Landmark exhibition ‘Layered Medium’ brings six decades of Korean art to the GCC

Landmark exhibition ‘Layered Medium’ brings six decades of Korean art to the GCC
Chung Seoyoung, "What I Saw Today," 2022. (Collection of Seoul Museum of Art)
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Updated 16 May 2025
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Landmark exhibition ‘Layered Medium’ brings six decades of Korean art to the GCC

Landmark exhibition ‘Layered Medium’ brings six decades of Korean art to the GCC

DUBAI: The first large-scale showcase of contemporary Korean art in the Gulf Cooperation Council region, “Layered Medium: We Are in Open Circuits – Contemporary Art from Korea, 1960s to Today,” promises to be a transformative experience for audiences in the Middle East.

Co-curated by Maya El-Khalil of the Abu Dhabi Music & Arts Foundation and Yeo Kyung-hwan of the Seoul Museum of Art, the exhibition brings together a sweeping collection of artworks that explore the evolution of Korean contemporary art from its roots in the 1960s to the present day.

Held at the Abu Dhabi art gallery Manarat Al-Saadiyat from May 16 to June 30, the exhibition marks a historic cultural bridge between Korea and the region, offering insights into how Korean artists have responded to shifts in political landscapes, technological advancements, and the complexities of modernity.




Ayoung Kim, Still image from Delivery Dancer's Sphere, 2022, single-channel video, 25 min. (Courtesy of the artist)

“This exhibition is a testament to the power of art to transcend boundaries and ignite conversations across cultures,” said El-Khalil to Arab News. “It’s an opportunity for audiences to witness the dynamism and resilience of Korean art over decades of transformation.”

El-Khalil drew on her first experiences in Seoul, which she described as a “moment of discovery.” For her, the city revealed what she called “productive contradictions”: an art scene that was deeply specific to its context but spoke to universal experiences of urbanization, globalization, and technological change.

“This tension between specificity and universality became central to our curatorial approach. Rather than trying to explain Korean art, we wanted to create frameworks that would allow audiences to encounter works through shared experiences of inhabiting our rapidly shifting, technologically mediated worlds,” El-Khalil said.




Ayoung Kim, Installation view of Delivery Dancer's Sphere (2022) from the exhibition "What an Artificial World (National Museum of Modern and Contemporary Art,
Cheongju, Korea, 2024)." (National Museum of Modern and Contemporary Art, Korea, Photography Hong Choelki)

The exhibition begins with the immediate sensory experiences of the body, intersecting with social constructs of gender, nationality, and identity. From there it connects to cultural narratives of history and tradition before engaging with contemporary spatial realities of rapid urbanisation and precarious ecologies. It begins with its experimental phases in the 1960s, moving through the politically charged works of the 1980s, and culminating in the boundary pushing digital and multimedia explorations of today.

Yeo explained the curatorial decision. “We experience reality through our bodies, our social structures, and our physical and virtual terrains. By organizing the exhibition through this expanded sense of medium — as atmospheres of meaning-making — we created a framework that reflects circuits of experience: from our immediate bodily presence to our social relationships, to our navigation of built environments striated with power and control.”




Byungjun Kwon, Dancing Ladders, credit MMCA (2). (Supplied)

Among the standout works are installations that challenge conventional perceptions of space and time, multimedia projects that intertwine Korean folklore with digital storytelling, and large-scale sculptures that articulate the tension between tradition and innovation. El-Khalil spoke of parallels between Seoul and Abu Dhabi, citing rapid urbanization and globalization as shared narratives.

“Both cities are the product of rapid, accelerated development, each environment a remarkable narrative of transformation, though the stories are quite distinct: South Korea emerging after war and poverty, while the UAE grew quickly thanks to a clear vision and the discovery of natural resources,” she said.

“What’s really interesting is how artists in both places respond to similar changes like urbanisation or globalisation but from different cultural perspectives. Even though these changes seem global, they’re always shaped by local histories and ideas about the future. For example, Sung Hwan Kim’s ‘Temper Clay’ (2012), set in uniform apartment blocks, looks at the emotional and social impact of this kind of growth. These parallels allowed us to explore how different societies process similar transformations through different historical and cultural frameworks,” she added.




Ram Han, Room type 01, 2018. (Collection of Seoul Museum of Art)

The exhibition also highlights the impact of technological revolutions on Korean art, particularly in the realm of video and digital installations that emerged in the late 1990s. “Korean artists have always been at the forefront of exploring new media, often using technology as a medium to dissect cultural narratives and global dialogues,” said Yeo. “Their work is a testament to adaptability and forward-thinking—an open circuit that is constantly evolving.”

In addition to the main exhibition, “Layered Medium” features a series of panel discussions, workshops, and interactive installations aimed at engaging the community in dialogue about the role of contemporary art in shaping cultural identity and understanding. El-Khalil emphasized the importance of these community-focused initiatives: “We want this exhibition to be more than just a visual experience; it’s a platform for learning and cross-cultural exchange.”

As the first large-scale Korean art exhibition in the GCC, “Layered Medium” is poised to set a new standard for artistic collaboration between Korea and the Middle East. With its emphasis on dialogue, innovation, and historical reflection, the exhibition not only showcases the richness of Korean artistic expression but also reinforces the universal language of art as a bridge across diverse cultures.

“Ultimately, our hope is that visitors leave with a deeper appreciation for the complexity and beauty of Korean contemporary art,” said Yeo. “It’s about creating connections—not just between East and West, but across generations, mediums, and ideologies.”


Lyna Khoudri-starring film ‘Eagles of the Republic’ premieres at Cannes

Lyna Khoudri-starring film ‘Eagles of the Republic’ premieres at Cannes
Updated 55 sec ago
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Lyna Khoudri-starring film ‘Eagles of the Republic’ premieres at Cannes

Lyna Khoudri-starring film ‘Eagles of the Republic’ premieres at Cannes

DUBAI: French Algerian actress Lyna Khoudri’s film “Eagles of the Republic” premiered this week at the 78th Cannes Film Festival, and it received a coveted standing ovation following the screening.

Directed by Swedish Egyptian filmmaker Tarik Saleh, the film is the final chapter in his acclaimed “Cairo Trilogy,” which includes “The Nile Hilton Incident” (2017) and “Boy From Heaven” (2022), the latter earning him the Best Screenplay award at Cannes.

Set in Cairo, “Eagles of the Republic” follows George El-Nabawi, a fading movie star who reluctantly agrees to play a role in a political biopic.

(L-R) Alexandre Desplat, Lyna Khoudri, Amr Waked, Sherwan Haji and Tarik Saleh at the premiere. (Getty Images)

Khoudri portrays Donya, a journalist who becomes entangled in the political intrigue surrounding the film’s protagonist, Fahmy.

The movie also features Swedish Lebanese actor Fares Fares — a longtime collaborator of Saleh — in the lead role, alongside French Moroccan actress Zineb Triki as Suzanne, the Western-educated wife of Egypt’s defence minister, and Egyptian actor Amr Waked as presidential adviser Dr. Mansour.

For the premiere, Khoudri wore a sculptural strapless Chanel dress featuring a voluminous skirt, a structured bodice, and folded detailing along the neckline. The gown was cinched at the waist and flared into pleats. She completed the look with white open-toe heels and a sleek bun.

She attended the premiere alongside Saleh, Waked, French film composer and conductor Alexandre Desplat, and Kurdish Finnish actor, filmmaker and writer Sherwan Haji, who also stars in the film. 

Khoudri, 32, first rose to prominence in her role as Nedjma in Mounia Meddour’s critically acclaimed drama “Papicha.” For her work in the film, she won the Orizzonti Award for best actress at the 74th Venice Film Festival, and she was nominated in the Cesar Awards’ most promising actress category.

Khoudri also starred in the 2019 mini-series “Les Sauvages” and in 2016’s “Blood on the Docks.”

She was also cast in Wes Anderson’s 2021 comedy “The French Dispatch” alongside Timothee Chalamet, Bill Murray, Tilda Swinton and Owen Wilson.

The actress also stars in Martin Bourboulon’s Afghanistan evacuation drama “In The Hell Of Kabul: 13 Days, 13 Nights,” alongside Danish Bafta-winning “Borgen” star Sidse Babett Knudsen, Roschdy Zem (“Chocolat,” “Oh Mercy!”), and theater actor Christophe Montenez.


Dubai Fashion Week set to return this autumn

Dubai Fashion Week set to return this autumn
Updated 13 min 54 sec ago
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Dubai Fashion Week set to return this autumn

Dubai Fashion Week set to return this autumn

DUBAI: Dubai Fashion Week (DFW) is set to make its return this autumn with its series of Spring/Summer 2026 shows, running from Sept. 1 to 6 at its longtime home in Dubai Design District (d3).

As the first event on the international fashion calendar — ahead of New York, London, Milan, and Paris —DFW’s upcoming edition builds on the momentum of February’s Autumn/Winter 2025/26 showcase, which drew widespread attention with headline-grabbing appearances by international models and a grand finale by iconic Indian designer Manish Malhotra.

The season also spotlighted emerging regional voices, such as Les Benjamins, a correspondent member of the Arab Fashion Council, alongside global names like Paolo Sebastian.


Post Malone headed to Abu Dhabi F1

Post Malone headed to Abu Dhabi F1
Updated 34 min 46 sec ago
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Post Malone headed to Abu Dhabi F1

Post Malone headed to Abu Dhabi F1

DUBAI: US rapper Post Malone – known for tracks like “Rockstar,” “I Had Some Help” and “Sunflower” – will perform at the 2025 Etihad Airways Abu Dhabi Grand Prix on Friday Dec. 5, organizers have announced.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Yasalam (@yasalamae)

“Beautiful Things” singer Benson Boone was previously announced as the opening act of the series on Thursday Dec. 4. Heavy metal band Metallica are set to perform on Saturday Dec. 6. And finally, US singer-songwriter Katy Perry will perform on Sunday Dec. 7.

Malone previously performed at the 2018 Abu Dhabi Grand Prix. He then returned in 2022, taking to the stage at Etihad Park.


Key reflections as Jeddah’s Islamic Arts Biennale comes to a close

Key reflections as Jeddah’s Islamic Arts Biennale comes to a close
Updated 7 min 7 sec ago
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Key reflections as Jeddah’s Islamic Arts Biennale comes to a close

Key reflections as Jeddah’s Islamic Arts Biennale comes to a close

JEDDAH: As the second Islamic Arts Biennale prepares for its finale on May 25, Donya Abdulhadi, the executive director of marketing and communications at the Diriyah Biennale Foundation says its true achievement lies not only in visitor numbers, but in the cultural and educational legacy it continues to build.

“The Islamic Arts Biennale was ranked as one of the most highly visited biennales in 2023, but it is the cultural impact, influence and legacy of our work that matters the most to us,” she told Arab News.

The foundation — which oversees the Islamic Arts Biennale, the Diriyah Contemporary Art Biennale, and JAX District — alternates annually between its two flagship biennales: the Diriyah Contemporary Art Biennale, held in Riyadh’s JAX District, and the Islamic Arts Biennale, staged at the Western Hajj Terminal in Jeddah.

Launched in 2023, the Islamic Arts Biennale is the first biennale in the world dedicated to Islamic arts.

The debut Islamic Arts Biennale welcomed over 600,000 visitors, while the second edition of the Contemporary Art Biennale saw more than double the attendance of its first iteration and a 600 percent increase in digital engagement, according to organizers. 

Abdulhadi explained that the foundation measures success through cultural impact. “We assess our impact through several factors, including our success in nurturing creative expression and lifelong learning,” she said.

The foundation has seen a significant rise in institutional collaboration, too. Since the launch of its biennales, the number of partner institutions lending cultural and historical works has tripled. In turn, the number of total loans to exhibitions has nearly doubled.

Among the highlights of this iteration was the unprecedented display of rare objects such as items from the Vatican Apostolic Libraries shown alongside the Kiswah, the covering that adorns the Kaaba in Makkah. 

Between editions, the foundation remains active through initiatives such as “PlayBack,” a digital audio archive of past programming, and “PaperBack,” Saudi Arabia’s first art book fair, which welcomed more than 10,000 visitors last year. 

“Supporting generations of artists and creatives remains one of the most important ways in which we deliver cultural impact as a foundation,” she continued. “Our Biennales and the JAX District act as springboards for Saudi and international artists to be invited to the world’s most prestigious stages, but also as platforms for artists to evolve their own roles as creatives,” she concluded.


Saudi Fashion Awards set for May 22 in Riyadh

Saudi Fashion Awards set for May 22 in Riyadh
Updated 19 May 2025
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Saudi Fashion Awards set for May 22 in Riyadh

Saudi Fashion Awards set for May 22 in Riyadh

DUBAI: The Saudi Fashion Commission is set to host the second edition of the Saudi Fashion Awards on May 22 in Riyadh.

The ceremony will celebrate the “visionaries, creatives, and entrepreneurs shaping Saudi Arabia’s rapidly growing influence in the international fashion and beauty industries,” according to a released statement. 

Key awards this year include the Fashion Stylist of the Year  prize; the Fashion Photographer of the Year prize, presented in collaboration with Hia Magazine; the Menswear Brand of the Year trophy; the Womenswear Brand of the Year prize; the Jewelry Brand of the Year award; and the Elite Model Honorary Award for Model of the Year.

The judging panel includes Hollywood stylist Law Roach; Amanda Smith, CEO of Fairchild Media Group and WWD; Burak Çakmak, CEO of the Saudi Fashion Commission; Xavier Romatet, Dean of Institut Français de la Mode ; Mohammed Aldabbageh, KSA Managing Director of Chalhoub Group; and Mai Badr, Editor-in-Chief of Hia Magazine. 

“Riyadh is proudly emerging as the capital of fashion, beauty, and the future of the creative industries in the region. Its transformation from promise to global presence on red carpets, runways, and retail spaces reflects the ingenuity and dedication of a new generation of trailblazers redefining regional and international fashion standards,” Çakmak said in a released statement.