Hail a partner: Vienna ‘taxi dancers’ waltz in for ball season

Edgar Kogler, 49-year-old “taxi dancer,” dances with a partner during a dance ball at Hofburg palace in Vienna, Austria, on February 2, 2018. (AFP)
Updated 19 February 2018

Hail a partner: Vienna ‘taxi dancers’ waltz in for ball season

VIENNA: It’s her third Vienna ball of the season and Renate Drabek plans to dance until the small hours. Tango, waltz, rumba, boogie: her dance partner can’t say ‘no’ as she’s hired him for the evening.
Vienna’s famous ball season, which peaks in January and February, is where hard-headed business sense meets more than 100 years of tradition, whether it’s hiring someone to dance with, taking a crash course in waltzing or handing out promotional freebies.
Some 450 balls organized in the Austrian capital through the winter are expected to attract more than 500,000 revellers, mostly from Vienna, while about 55,000 of them are visitors from abroad.
All the while, thousands will earn their living in the flourishing sector, in hotels, restaurants, fashioning evening wear, hairdressing, floristry as well as the all-important ballroom orchestras.
Rono Alam is one of the season’s entrepreneurs: several times a week he’s a “taxi dancer,” accompanying female ball lovers who need a partner.
Fifty-something and impeccably dressed, Alam was formerly a keen participant in dance competitions and set up his own company around 10 years ago when he realized that “many women couldn’t find a partner to dance with.”
Working for a rival outfit, 49-year-old “taxi dancer” Edgar Kogler is the quintessential Viennese waltzer: trained in the capital’s dance schools and a youth spent opening some of its most famed balls.

A secondary schoolteacher by day, by night Kogler indulges his love of dancing, taking to the ballroom floor and carefully attuning himself to his partner’s level, tastes and conversation.
Drabek feels at ease with the dancers she “hires” for a cost of around 150 euros an evening several times during the season, ever since the death of her husband.
“I love dancing, it’s my sort of sport,” says the retiree, resplendent in a daring bustier gown.
“And I adore this atmosphere,” she says, pointing to the marble columns, chandeliers, bouquets of fresh flowers and majestic staircase at the Hofburg palace, former residence of the Habsburg emperors and one of the most sought-after ball venues.
Austria’s chamber of commerce expects ball guests to spend a record 139 million euros ($172 million) this season — eight million more than last year, or 275 euros more on average per guest.
Every ball has an entry charge, with greatly varying ticket prices that rise according to the evening’s prestige. Students pay 25 euros for a university ball held at the Hofburg, compared to 70 euros for a full-price guest.
“Some balls have become big business,” says Ronan Svabek, master of ceremonies at the most famous of them all, the Opera Ball, which took place on February 8 and where the cheapest ticket costs 290 euros.
The ball season can prove a useful way to wine and dine important business contacts, especially from abroad.
“In many business branches it is a perfect tool to get close contact to business people,” said the manager of a family-owned Austrian milling and farming company who declined to be named.
Although many of his business partners are local and are ball-goers anyway, he said he did invite certain colleagues who are keen hunters to the hunters’ ball.
These days, ball sponsors, along with press offices and product placement, are the norm.
Ball-goers at the “BonbonBall” (“Vienna’s Sweetest“) received samples and freebies from an array of biscuit, ice cream and confectionery makers.
But Svabek stresses that there are still “lots of small neighborhood balls, school balls, balls for co-workers” which all embody the essence of the Viennese institution of “gathering different people together in one place, who don’t know each other but who spend the evening together, they talk and they get to know each other, all through the sheer love of dance.”
The tradition originates in the 18th century, when the balls of the Habsburg royal court ceased to be reserved for the aristocracy alone. The Viennese began adopting court customs and ways for their own soirées.
Now there is a ball for every taste.
Hunters, café owners, florists, butchers, building caretakers, vegans, hip-hop lovers and fans of space exploration can all find a dedicated event.
Certain customs, however, unite them, such as a strict dress code, an imperial ambiance, a choreographed opening dance by young, hand-picked débutants or first-time ball attendees, a succession of dance styles and musical genres, all capped off with a midnight quadrille.
It is no longer de rigueur for attendees to have gone to a formal dance school, whose numbers in Vienna have dropped from 70 in 1998 to around 20.
Many prefer instead to take a few hours’ instruction when they can, or even a crash course in waltzing before the ball.
Though, cautions Svabek, they risk missing out on learning the finer points of Viennese manners, the key to being ball-ready.
“How to approach someone, how to get to know them, how far one should persevere, at what point one should accept,” he said, referring to ball etiquette.
“Useful rules for dancing but also in society, for our way of living together,” he says.


Veteran singer Majida El-Roumi’s first magazine cover sends ‘a love letter to Lebanon’

The renowned soprano’s Vogue Arabia cover her first magazine shoot in her 45-year-long career. (Getty)
Updated 24 min 20 sec ago

Veteran singer Majida El-Roumi’s first magazine cover sends ‘a love letter to Lebanon’

DUBAI: Life in Lebanon is tough, with economic struggles, political protests and a pandemic, no one can be in any doubt that anyone living there faces daily challenges.

But that hasn’t stopped legendary Lebanese singer Majida El-Roumi pushing a message of hope.

The renowned soprano, famous for her hits “Kalimat,” “Ana Am Behlam” and “Sahrit Eid,” is featured on this month’s Vogue Arabia cover – her first magazine shoot in her 45-year-long career.

“The artist’s role is more important than a politician,” the music sensation told the publication. “An artist should call for unity, independence, and freedom of his country. This is their true duty.”

“What I care about is to stand by my human brothers, live their pain, and wipe their tears. This is my true joy,” El-Roumi explained.

 
 
 
 
 
 
 
 
 
 
 
 
 

@voguearabia ・・・ Majida El Roumi is one of the most prolific icons of the Arab world, but prefers to focus on her mission rather than on awards and ovations. With her voice, she chants for the people. “The role of an artist is more important than a politician,” she tells us. “Artists should call for unity, independence, and freedom for their countrymen. This is their true duty.” Don’t miss our Love Letter to Lebanon issue, which focuses on supporting the creative and humanitarian communities affected during these post-revolution and Covid-19 times. Cover 2 of 2 #VogueArabia #VogueLovesLebanon #Lebanon لا يختلف اثنان على أن النجمة ماجدة الرومي تعدّ من ألمع أيقونات الفن العربي، وإلى جانب مكانتها الفنيّة، تركز أسطورة الغناء على نشر رسالتها الإنسانية أكثر من سعيها وراء نيل الجوائز والتكريمات. وبصوتها الشجي وأغانيها العذبة، تعبّر النجمة الكبيرة عن الناس بصدق. وترى ماجدة الرومي أن "دور الفنان أهم من دور السياسي، فالفنان يجب أن ينادي بوحدة وطنه واستقلاليته وحريته وهذا واجبه الحقيقي". احرصوا على اقتناء عددنا الجديد الذي نبعث من خلاله بـ"رسالة حبّ إلى لبنان"، كما ندعم المجتمعات الإبداعية والإنسانية التي تضررت بعد الثورة وكذلك بفعل جائحة فيروس كورونا المستجد "كوفيد-19". #ڤوغ_العربية #ڤوغ_تحتفي_بلبنان #لبنان @awadelroumi ‎ #magidaelroumi #magida #MajidaElRoumi #magida_el_roumi #vogue #lebanon #voguemagazine #ڤوغ_العربية #لبنان #ماجدة_الرومي #ڤوغ_تحتفي_بلبنان Editor in Chief: @mrarnaut | Photography: @sandra.chidiac | Style : @aminejreissaty | Makeup: @bassamfattouh | Hair: @joeraad @joeraadhc | Production: @marianawehbepr assisted by @marwadarazi (Lebanon), @beats.love.lipstick (Dubai) | Words: @nadineelchaer | Shot on location at La Residence des Pins

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When addressing the ongoing coronavirus pandemic, the singer said: “I advocate for Lebanon to exercise sovereignty, dignity, and prestige on its land, and I call for confederation. Why shouldn’t there be a United States of Lebanon?”

El-Roumi shared a video on Wednesday on Instagram to tease her 120,000 followers with the issue. In the clip, she was seen – in her glamorous dresses – walking down the aisles of Lebanon’s Résidence Des Pins, saying: “It is difficult to summarise Lebanon in a few words. I wondered: ‘What should I say to gather all my thoughts.’”

In an interview with Lebanon’s TV channel El-Jadeed, El-Roumi said: “This is the one of the best things I’ve done in my life.”

“Today Lebanon is going through a tough period, but that will not be the case tomorrow,” she added. “Life does not go in a straight line. There are ups and downs. We are in a ‘down’ now, but tomorrow we will be stand stand back up.”    

The star, who has been a UN FAO Goodwill Ambassador since 2001, wore royal-like dresses by international celebrity-loved Lebanese designers Goerges Hobeika and Zuhair Murad.

El-Roumi’s Hobeika dress was a coral-colored cascading chiffon gown and her Zuhair Murad dress was a white lace caftan with the country’s flag loosely attached at the shoulder.

Both designers took to their social media accounts to share pictures of the magazine cover, noting they were proud to be part of a project that honored their country.