Highlights: Next-gen designs from the Global Grad Show

The Global Grad Show at Dubai Design Week 2018. (Arab News)
Updated 19 November 2018

Highlights: Next-gen designs from the Global Grad Show

  • The Global Grad Show at Dubai Design Week showcased 150 innovative designs created by students from around the world
  • Designs ranged from high-tech solutions to simple objects

DUBAI: Highlights from the Global Grad Show at Dubai Design Week, which showcased 150 innovative and potentially life-changing designs created by students from around the world, ranging from high-tech scientific solutions to conceptually simple physical objects.

Ukranian designer Olga Zelenska says her work “focuses on simplicity, sustainability and aesthetics of design,” and “From Nowhere With Love” delivers on all three. It’s a set of biodegradable postcards, designed for “migrants and modern nomads” to allow them to take a piece of their homeland’s nature with them wherever they travel. The postcards contain seeds specific to the plant life of the country or area in which they are bought. Those seeds can then be planted wherever the buyer — or the recipient of the postcard — wishes. (We’re not sure they’re guaranteed to grow well, but you get the idea…)

Yara Ahmed Rady is a product design student at the German University in Cairo. Her GGS project “Dyslexia Learning Difficulty” is designed to help dyslexic children learn Arabic through a series of exercises that use conventional teaching techniques which Rady has transformed into educational games using digital technology and engaging all five senses, thereby, she wrote in her project description “offering alternative routes to literacy.”

One of the questions that GGS was attempting to answer this year was “How do we do more with less?” South Korean designer Yesul Jang, currently studying in Switzerland, came up with a product which addresses the needs of the ever-growing number of people living alone in small apartments or rented rooms in urban spaces. “Tiny Home Bed” is a raised bed with storage space — covered by a sliding fabric curtain allowing easier access than drawers — beneath. The frame is constructed of lightweight wood and is, Jang insists, “easy to construct.” Just as importantly, it’s not an eyesore.

After several years of working in the sportswear industry, London-based designer Jen Keane wanted to come up with a more sustainable way to make products. By combining digital and biological technology, she created a strong, lightweight, hybrid shoe that is made partly from bacteria. “I weave fibers into the shape and the bacteria grows around it,” Keane explained to Arab News. “It’s kind of a scaffold.” Keane added that she created the shoe in her kitchen at home. “I don’t have a lab,” she said. “I don’t have a [science] background. I learned how to do this by reading a lot, experimenting and talking to biologists. It’s totally doable.”

Sustainability also factored into Christian Hammer Juhl’s thinking when the Netherlands-based Danish designer was creating his inflatable furniture collection “10:01.” Made from dense foam material, the furniture can compress down to 10 percent of its original size (through a process similar to vacuum packing). So it’s not only ideal for modern transient lifestyles, but also means that transport from factory to retailer is more sustainable too.

Billed as “clothing that can save your life,” David Bursell’s “Tardigrade” is the jacket you’re going to want to be wearing when the zombie apocalypse hit. Or, you know, a more conventional kind of Armageddon (Bursell says it was “inspired by climate change and the increasingly extreme natural and social crises it will trigger”). “Tardigrade” can be transformed into a shelter, a shoulder bag, a hammock, and any number of other things. It’s detatchable pockets can be used to collect water and other material. A warning though: at the moment, the jacket aids survival for “three to seven days,” so you might want to invest in several if things get really bad.

“It’s flying lighting for urban safety,” designer Jiabao Li told Arab News about “Twinkle,” which she co-designed with fellow Harvard student Honghao Deng. Basically, flying drones clamp themselves to lampposts during the day to recharge their batteries, and at night they head to poorly lit neighborhoods. “They fly off to follow people around and provide sufficient lighting to guide their way. Like fireflies,” she explained. Both designers describe their creations as “living” creatures. “They’re curious animals,” said Deng. “We don’t think they should be owned. They should just be living around the place.” Li and Deng are currently talking to various governments trying to get permission for a trial run.

Developed by a team of students from the Art University of Isfahan, “Naji” is an ingenious product designed to provide assistance in times of severe flooding. In normal situations, the device — four rectangles constructed of ethylene vinyl acetate (“resilient and buoyant”) with holes in — forms part of the base of streetlights, and the designers claim it will fit into existing infrastructure without the need for additional construction. If an area floods, however, the device floats to the surface of the water and provides a place for people to sit safely in one of the squares, strap in and await rescue.

Another team project, this time from the Huazhong University of Science and Technology, “Acorn” is designed, according to the team’s statement “to be entirely beneficial to the environment.” Lead designer Zhang Liye told Arab News that the project is specifically intended for use in desert cities like those in the Gulf “because the soil lacks minerals and nutrition.” “Acorn” is an easy-to-assemble biodegradable plant base made from compressed crop waste that you simply bury in soil so that it can provide that missing nutrition to your plant.

A great example of how designers at GGS tackled another question: “How can technology make us more human?” In other words, how can we make life easier for people in tough situations? “Sahayak” is designed for porters working on railway platforms in India, who traditionally carry luggage on their heads, which can create several long-term health issues. “Sahayak” is a backpack that transfers the weight of their loads from their heads to their shoulders and protects the spine. “The design uses an inexpensive torsion spring to distribute the load throughout the backpack’s frame, reducing the load borne by the user’s head and neck by 75 percent,” designer Risbagh Singh claimed in his GGS statement.


UAE art fair brings together ancient and futuristic creative designs

Abu Dhabi Art is exhibiting more than 300 works of art by emerging and established talent. (Arab News)
Updated 20 min 48 sec ago

UAE art fair brings together ancient and futuristic creative designs

  • The 11th edition of Abu Dhabi Art boasts 50 leading regional and international galleries
  • Spread across the two main gallery halls, innovation, thought, and concept is explored through various artistic mediums

DUBAI: The world’s first robot artist, Ai-Da, was among the many attractions at a top Middle Eastern cultural event taking place in the UAE.

The 11th edition of Abu Dhabi Art, which runs until Nov. 23 at the capital’s Manarat Al-Saadiyat creative hub, boasts 50 leading regional and international galleries exhibiting more than 300 works of art by emerging and established talent.

Among a range of other activities taking place at the event are workshops, master classes (one of which will be led by Ai-Da), public talks and discussions looking into topical issues such as cultural identity, artistic talent from China, the rise of the Pacific region as a hotspot of contemporary art, and the multidimensionality of Islamic art.

Abu Dhabi Art runs until Nov. 23 at the capital’s Manarat Al-Saadiyat creative hub. (Arab News)

Spread across the two main gallery halls, innovation, thought, and concept is explored through various artistic mediums.

From Dubai, Ayyam Gallery has a solo presentation of vibrant works by the French-Tunisian calligraffiti artist eL Seed, who combines “the beauty of Arabic calligraphy with the roughness of graffiti.”

Meanwhile, the Lawrie Shabibi Gallery was showcasing paintings from the late 1950s onwards by Moroccan modernist Mohamed Melehi, known for his signature, retro-cool wave images.

Another popular exhibit was from Cuadro Fine Art Gallery, which showed Emirati artist Nasir Nasrallah’s bright neon artwork, reading in Arabic, “Visit me every year 365 times.”

Abu Dhabi Art is spread across the two main gallery halls. (Arab News)

From the wider region, Lebanese gallery owner and curator Salah Barakat of Agial Art Gallery introduced visitors to geometrical, steel sculptures by Anachar Basbous.

Jeddah’s Hafez Gallery was making its fourth appearance at the fair, bringing together a display of works by nearly 12 multidisciplinary artists from Saudi Arabia, Sudan, and Egypt.

Hailing from Tunisia, Elmarsa Gallery displayed figurative paintings bursting with expression and color, by the 20th century Algerian artist Baya Mahieddine, who was highly regarded by the likes of Pablo Picasso and Henri Matisse.

Beyond the gallery sections, the Abu Dhabi Art team had set up a number of special exhibitions. “New Horizons” looked into conceptual works created by Chinese and Indian artists, while “Gateway: Fragments, Yesterday and Today” explored archaeological artifacts of ceramics and musical instruments on loan from the Al Ain Museum.

Beyond the gallery sections, the Abu Dhabi Art team had set up a number of special exhibitions. (Arab News)

Alongside the historical items were works by contemporary artists, which exhibition curator Paolo Colombo said were aimed at examining “the ways in which everyday objects have survived long after the lives of individuals who shaped them, and how they have entered the language of a number of contemporary artists.”

Curated by Dr. Omar Kholeif – who was recently appointed senior curator of the Sharjah Art Foundation – the handpicked “Focus: Drawing, Tracing, Mapping” section was dedicated to understanding the medium of drawing in profound depth.

Kholeif said: “Here, drawing is not the simple act of applying graphite to paper, but rather, drawing is performance and social sculpture, as much as it is about the study, diagramming and impression of a portrayal. Here, drawings reveal hidden histories and contour realities. Drawing becomes a means to see the unseen.”

Among the eight participating galleries in the section was the Saudi Athr Gallery, with a solo booth of serene drawings of circles by the Saudi-Palestinian artist Dana Awartani. Created especially for the fair, the gallery said the works symbolized “acts of meditation and moments of contemplation as part of her (Awartani’s) daily rigor of being an artist, a method she frequently adopts to quiet the mind.”

Among the eight participating galleries in the section was the Saudi Athr Gallery. (Arab News)

A fair newcomer was the recently founded Al-Burda Endowment initiative, led by the country’s Ministry of Culture and Knowledge Development. For this presentation – on display at Manarat Al-Saadiyat until Feb. 8, 2020 – a group of 10 artists from around the world were chosen to create pieces that celebrated Islamic art with a contemporary touch. Through this experimental exhibition, visitors were treated to a memorable viewing experience, encountering fabric installations to virtual reality.

UAE social enterprise, 81 Designs, forged an artistic dialogue between eL Seed and Palestinian women artisans from Lebanon’s Ain Al-Hilweh refugee camp. Inspired by eL Seed, the women have reproduced some of his calligraphic artworks through a time-honored tradition of cross-stitch embroidery.

“The message we want to get across is that art brings happiness to people, especially the underprivileged,” 81 Designs’ co-founder Nesrine Maalouf told Arab News. “We would like to empower women and make them feel that they are contributing to the livelihood and the household.”