Art as a catalyst for human connection in the MENA region

Art as a catalyst for human connection in the MENA region
Yasmine Berrada inside her gallery in Casablanca. (Photographed by Lamia Lahbabi)
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Updated 27 July 2020

Art as a catalyst for human connection in the MENA region

Art as a catalyst for human connection in the MENA region
  • Co-founder of Casablanca’s Loft Art Gallery Yasmine Berrada discusses how she adapted her gallery’s program during the pandemic

DUBAI: Located in the trendy Le Triangle district of Casablanca, a step inside Loft Art Gallery is akin to visiting a white cube art space in the Chelsea neighborhood of Manhattan, New York. That is exactly the experience sisters Myriem and Yasmine Berrada wanted to create when they opened the gallery in 2009. The largest and first white cube space dedicated to modern and contemporary art from Morocco and the African continent in Casablanca, Loft Art Gallery has, since its inception, played a pivotal role in the careers of some of the country’s most important artists, including Mohammed Melehi and Mohammed Hamidi. It has also shined a light on some of Morocco’s leading younger artists, including Amina Agueznay, Hicham Benohoud and Mohammed Lekleti.

In recent years, Loft Art Gallery has expanded its focus to Sub-Saharan African artists, such as Joana Choumali, winner of the Prix Pictet photography award and whose work is presently on view in the virtual exhibition “Hope.”

From its base in Morocco, a long-time strategic bridge between Europe, the Middle East and Sub-Saharan Africa, Loft Art Gallery aims to display the talent of its artists to new collectors and institutions across the world.




Joanna Choumali, ‘Ablutions,’ 2020. Embroidery and collage manual on digital photo printing on cotton canvas. (Supplied)

“I am first and foremost a Moroccan art gallery owner, but my gallery is open to the world,” Berrada told Arab News. “I want it to serve as the artistic bridge between Morocco and the rest of world while always maintaining a focus on Africa. My goal is to enhance cross-cultural dialogue through art for my artists, collectors, and curators.”

Morocco has long served as a historical crossroads for many cultures. The country has been home to Jews, Muslims, Berbers, Africans, Europeans and people across the Mediterranean.

“Moroccan artists are inspired by their homeland, but their artistic language is universal,” said Berrada. “The multiculturalism of Morocco endows the country with its cultural richness.”

It is exactly the country’s multicultural depth that Berrada seeks to convey both within the MENA region and internationally.




Portrait of Yasmine Berrada. Photographed by Lamia Lahbabi

“I want the gallery to be seen as a whole,” she told Arab News. “I want my gallery to serve as a platform for the stories that these artists tell through their work.”

Until the coronavirus disease (COVID-19) hit, the gallery participated in international art fairs, including Art Dubai, Art Paris, 1-54 Contemporary African Art Fair Marrakech and AKAA (Also Known As Africa), a fair dedicated to African art and design in Paris.

Loft Art Gallery regularly collaborates with international art institutions, including the Centre Pompidou in Paris, the Tate Modern in London, the Giverny Museum in France and the Haus der Kunst in Munich, among others. It also has a publishing arm known as Loft Edition, which publishes books and catalogues on modern and contemporary Moroccan art history.




By Mohamed Melehi. Supplied

“This is the first time that the entire world is suffering from the same malaise. The art world has really been hit. Until recently, all museums were closed. Fairs have been cancelled, and sales are down. We all need to work together during this time,” Berrada said.

“What has been crucial for me is maintaining strong partnerships with collectors and with my artists. It’s vital for humanity that we stay in close contact. Art has a big role to play. It connects people and, most importantly, different cultures. It offers hope and beauty at a time when we need it most.”

Loft Art Gallery is one of the first Moroccan galleries to digitalize. The gallery now has an e-commerce platform on its website where it sells art, a weekly newsletter and online viewing rooms. It has also partnered with Artsy, another channel through which it promotes its Moroccan and African artists to the world.




‘The Hole,’ Hicham Benohoud, 2015. Instagram/@loftartgallery

“This period hasn’t been easy,” said Berrada. “I made sure I was always in contact with our artists and that we continued to work on future programs. It was crucial that we continue to nourish our artists with hope through the planning of new projects and exhibitions.

“It was vital that our creativity did not stop, neither for us as a gallery nor for our artists. Creativity must continue. That is the only way forward.”

In October ,the gallery plans to host its first physical exhibition on textile works by contemporary Moroccan artists such as Amina Agueznay, alongside more traditional takes on the craft.


COVID-19 kills men’s fashion buzz in Milan

COVID-19 kills men’s fashion buzz in Milan
Updated 15 January 2021

COVID-19 kills men’s fashion buzz in Milan

COVID-19 kills men’s fashion buzz in Milan

MILAN: A year after the last COVID-free catwalk shows in Milan, men’s fashion week begins on Friday, but without the buzz of its traditional audience of buyers, bloggers, celebrities and media.

As the pandemic continues to upend Italy’s crucial luxury sector nearly 12 months after it first swept through the country, fashion houses have turned to technology to showcase their fall/winter 2021-22 collections.

Shows will be broadcast live on the fashion houses’ own websites or be replaced with pre-recorded presentations, short films and other artistic projects. Others such as Dolce & Gabbana have withdrawn entirely.

The four-day men’s fashion event takes place with infections rising in Italy’s Lombardy region with a return a full lockdown possible as early as the weekend.

Lombardy, whose capital is Milan, is one of five in Italy classified “orange” by the government, which means that stores and most schools are closed, while a curfew remains in force at night.

Among those opting for live shows to be broadcast by the fashion houses are Fendi, Etro and Kway.

Most other brands, however, including Ermenegildo Zegna, Tod’s, Prada and Church’s, have opted for pre-records – choices that allow for creative freedom but lack the immediacy and drama of live shows.

Dolce & Gabbana, which was originally scheduled to offer a traditional runway show on January 16, announced on Monday its decision to pull out entirely.

In view of COVID-19, it said, “the conditions essential to the realisation of our fashion show are not met.”

For the moment, no digital presentation is planned.