thug’s guilt, including some of his rap lyrics. She asked the judge to sentence him to 45 years, with 25 years in prison and the remaining 20 years on probation.
The rapper’s lead attorney Brian Steel said they “vehemently disagree” with many of the statements Love made and said it was “offensive” that the state is using Young Thug’s lyrics against him.
Steel said the evidence against his client is weak and accused prosecutors of misrepresenting and hiding evidence, saying Young Thug was “falsely accused.” Steel said he told his client that he thought they were winning the trial and should go through to a jury verdict.
“But he told me, ‘I can’t wait another three months if there is any possibility I could go home because I have children that are hurting. I have things to do,’” Steel said.
Steel asked the judge to impose a sentence of 45 years with five in prison commuted to time served and 40 years on probation.
Young Thug asked the judge to let him go home, saying he wouldn’t be in a similar situation again.
“I’ve learned from my mistakes, you know. I come from nothing and I’ve made something and I didn’t take full advantage of it. I’m sorry,” he said.
The judge said she appreciated that he realized the impact that he has on people worldwide. She said rap music may involve a lot of posturing but that children emulate some of the dangerous behavior mentioned in songs. She encouraged Young Thug to use his talent and influence to encourage kids to do the right thing.
“I want you to try to be more of the solution and less of the problem,” Whitaker said.
A tremendously successful rapper, Young Thug started his own record label, Young Stoner Life or YSL. Prosecutors have said he also co-founded a violent criminal street gang and that YSL stands for Young Slime Life.
He was charged two years ago in a sprawling indictment accusing him and more than two dozen other people of conspiring to violate Georgia’s anti-racketeering law. He also was charged with gang, drug and gun crimes.
Three of his Young Thug’s co-defendants had already pleaded guilty this week after reaching deals with prosecutors. The pleas leave the fates of two other co-defendants still undecided.
Nine people charged in the indictment accepted plea deals before the trial began. Twelve others are being tried separately. Prosecutors dropped charges against one defendant after he was convicted of murder in an unrelated case.


World’s oldest-known wild bird lays an egg in Hawaii at age 74

World’s oldest-known wild bird lays an egg in Hawaii at age 74
Updated 06 December 2024
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World’s oldest-known wild bird lays an egg in Hawaii at age 74

World’s oldest-known wild bird lays an egg in Hawaii at age 74
  • Wisdom returned to Midway Atoll National Wildlife Refuge and laid what experts estimate may be her 60th egg
  • Wisdom, a Laysan albatross, was first banded as an adult in 1956 and has raised as many as 30 chicks

The oldest known wild bird in the world has laid an egg at the ripe age of about 74, her first in four years, US wildlife officials said.
The long-winged seabird named Wisdom, a Laysan albatross, returned to Midway Atoll National Wildlife Refuge at the northwestern edge of the Hawaiian Archipelago and laid what experts estimate may be her 60th egg, the Pacific Region of the US Fish & Wildlife Service said in a Facebook post this week.
Wisdom and her mate, Akeakamai, had returned to the atoll in the Pacific Ocean to lay and hatch eggs since 2006. Laysan albatrosses mate for life and lay one egg per year. But Akeakamai has not been seen for several years and Wisdom began interacting with another male when she returned last week, officials said.
“We are optimistic that the egg will hatch,” Jonathan Plissner, supervisory wildlife biologist at Midway Atoll National Wildlife Refuge said in a statement. Every year, millions of seabirds return to the refuge to nest and raise their young.
Albatross parents take turns incubating an egg for about seven months. Chicks fly out to sea about five to six months after hatching. They spend most of their lives flying over the ocean and feeding on squid and fish eggs.
Wisdom was first banded as an adult in 1956 and has raised as many as 30 chicks, Plissner said.
The typical lifespan of a Laysan albatross is 68 years, according to the National Oceanic and Atmospheric Administration.


New York museum unveils ‘Apex’ — an almost complete Stegosaurus

New York museum unveils ‘Apex’ — an almost complete Stegosaurus
Updated 06 December 2024
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New York museum unveils ‘Apex’ — an almost complete Stegosaurus

New York museum unveils ‘Apex’ — an almost complete Stegosaurus

NEW YORK: The American Museum of Natural History revealed the identity of its latest resident on Thursday — “Apex,” one of the most complete specimens ever discovered of the plant-eating dinosaur Stegosaurus, known for the upright plates on its back and a spiky tail.
To excited gasps from an audience of school children, the museum pulled back a beige curtain to reveal the 11-foot (3.4-meter) tall, 20-foot (6-meter) long skeleton of the Jurassic Period dinosaur.
“People are really excited about this fossil because Stegosaurus is an iconic dinosaur,” said the museum’s dinosaur curator Roger Benson.
Stegosaurus walked on four legs and lived in North America around 150 million years ago during the Jurassic Period. Its fossils were first discovered in the 1870s.
“Although it was a herbivore, Stegosaurus wasn’t like a cow or a sheep,” Benson said. “It’s a herbivore that could look after itself. It has these wicked spikes on its tail. It has plates along its back.”
Those would have been useful as protection against meat-eating dinosaurs like Allosaurus.
This Stegosaurus fossil was found in Colorado and fetched a record $44.6 million at a Sotheby’s auction in July. The buyer has loaned it to the New York museum, one of the leading natural history museums in the United States.
“Everyone has their own favorite dinosaur, but Stegosaurus is up there in the top five. So it’s hard not to get excited about a really complete, large individual of this animal,” Benson said. 


Germany hands over Australian ancestral remains held by museums for over 100 years

Germany hands over Australian ancestral remains held by museums for over 100 years
Updated 05 December 2024
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Germany hands over Australian ancestral remains held by museums for over 100 years

Germany hands over Australian ancestral remains held by museums for over 100 years
  • The restitution is part of ongoing efforts by German museums and authorities to return human remains and cultural artifacts that were taken during colonial times
  • In this case, three sets of remains that had been in Berlin since 1880 were handed over along with two other sets of remains held in the northwestern German city of Oldenburg

BERLIN: Five sets of ancestral remains from Australia that had been in German museum collections since the 19th century were handed back at a ceremony Thursday that a community representative described as a sad but “very joyful” moment.
The restitution is part of ongoing efforts by German museums and authorities to return human remains and cultural artifacts that were taken during colonial times.
In this case, three sets of remains that had been in Berlin since 1880 were handed over along with two other sets of remains held in the northwestern German city of Oldenburg. They were received by four representatives of the Ugar Island community, part of the Torres Strait Islands off the northeastern tip of Australia.
“These ancestral remains were never meant to be here,” said Hermann Parzinger, the head of the Prussian Cultural Heritage Foundation, which oversees Berlin’s state museums.
“They’re here because, during the colonial era and beyond, Europeans presumed to make other peoples and cultures the subject, or more often object, of their research — appropriating artifacts from cultures outside Europe on a scale that is almost unimaginable today and even desecrating the burial places of those communities in the process,” he said.
Around the turn of the 20th century, he added, Berlin museums set up a network of scientists, travelers, traders and others who sent back cultural items from around the world, and “in racing to compete with the other major European museums, they all too often disregarded the humanity and dignity of the peoples they encountered.”
The restitution of the remains from Berlin’s Ethnological Museum and the State Museum for Nature and Man in Oldenburg means that 162 sets of ancestral remains have now been returned to Australia from Germany, and about 1,700 from around the world, said Natasha Smith, Australia’s ambassador to Germany. She said the returns are “an extremely high priority” for Aboriginal and Torres Strait Islander communities and the government.
“It’s sad, but it’s a very joyful moment,” Ugar Island representative Rocky Stephen said at the ceremony honoring the ancestors. “This is a process of healing that’s going to happen when they return back to us.”
“No matter (if) it was nearly a 40-hour journey to travel here, because it’s been 144 years they have been missed back at their home,” he said.
Berlin’s museums now aim to do “everything we can to make the repatriation possible” of remains whose countries and communities of origin can be identified and want to bring them home, Parzinger said.
More broadly, governments and museums in Europe and North America have increasingly sought to resolve ownership disputes over objects looted during colonial times.
In 2022, for example, Germany and Nigeria signed an agreement paving the way for the return of hundreds of artifacts known as the Benin Bronzes taken from Africa by a British colonial expedition more than 120 years ago.


Study of 700-year-old handwriting unveils leading Byzantine painter’s identity

Study of 700-year-old handwriting unveils leading Byzantine painter’s identity
Updated 05 December 2024
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Study of 700-year-old handwriting unveils leading Byzantine painter’s identity

Study of 700-year-old handwriting unveils leading Byzantine painter’s identity

THESSALONIKI: Crime-solving techniques applied to a medieval illuminated manuscript in Paris may have solved a centuries-old puzzle — the true identity of a leading Byzantine painter who injected humanity into the rigid sanctity of Orthodox religious art.
A contemporary of Giotto, considered the father of Western painting, the artist conventionally known as Manuel Panselinos was equally influential in a totally different tradition that’s largely overlooked in the West.
But nothing is known of his life, and scholars now believe Panselinos was just a nickname that eventually supplanted the real name of the man for whom it was coined — likely Ioannis Astrapas, from the northern Greek city of Thessaloniki.
The art of Byzantium, that decorates churches across Greece, Serbia and other Orthodox countries, stands out for the stark formalism of its elongated, glowering saints, quasi-cubist mountains and doe-eyed Madonnas.
Work attributed to Panselinos, from the late 13th and early 14th centuries, is considered the finest produced in an empire that straddled Europe and Asia and endured from the fall of Rome until the capture of the imperial capital Constantinople by the Ottoman Turks in 1453.
Art historians had long suspected that the name — Greek for “full moon” — could have originated as a nickname for some member of the so-called Macedonian School of painting, based in Thessaloniki.
Recent research by a Greek monk and linguistics scholar linked “Panselinos” with Macedonian School painter Astrapas. Now court handwriting expert Christina Sotirakoglou has matched lettering on a manuscript tentatively attributed to Astrapas with characters on a church painting in northern Greece, long seen as Panselinos’ best work.
Father Cosmas Simonopetritis, a former senior administrator in Mount Athos, the semiautonomous monastic community where the Protato church stands, says Sotirakoglou’s and his own research “clearly prove” Panselinos’ real identity.
“Panselinos was a real person, and (the name) was just the nickname by which Ioannis Astrapas became known,” he told The Associated Press.
Constantinos Vafiadis, a professor of Byzantine art in Athens who was not involved in the studies, said he found merit in the nickname theory and Astrapas link, even though it appeared more than one painter had undertaken the Protato project.
“I agree with attributing part of the paintings to Ioannis Astrapas,” he said. “But again there remains much ground for future research into that person, because other Mount Athos monuments from the same period have not yet been sufficiently published.”
“Panselinos” — a role model for generations of painters — and his contemporaries are associated with a renaissance of kinds in Orthodox art that revived forms and techniques inherited from antiquity. Facial expressions acquired a deeper humanity, and greater attention was paid to proportion and depth of field in composition.
Father Cosmas said Astrapas was an “extremely gifted painter ... with vast knowledge who harmonically combined the ancient, classical world with Orthodox Byzantine spirituality.”
“And that ... makes his work unique worldwide,” he added.
Artists’ signatures were not common at the time, although some survive from members of the Astrapas family. There are none by “Panselinos.”
The trail started with earlier research linking Astrapas with the artist and scholar who wrote and illustrated Marcian Codex GR 516, an early 14th century Greek handwritten text treating subjects from astronomy to music theory. Among the painted illustrations was a full moon.
“For me ... that was the main proof,” Father Cosmas said.
With a name found for the hand that produced the manuscript, the next step was to check its style against writing on the Protato painting, traditionally linked with “Panselinos.”
“Mrs Sotirakoglou, who is a handwriting expert, filled in that blank,” Father Cosmas said.
There was one problem: Women have for more than 1,000 years been banned from entering Mount Athos.
“I was forced to study the Protato paintings based on photographs,” Sotirakoglou, who works as a court consultant on identifying or authenticating handwriting in criminal cases, told the AP.
“(The work) was very difficult, because the writing on the wall paintings is in capital letters, and the painters subdued their personal handwriting to conform” with the traditional format, she said — rather like anonymous letter-writers’ attempts to disguise their true style. “The Marcian codex is written in very small lower-case letters.”
The first clue came from the Greek letter Phi, the English F.
“It’s a Phi that stands out, and is similar” in both the manuscript and the Protato painting, she said. “Matches also followed with other letters, T, with its proportions, which is bigger, covering the other letters and is topped with a curve, the proportions of the K.”
“But when the Phi was revealed, the code of the writing was broken and the job became much easier,” she added.
Father Cosmas said that during his administrative duties on Mount Athos he attended services at the Protato church on a daily basis.
“That’s where my desire was born ... to explore the mystery around the name and the identity of Panselinos,” he said, adding that he thinks the artist “has now acquired his true identity.”


Japan’s famous sake joins UNESCO’s cultural heritage list

Japan’s famous sake joins UNESCO’s cultural heritage list
Updated 05 December 2024
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Japan’s famous sake joins UNESCO’s cultural heritage list

Japan’s famous sake joins UNESCO’s cultural heritage list

LUQUE: Sake is perhaps more Japanese than the world-famous sushi. It’s brewed in centuries-old mountaintop warehouses, savored in the country’s pub-like izakayas, poured during weddings and served slightly chilled for special toasts.
The smooth rice wine that plays a crucial role in Japan’s culinary traditions was enshrined on Wednesday by UNESCO on its list of the “intangible cultural heritage of humanity.”
At a meeting in Luque, Paraguay, members of UNESCO’s committee for safeguarding humanity’s cultural heritage voted to recognize 45 cultural practices and products around the world, including Brazilian white cheese, Caribbean cassava bread and Palestinian olive oil soap.
Unlike UNESCO’s World Heritage List, which includes sites considered important to humanity like the Pyramids of Giza in Egypt, the Intangible Cultural Heritage designation names products and practices of different cultures that are deserving of recognition.
A Japanese delegation welcomed the announcement in Luque.
“Sake is considered a divine gift and is essential for social and cultural events in Japan,” Takehiro Kano, the Japanese ambassador to UNESCO, told The Associated Press.
The basic ingredients of sake are few: rice, water, yeast and koji, a rice mold, which breaks down the starches into fermentable sugars like malting does in beer production. The whole two-monthlong process of steaming, stirring, fermenting and pressing can be grueling.
The rice — which wields tremendous marketing power as part of Japan’s broader cultural identity — is key to the alcoholic brew.
For a product to be categorized Japanese sake, the rice must be Japanese.
The UNESCO recognition, the delegation said, captured more than the craft knowledge of making high-quality sake. It also honored a tradition dating back some 1,000 years — sake makes a cameo in Japan’s famous 11th century novel, “The Tale of Genji,” as the drink of choice in the refined Heian court.
Now, officials hope to restore sake’s image as Japan’s premier alcoholic drink even as the younger drinkers in the country switch to imported wine or domestic beer and whiskey.
“It means a lot to Japan and to the Japanese,” Kano said of the UNESCO designation. “This will help to renew interest in traditional sake elaboration.”
In Tokyo, Japanese Prime Minister Shigeru Ishiba, in a statement, said he was “delighted” by the inscription of traditional sake-making, the traditional technic that Japan is proud of. Ishiba congratulated those who dedicated to preserving and promoting the tradition.
Also, Japanese breweries have expressed hope that the listing could give a little lift to the country’s export economy as the popularity of sake booms around the world and in the United States amid heightened interest in Japanese cuisine.
Sake exports, mostly to the US and China, now rake in over $265 million a year, according to the Japan Sake and Shochu Makers Association, a trade group.
Japan’s delegation appeared ready to celebrate on Wednesday — in classic Japanese style.
After the announcement, Kano raised a cypress box full of sake to toast the alcoholic brew and cultural rite.