REVIEW: ‘Pieces’ — Abri and the Dreamfleet’s downbeat return

The group consist of vocalist Hamdan Al-Abri and musicia -producers Adriano K and Megadon Betamax. (Supplied)
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Updated 17 September 2020

REVIEW: ‘Pieces’ — Abri and the Dreamfleet’s downbeat return

DUBAI: Wheeled out to sing for, Quincy Jones and Herbie Hancock whenever they pass through Dubai, but far more often found howling pop covers on the UAE’s after-hours scene, Hamdan Al-Abri has long been regarded among the GCC’s most underutilized musical talents. 

But the Emirati vocalist broke a long original-recording hiatus in 2017 with Abri and the Dreamfleet, a lightning-bolt collab that pit the singer’s soulful delivery against smart, mellow productions by Dubai-based musician-producers Adriano K and Megadon Betamax. After landing fully formed with “We Fly,” the trio’s trail went a little cold, likely because Betamax relocated to Saudi Arabia.

This new constructed-via-broadband EP, appropriately titled “Pieces,” apparently picks up where we left them: At the end of the party, dialing a more subdued — borderline melancholic — brand of chilled, downtempo, electro-soul grooves. 

“Pieces” is their new constructed-via-broadband EP. (Supplied)

“Life is all so short/A second lost/Our lives are like a fading picture,” Abri sings on the opening title track over crestfallen synth chords, plaintive passive guitar and a relentless disco beat somewhere between the dancefloor and the kitchen drawer. “I would rather stay dead”, runs “Vindicate” — a portrait of a reluctant lover — over a lumbering processed bass-line. “I feel like I’m going nowhere,” echoes over mournful minor keys on “Midnight Drive”.

Only “Anotion” breaks with the numbing four-on-the-floor to embrace a more nuanced global beat – and a whiff of optimism – on the EP’s closest thing to a singalong. Uniformly mid-tempo, with minimal harmonic or dynamic variation, the tunes otherwise nod along discontently, neither upbeat enough for the club, nor layered enough to reward a deeper listen.

If only the Dreamfleet had swooped in sooner. It’s impossible not to make comparisons with Abri’s other 2020 release, the far more arresting “Mallam” — a trippy IDM EP in collaboration with Elie Afif, a jazz double-bassist who has apparently reinvented himself as a thrilling beatmaker in the thrall of Flying Lotus’ LA beat scene. The amount of sonic space covered in that record’s 21 minutes is a revelation next to the equal runtime of “Pieces,” which suffers in contrast. 

UK to return looted Sumerian artifact to Iraq

Updated 28 September 2020

UK to return looted Sumerian artifact to Iraq

  • Temple plaque found in online auction spotted by experts at British Museum
  • Thought to have been stolen from Tello in southern Iraq, site of ancient city of Girsu

LONDON: An ancient artifact that may have been looted before being smuggled to the UK is set to return to Iraq.

The item is a Sumerian temple plaque featuring the seated figure of a high priest or ruler, carved from limestone and dating from around 2400 BC.

It will be sent to Iraq, where it is thought to have originated, after it was spotted for sale and seized by police in 2019 following a tip off by experts at the British Museum in London.

The plaque will be put on display to the public for the next two months at the museum before its repatriation.

Prior to its discovery, no record of the plaque was found in any official record or museum inventory, lending credence to the theory that it may have been looted.

It bears physical resemblances to other Sumerian artifacts discovered at Girsu, one of the world’s oldest known settlements, at modern-day Tello in southern Iraq.

Girsu, originally excavated by French archaeologists from the late 19th century, has also been the focus of researchers from the British Museum in recent years. Even now, only a small part of the site has been successfully excavated.

The trade in stolen and smuggled items of huge value from the Middle East is lucrative, and a constant source of dialogue between the British Museum and international police forces hunting stolen goods.

“We’re used to coming across tablets, pots, metalwork, seals and figurines on the art market or in seizures that have been trafficked. But it’s really exceptional to see something of this quality,” said Dr. St. John Simpson, the museum’s senior curator.

“There are only about 50 examples of these known from ancient Mesopotamia. So that immediately places it on the high-rarity scale,” he added.

“We can be fairly sure that this object comes from the Sumerian heartland. That is the area that got very badly looted between the 1990s and 2003.”

Christopher Wren of TimeLine Auctions, where the plaque was spotted for sale by Simpson’s colleague Sebastien Rey, admitted that it was possible that it had been looted from Iraq. 

“The vendor, who had casually and innocently acquired it from a German arts fair some years ago, was horrified to hear this and immediately volunteered to renounce any claim to ownership and expressed the wish that it be returned to its place of origin,” Wren said.

“The piece is not documented as having been looted and is not listed on any database, so it did not show on the checks undertaken by us.”

Mohammad Jaafar Al-Sadr, Iraq’s ambassador to the UK, said: “We extend our gratitude to the British Museum staff for their efforts and cooperation with us.”