Egypt asks UK to halt auction of Tutankhamun sculpture

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In this file photograph taken on March 21, 2019, a sculpture depicting Tutankhamun is displayed during the exhibition 'Tutankhamun,Treasures of the Golden Pharaoh' at La Villette in Paris. (AFP)
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In this file photograph taken on March 21, 2019, statuettes are displayed during the exhibition 'Tutankhamun,Treasures of the Golden Pharaoh' at La Villette in Paris. (AFP)
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In this file photograph taken on March 21, 2019, a statuette of Tutankhamun is displayed during the exhibition 'Tutankhamun,Treasures of the Golden Pharaoh' at La Villette in Paris. (AFP)
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In this file photograph taken on March 21, 2019, a sculpture of ancient Egyptian deity Amun is displayed during the exhibition 'Tutankhamun,Treasures of the Golden Pharaoh' at La Villette in Paris. (AFP)
Updated 11 June 2019
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Egypt asks UK to halt auction of Tutankhamun sculpture

  • The statement said the antiquities ministry had requested the UN cultural agency UNESCO stop the sales

CAIRO: The Egyptian embassy in London requested that Britain prevent the planned sale by Christie’s of an ancient sculpture representing King Tutankhamun’s head and return it to Egypt, Cairo said.
“The Egyptian embassy in London requested the British foreign affairs ministry and the auction hall to stop the sale,” Egypt’s foreign ministry said.
Christie’s has announced that the brown quartzite head of the pharaoh — measuring 28.5 centimeters high and more than 3,000 years old — would take place on July 4.
It said it expected the sale, from the Resandro Collection — one of the world’s “most renowned private collections of Egyptian art” — to fetch more than four million pounds (4.5 million euros, $5.1 million).
The foreign ministry also requested the sale of all Egyptian items planned by Christie’s during auctions on July 3 and July 4 be stopped, stressing the importance of securing valid ownership certificates before the sale of these items.
The statement also said the antiquities ministry had requested the UN cultural agency UNESCO stop the sales.


Performance artist Marina Abramovic returns to native Belgrade for retrospective

Updated 21 September 2019

Performance artist Marina Abramovic returns to native Belgrade for retrospective

  • ‘You know for me it’s very emotional to be here, and it’s not easy, there’s lots of nostalgia, lots of memories that are forgotten’
  • Doling out advice for youth, the artist said: ‘It is very important to follow your heart, your ideas, without compromising’

BELGRADE: The boundary-pushing performance artist Marina Abramovic returned to Belgrade Saturday to inaugurate the final exhibition of a major touring retrospective, marking her first professional homecoming in nearly 50 years.
Dressed in black, the 72-year-old invited reporters to Belgrade’s Contemporary Art Museum at dawn for the “symbolic cleansing of her career.”
The retrospective, titled “The Cleaner,” exhibits more than 100 works from Abramovic’s past 50 years of provocative performances, many of which saw the artist put her own body on the line.
“You know for me it’s very emotional to be here, and it’s not easy, there’s lots of nostalgia, lots of memories that are forgotten,” she said of her return to the Serbian capital, a place she said shaped her outlook as an artist.
“I learned three things here: from my grandmother I learned spirituality … from my father I learned bravery, and from my mother willpower and discipline,” she said.
The exhibition, which has been touring Europe since 2017, features photo montages and video reels replaying many of Abramovic’s most daring works, including one where she laid out a table of 72 objects, among which figured scissors and a loaded gun, and invited spectators to use them on her “as desired.”
Another piece from 1997, titled Balkan Baroque, saw her sit and clean 1,000 beef bones while singing folk songs from her youth, earning her a Golden Lion award at the Venice Biennale.
Young Serbian artists also re-enacted some performances live on Saturday, including one in which a naked man and woman stand inside a doorway, forcing museum-goers to squeeze past their bodies.
Doling out advice for youth, the artist said: “It is very important to follow your heart, your ideas, without compromising.”
“To live for your art, which requires a lot of sacrifice,” she added.
At the start of the exhibition, Abramovic briefly sat down to re-enact a 2010 performance in New York named “The Artist is Present.”
That three-month-long piece saw her sit silently, without moving, for seven hours a day, six days a week, as visitors took turns sitting across her.
Asked if she would use her fame to bring more support to Serbian artists, Abramovic said:
“I am not a politician, but an artist, and I believe that this exhibit will show politicians that investing in culture will bring it to higher levels.”
The exhibit will be open in Belgrade until January 20, 2020.