The hottest artists in the Arab world right now

Here are the leading artists (those with the most plays on the service since the start of the year) in various genres. (Shutterstock)
Updated 14 August 2018

The hottest artists in the Arab world right now

  • Here are the leading artists (those with the most plays on the service since the start of the year) in various genres

We asked regional digital music platform Anghami — which currently boasts around 70 million registered users across 180 countries — which artists have dominated 2018 so far in the region. Here are the leading artists (those with the most plays on the service since the start of the year) in various genres.

Egyptian pop: Amr Diab


No surprise to see Diab topping this list. The 56-year-old pop star has been wildly popular for decades. His fusion of Egyptian, Arab and Western beats has proved a hugely successful formula and his latest album, “Kol Hayati,” showed he’s lost none of his mainstream appeal.
Also hot: Elissa, Tamer Hosny, Assala Nasri, Sherine

Lebanese pop: Wael Kfoury


Twenty-five years on (and counting) from his first release, the “King of Romance” continues to wow audiences with his love songs. The 43-year-old’s most popular tracks this year include June’s release “Akhadet El Arara,” and singles from last year’s “W” album, “Sorna Solh” and “Halla Ta Fe2ti.”
Also hot: Ziad Bourji, Elissa, Adham Nabulsi, Nassif Zeytoun

Khaleeji pop: Hussain Al-Jassmi


The 38-year-old Emirati singer — like Diab and Kfoury — has long-dominated his respective genre and proves that, on Anghami at least, the old-school Arab pop crew reign supreme. His New Year’s Eve release, “Ahebak,” was a smash hit and he’s followed that up with a slew of singles this year.
Also hot: Majid Al-Mohandis, Abdel Majeed Abdallah, Essa Al-Marzoug, Rashed Al-Majed

International pop: Ed Sheeran


Even his much-derided ‘acting’ appearance on “Game of Thrones” apparently can’t derail the 27-year-old singer-songwriter’s domination of the global music industry. Last year, famously, 10 singles from his album “÷” hit the UK Top 10 and that popularity has clearly translated to the Middle East. He tops this list without having released anything new in 2018.
Also hot: Camilla Cabello, Taylor Swift, Shawn Mendes, Sia

International dance: The Chainsmokers


The US DJ-production duo’s cross-genre sound (incorporating elements of indie-pop and hip-hop, as well as dance music) dominated the Billboard charts in early 2018 with the release of their “Sick Boy” EP, and they have seen similar success in the Arab world this year, with five singles — particularly “Somebody” — driving their ascent to the top.
Also hot: David Guetta, Clean Bandit, Avicii, Alan Walker

International R&B and soul: The Weeknd


The acclaimed alt-R&B artist — real name Abel Makkonen Tesfaye — is one of the more interesting acts on this list; someone who has taken his genre into previously unexplored — often unsettling — territories, both musically and lyrically. His “My Dear Melancholy” EP, released in March, is a prime example. Tesfaye will likely remain at the top of the regional list this year, boosted by his upcoming performance at the Abu Dhabi Grand Prix in November.
Also hot: Chris Brown, Khalid, Akon, John Legend

International hip-hop: Drake


Like his fellow Canadian artist The Weeknd, Drake’s often-downbeat take on his genre has garnered both critical and commercial acclaim. This year’s double-album, the 25-track “Scorpion” — featuring collaborations with Nicki Minaj, Lil Wayne, Future and a posthumous contribution from Michael Jackson — broke numerous records for streams and sales.
Also hot: Post Malone, Eminem, XXXTentacion, Russ

Arabic hip-hop: Ahmed Mekky


The Egyptian actor and rapper has had a big year, starting with his nostalgic social-commentary track “Wa’fet Nasyt Zaman,” which tackled a number of topics including drug abuse, (mis)treatment of the elderly, and the influence of social media and mixed jazz, blues and traditional Egyptian music.
Also hot: Zap Tharwat, Flipperachi and Daffy, Klay, Sons of Yusuf

International indie: Lykke Li


The 32-year-old Swedish electropop artist dropped her fourth album, the trap-influenced “So Sad So Sexy,” in June, and it’s gone down well in the region, it seems. This always-inventive singular artist co-wrote the majority of the album with US singer-songwriter Ilsey Juber.
Also hot: M83, Cage the Elephant, Hurts, Sevdaliza

Arabic indie: Cairokee


The Egyptian rockers — who rose to international fame during the 2011 revolution — haven’t released anything new this year, but 2017’s “Noaata Beida” clearly continues to resonate with fans. There’s a clear Egyptian bias to the ‘Arabic indie’ list — indicative of the huge potential audience there, but also of the creativity raging in that country — with only Lebanon’s Mashrou’ Leila breaking Egyptian dominance of the top five bands.
Also hot: Sharmoofers, Mashrou’ Leila, MTM, Wust El Balad

Foreign-language Arab artists: Anthony Touma


The Lebanese singer’s sophomore album, “Ups and Downs,” released this summer has seen his popularity continue to grow in the region. Touma originally rose to fame on France’s version of “The Voice” and later collaborated with Enrique Iglesias on the French version of Iglesias’ “Let Me Be Your Lover.”
Also hot: Mayssa Karaa, Aman, Shébani, Lea Makhoul

Most popular artist overall: Elissa


Although she doesn’t rank first in any of the genres overall, the Lebanese star has accrued the most listens of any artist on Anghami’s platform over the course of the year so far, helped by the release of her eleventh studio album, “Ila Kol Elli Bihebbouni.” Her versatility — both her Lebanese and Egyptian tracks are extremely popular — means her success is split across those categories, so she didn’t actually top either.


‘The Sky is Pink’: Priyanka Chopra disappoints, Zaira Wasim shines

Farhan Akhtar and Priyanka Chopra Jonas star in the film. (AFP)
Updated 13 October 2019

‘The Sky is Pink’: Priyanka Chopra disappoints, Zaira Wasim shines

CHENNAI: Director Shonali Bose may well be termed the “mistress of misery.” Her characters, invariably women, have been suffering souls.

Whether it be in “Amu,” set in the aftermath of the 1984 anti-Sikh riots, or “Margarita with a Straw” and its story of a teenager with cerebral palsy, Bose’s protagonists have been largely unhappy.

Her latest feature, “The Sky is Pink” — unnecessarily long at 159 minutes — is based on the real-life tale of a girl who dies at an early age from complications arising out of an immune-deficiency illness. Aisha (Zaira Wasim) tells us not only her own sad story, but also that of her parents, Aditi (Priyanka Chopra Jonas) and Niren (Farhan Akhtar).

Priyanka Chopra Jonas and Farhan Akhtar attended "The Sky Is Pink" premiere during the 2019 Toronto International Film Festival. (AFP)

When Aditi falls pregnant, she has already lost a child to the disease, but religious compulsion pushes her to go ahead. Predictably, the baby girl, Aisha, develops the same problem. The parents, who live in New Delhi, rush her to London. Since they cannot afford the treatment, which involves a bone-marrow transplant, Niren broadcasts a plea from a radio station that raises a large amount of money.

But years later, the bubbly Aisha falls seriously ill, and the effect of her decline on her brother, Ishan (Rohit Saraf), and her parents makes up rest of the plot.

“The Sky is Pink” essentially explores the way marriages fall apart after a child gets sick. But Bose weaves into this storyline several distracting features, including Ishan’s budding love affair, which is rocked every time there is crisis in Aisha's life.

Bose’s film could be compared to Mehdi M. Barsaoui’s debut, “A Son.” Set in Tunisia in 2011 after the “Jasmine Revolution,” it also deals with a couple’s turmoil after their son is shot and wounded by a sniper. Barsaoui intelligently scripts how the couple crack under the pressure and their relationship begins to totter. There is not a single scene that is at odds with the plot.

In contrast, “The Sky is Pink” digresses into marital jealousy and a string of dramatically charged moments, diluting the core theme.

Akhtar, who is an excellent actor, seems out of sorts in this setting, while Chopra Jonas fails to convey a mother’s emotional pain and seems far too dolled up to adequately portray a character in torment. In fact, the only high point is the fine acting by Wasim.