Film Review: ‘Wicked’

Film Review: ‘Wicked’
(L-R) Director, Jon M. Chu and Producer, Marc Platt speak as Universal Pictures presents special New York City WICKED Screening at Metrograph on December 03, 2024 in New York City. (AFP/File)
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Updated 25 December 2024
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Film Review: ‘Wicked’

Film Review: ‘Wicked’

The cinematic adaptation of the beloved Broadway musical, “Wicked,” which is based on the Gregory Maguire novel, takes us on an enchanting journey through the backstory of the Wicked Witch of the West, Elphaba, and her friendship with Glinda.

From the outset, I found the story’s premise captivating. It cleverly reimagines the classic tale from “The Wizard of Oz,” providing depth and context to characters often seen as mere villains.

Elphaba, played with fierce determination and vulnerability by Cynthia Erivo, grapples with her identity in a world that judges her for her green skin. Glinda, portrayed with charm and humor by Ariana Grande, offers a contrasting perspective, embodying the complexities of friendship and loyalty.

One of the film’s strengths lies in its stunning visuals. The vibrant colors, elaborate costumes, and breathtaking set designs transport one to the whimsical land of Oz. Each scene is a feast for the eyes, making it hard not to get swept away by the magic of it all.

The cinematography captures the grandeur of Oz while maintaining an intimate feeling during character-driven moments.

However, while the visuals are remarkable, I felt that some aspects of the storyline fell short. At times, the pacing felt uneven, particularly in the second act. Certain plot points were rushed, leaving me wanting more character development and emotional resonance.

For instance, Elphaba’s transformation into the Wicked Witch felt somewhat abrupt, and I wished for deeper exploration of her motivations and struggles.

The music, a hallmark of “Wicked,” also deserves mention. Iconic songs including “Defying Gravity” resonate with empowerment and hope, leaving a lasting impact. Yet, I found myself wishing for more original compositions to enhance the film’s narrative depth.

What is particularly exciting is that this film is part of a larger story. The second and final installment, titled “Wicked: For Good,” is set for release in November 2025. The news, shared in a joint Instagram post from the stars and director, has me eagerly anticipating what comes next.

In conclusion, despite some narrative shortcomings, “Wicked” explores friendship, identity, and societal judgment, making it a worthwhile experience. As someone who has long cherished the story of Oz, I appreciated this new take, even if it did not fully meet my expectations.

Ultimately, “Wicked” is a testament to the power of storytelling and the complexities of good and evil, leaving one with much to ponder long after the credits roll.


Disney plans pared-down premiere for ‘Snow White’ amid controversies surrounding Gal Gadot, Rachel Zegler

Disney plans pared-down premiere for ‘Snow White’ amid controversies surrounding Gal Gadot, Rachel Zegler
Updated 12 March 2025
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Disney plans pared-down premiere for ‘Snow White’ amid controversies surrounding Gal Gadot, Rachel Zegler

Disney plans pared-down premiere for ‘Snow White’ amid controversies surrounding Gal Gadot, Rachel Zegler

DUBAI: In what may be a death knell for the film, Disney has decided to not allow media outlets onto the red carpet for the premiere of its live-action adaptation of “Snow White,” instead inviting just photographers and house interviewers, according to Variety.

The premiere is set to take place on March 15 at the El Capitan Theater, with both Rachel Zegler (Snow White) and Gal Gadot (the Evil Queen) expected to attend. Controversy has plagued the film ever since it was first announced. Many activists called for a boycott of the film due to Gadot’s pro-Israeli stance over Israel’s war in Gaza.

Gadot, who is Israeli and a former member of the Israel Defense Forces, has been an outspoken supporter of Israel on social media as well as in a passionate speech she delivered on March 4 when she was honored at the Anti-Defamation League’s annual summit in New York City. “Never did I imagine that on the streets of the United States, and different cities around the world, we would see people not condemning Hamas, but celebrating, justifying and cheering on a massacre of Jews,” she said.

Zegler has repeatedly given interviews and used social media posts to advocate for a “Free Palestine,” indicating a rift between the two lead stars.

Meanwhile, some Disney fans questioned casting Zegler as Snow White as she is a Latina actor. The “West Side Story” star also faced backlash when she called the 1937 original “dated” because the prince “literally stalks Snow White.”

In an interview with Variety at D23 two years ago, Zegler said, “She’s not going to be saved by the prince. She’s not going to be dreaming about true love. She’s dreaming about becoming the leader she knows she can be.”
 


Saudi Film Festival returns for 11th edition next month

Saudi Film Festival returns for 11th edition next month
Updated 10 March 2025
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Saudi Film Festival returns for 11th edition next month

Saudi Film Festival returns for 11th edition next month

DHAHRAN: The highly anticipated Saudi Film Festival is set to return for its 11th edition from Apr. 17 to 23, with the King Abdulaziz Center for World Culture (Ithra) unveiling key details at a recent press conference.

Festival Director Ahmed Al-Mulla emphasized the festival’s significance as a platform for filmmakers. “The festival presents a diverse selection of films and programs that highlight successful production experiences in the film industry, allowing professionals and enthusiasts to engage and learn from these journeys,” he stated.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by (@saudifilmfestival)

This year’s theme, “Cinema of Identity,” will explore how films shape and reflect individual, national, and cultural identities.

Organized by the Cinema Association in partnership with Ithra and supported by the Film Commission, the festival will feature 68 films from Saudi Arabia, the Gulf — including Iraq and Yemen — and beyond.

A major highlight this year is the honorary tribute to Ibrahim Al-Hasawi, a veteran Saudi actor with over three decades of experience in theater, television, and cinema. His notable works include the TV series “Tash Ma Tash” and “Bayni Wa Baynak,” as well as films such as Ithra’s “Hajjan,” “Zero Distance,” and the recent “Hobal.” 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Ithra | (@ithra)

This year’s lineup includes seven Saudi and Gulf feature films, 22 short fiction films, and seven documentaries, alongside 12 parallel screenings of Saudi productions. The festival will also host four panel discussions, four advanced masterclasses and three book-signing sessions for the Saudi Cinema Encyclopedia.

Once again, the red carpet will be rolled out, giving filmmakers, actors and industry professionals the chance to be there in-person to celebrate the achievements of the region’s growing film industry.

The festival will also include award ceremonies, where films across various categories will be recognized after a deliberation by jurors. All selected entries will be showcased at these cinemas, where festivalgoers can attend screenings and experience the films firsthand. The awards will be given out as the festival’s finale.

For the first time, the festival will utilize the cinema space at the neighboring Energy Exhibit to screen additional films, expanding beyond Ithra’s two existing cinema halls.

The plaza and library at Ithra will host ‘Meet the Expert’ one-on-one sessions and private screenings, offering filmmakers ample opportunities for personalized mentorship and feedback.

A key component of the festival is its production market, which will showcase 22 booths from various production entities, providing filmmakers with a platform to develop and present their work. And to network.

A curated selection of 12 short films from the Clermont-Ferrand International Short Film Festival will be featured.

Additionally, Japanese cinema will be in focus, marking 70 years of Saudi-Japan relations, with eight Japanese films, expert discussions, and the return of the Short Shorts Film Festival from Japan as a major collaborator this year.

The festival is also introducing different passes this time around, allowing attendees to tailor their experience. These can be purchased online through the Ithra website.

For those unable to attend in person, parts of the film festival will be streamed online.


Review: Charlie Cox’s Daredevil makes brutal and gripping return to form in Disney+ reboot

Review: Charlie Cox’s Daredevil makes brutal and gripping return to form in Disney+ reboot
Updated 05 March 2025
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Review: Charlie Cox’s Daredevil makes brutal and gripping return to form in Disney+ reboot

Review: Charlie Cox’s Daredevil makes brutal and gripping return to form in Disney+ reboot
  • First 2 episodes of series make a strong first impression
  • Retains signature moody, atmospheric, violent aesthetic

DUBAI: After years of anticipation, reshoots and creative switcheroos, “Daredevil: Born Again” has finally arrived, and its first two episodes waste no time reintroducing audiences to the brutal, morally complex world of Hell’s Kitchen.

Anchored by Charlie Cox’s measured performance as Matt Murdock (aka Daredevil) and Vincent D’Onofrio’s chilling return as Wilson Fisk, the series makes a strong first impression.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Matt Murdock (@daredevil)

Marvel’s grittiest hero is back in top form, thanks largely to “Punisher’s” Dario Scardapane, who took over as showrunner mid-production.

The opening episodes set a relentless and heart-wrenching tone, beginning with a violent confrontation between Daredevil and Bullseye (Wilson Bethel) at Josie’s Bar that quickly escalates into a rooftop clash.

The fight sequences, a hallmark of the original “Daredevil” series from Netflix, remain meticulously crafted — visceral, bloody and free of unnecessary embellishment.

Charlie Cox as Matt Murdock and Nikki M. James as Kirsten McDuffie. (Supplied)

A year later, Murdock, still struggling with the burdens of his dual identity, now operates a new law firm alongside Kirsten McDuffie (Nikki M. James).

He appears to be forging a new romantic connection with psychiatrist Heather Glenn (Margarita Levieva). Yet, despite his efforts to build a more stable life, shadows from his past loom large.

Wilson Fisk, long absent from the scene, reemerges from the shadows with a new and menacing agenda, turning his ambitions toward the political arena.

His aspirations to become mayor of New York City suggest a fresh and dangerous evolution of his character — one that D’Onofrio plays with a practiced and quiet menace that is as captivating as ever.

Cox remains a commanding presence, portraying Murdock with an understated intensity that exudes rage, resilience and exhaustion, all at once.

Charlie Cox and Vincent D’Onfrio in ‘Daredevil: Born Again.’ (Supplied)

His reunion with Fisk — in a masterfully-crafted, tense diner scene — serves as a stark reminder that their ideological battle is far from over.

Visually, the series retains its signature aesthetic — moody, atmospheric, and unflinching in its depiction of violence. The action is raw, the dialogue sharp, and the stakes higher than ever.

All in all “Daredevil: Born Again” does not try to reinvent itself but instead refines what made its predecessor so compelling.


Honey, candles and California: Meghan Markle’s new show goes live

Honey, candles and California: Meghan Markle’s new show goes live
Updated 05 March 2025
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Honey, candles and California: Meghan Markle’s new show goes live

Honey, candles and California: Meghan Markle’s new show goes live
  • Harry — whom Markle wed in a fairytale ceremony in 2018, and with whom she fled to California two years later — only makes a fleeting appearance at the end of the eight episodes

LOS ANGELES, United States: Meghan Markle’s new lifestyle show went live on Netflix Tuesday, showcasing the former British royal as a thriving domestic maven.
The Duchess of Sussex, wife to Britain’s Prince Harry, harvests honey, makes pasta and mixes bath salts against an idyllic California backdrop.
A rustic and effortlessly chic home provides the setting for the first episode, whose conceit is that she is hosting a long-time friend.
Of course, we’re not actually at Markle’s house, but rather another luxury property near her home, where camera operators roam, offering purposely wobbly close-ups of candles, crudite and cake.
It also seems to have two kitchens. You know, like everyone’s house does.
Harry — whom Markle wed in a fairytale ceremony in 2018, and with whom she fled to California two years later — only makes a fleeting appearance at the end of the eight episodes.
But there are little hints about life as a British royal; reminders of how — in their telling — the couple were spurned by a stuffy and racist establishment.
A friend who comes to stay, makeup artist Daniel Martin, “has just been in my life from the before, during and after, shall we say,” Markle tells an off-screen producer, with a meaningful pause to let viewers piece everything together.
Episodes of “With Love, Meghan” feature appearances from chef Alice Waters, actress Mindy Kaling and Abigail Spencer, one of Markle’s “Suits” co-stars.
The show coincides with a rebranding of Markle’s jam-and-cookies online retailer, which was originally called “American Riviera Orchard” but is now known as “As Ever.”
The series is the latest effort by the Sussexes to make their own financial way after being cut off from the royal purse.
A reported $100 million deal with Netflix yielded the much-talked-about “Harry & Meghan,” a six-episode tell-all about their relationship and their high-profile split from the House of Windsor.
That was followed by Harry’s successful autobiography “Spare,” which re-trod much of the same angry ground, with bonus tales about taking drugs in proximity to Hollywood celebs.
But subsequent media ventures that have not rehashed the same grievances have fallen flat.
A Spotify interview podcast by Markle was not renewed after a first series critics blasted as pointless, while Netflix offerings about the sport of polo and the Invictus Games failed to make much impression.
Early reviews of “With Love, Meghan” in the British press were not kind, with The Telegraph calling the series an “exercise in narcissism.”
“Meghan invites people to her pretend house” wrote the paper’s critic, and “they tell her how amazing she is. This happens for eight episodes,” it said.
Meanwhile Britain’s The Times newspaper said the show was desperate in its “upbeatness” with Markle “presenting her extreme wealth and mind-bogglingly exclusive lifestyle as if it is available to anyone.”
 

 


‘The Crown’ actor Khalid Abdalla called in for police questioning over pro-Palestinian protest

‘The Crown’ actor Khalid Abdalla called in for police questioning over pro-Palestinian protest
Updated 04 March 2025
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‘The Crown’ actor Khalid Abdalla called in for police questioning over pro-Palestinian protest

‘The Crown’ actor Khalid Abdalla called in for police questioning over pro-Palestinian protest

DUBAI: British actor and activist Khalid Abdalla, known for his portrayal of Dodi Fayed in “The Crown,” has been asked to attend a police interview in connection with a pro-Palestinian protest he attended in London in January this year.

In an Instagram post, the 44-year-old actor revealed that he received a letter from London’s Metropolitan Police on Thursday. He stated that others, including 87-year-old Holocaust survivor Stephen Kapos, had also been “summoned” for interviews.

The matter concerns a demonstration organized by the Palestine Solidarity Campaign, which took place in Whitehall, London, on Jan. 18. The Palestine Solidarity Campaign (PSC) protest was adjusted to be a static rally after police curtailed organisers’ plans for a march past the BBC, which critics said was also near a synagogue. A group of protesters marched towards London’s Trafalgar Square from Whitehall after the rally.

Abdalla, who also starred in the 2024 thriller “The Day of the Jackal,” noted that it “remains to be seen” whether he or the others will face charges.

He expressed concern over the state of protest rights in the UK, saying they are “under attack” and must be defended.

The actor also made a reference to “No Other Land,” a collaborative documentary made by Palestinian and Israeli filmmakers that won an Oscar this week, in his online statement. 

“While there is an alarming rise in attempts to censor voices that stand up for Palestine, even as it faces open calls for ethnic cleansing, it will not work. The days of silencing and intimidation are gone. The stakes are too high, and as we can see today with ‘No Other Land’ winning at the Oscars, momentum is on the side of justice, and shared humanity,” he wrote.

“I will not be making further comment on the January 18 protest for legal reasons, for now, but in every other way, I will continue to put my energies towards the better world that we so clearly need, and which requires all of us to work together to turn into a reality,” he added.

Abdalla, born in the UK to Egyptian parents, has participated in multiple pro-Palestinian demonstrations and has used social media to call on Western nations to “stop arming Israel.”

He was  also a signatory to the Artists for Palestine UK open letter to the BBC in February, criticising the corporation's decision to pull a documentary about children's lives in Gaza after it discovered its 13-year-old narrator was the son of a Hamas official.