How Saudi Arabia’s Prince Mohammed bin Salman Royal Reserve protects biodiversity

Special How Saudi Arabia’s Prince Mohammed bin Salman Royal Reserve protects biodiversity
Faris Abdullah Ismail Al-Juhani spent time on his family’s farm in Duba, a coastal town within Prince Mohammed bin Salman Royal Reserve, helping his father care for sheep and camels. Now a ranger team leader, he uses that experience to protect Saudi Arabia’s wild heritage as part of the Reserve’s rewilding program. (PMSRR photo)
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Updated 08 March 2025
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How Saudi Arabia’s Prince Mohammed bin Salman Royal Reserve protects biodiversity

How Saudi Arabia’s Prince Mohammed bin Salman Royal Reserve protects biodiversity
  • Genetic testing plays a vital role in the reserve’s conservation effort, ensuring the right subspecies are reintroduced
  • The reserve also promotes sustainable eco-tourism and provides socioeconomic benefits to local communities

RIYADH: Established seven years ago as part of Saudi Vision 2030, the Prince Mohammed bin Salman Royal Reserve stands as a testament to the Kingdom’s commitment to environmental conservation.

Saudi Arabia has made significant strides in protecting its ecosystems and wildlife, expanding its protected areas from 19 to more than 400 — now covering 18 percent of the Kingdom’s territory.

“When I was invited to come and look at Saudi Arabia, I was struck by its rugged expansive beauty, natural wildness and unique biodiversity,” Andrew Zaloumis, CEO of the Prince Mohammed bin Salman Royal Reserve, told Arab News.

“I was impressed by the vision and strong leadership and direction with respect to conservation. Vision 2030 puts in place a framework to make the Kingdom’s commitments to the environment a reality and globally relevant.

“Its potential to be a serious global contender was an opportunity I could not pass up.”

Located in northwestern Saudi Arabia, the reserve spans about 24,500 sq. km, encompassing 15 ecosystems and hosting more than 50 percent of the Kingdom’s marine and terrestrial species, making it one of the most biodiverse protected areas in the Middle East.

“The reserve is home to exceptional plant and animal biodiversity,” Zaloumis said, noting that it covers 1 percent of Saudi Arabia’s terrestrial area and 1.8 percent of its marine area.

“The reserve’s 170 km coastline is the longest under the management of a single conservation agency in the Kingdom.

“It is home to 64 percent of the Kingdom’s coral species, 22 percent of its fish species, as well as hawksbill and green turtle populations, spinner dolphin, dugong, whale shark, and critical gray mangrove ecosystems.”

DID YOU KNOW?

• The reserve is home to more than 1,300 species and 2,000 historical and archaeological sites.

• It protects 50 percent of the Kingdom’s species, making it one of the region’s most biodiverse areas.

• It stretches from the Harrat lava plains to the Red Sea, linking NEOM, the Red Sea Project and AlUla.

Not every piece of land is suitable for reserve status, Zaloumis explained, as such areas must possess particular ecological significance.

“To be of global significance, a reserve must have the conservation values that enable this,” he said. “It is not any piece of land — it is being conserved for a very specific conservation reason.”

A nature reserve safeguards biodiversity by protecting plant species, providing a sanctuary for endangered animals, and maintaining ecological balance.




The Reserve's veterinarian oversees the reintroduction of the Arabian oryx as part of the conservation program. (PMSRR photo)

So far, the Prince Mohammed bin Salman Royal Reserve has successfully reintroduced 11 of its 23 native species, including sand gazelle, mountain gazelle, onager and pharaoh eagle owl.

“Genetic testing is key to ensure the correct subspecies are brought back,” Zaloumis said.

“One of the reserve’s conservation successes recognized globally is the return of the Persian onager after a 126-year absence. There are less than 600 left in the wild globally.

“The big-picture strategy is to create an open ecological area where historically occurring species can roam freely as they once did more than a century ago.”

The strategy is already bearing fruit. In December, the reserve celebrated the birth of its 15th Arabian oryx calf since launching its rewilding program in 2022.




Andrew Zaloumis, CEO of the Prince Mohammed bin Salman Royal Reserve, bottle-feeding an orphaned oryx at the Reserve. (PMSRR photo) 

The rewilding program is part of the reserve’s Integrated Development Management Plan, which aims to protect, conserve and restore its natural and cultural assets, promote eco-tourism, and provide socioeconomic benefits to local communities.

Beyond conservation, the reserve also highlights historical landmarks from both the Islamic and pre-Islamic periods, including sites built by the Nabataeans.

Zaloumis said that achieving UNESCO World Heritage status is no simple feat, as a site must meet strict international criteria.

“To be a World Heritage site, you have to be globally exceptional — one of a kind,” he said. “Less than 1 percent of the world’s 262,000-odd reserves have the outstanding universal values that could get it recognized by UNESCO as a World Heritage site.”

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Currently, the reserve is part of two cultural and two natural sites on UNESCO’s World Heritage Tentative List, placing it among a select few globally with this distinction.

The reserve has also made a significant social impact through its community development initiatives.

Zaloumis said that the reserve’s greatest asset is its people. With 85 percent of its staff drawn from nearby areas, community development remains essential to ensuring locals benefit from conservation efforts.

A key initiative has been the establishment of a ranger force — including an all-women unit, the first of its kind in the Middle East.




Prince Mohammed bin Salman Royal Reserve rangers install a camera trap. Managing and protecting such a large area of diverse terrain is a challenge, but camera traps are changing how the reserve's scientists study wildlife in the remote areas. (PMSRR photo)

“We have established a highly effective 250-strong ranger force from scratch, drawn from the towns and villages in the reserve,” Zaloumis said.

“Thirty-four percent of our rangers are women compared to a global average of 11 percent.”

He added: “These are the first women ranger units in the Middle East. Women globally have an important role to play in conservation — they give you different perspectives and are able to access different stakeholders. We wanted to make sure we started that way in the reserve.

“Our ability to develop conservation careers for Saudi men and women to excel in is important because, again, that is the future of conservation — it’s the sustainability of conservation in the Kingdom.”

Looking ahead, Zaloumis is focused on equipping the next generation with the skills needed to lead conservation efforts in Saudi Arabia.




Students from local schools take part in coastal environmental cleanup exercises as part of the awareness campaign emphasizing collective responsibility in protecting the marine environment. (PMSRR photo)

“Our goal is to build a new generation of conservationists to take the reserve forward and contribute to the Kingdom’s green agenda,” he said.

He believes that the key lies in empowering people to take control of their own future and communities.

“What we are doing is equipping the next generation of conservationists with the tool set necessary, not only to conserve the reserve but to contribute to Saudi Arabia’s broader conservation efforts, both in terms of protecting wildscapes and wildlife species.”
 

 


Ithra comes to life as families celebrate Gargee’an

Ithra comes to life as families celebrate Gargee’an
Updated 13 sec ago
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Ithra comes to life as families celebrate Gargee’an

Ithra comes to life as families celebrate Gargee’an
  • The center is offering numerous indoor and outdoor activities for children of all ages, including performances of traditional folk songs and other live shows
  • Gargee’an is a traditional festival marking the middle of Ramadan

DHAHRAN: King Abdulaziz Center for World Culture, Ithra, is this week full of fun and celebration for the Gargee’an festivities.

Ithra’s festivities will last until March 15 from 8:30 p.m. until 1:00 a.m.

The center is offering numerous indoor and outdoor activities for children of all ages, including performances of traditional folk songs and other live shows.

The main plaza at Ithra will have plenty of activities and Instagram-worthy moments. The Children’s Museum, Children’s Oasis, the Library and Energy Exhibit will each have dedicated activities.

The outdoor spaces are also decorated with colorful confetti, often blasted in plumes, to delight giddy children and amused adults.

Gargee’an is a traditional festival marking the middle of Ramadan, primarily celebrated in Gulf countries, specifically Kuwait, Bahrain, Iraq, the UAE, and the Eastern Province of Saudi Arabia, where Dhahran is located.

Children wear traditional attire and often go knocking door-to-door in their neighborhoods while chanting traditional folk verses.

They receive handfuls of sweet treats and trinkets that are collected in their little traditional baskets.

At Ithra, the children need merely stand in line to receive goodies, without needing to go anywhere.

Arab News spoke to Dammam resident Fatimah Alqahtani at the Children’s Museum arts and crafts section. She was coloring a small wooden door with her 5-year-old daughter Munerah and her daughter’s 7-year-old cousin, Rania.

“I have the Ithra app and I often check for events — there are always things happening,” she said. “This is our first time attending the Ithra Gargee’an event — I heard that last year’s celebration was really nice so we decided to check it out. And since the weather is lovely, we are going to go outside after this,” Alqahtani said.

The wooden door they colored is theirs to keep.

When Arab News asked what part of the celebration they liked most, the girls chirped: “Everything! Everything!”

During Gargee’an, only the Children’s Museum requires an entry ticket, which can be bought on the premises. All other spaces are free.


How Saudi creatives are adopting AI to shift the boundaries of contemporary art

How Saudi creatives are adopting AI to shift the boundaries of contemporary art
Updated 12 min 53 sec ago
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How Saudi creatives are adopting AI to shift the boundaries of contemporary art

How Saudi creatives are adopting AI to shift the boundaries of contemporary art
  • Saudi artist Daniah Al-Saleh fuses AI with cultural memory, transforming spoken Arabic phonemes into an abstract soundscape
  • Curators like Auronda Scalera and Alfredo Cramerotti bridge the gap between technology and art, showcasing AI’s creative potential 

RIYADH: Artificial intelligence is reshaping creative industries in Saudi Arabia where artists are blending tradition and technology, integrating personal archives and cultural memories into a dynamic, human-machine collaboration.

One standout example is Daniah Al-Saleh, whose work was featured at Noor Riyadh 2022, the world’s largest annual light art festival.

Known for merging AI with cultural memory, Al-Saleh exemplifies the fusion of innovation and heritage. Her artistic journey began with geometric watercolors, but pursuing a master’s degree in computational art deepened her engagement with programming.

This evolution culminated in her 2019 installation, “Sawtam,” which won the Ithra Art Prize and marked a pivotal moment in her career.

“I broke down the spoken word into the tiniest form of communication, which was the phoneme,” Al-Saleh told Arab News.

“I brought in my knowledge of coding and programming, inspired by (Manfred) Mohr, this computer artist… and recorded my voice saying these abstract sounds.”

The result was a soundscape where Arabic phonemes merged into a wall of noise that, when deconstructed, revealed the fundamental elements of the region’s spoken language.

“It was a big turning point in my art career,” she said.

While studying at Goldsmiths, University of London, Al-Saleh was introduced to machine learning and used pattern recognition program StyleGAN to create several notable works.

One such piece, “Love Stories,” features multiple figures lip-syncing to 26 well-known Arabic love songs. The work examines cultural resistance to public displays of love and affection in conservative societies.

Saudi artist Daniah AlSaleh's “Love Stories,” composed of multiple figures that lip sync to 26 well-known Arabic love songs that examines the traditional resistance to public displays of love and affection in conservative societies. (Supplied)

Another, “Evanesce,” blurs the line between memory and reality, evoking nostalgia for Egyptian cinema’s golden era through AI-generated videos.

Meanwhile, “Rewind Play Glitch” presents a curated mosaic of seemingly personal imagery, exploring themes of familial bonds, love and the passage of time.

Despite her use of machine learning, Al-Saleh does not rely solely on AI. She blends digital techniques with traditional media to create a distinctive style.

This fusion is evident in her 2022 piece, “Hinat,” which combines photographic transfer, painting, video and algorithmic generation to honor a female Nabatean historical figure.

Saudi artist Daniah AlSaleh's “Hinat” utilizes photographic transfer, painting, video, and algorithmic generation to immortalize a female Nabataean historical figure. (Supplied)

The installation, currently featured in the “Art of the Kingdom” exhibition at the Saudi Arabian Museum of Contemporary Art, highlights her ability to bridge ancient narratives with modern technology.

To create the piece, Al-Saleh hired several women and filmed across various locations in Saudi Arabia’s historic AlUla region, home to some of the Kingdom’s most striking Nabatean ruins.

Like any technology, AI tools inevitably become outdated. Al-Saleh initially used StyleGAN for some of her work, but the program is no longer available.

“As an artist, I need to adapt and see within what context can I use that, is it a good fit, or should I use something else? Or maybe not use AI at all?” she said.

DID YOU KNOW?

• AI is not limited to visual art — it is also used to compose music, write poetry and even design sculptures.

• AI art generators such as DALL-E 2 and MidJourney use advanced algorithms to create unique visual masterpieces.

• AI integration with virtual reality offers immersive, interactive experiences in AI-generated environments.

Artists incorporating AI into their creative practices benefit from the support of curators who bridge the gap between art and technology.

Qatar-based curatorial duo Auronda Scalera and Alfredo Cramerotti have worked with numerous artists to integrate emerging technologies into contemporary art.

Most recently, they curated the 2024 Noor Riyadh Festival which highlighted innovative light-based artworks.

Scalera explained that some artists she and Cramerotti work with “create their own AI with their archive — for example, they don’t use ChatGPT.”

“When you create your tool, it’s like you create your brush,” she told Arab News.

Al-Saleh is one such artist who prefers to use her own archive. “I don’t use ready-made data sets — I collect what I can from open-source content,” she said.

London-based Saudi Arabian artist Daniah Alsaleh winner of the second edition of the Ithra Art Prize. (Supplied)

“For example, for my work Evanesce, there are a lot of available movies online in black and white, which I watched — tens and tens of these movies — and collected the data I wanted and then worked with that.”

She added: “Regarding ‘Love Stories,’ that was a bit challenging because I had to collect data sets of males and females with Gulf and Arab features that were public. I can’t go into private profiles and take those photos.

“(It depends on) the type of AI you’re using, on how much control you want to get involved with, or do you want to give agency to the machine learning or AI program, or how much agency you want to take.”

In addition to their work at Noor Riyadh, Scalera and Cramerotti were curators and jury members for the 13th anniversary of the Lumen Prize X Sotheby’s in 2024, which featured cutting-edge digital artworks from leading artists.

Curatorial duo Auronda Scalera and Dr. Alfredo Cramerotti, who specialize in bridging between art and new technologies. (Supplied)

They also curated Art Dubai Digital 2024, a section dedicated to exploring the intersection of digital art and technology.

The duo leads Multiplicity-Art in Digital, an online platform promoting art with a focus on diversity and inclusion, and spearheads Web to Verse, a project dedicated to researching the evolution of digital art from the 1950s to today.

Cramerotti said artists tend to approach technology differently from designers, focusing not on function but on critically unpacking, subverting and reimagining its use in creative contexts.

“Unlike designers, let’s say, that use the technology for a certain purpose, artists don’t have a purpose in terms of a function,” he told Arab News.

“They’re really good at unpacking the technology, critically analyzing the technology, subverting the use of technology, using that technology for another purpose.”

Each moment in history brings new technologies to explore, as with photography in the 19th century and computer art in recent decades. The art lies in the ideas and techniques behind using these tools, not the tools themselves.

“It’s not just about using ChatGPT to come up with a text or using Sora to come up with an image,” Cramerotti said.

“It’s about asking, ‘Okay, what are the critical elements that I input to create that text or the image? How do I link and contextualize my approach as an artist beside my work as an artist in using this technology?’”

As AI evolves daily, it challenges the world — and artists — to harness its advancing tools in new ways.

“Even (for) us as curators, it’s a learning process,” Scalera said. “Curators today, we are like students.”

Expanding on this, Cramerotti added: “We are the interface between (art and) the public — and as art practice, art making, art displaying is changing, then our work is changing.

“You always have to frame a certain artistic practice in a new way and to present to a public using a new vocabulary.”

Another challenge lies in bridging contemporary and digital art spheres through curatorial innovation.

“With the 2021 digital art boom, you have a lot of digital curators who have no idea how a museum works, or how an institution works, or how to write an exhibition mediation plan or an exhibition installation plan,” Cramerotti said.

“And then, you have a lot of museum curators who have no idea how an NFT works, or how an immersive experience impacts the senses of a viewer.”

He emphasized that emerging technologies introduce scientific complexities beyond the traditional scope of art history, requiring curators to adapt and expand their expertise.

Scalera explained that this was why they decided to form a curatorial duo.

“This curiosity about the unknown is something that is really important for curators, because otherwise you are going to be stuck in only one theory,” she said.

“In that way, you can be curious, and you can work closely with the artist and discover different landscapes in art and new technology.”

The latest Noor Riyadh edition, curated by Cramerotti and Effat Fadag with curatorial advisors including Scalera, explored the theme “Light Years Apart.”

The festival highlighted numerous AI-generative artworks, such as Krista Kim’s “Heart Space,” which transformed collected heartbeats into visual symphonies, and Random International’s “Alone Together,” which used a custom tracking system to spotlight selected passersby.

Caption

While AI-generated images are now accessible to the masses, ethical concerns remain regarding the references fed into these systems.

Last month, more than 5,600 artists signed an open letter urging Christie’s New York to cancel its first AI-generated art auction, criticizing AI models for allegedly using copyrighted works without permission.

Scalera noted ongoing efforts to address these ethical challenges.

“It’s an open discourse now,” she said.
 

 


Deputy industry minister launches Investor Service Center in Jeddah

Deputy industry minister launches Investor Service Center in Jeddah
Updated 18 min 59 sec ago
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Deputy industry minister launches Investor Service Center in Jeddah

Deputy industry minister launches Investor Service Center in Jeddah

RIYADH: Saudi Deputy Minister of Industry and Mineral Resources for Mining Affairs Khalid bin Saleh Al-Mudaifer inaugurated the Investor Service Center at the ministry’s branch in Jeddah.

Several key figures from the Kingdom’s mining sector attended the ceremony.

The center will provide a range of support services to investors in the sector, including customer relationship management and ensuring information integration and knowledge sharing with related entities.


Saudi Arabia welcomes border deal between Kyrgyzstan, Tajikistan

Kyrgyz President Sadyr Japarov and his Tajik counterpart Emomali Rakhmon pose with signed documents during their meeting.
Kyrgyz President Sadyr Japarov and his Tajik counterpart Emomali Rakhmon pose with signed documents during their meeting.
Updated 13 March 2025
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Saudi Arabia welcomes border deal between Kyrgyzstan, Tajikistan

Kyrgyz President Sadyr Japarov and his Tajik counterpart Emomali Rakhmon pose with signed documents during their meeting.
  • Deal was signed in Bishek on Thursday by Kyrgyz President Sadyr Japarov and his Tajik counterpart Emomali Rakhmon
  • Kingdom congratulated the governments and peoples of Tajikistan and Kyrgyzstan on the signing of the agreement

RIYADH: Saudi Arabia welcomed on Thursday a border agreement between Kyrgyzstan and Tajikistan that involves an exchange of territory.

The deal was signed in Bishek on Thursday by Kyrgyz President Sadyr Japarov and his Tajik counterpart Emomali Rakhmon.

The Kingdom congratulated the governments and peoples of Tajikistan and Kyrgyzstan on the signing of the agreement, and wished both countries stability and prosperity.

Kyrgyzstan will receive about 25 square kilometres from Tajikistan in exchange for about the same amount of land or for better access to shared water resources, Kyrgyz authorities said.

The accord stipulates that certain roads will be designated as neutral, and that neither side may hinder the use of agricultural or energy facilities in border regions.

The move follows three decades of conflict between the two former Soviet republics over water resources and land.

“From now and forever, the border between Kyrgyzstan and Tajikistan will be the border of eternal friendship,” Japarov said.

Japarov’s office said the accord would contribute to “strengthening security, stability and sustainable development in Kyrgyzstan and Tajikistan, and in the whole of Central Asia.”


Riyadh school selected as one of world’s top 100 for 2025

Riyadh school selected as one of world’s top 100 for 2025
Updated 13 March 2025
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Riyadh school selected as one of world’s top 100 for 2025

Riyadh school selected as one of world’s top 100 for 2025
  • BISR is one of just 100 schools from around the world selected for inclusion in the top tier of the Spear’s Schools Index

RIYADH: British International School Riyadh has been named in the Top 100 Independent Schools in the World list in the 2025 Spear’s Schools Index, a guide to the world’s most prestigious schools.

Its dedication to student excellence, state-of-the-art educational facilities, high academic results and hyper-tailored teaching programs all combined to secure the honor.

As well as the intellectual support on offer, the accolade recognizes BISR’s commitment to nurturing enthusiastic and kind global citizens through comprehensive pastoral schemes.

The full list will be announced at a launch event in London on March 15, where leaders from the best schools around the world will have the opportunity to network and celebrate their continued efforts in education.

Since its launch in 2020, the Spear’s Schools Index has garnered growing recognition in a range of national and international media and established its reputations as a definitive index of the world’s 100 leading private schools.

BISR Director of Schools Helen Olds said: “We are incredibly honored to be awarded this recognition. This achievement is testament to the dedication and hard work of our students, faculty and staff. We remain committed to providing an exceptional educational experience that fosters growth, innovation and excellence in every student. We extend our gratitude to our entire school community for making this possible.”

Edwin Smith, Spear’s editor-in-chief, said: “BISR is one of just 100 schools from around the world selected for inclusion in the top tier of the Spear’s Schools Index. This selection directly reflects the judgement and insights of the leading educationalists on our expert advisory panel, who took into account factors including academic attainment, social, cultural and pastoral considerations, standing, reputation and character.

“BISR thoroughly deserves its place. Its inclusion is testament to the school’s unwavering commitment to academic excellence, innovative teaching and holistic development of its students.”