Review: Kuwaisiana’s debut album playfully bends the rules

A heady sense of irreverence hangs over the debut album from Kuwaisiana, a US-based indie outfit led by Kuwaiti singer-songwriter +Aziz. (Photo suppled)
Updated 31 May 2018
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Review: Kuwaisiana’s debut album playfully bends the rules

DENVER: A heady sense of irreverence hangs over the debut album from Kuwaisiana, a US-based indie outfit led by Kuwaiti singer-songwriter +Aziz. The record’s wanton style-hopping and language-swapping has the sense not of willfully breaking the rules, but playfully bending them with a swagger and a smile.
It may be no coincidence the band was born in New Orleans, a notorious cultural melting pot strafing the Mississippi River and sitting at the end of the mythical Highway 61. Drawing fitfully from their surrounds, the septet’s sonics are bolstered by bursts of brass and the lilt of (apparently synthesized) accordion, conjuring a rootsy, Cajun vibe around +Aziz’s raw, DIY-rock approach.
At the best moments, a barn-storming, street-party abandon overcomes these slightly flat, self-produced recordings: The stonking gipsy-punk bedlam of “Gabba Barra” feels oddly reminiscent of Gogol Bordello, while “Nada” is a straight-up ska-punk strut. An irresistible chest-thumping, stop-start chorus lifts the monotonous bass riffing of “Gashxi” from the Louisiana swamps.
But there is a potent spice found amid this audio stew. Split into two “sides” — the first in Arabic, the second English — the lyrics on “Chapter 1” carry subtle weight as a reflection on the modern Arab experience, and potentially have an ambassadorial role to the band’s primarily American market. “My bloody valentine/In love with Palestine,” yells +Aziz over the sleazy funk-rock riffing and Stax-style horn stabs of “The Journalist.” Mingling the personal and political with similar potency, the Caribbean nod of closer “Say Yea” dwells almost comically on the efforts young Muslims face to win the approval of their lovers’ friends and families.
Crossing Muscle Shoals-soul with the inebriated sway of a sea shanty, the slower “Men in Power” serves as a lament of both national pride and patriarchal power, before exploding into a wild, headbanging singalong, complete with a yearningly epic outro of Springsteen-style proportions. And this will prove +Aziz’s greatest gift — the ability to channel his concerns into big, hooky choruses which feel instantly familiar, presenting the modern Arab-American experience with the inclusive theatrics of Middle American stadium rock.

Kuwaisiana's "Chapter 1" is available here

 


‘Game of Thrones’ seeks record in final Emmys battle

Updated 20 September 2019

‘Game of Thrones’ seeks record in final Emmys battle

  • ‘Game of Thrones’ has twice won 12 awards in a single season
  • ‘Game of Thrones’ was not just a critical hit but a sweeping cultural phenomenon

LOS ANGELES: “Game of Thrones” will seek to make Emmy history one final time Sunday when television’s best and brightest gather at a glamorous ceremony in Los Angeles to bid farewell to a number of long-running hit shows.
Despite its misfiring finale which divided fans, the fantasy epic about feuding families and flame-shooting dragons secured a whopping 32 nominations for this year’s Emmys — television’s version of the Oscars.
The most decorated fictional show in Emmys history, “Thrones” has twice won 12 awards in a single season.
It is well on its way to besting that record this year, with 10 awards already bagged in lesser categories at last week’s Creative Arts Emmys, including for the show’s blockbuster special effects and mock-medieval swords-and-bodices costumes.
It is the overwhelming favorite to add the top drama series prize to its haul on Sunday.
“All signs point to ‘Game of Thrones’ picking that up,” predicted Variety’s Michael Schneider.
“Even if fans weren’t necessarily loving that final season ... it doesn’t matter — if the voters love it, then that’s what’s going to win the Emmy,” he added.
The Television Academy’s 24,000-plus voters had two weeks in August to pick their favorites.
To get across the line Sunday, “Thrones” has 14 contenders across seven categories.
Serial winner Peter Dinklage is a front-runner for sharp-tongued dwarf Tyrion Lannister, as is Maisie Williams as princess-turned-assassin Arya Stark.
Emilia Clarke (Daenerys Targaryen) and Kit Harington (Jon Snow) are among the others in the running.
“Thrones” was not just a critical hit but a sweeping cultural phenomenon — more than 40 million tuned in to watch each episode of the final season.
Emmys organizers, who have copied the Oscars by eschewing a host this year, will hope that such wild popularity lifts the ceremony’s viewing figures.
All 10 “Thrones” acting nominees will serve as guest presenters — as will the likes of Gwyneth Paltrow, Ben Stiller and the Kardashians.
Further star power among the acting nominees will be provided by Oscar-winners Michael Douglas, Olivia Colman, Mahershala Ali and Patricia Arquette.
Amazon’s “The Marvelous Mrs.Maisel” and HBO’s “Chernobyl” have also emerged as powerhouse contenders.
“Mrs Maisel” — Amazon’s story of a 1950s housewife-turned-stand up comic — won the best comedy Emmy last year, and the second season is well-placed to add further prizes Sunday.
It is locked in a fierce showdown for the overall comedy gong with “Veep” and “Fleabag.”
Like “Thrones,” US political satire “Veep” is contending its final Emmys after a stellar run, including 17 statuettes.
The show won best comedy in 2015, 2016 and 2017, but took a forced hiatus last year as Julia Louis-Dreyfus battled breast cancer.
She would claim the standalone record for acting Emmys with a ninth win.
Another long-running popular show taking its final Emmys bow is “The Big Bang Theory,” the throwback sitcom about a group of geeky, young California scientists.
It earned only one nomination — for directing — but its creators are unlikely to mind after all 12 seasons were purchased by HBO Max streaming service this week for a reported $500 million.
In the limited series categories, “Chernobyl,” HBO’s drama about the 1986 nuclear disaster, won seven technical Emmys last weekend. It even inflicted a rare defeat on “Thrones” in production design.
But it may struggle to add to that tally on Sunday, when it competes with Netflix’s “When They See Us,” the searing true story of five men wrongly accused of raping a Central Park jogger, which has eight acting nominations.
In the variety sections, HBO’s political satire “Last Week Tonight” starring British comedian John Oliver is again front-runner, while NBC’s all-time leading Emmys winner “Saturday Night Live” remains formidable.
National Geographic’s “Free Solo” does not compete Sunday, but scooped an impressive seven Emmys last weekend.
The Oscar-winning documentary about a hair-raising, free solo climb of El Capitan in California’s Yosemite swept the non-fiction categories.