How Misk festival is enriching creative arts in Saudi Arabia

‘Flicker’ by Donia Al-Shetairy. (Supplied)
Updated 16 November 2019

How Misk festival is enriching creative arts in Saudi Arabia

  • Third edition of festival dedicated to the creative arts in KSA and abroad held in Riyadh
  • Misk Art presents a fair-like setup of local and international exhibitions, workshops and discussions

RIYADH: “We wish to open new horizons toward understanding the artistic aspects surrounding us and use them to enrich the local creative content as well as the Saudi art scene,” said Reem Sultan, CEO of Misk, referring to Misk Art, a festival dedicated to the creative arts in Saudi Arabia and abroad.

Misk Art presents a fair-like setup of local and international galleries, art exhibitions, workshops and talks with the aim to empower local artists and raise community awareness about the power of creativity.

Titled “Experiment 0.3,” the third edition of Misk Art focused on how the act of experimenting through critique and research empowers creativity and the local art scene.

From Oct. 29 to Nov. 2, about 50,000 visitors visited a temporary space on King Fahad Road in the Al-Yasmin district of Riyadh.

Here they viewed works by more than 250 artists showcased amid the initiative’s various sections, including an art district, numerous specially curated exhibitions, art installations and the North East Zone, an outdoor area where bold ideas can be tested.

Among the 15 participants in Misk Art 2019 were Jeddah-based Hafez Gallery and Athr Gallery; Mono Gallery from Riyadh; Egyptian Galler Misr; Riyadh-based Hewar Art Gallery; Ella Art Gallery from Manama, Bahrain; Palette Gallery from Riyadh; Jeddah-based Nesma Art Gallery; Sharqia Arts from Riyadh and 6th Sense Gallery, also from Riyadh.




Hamza Bounoua’s ‘My World 2’. (Supplied)

Misk Art is organized by the Misk Art Institute, a platform founded in 2017 to support art and artists operating under the auspices of Misk Foundation, established by Crown Prince Mohammed bin Salman.

Misk Art 2019 was comprised of four exhibitions and about 100 workshops. It also included the second edition of its Sculpture Symposium, which saw 21 works commissioned especially for the event by sculptors from 14 countries.

“Everything was chosen based on the event’s theme to showcase experimentation,” said Sultan. “We also formed committees of well-known artists that helped to select and filter the artworks, artists, workshops and exhibitions under our supervision.”

In one of the event’s principal installations, a multitude of dead trees covered in foil by artist Abdullah Alothman entitled “Tin Farm” (2019) explored notions of collectivity and individuality through the natural phenomena of trees.

“The Tin Farm consists of a myriad of diverse trees like many souls with frozen oxygen in their veins,” said Alothman. “I exhibit trees of tinfoil in order to enter a state of lucid dreaming and artistic fantasy where the branches of the trees extend to the sky.

“Similar to fingerprints — no two are alike — every tree, every branch, every strand of grass has its own unique murmur.”

“Through experimentation we discover possibilities; through experimenting you connect with your creative soul, your unique and authentic voice; explore different realms of art, venture into unfamiliar paths and break every rule!” read a statement on this year’s theme.

What was paramount, said Sultan, was “deepening the concept of research and experience in various fields of art.”

In “Land, Medium, Idea,” artist and curator Moath Alofi created three stations exploring land, material and thoughts.

“We created three rooms; one to show the audience how Google Maps allows us to explore Saudi Arabia and how through this tool the visitor can interact and find their own unique places in the Kingdom,” said Alofi.

“The second station explored the various materials from which art can be made and the third room is like a speed-dating station for art and thoughts — like a five-minute consultancy with the artist and with me.




‘Simple yet complex’ by Maisa Shaldan. (Supplied)

“It’s a place where visitors could ask questions, discuss and explore art creation.”

In another exhibition, entitled “Flow,” Saudi artists Fahad and Talal explored the work of late 20th-century artists Andy Warhol and Jean-Michel Basquiat through a jointly created artwork that bridged different styles and ultimately asked the question: Where does one artist begin and the other end?

Perhaps, as the work demonstrated, experimentation is continuous and part of an ever-evolving cycle of inspiration and exploration.

“Contrast in Harmony,” a show curated by artist Lulwa Al-Homoud, known for her contemporary calligraphic works, similarly explored how a visual expression of harmony can be achieved by simultaneously merging contrasting elements.

“A sense of peace can be generated even through our differences,” said Al-Homoud.

Participating artists included Hala Al-Khalifa; German artist Wolfang Stiller; Egyptian Hazem El-Mestikawy; Bahraini artist Jamal Abdulrahim; Ismail Al-Rifa from Syria and silkscreen prints of Victor Vasarely (1906-1997), known as the father of Optical Art.

“Soujorn,” an exhibition curated by Kolood Al-Bakr and Abdulsalam Al-Amiri, investigates the necessity of different experiences and knowledge throughout life.

“One can never acquire knowledge without an experience or form an idea without a dialogue,” said Al-Bakr.

A sense of peace can be generated even through our differences.

Lulwa Al-Homoud, artist

“One of the factors that contributes to the quality of human life is to go through different encounters and experiences that will eventually assist in improving human growth.”

Part of the exhibition was the installation “Did you capture it?,” by videographer Tarfa Bint Fahad with music by Weirdsaudi.

The video explored how our lives have been shaped by the Instagram images we consistently seek to take and how by doing so often miss the smaller, and at times, more important aspects of our daily lives.

“Did you capture it?” is dedicated to those moments that often go missing in the constant bubble of social media snapping. As Tarfa captures life’s little details, Weirdsaudi composes a score of music that similarly adds back the forgotten sounds of those moments into our daily lives.

Art at the Misk Global Forum Art was of pivotal importance during the Misk Global Forum, which was organized by the Misk Initiative Center at the Misk Foundation and took place from Nov. 12 to Nov. 14 in Riyadh under the title “Work Reworked”

It will explore new trends and changes in the world of work in the presence or more than 140 entrepreneurs and 5,000 people from more than 120 countries.

Entitled “Presence,” the first art installation, is in the form of an interactive experience presented by Misk Art Institute to explore how one’s presence, in body and soul, influences the way they perceive the world around them.

The second, entitled “Brace,” also offered an immersive digital experience by artist Abdul Halim Radwi, showcasing through large display screens covering the room the sensation of painting.

In December, Misk Art Institute will be participating in Diriya Season with an initiative called Tajallat.

Now in its fourth edition, Tajallat is an initiative where 20 artists from all over the Kingdom are invited to take part in a live-drawing show inspired by the historic Al Turaif District, listed as a UNESCO World Heritage site.

 


Meet OFFtrack, the Bahrain band bringing the noise

The band have only been playing together for a few months. (Supplied)
Updated 12 December 2019

Meet OFFtrack, the Bahrain band bringing the noise

  • The band consists of four members — Sharma (musical arrangement and synths), Sara Al-Saeed (vocals), Ali Shirawi (guitar), and Ryan James (bass)
  • OFFtrack recently performed at Sound and Fiction, a three-day conference and live music event in Bahrain

MANAMA: “Noise. Yes. I like noise,” says Sumit Sharma, songwriter and founder of OFFtrack, a recent addition to Bahrain’s independent music scene.

Although they’ve only been playing together for a few months, all four members — Sharma (musical arrangement and synths), Sara Al-Saeed (vocals), Ali Shirawi (guitar), and Ryan James (bass) — have been involved in the scene for a while. Sharma, for example, was previously part of the acclaimed Belly of Paris, who sadly disbanded at the end of 2016 as members moved away from Bahrain.

“We all loved Belly of Paris and didn’t anticipate that sudden end to it,” he tells Arab News. “Afterwards, I went into a limbo. I felt ‘What’s the point of doing anything when you have no control over the circumstances?’ I stayed (away) from the music scene, stopped going out for gigs… It took me some time to take control over things and convert that void into music. The worst and best part of being an artist is that you can’t derive pleasure from anything else but the work you create. It’s a love-hate relationship. I kind of hate it in some moments, but I can’t do without it.”

Hence the delay in bringing OFFtrack together. “I have been working on my music for some time,” says Sharma. “But I could never find the courage or, most importantly, the right members who could decode my vague instructions and understand the sound I’m trying to achieve.”

According to the band’s online blurb: “The music is inspired by (a) dystopian state of being in this disconnected world and (the) ongoing chaos it entails.”

Spotting my blank look, Sumit takes pity and explains: “The disconnected state we live in now is a recurring and underlying theme of the album we’re working on. We are so connected, and yet so disconnected — we have all this information at our disposal but we are still lost. The world tells you that you can be whoever you want to be, but we don’t really know who we are. We are being constantly dragged away from our basic form and we have no control over it.

“OFFtrack exists in that space too — sometimes challenges and shouts at it and sometimes echoes its reality,” he continues. “Art has become a mere form of entertainment, whereas it played a much bigger and deeper role in history and society. Artists are the timekeepers of every generation.” 

Of the band’s sound, he says: “I don’t think we fit into a genre. It’s noise, chaos, distortion, floating ideas. You can dive deep or stay buoyant — it depends how you react to it. I hope it has its own individual connection with people.” You can decide that for yourself when the debut album — on which the band are currently working — comes out.

OFFtrack recently performed at Sound and Fiction, a three-day conference and live music event in Bahrain organized by Museland, a record label and promotion company founded by Ali Al-Saeed, and in which Sharma himself is involved.

“When I took a sabbatical from music, I started noticing many things about the Bahrain music scene that I never acknowledged before,” says Sharma. “Sometimes you need to zoom out to see things clearly. So, I had this rough idea to create an alternate platform for music and to organize a music festival, which would represent Bahrain’s original talents. But I had no idea how to go about it. And then, out of nowhere, Ali got in touch and asked me to come on board. He established Museland almost a decade ago and stuck to his guns more than anyone I know. I hopped on board and we have some big plans for the coming year.”