Prison break: Monkeys escape from South Carolina medical research facility

Prison break: Monkeys escape from South Carolina medical research facility
The Rhesus macaque primates, similar to above, escaped from the Alpha Genesis facility Wednesday when a new employee did not fully shut an enclosure. (AFP file photo)
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Updated 08 November 2024
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Prison break: Monkeys escape from South Carolina medical research facility

Prison break: Monkeys escape from South Carolina medical research facility
  • Alpha Genesis provides primates for research worldwide at its compound
  • Alpha Genesis $12,600 in 2018 after dozens of primates escaped

Forty-three monkeys escaped from a compound used for medical research in South Carolina but the nearby police chief said there is “almost no danger” to the public.
“They are not infected with any disease whatsoever. They are harmless and a little skittish,” Yemassee Police Chief Gregory Alexander said Thursday morning.
The Rhesus macaque primates escaped from the Alpha Genesis facility Wednesday when a new employee didn’t fully shut an enclosure, Alexander said.
The monkeys are females weighing about 3 kilograms and are so young and small that they haven’t been used for testing, police said.
Alpha Genesis employees “currently have eyes on the primates and are working to entice them with food,” police said in a statement issued around noon Thursday.
The company usually handles escapes on site, but the monkeys got outside the compound about 1.6 kilometers from downtown Yemassee, Alexander said.
“The handlers know them well and usually can get them back with fruit or a little treat,” Alexander said by phone.
But rounding up these escapees is taking some more work. Alpha Genesis is taking the lead, setting up traps and using thermal imaging cameras to recapture the monkeys on the run, the chief said.
“There is almost no danger to the public,” Alexander said.
People living nearby need to shut their windows and doors so the monkeys can’t find a place to hide inside and if they see the primates, call 911 so company officials and police can capture them.
Alpha Genesis provides primates for research worldwide at its compound about 80 kilometers northeast of Savannah, Georgia, according to its website. The company did not respond to an email asking about Wednesday’s escape.
In 2018, federal officials fined Alpha Genesis $12,600 after dozens of primates escaped as well as for an incident that left a few others without water and other problems with how the monkeys were housed.
Officials said 26 primates escaped from the Yemassee facility in 2014 and an additional 19 got out in 2016.
The group Stop Animal Exploitation Now sent a letter to the US Department of Agriculture asking the agency to immediately send an inspector to the Alpha Genesis facility, conduct a thorough investigation and treat them as a repeated violator. The group was involved in the 2018 fine against the company.
“The clear carelessness which allowed these 40 monkeys to escape endangered not only the safety of the animals, but also put the residents of South Carolina at risk,” Michael Budkie, the executive director of the group, wrote in the Thursday morning letter.


Berlin’s new panda twins have been named. Meet Leni and Lotti, or Meng Hao and Meng Tian

Berlin’s new panda twins have been named. Meet Leni and Lotti, or Meng Hao and Meng Tian
Updated 58 min 52 sec ago
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Berlin’s new panda twins have been named. Meet Leni and Lotti, or Meng Hao and Meng Tian

Berlin’s new panda twins have been named. Meet Leni and Lotti, or Meng Hao and Meng Tian
  • The two female cubs, born at the Berlin Zoo on Aug. 22, were introduced Friday as Meng Hao and Meng Tian (“beautiful dreams” and “sweet dreams”)

BERLIN: Germany’s new panda twins now have names — or rather, two names apiece.
The two female cubs, born at the Berlin Zoo on Aug. 22, were introduced Friday as Meng Hao and Meng Tian (“beautiful dreams” and “sweet dreams”). Alternatively, they also answer to the very Berlin names of Leni and Lotti — tributes to Berlin native Marlene Dietrich and the German capital’s Charlottenburg district.
The pair, who lay on their bellies on a mattress and peered at photographers as the Chinese ambassador to Germany and Berlin’s mayor unveiled their names, are the second pair of giant pandas born in Germany.
The first were their elder brothers Meng Xiang and Meng Yuan, who became far better known by the German names Pit and Paule. The cubs were born in August 2019 and were a star attraction in Berlin until they were flown to China nearly a year ago — a trip that was contractually agreed from the start but delayed by the COVID-19 pandemic.
All are the offspring of mother Meng Meng and father Jiao Qing, who arrived in Berlin in 2017.
Zoo director Andreas Knieriem said the youngsters are growing fast, putting on nearly 100 grams (3.5 ounces) per day and now weighing in at almost 6 kilos (13.2 pounds) each.
Giant pandas have difficulty breeding and births are particularly welcomed. There are about 1,800 pandas living in the wild in China and a few hundred in captivity worldwide.
Meng Meng was artificially inseminated in March. Female pandas are fertile only for a few days per year at most.
China gifted friendly nations with its unofficial mascot for decades as part of a “panda diplomacy″ policy. The country now loans pandas to zoos on commercial terms.
Visitors to the zoo are currently able to see one of the cubs for an hour each day. From late January both will be on view with their mother, the zoo said.


World’s oldest-known wild bird lays an egg in Hawaii at age 74

World’s oldest-known wild bird lays an egg in Hawaii at age 74
Updated 06 December 2024
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World’s oldest-known wild bird lays an egg in Hawaii at age 74

World’s oldest-known wild bird lays an egg in Hawaii at age 74
  • Wisdom returned to Midway Atoll National Wildlife Refuge and laid what experts estimate may be her 60th egg
  • Wisdom, a Laysan albatross, was first banded as an adult in 1956 and has raised as many as 30 chicks

The oldest known wild bird in the world has laid an egg at the ripe age of about 74, her first in four years, US wildlife officials said.
The long-winged seabird named Wisdom, a Laysan albatross, returned to Midway Atoll National Wildlife Refuge at the northwestern edge of the Hawaiian Archipelago and laid what experts estimate may be her 60th egg, the Pacific Region of the US Fish & Wildlife Service said in a Facebook post this week.
Wisdom and her mate, Akeakamai, had returned to the atoll in the Pacific Ocean to lay and hatch eggs since 2006. Laysan albatrosses mate for life and lay one egg per year. But Akeakamai has not been seen for several years and Wisdom began interacting with another male when she returned last week, officials said.
“We are optimistic that the egg will hatch,” Jonathan Plissner, supervisory wildlife biologist at Midway Atoll National Wildlife Refuge said in a statement. Every year, millions of seabirds return to the refuge to nest and raise their young.
Albatross parents take turns incubating an egg for about seven months. Chicks fly out to sea about five to six months after hatching. They spend most of their lives flying over the ocean and feeding on squid and fish eggs.
Wisdom was first banded as an adult in 1956 and has raised as many as 30 chicks, Plissner said.
The typical lifespan of a Laysan albatross is 68 years, according to the National Oceanic and Atmospheric Administration.


New York museum unveils ‘Apex’ — an almost complete Stegosaurus

New York museum unveils ‘Apex’ — an almost complete Stegosaurus
Updated 06 December 2024
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New York museum unveils ‘Apex’ — an almost complete Stegosaurus

New York museum unveils ‘Apex’ — an almost complete Stegosaurus

NEW YORK: The American Museum of Natural History revealed the identity of its latest resident on Thursday — “Apex,” one of the most complete specimens ever discovered of the plant-eating dinosaur Stegosaurus, known for the upright plates on its back and a spiky tail.
To excited gasps from an audience of school children, the museum pulled back a beige curtain to reveal the 11-foot (3.4-meter) tall, 20-foot (6-meter) long skeleton of the Jurassic Period dinosaur.
“People are really excited about this fossil because Stegosaurus is an iconic dinosaur,” said the museum’s dinosaur curator Roger Benson.
Stegosaurus walked on four legs and lived in North America around 150 million years ago during the Jurassic Period. Its fossils were first discovered in the 1870s.
“Although it was a herbivore, Stegosaurus wasn’t like a cow or a sheep,” Benson said. “It’s a herbivore that could look after itself. It has these wicked spikes on its tail. It has plates along its back.”
Those would have been useful as protection against meat-eating dinosaurs like Allosaurus.
This Stegosaurus fossil was found in Colorado and fetched a record $44.6 million at a Sotheby’s auction in July. The buyer has loaned it to the New York museum, one of the leading natural history museums in the United States.
“Everyone has their own favorite dinosaur, but Stegosaurus is up there in the top five. So it’s hard not to get excited about a really complete, large individual of this animal,” Benson said. 


Germany hands over Australian ancestral remains held by museums for over 100 years

Germany hands over Australian ancestral remains held by museums for over 100 years
Updated 05 December 2024
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Germany hands over Australian ancestral remains held by museums for over 100 years

Germany hands over Australian ancestral remains held by museums for over 100 years
  • The restitution is part of ongoing efforts by German museums and authorities to return human remains and cultural artifacts that were taken during colonial times
  • In this case, three sets of remains that had been in Berlin since 1880 were handed over along with two other sets of remains held in the northwestern German city of Oldenburg

BERLIN: Five sets of ancestral remains from Australia that had been in German museum collections since the 19th century were handed back at a ceremony Thursday that a community representative described as a sad but “very joyful” moment.
The restitution is part of ongoing efforts by German museums and authorities to return human remains and cultural artifacts that were taken during colonial times.
In this case, three sets of remains that had been in Berlin since 1880 were handed over along with two other sets of remains held in the northwestern German city of Oldenburg. They were received by four representatives of the Ugar Island community, part of the Torres Strait Islands off the northeastern tip of Australia.
“These ancestral remains were never meant to be here,” said Hermann Parzinger, the head of the Prussian Cultural Heritage Foundation, which oversees Berlin’s state museums.
“They’re here because, during the colonial era and beyond, Europeans presumed to make other peoples and cultures the subject, or more often object, of their research — appropriating artifacts from cultures outside Europe on a scale that is almost unimaginable today and even desecrating the burial places of those communities in the process,” he said.
Around the turn of the 20th century, he added, Berlin museums set up a network of scientists, travelers, traders and others who sent back cultural items from around the world, and “in racing to compete with the other major European museums, they all too often disregarded the humanity and dignity of the peoples they encountered.”
The restitution of the remains from Berlin’s Ethnological Museum and the State Museum for Nature and Man in Oldenburg means that 162 sets of ancestral remains have now been returned to Australia from Germany, and about 1,700 from around the world, said Natasha Smith, Australia’s ambassador to Germany. She said the returns are “an extremely high priority” for Aboriginal and Torres Strait Islander communities and the government.
“It’s sad, but it’s a very joyful moment,” Ugar Island representative Rocky Stephen said at the ceremony honoring the ancestors. “This is a process of healing that’s going to happen when they return back to us.”
“No matter (if) it was nearly a 40-hour journey to travel here, because it’s been 144 years they have been missed back at their home,” he said.
Berlin’s museums now aim to do “everything we can to make the repatriation possible” of remains whose countries and communities of origin can be identified and want to bring them home, Parzinger said.
More broadly, governments and museums in Europe and North America have increasingly sought to resolve ownership disputes over objects looted during colonial times.
In 2022, for example, Germany and Nigeria signed an agreement paving the way for the return of hundreds of artifacts known as the Benin Bronzes taken from Africa by a British colonial expedition more than 120 years ago.


Study of 700-year-old handwriting unveils leading Byzantine painter’s identity

Study of 700-year-old handwriting unveils leading Byzantine painter’s identity
Updated 05 December 2024
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Study of 700-year-old handwriting unveils leading Byzantine painter’s identity

Study of 700-year-old handwriting unveils leading Byzantine painter’s identity

THESSALONIKI: Crime-solving techniques applied to a medieval illuminated manuscript in Paris may have solved a centuries-old puzzle — the true identity of a leading Byzantine painter who injected humanity into the rigid sanctity of Orthodox religious art.
A contemporary of Giotto, considered the father of Western painting, the artist conventionally known as Manuel Panselinos was equally influential in a totally different tradition that’s largely overlooked in the West.
But nothing is known of his life, and scholars now believe Panselinos was just a nickname that eventually supplanted the real name of the man for whom it was coined — likely Ioannis Astrapas, from the northern Greek city of Thessaloniki.
The art of Byzantium, that decorates churches across Greece, Serbia and other Orthodox countries, stands out for the stark formalism of its elongated, glowering saints, quasi-cubist mountains and doe-eyed Madonnas.
Work attributed to Panselinos, from the late 13th and early 14th centuries, is considered the finest produced in an empire that straddled Europe and Asia and endured from the fall of Rome until the capture of the imperial capital Constantinople by the Ottoman Turks in 1453.
Art historians had long suspected that the name — Greek for “full moon” — could have originated as a nickname for some member of the so-called Macedonian School of painting, based in Thessaloniki.
Recent research by a Greek monk and linguistics scholar linked “Panselinos” with Macedonian School painter Astrapas. Now court handwriting expert Christina Sotirakoglou has matched lettering on a manuscript tentatively attributed to Astrapas with characters on a church painting in northern Greece, long seen as Panselinos’ best work.
Father Cosmas Simonopetritis, a former senior administrator in Mount Athos, the semiautonomous monastic community where the Protato church stands, says Sotirakoglou’s and his own research “clearly prove” Panselinos’ real identity.
“Panselinos was a real person, and (the name) was just the nickname by which Ioannis Astrapas became known,” he told The Associated Press.
Constantinos Vafiadis, a professor of Byzantine art in Athens who was not involved in the studies, said he found merit in the nickname theory and Astrapas link, even though it appeared more than one painter had undertaken the Protato project.
“I agree with attributing part of the paintings to Ioannis Astrapas,” he said. “But again there remains much ground for future research into that person, because other Mount Athos monuments from the same period have not yet been sufficiently published.”
“Panselinos” — a role model for generations of painters — and his contemporaries are associated with a renaissance of kinds in Orthodox art that revived forms and techniques inherited from antiquity. Facial expressions acquired a deeper humanity, and greater attention was paid to proportion and depth of field in composition.
Father Cosmas said Astrapas was an “extremely gifted painter ... with vast knowledge who harmonically combined the ancient, classical world with Orthodox Byzantine spirituality.”
“And that ... makes his work unique worldwide,” he added.
Artists’ signatures were not common at the time, although some survive from members of the Astrapas family. There are none by “Panselinos.”
The trail started with earlier research linking Astrapas with the artist and scholar who wrote and illustrated Marcian Codex GR 516, an early 14th century Greek handwritten text treating subjects from astronomy to music theory. Among the painted illustrations was a full moon.
“For me ... that was the main proof,” Father Cosmas said.
With a name found for the hand that produced the manuscript, the next step was to check its style against writing on the Protato painting, traditionally linked with “Panselinos.”
“Mrs Sotirakoglou, who is a handwriting expert, filled in that blank,” Father Cosmas said.
There was one problem: Women have for more than 1,000 years been banned from entering Mount Athos.
“I was forced to study the Protato paintings based on photographs,” Sotirakoglou, who works as a court consultant on identifying or authenticating handwriting in criminal cases, told the AP.
“(The work) was very difficult, because the writing on the wall paintings is in capital letters, and the painters subdued their personal handwriting to conform” with the traditional format, she said — rather like anonymous letter-writers’ attempts to disguise their true style. “The Marcian codex is written in very small lower-case letters.”
The first clue came from the Greek letter Phi, the English F.
“It’s a Phi that stands out, and is similar” in both the manuscript and the Protato painting, she said. “Matches also followed with other letters, T, with its proportions, which is bigger, covering the other letters and is topped with a curve, the proportions of the K.”
“But when the Phi was revealed, the code of the writing was broken and the job became much easier,” she added.
Father Cosmas said that during his administrative duties on Mount Athos he attended services at the Protato church on a daily basis.
“That’s where my desire was born ... to explore the mystery around the name and the identity of Panselinos,” he said, adding that he thinks the artist “has now acquired his true identity.”