Recipes for success: Chef Gabriela Chamorro offers advice and a passion fruit ceviche recipe  

Recipes for success: Chef Gabriela Chamorro offers advice and a passion fruit ceviche recipe  
For Gabriela Chamorro, cooking is not about complexity; it’s about heart, intention and staying connected to her roots. (Supplied)
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Updated 22 May 2025
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Recipes for success: Chef Gabriela Chamorro offers advice and a passion fruit ceviche recipe  

Recipes for success: Chef Gabriela Chamorro offers advice and a passion fruit ceviche recipe  

 DUBAI: For Gabriela Chamorro, cooking is not about complexity; it’s about heart, intention and staying connected to her roots. 

As founder and executive chef of Girl & the Goose, Dubai’s first restaurant dedicated to central American cuisine, she offers a personal take on traditional dishes from Nicaragua, Costa Rica, Guatemala and Panama. 

Chamorro focuses on thoughtful cooking that highlights the essence of each ingredient. Whether it’s a humble tortilla or an intricate yuca gnocchi, every dish is designed to share a story and evoke a sense of home, she says.  

When you started out what was the most common mistake you made?  

I believed that complexity was the best way to showcase my skills: the more elements on the plate, the more impressive the dish. But over time, I’ve learned that simplicity, when executed with intention and love, is far more powerful. I used to overcomplicate dishes by adding too many elements or overthinking the presentation. Now, I find that true mastery lies in perfecting something humble, like a pipian verde, or a well-made guirila.  

What’s your top tip for amateur chefs? 

Recipes are helpful, but your intuition is your best tool. Taste as you go and let your senses lead the way. I see cooking as a conversation between you and your ingredients. It should feel like a warm embrace, not a stressful performance. Stay present and enjoy the process. And invest in a good set of sharp knives; they make everything easier — and safer — in the kitchen. 

What one ingredient can instantly improve any dish? 

Lime is a game-changer in central American cooking. Its bright, zesty acidity lifts and elevates flavors, adding a refreshing pop to any dish. It doesn’t just add flavor, it adds soul. Lime is the kind of ingredient that turns something good into something unforgettable.  

When you go out to eat, do you find yourself critiquing the food?  

I’m definitely someone who notices details, but when I dine out, I’m more focused on how the experience makes me feel overall. I look for warmth and a genuine sense of care, both in the food and in the service. You can taste when a dish is made with heart and intention, and you can feel the difference when hospitality goes beyond being just transactional. It’s that human touch that stays with you.  

What’s your favorite cuisine to order? 

I tend to gravitate toward Middle Eastern cuisine, perhaps because it evokes the same warmth, generosity and layered flavors that I associate with Latin hospitality. There’s something deeply comforting about a vibrant mezze spread or a slow-cooked lamb dish. They speak volumes without saying a word. 

What’s your go-to dish if you have to cook something quickly at home? 

I love making a simple dish, like a fresh tortilla with cheese, cream, scrambled eggs, gallopinto and a quick avocado salad. It’s the kind of meal that feels like a hug and transports me back home.  

What customer behavior most annoys you? 

When a customer treats one of my team members with less respect or kindness than they would offer me. I believe in mutual respect across all levels. The magic of hospitality only thrives when everyone — guests and employees alike — feels seen, valued and appreciated.  

What’s your favorite dish to cook and why? 

Fried fish with tomato sauce and rice, just like Mireya from Masachapa, Nicaragua (a major influence on Chamorro’s cooking) makes it, is my absolute favorite. It’s a nostalgic recipe that transports me back to the coastal breeze, the rhythm of the waves, and the warmth of a family keeping their traditions alive with love. Every time I prepare this dish, I feel deeply connected to my roots, to home, and to the simple joys of life. Cooking isn’t just about the food, it’s about preserving a piece of something timeless and meaningful. 

What’s the most difficult dish for you to get right?  

Our yuca gnocchi served with a rich, delicate lobster bisque demands precision and patience. Yuca can be unpredictable, and achieving the right texture for gnocchi requires a delicate balance: too soft and it falls apart, too firm and it loses its melt-in-your-mouth quality. Then there’s the bisque, which needs layers of flavors to develop, offering depth and elegance. But, when it all comes together, it is magic. It’s a dish that humbles me every time, reminding me of the importance of attention to detail and the heart put into each step. 

As a head chef, what are you like? Are you a disciplinarian? Or are you more laidback? 

I’m a very passionate chef who holds high standards, but I believe that the best kitchens are built on mutual respect, joy and collaboration. I lead with kindness and purpose because a great service should feel like a well-rehearsed dance with people you trust.  

 Chef Gabriela’s passion fruit ceviche 

Ingredients:  

500g organic seabass, diced into ½ inch pieces 

120g passion-fruit puree 

80g coconut cream 

50g red onions  

10g ginger 

15g garlic 

10g coriander stems 

10g celery 

3g salt 

Passion fruit coconut cream preparation:  

Peel and clean the onions, use only the hearts. 

Remove the leaves from the coriander, only use the stems. 

Peel garlic and ginger. 

Dice all the vegetables. 

Coarsely blend all the ingredients on medium speed along with the passion fruit puree.  

Strain through a fine mesh. 

Combine with the coconut cream and blend on medium speed. 

Refrigerate until ready to use.  

Plating:  

Place the raw fish in a serving bowl, pour the passion fruit coconut cream on top of it, and garnish according to taste. 


700 works entered for Dammam’s small-format art exhibition

700 works entered for Dammam’s small-format art exhibition
Updated 07 July 2025
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700 works entered for Dammam’s small-format art exhibition

700 works entered for Dammam’s small-format art exhibition
  • Event seeks to ‘bridge the gap between artists and the public,’ organizer says
  • Successful pieces to be announced on July 17

DAMMAM: Artists from across the country have submitted more than 700 works for the Saudi Arabian Society for Culture and Arts in Dammam’s annual showcase.

Now in its sixth year, the “Endless Possibilities for Art” exhibition focuses exclusively on works measuring 30 cm by 30 cm and seeks to deepen connections between artists and viewers by creating interactive display environments.

A total of 705 pieces from 235 artists in 25 cities were entered for this year’s show and the submission process is now closed, the Saudi Press Agency reported.

Youssef Al-Harbi, the society’s director, said: “This initiative seeks to bridge the gap between artists and the public by making original artworks more attainable and fostering a deeper connection between creators and collectors through deeper sensory and visual readings of artistic works.

“It also showcases the richness of techniques and diversity of artistic schools, reflecting the cultural and visual diversity of the Kingdom’s regions and their aesthetic uniqueness.”

The show built on the society’s ongoing efforts to champion visual arts and encouraged artists and collectors to find common ground through ownership, he said.

The society will announce which works have been chosen for the exhibition on July 17.


Fontaines DC display words ‘Israel is committing genocide’ on screen at London gig

Fontaines DC display words ‘Israel is committing genocide’ on screen at London gig
Updated 07 July 2025
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Fontaines DC display words ‘Israel is committing genocide’ on screen at London gig

Fontaines DC display words ‘Israel is committing genocide’ on screen at London gig

DUBAI: Irish post-punk band Fontaines DC played a sold-out concert in London’s Finsbury Park on Saturday night during which the words “Free Palestine” and “Israel is committing genocide” were projected onto screens. 

Lead singer Grian Chatten performed in front of the 45,000-strong crowd dressed in a kilt and a Sinead O’Connor t-shirt, the Independent reported. 

A piece of music equipment on the north London stage was wrapped in a Palestinian flag and “Israel is committing genocide. Use your voice” came up on the screens after the last song. 

The show comes after multiple artists voiced support for the people of Palestine at the Glastonbury music festival in June.

Last week, the US revoked entry visas for members of British punk-rap duo Bob Vylan following their Glastonbury Festival set, during which frontman Bobby Vylan led the crowd in a controversial chant against Israel’s military.

Performing on the festival’s West Holts Stage on Saturday, the artist shouted “Free, free Palestine” before encouraging the audience to chant, “Death, death to the IDF (Israel Defense Forces).” Video of the moment quickly spread online, sparking backlash.

Meanwhile, Irish rap group Kneecap drew one of the festival’s largest crowds at the West Holts Stage. Dozens of Palestinian flags flew in the crowd as the show opened with an audio montage of news clips referring to the band’s critics and legal woes.

Between high-energy numbers that had fans forming a large mosh pit, the band members — sporting keffiyehs — led the audience in chants of “Free Palestine” and “Free Mo Chara.” They also aimed an expletive-laden chant at UK Prime Minister Keir Starmer, who has said he didn’t think it was “appropriate” for Kneecap to play Glastonbury.

One member wore a T-shirt emblazoned with “We Are All Palestine Action,” referencing the direct-action network that targets arms factories supplying Israel.


The Open Crate: Meet the women protecting the Arab world’s artistic heritage

The Open Crate: Meet the women protecting the Arab world’s artistic heritage
Updated 07 July 2025
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The Open Crate: Meet the women protecting the Arab world’s artistic heritage

The Open Crate: Meet the women protecting the Arab world’s artistic heritage

BEIRUT: What’s the point of owning a beautiful collection — whether art or collectibles — if there’s no proper way to showcase or preserve it?

This question lies at the heart of The Open Crate, a platform designed to help collectors digitize and preserve their collections. Founded by art specialists Amina Debbiche and Nora Mansour, the company offers an inventory and archiving service that catalogs everything from fine art and furniture to watches, books, and pens.

“People know exactly which crypto they have in their portfolio. But when it comes to art, they don't even remember the name of the artist on the wall,” said Mansour, a Lebanese finance expert turned art curator.

Debbiche and Mansour noted the urgency of digitizing art catalogues — especially in the Arab world.

“The thing with art, especially in our region of the world, is that it’s mostly held in private hands,” said Debbiche, a Tunisian art aficionado.

The privatization of artwork in a region with hotspots of instability makes the act of documentation a deeply political one: a means of preserving the unspoken victims of war — art.

To explain this, Mansour gave Arab News a hypothetical example: think of a Palestinian family in Jerusalem whose house is looted — if their artwork is documented, there’s proof it existed. It’s a map of what you own.

“It’s like our child, you know — it’s like having a baby together,” Mansour joked.

The child they created, The Open Crate, boldly and indirectly addresses an unspoken issue that has long plagued the region. Like any child, it has the potential to grow and carve out a name that its ancestors, and future generations, can be proud of.

 


Pakistani films Nayab and Deemak win top honors at SCO Film Festival in China

Pakistani films Nayab and Deemak win top honors at SCO Film Festival in China
Updated 07 July 2025
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Pakistani films Nayab and Deemak win top honors at SCO Film Festival in China

Pakistani films Nayab and Deemak win top honors at SCO Film Festival in China
  • Nayab wins Jury Special Award, Deemak Best Editing Award at 2025 event
  • Pakistan’s film industry has seen a creative resurgence in recent years

ISLAMABAD: Two Pakistani films, Nayab and Deemak, have won major accolades at the Shanghai Cooperation Organization (SCO) Film Festival in China, state-run news agency APP reported on Monday. 

The festival showcased 27 films from SCO member states, including China, Russia, Pakistan, India, and Central Asian countries. Organized to foster regional cinematic exchange, the event featured screenings, industry forums, a film technology expo, and a gala concert, with awards presented in ten categories.

The SCO Film Festival first launched in 2018 and is a cultural initiative of the multilateral bloc to promote cooperation in cinema and the creative industries among member countries. 

“Pakistani film Nayab and Deemak received prestigious ‘Jury Special Award’ and ‘Best Editing Award’ respectively at the colorful concluding ceremony of SCO film festival held at Chongqing, China,” Associated Press of Pakistan reported.

Director of Pakistani movie, Nayab, Umair Nasir Ali (center) giving acceptance speech at the SCO Film Festival for the Jury Special award in China, in a picture shared by the director himself on social media on July 7, 2025. (Umair Nasir Ali/Instagram) 

Nayab, released in 2024, is a sports-drama centered on a young woman from Karachi, played by Yumna Zaidi, who aspires to become a professional cricketer despite intense family and societal opposition. The cast includes Fawad Khan, Javed Sheikh, and Adnan Siddiqui.

The film has previously won multiple awards, including Best Foreign Film and Best First-Time Filmmaker (Feature) at the World Film Festival in Cannes, and a Special Jury Diploma at the 30th Minsk International Film Festival.

“The cinema was packed, and what truly moved me was how deeply they engaged with the film,” Nayab’s director Umair Nasir Ali told APP after the film’s screen at the SCO festival. “They picked up on the layers, the emotional arcs and asked thoughtful, relevant questions that showed how closely they had followed the story.”

Deemak is a psychological horror film directed by Rafay Akbar Rashdi and starring Soniya Hussyn, Faysal Quraishi, Samina Peerzada, and Bushra Ansari. 

Screengrab of a reel showing director of Pakistani movie, Deemak, Rafay Akbar Rashdi (second left) receiving the best editing award for his movie Deemak at the SCO Film Festival held in China in a video shared on social media on July 7, 2025. (RafayRashidi/Instagram)

Set in an aging home haunted by unexplained phenomena, the film explores family tensions and mental trauma. It became Pakistan’s highest-grossing horror film when it released earlier this year, earning over Rs60 million [$211,173] in its opening week.

Pakistan’s film industry has seen a steady resurgence in recent years, with a new generation of filmmakers experimenting with genres from sports dramas to horror and social realism. 

Joyland (2022) became the first Pakistani feature to premiere at the Cannes Film Festival, where it won the Jury Prize in the Un Certain Regard section, and was later selected as Pakistan’s official entry to the Oscars. The country has also received two Academy Award wins in the documentary short category by filmmaker Sharmeen Obaid-Chinoy. 

Meanwhile, The Legend of Maula Jatt (2022) set new box office records, becoming Pakistan’s highest-grossing film to date and finding global audiences with its big-budget, Punjabi-language action storytelling.


Lena Mahfouf shows off vintage gown in Paris

Lena Mahfouf shows off vintage gown in Paris
Updated 07 July 2025
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Lena Mahfouf shows off vintage gown in Paris

Lena Mahfouf shows off vintage gown in Paris

DUBAI: French Algerian author and YouTube star Lena Mahfouf attended Le Bal d’Été at the Musée des Arts Décoratifs in Paris on Sunday in a vintage gown by Vivienne Westwood.

Other guests included Chanel ambassadors Keira Knightley, Kirsten Dunst, and Penélope Cruz.

Proceeds from the evening — an estimated $2 million — will go toward supporting the exhibition “1925–2025: One Hundred Years of Art Deco,” which opens on Oct. 22.

French Algerian author and YouTube star Lena Mahfouf attended Le Bal d’Été at the Musée des Arts Décoratifs in Paris on Sunday in a vintage gown by Vivienne Westwood. (Getty Images)

Sofia Coppola was the artistic director for this year’s edition of the ball and she told Vogue that she “wanted to keep the theme of a summer ball and bring the garden inside … and I approached it the same way I would a party scene in a movie.”

Legendary French hostess Countess Jacqueline de Ribes, who was captured in an iconic 1980s photograph, served as Coppola’s inspiration, with the director telling Vogue “I love the way hostesses did things then — big dresses, big flowers, color — while still being elegant and refined.

“I loved the idea of pale pink inspired by the Chanel archives — kind of Ginger Rogers — and I always loved Karl’s shirt dresses. I hope it feels personal, like a celebration of Paris and an occasion to dress up surrounded by beauty, art de vivre, and the great work of all the artisans who participated,” she added.

Sofia Coppola was the artistic director for this year’s edition of the ball. (Getty Images)

The event kicks off Paris Haute Couture Week, which this season will see provocative Georgian showman Demna take a final bow after 10 years at Balenciaga. The fashion week, which began on Monday, will also feature a debut for Maison Margiela's new chief creative.

Demna, known for his daring work as well as controversies during his decade-long stint at Kering-owned Balenciaga, will unveil his final collection on Wednesday in what is expected to be one of the highlights of the week.

Not to be confused with Paris Fashion Week, Haute Couture Week takes place exclusively in Paris - in January for spring-summer collections and July for autumn-winter.

It is a uniquely French event dedicated to handcrafted, one-of-a-kind creations made to wear at red carpets, galas, and other high-profile events.

As usual, Schiaparelli opened Couture Week, followed later in the day by shows from Iris Van Herpen as well as Lebanon’s Georges Hobeika, among other labels.