Football star Neymar to cast in Netflix's 'La Casa De Papel'

The show, also known as “Money Heist,” is about a daring heist. (AFP)
Updated 30 August 2019
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Football star Neymar to cast in Netflix's 'La Casa De Papel'

DUBAI: The Brazilian football player Neymar, announced on social media that he will be staring in the hugely popular Spanish Netflix original “La Casa De Papel” on Wednesday.

Neymar, the Paris Saint-Germain striker, wrote to his 124 million Instagram followers, “I was able to realize my dream and be part of my favorite series, and now I can share Joao with you all! Thank you @lacasadepapel!”

Fans were able to find leaked footage from the show of Neymar, who plays the role of a monk.

 
 
 
 

 
 
 
 
 
 
 
 
 

. مقطع مسرب لـ نيمار في مسلسل #lacasadepapel . . A leaked footage of Neymar in #lacasadepapel

A post shared by kooorafacts (@kooorafacts) on

The show, also known as “Money Heist,” is about a daring heist.

Since its launch in May 2017, “La Casa de Papel” has become the most-watched non-English language series in Netflix’s history.

The Serbian actor Darko Peric, who plays the role of Helsinki, took to Instagram to welcome Neymar to the crew. He wrote, “We have a new kid in the gang. Welcome @neymarjr.”

In 2017, Neymar became the most expensive player in the world when he moved from Barcelona to PSG for €222 million (about $250 million).

This week, a Barcelona official involved in the negotiations with Paris Saint-Germain for Neymar said the Catalan club are “closer” to reaching a deal for the player’s return.

Javier Bordas told Spanish media on Tuesday there is no agreement yet with PSG but negotiations are ongoing.


Performance artist Marina Abramovic returns to native Belgrade for retrospective

Updated 21 September 2019

Performance artist Marina Abramovic returns to native Belgrade for retrospective

  • ‘You know for me it’s very emotional to be here, and it’s not easy, there’s lots of nostalgia, lots of memories that are forgotten’
  • Doling out advice for youth, the artist said: ‘It is very important to follow your heart, your ideas, without compromising’

BELGRADE: The boundary-pushing performance artist Marina Abramovic returned to Belgrade Saturday to inaugurate the final exhibition of a major touring retrospective, marking her first professional homecoming in nearly 50 years.
Dressed in black, the 72-year-old invited reporters to Belgrade’s Contemporary Art Museum at dawn for the “symbolic cleansing of her career.”
The retrospective, titled “The Cleaner,” exhibits more than 100 works from Abramovic’s past 50 years of provocative performances, many of which saw the artist put her own body on the line.
“You know for me it’s very emotional to be here, and it’s not easy, there’s lots of nostalgia, lots of memories that are forgotten,” she said of her return to the Serbian capital, a place she said shaped her outlook as an artist.
“I learned three things here: from my grandmother I learned spirituality … from my father I learned bravery, and from my mother willpower and discipline,” she said.
The exhibition, which has been touring Europe since 2017, features photo montages and video reels replaying many of Abramovic’s most daring works, including one where she laid out a table of 72 objects, among which figured scissors and a loaded gun, and invited spectators to use them on her “as desired.”
Another piece from 1997, titled Balkan Baroque, saw her sit and clean 1,000 beef bones while singing folk songs from her youth, earning her a Golden Lion award at the Venice Biennale.
Young Serbian artists also re-enacted some performances live on Saturday, including one in which a naked man and woman stand inside a doorway, forcing museum-goers to squeeze past their bodies.
Doling out advice for youth, the artist said: “It is very important to follow your heart, your ideas, without compromising.”
“To live for your art, which requires a lot of sacrifice,” she added.
At the start of the exhibition, Abramovic briefly sat down to re-enact a 2010 performance in New York named “The Artist is Present.”
That three-month-long piece saw her sit silently, without moving, for seven hours a day, six days a week, as visitors took turns sitting across her.
Asked if she would use her fame to bring more support to Serbian artists, Abramovic said:
“I am not a politician, but an artist, and I believe that this exhibit will show politicians that investing in culture will bring it to higher levels.”
The exhibit will be open in Belgrade until January 20, 2020.