What We Are Reading Today: Horror Stories: A Memoir by Liz Phair

Updated 14 October 2019

What We Are Reading Today: Horror Stories: A Memoir by Liz Phair

  • This is a brilliantly written and completely honest, intimate and endearing memoir

The two-time Grammy-nominated singer-songwriter behind the groundbreaking album Exile in Guyville traces her life and career in a genre-bending memoir in stories about the pivotal moments that haunt her.

Horror Stories “is a literary accomplishment that reads like the confessions of a friend. It gathers up all of our isolated shames and draws them out into the light, uniting us in our shared imperfection, our uncertainty and our cowardice, smashing the stigma of not being in control,” said a review published in goodreads.com. 

“But most importantly, the uncompromising precision and candor of Horror Stories transforms these deeply personal experiences into tales about each and every one of us,” it added.

“This is a brilliantly written and completely honest, intimate and endearing memoir. It is refreshing to read a memoir that is more than just facts; one that also shares the personal feelings; personal stories and moments; the courage and despair; the pain and reality that distinguish each of us and make us who we are,” said the review.

Phair’s album Exile in Guyville was chosen as one of Rolling Stone’s 500 Greatest Albums of All Time.


Lack of spirit leaves World War II saga hanging midway

Roland Emmerich’s just-opened “Midway” comes nowhere close to the 1950s and 1960s war adventures. (Supplied)
Updated 14 November 2019

Lack of spirit leaves World War II saga hanging midway

CHENNAI: Movies on World War II have delighted cinema audiences for years. Nobody can forget the daring Allied escape in the 1965 “Von Ryan’s Express” with Frank Sinatra and Trevor Howard driving a train through Nazi-occupied territory.

There were others in that decade and earlier such as David Lean’s “The Bridge on the River Kwai” about British prisoners of war building a railway in malaria-infested Burma (now Myanmar). These were great classics, but recent efforts have not been as memorable.

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Roland Emmerich’s just-opened “Midway” comes nowhere close to the 1950s and 1960s war adventures. Despite audiences still being thirsty for WWII sagas and a star-studded cast (Patrick Wilson, Woody Harrelson, Mandy Moore, Ed Skrein and Nick Jonas), the film is unmoving, mainly because of the shallow characters. If the dialogues are stiff, the dramatic potential – including the relationship among the men – appears to have been left midway.

The film begins with Japan’s December 1941 air attack on the US naval base in Pearl Harbor, Honolulu, which dragged America into the conflict, and the flick follows America’s revenge mission culminating in the June 1942 Battle of Midway.

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For the US, it was a victory against all odds giving them control of the Pacific’s Midway atoll. It was also a major triumph of human spirit, but the film does not quite capture it.

Most of the exploits relate to real-life fighter pilot Dick Best (Skrein), whose devil-may-care attitude earns him the title “cowboy.” His wife Ann (Moore), the only female character, urges him on but seems a washed-out figure. However, there is plenty of action in the air with dog fights, bombings and pilots ejecting from burning planes high above the ground.

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For fans of singer Jonas, his small but significant part may appeal. He is sailor Bruno Gaido whose spontaneous and heroic action during a Japanese raid earns him promotion.

“Midway” plays at three levels, including one about Japanese military officers, and was shot in Hawaii and Montreal with a lot of computer graphics thrown in. The camera work (Robby Baumgartner) is impressive, but somewhere the soul is missing, and the characters fail to come across as real people.

Despite this, the film opened atop the North American box office last weekend with a reported $17.5 million in ticket sales.