Bella Hadid stars in Mugler’s new film

Hadid has been a longtime muse for French label Mugler and just starred in a fashion film for the brand. Instagram
Hadid has been a longtime muse for French label Mugler and just starred in a fashion film for the brand. Instagram
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Updated 29 March 2021

Bella Hadid stars in Mugler’s new film

Hadid has been a longtime muse for French label Mugler and just starred in a fashion film for the brand. Instagram

DUBAI: Bella Hadid has been a longtime muse for French label Mugler. In addition to opening and closing the luxury maison’s fashion shows, the part-Palestinian model can almost always be found wearing vintage and custom Mugler ensembles.

In October, the brand’s artistic director Casey Cadwallader tapped the model to star in Mugler’s fashion film, an ambitious precursor to the Spring 2021 collection, which saw Hadid morph into a superhuman using CGI.

Now, Hadid and Cadwallader are back at it again, with the latter teasing the second iteration of the Spring 2021 fashion film starring the Palestinian-Dutch catwalker.

 
 
 
 

 
 
 
 
 
 
 
 
 
 
 

A post shared by Bella (@bellahadid)

“TEASER 2! MUGLER SS 2021 part 02 with my stunt queen @bellahadid 

The full film premieres Wednesday on IGTV,” wrote the artistic director on Instagram.

Hadid reposted the video and added: “Let’s go. New @muglerofficial coming in a few days. I love you @cadwallader.”

In the short clip posted on social media, Hadid can be seen wearing a pair of denim trousers and a bodysuit. The model stares at the camera intensely before pacing full speed and leaping in the air like a superhero.

The film, which was directed by creative agency Torso Solutions, will debut on April 3, 2021.

 
 
 
 

 
 
 
 
 
 
 
 
 
 
 

A post shared by Bella (@bellahadid)

Unlike in the first part of the film, which was created during the peak of confinement, Hadid does not appear as a CGI rendition of herself.

Aside from the new Mugler video, Hadid has been quite busy.

She recently starred in an ad for Michael Kors’ slim Bradshaw handbag. Hadid has been an ambassador for the luxury brand since appearing in her first Michael Kors fashion show in 2016.

The 24-year-old also shared some glamorous behind-the-scenes shots of her Vogue photoshoot this past week.

 
 
 
 

 
 
 
 
 
 
 
 
 
 
 

A post shared by Bella (@bellahadid)

In the behind-the-scenes footage shared with her 40 million Instagram followers, the IMG model can be seen posing atop one of the observation decks at Rockefeller Center in Manhattan wearing a red-sequin long-sleeved turtleneck gown with an exposed back. 

The shoot came just days after US label Marc Jacobs unveiled its latest eyewear collection for spring starring Hadid. The brand muse and model was lensed by photographer Stevie Dance in a series of playful portraits shot in her NYC hotel room.

 
 
 
 

 
 
 
 
 
 
 
 
 
 
 

A post shared by Bella(@bellahadid)


What We Are Buying Today: Taleed

What We Are Buying Today: Taleed
Updated 23 April 2021

What We Are Buying Today: Taleed

What We Are Buying Today: Taleed
  • Nada Hameed

Taleed is a Saudi brand of natural healing soaps. Its products are free of chemicals and harmful additives.
Inspired by a love of nature, Taleed is an Arabic name that means “inherited from ancestors,” which reflects the concept of the brand.
The company produces 30 soaps made of natural and organic ingredients including herbs, oils, petals, seeds, and grains that are free of artificial coloring.
Body soaps by Taleed are suitable for all skin types, as they are vegan-friendly and an ideal option for people with sensitive skin. 
They also can be used for the face and hair, and are safe for children and pregnant women.
Each soap has a specific natural element, and customers can pick soaps that suit them best. 
One of the most interesting options is the black musk soap, it has a powdery, musky natural note that will make you feel fresh and clean, removing unwanted bacteria on your skin.
Unlike other soaps on the market, the brand makes sure to apply pure glycerin that is free of alcohol, fragrances, or other chemical ingredients that could irritate sensitive skin.
Taleed offers delivery services for all regions of Saudi Arabia. For more information visit Instagram @_taleed.


What We Are Reading Today: First Steps by Jeremy DeSilva

What We Are Reading Today: First Steps by Jeremy DeSilva
Updated 54 min 32 sec ago

What We Are Reading Today: First Steps by Jeremy DeSilva

What We Are Reading Today: First Steps by Jeremy DeSilva

 

Jeremy DeSilva writes First Steps with a good sense of humor and a conversational tone.

First Steps examines how walking upright helped us rise above all over species on this planet.

“Moving from developmental psychology labs to ancient fossil sites throughout Africa and Eurasia, DeSilva brings to life our adventure walking on two legs. First Steps examines how walking upright helped us rise above all over species on this planet,” said a review in goodreads.com.

First Steps includes an eight-page color photo insert.

Rebecca Wragg Sykes said in a review for The New York Times: “DeSilva proposes that “our bipedalism is at the root of our uniqueness as a species, and the book is carefully structured, neatly braiding his own research with the wider narrative and history of human evolution.”

The review said that First Steps “is not just a big-picture chronicle. It’s full of very human, intimate details, in the past and present.”

The critic is the author of Kindred: Neanderthal Life, Love, Death and Art — a New York Times Notable Book in 2020.


New app reconstructs the ancient glory of Baalbak’s Roman ruins in Lebanon

New app reconstructs the ancient glory of Baalbak’s Roman ruins in Lebanon
Updated 22 April 2021

New app reconstructs the ancient glory of Baalbak’s Roman ruins in Lebanon

New app reconstructs the ancient glory of Baalbak’s Roman ruins in Lebanon

DUBAI: In 1898, an unlikely royal visit was made to the 10,000-year-old city of Baalbek, a jewel in the crown of Lebanon’s archeological history. As part of his grand tour of the Orient — an expedition that involved 100 coaches, 230 tents and 10 guides — the last emperor of Germany, Kaiser Wilhelm II, and his wife Augusta Victoria were awestruck by Baalbek’s famed Roman ruins. Although the Emperor spent just a few waking hours in the ‘City of the Sun’ — his last stop before heading back to Potsdam via the Port of Beirut – he was so captivated by what he witnessed that he decided to commission German expeditions to excavate the site.

“Baalbek Reborn: Temples” provides a 38-minute guided tour with an audio track available in English, Arabic, French and German. (Supplied)

Commemorating the centenary of the Kaiser’s consequential stay in Baalbek, a local museum was inaugurated in 1998 by the Lebanese General Department of Antiquities (DGA) and the German Archaeological Institute (DAI) to display a collection of pre-Hellenistic, Roman and Byzantine artifacts. The Lebanese-German cultural relationship continues to grow to this day. In fact, thanks to a collaboration between the DGA, the DAI and the US-based virtual-tourism company Flyover Zone, a new smartphone and tablet app has now been developed that lets users view Baalbek virtually.

Advanced and impressive as such ‘travel’ may be, however, the app’s project manager Henning Burwitz is aware that it is a very different experience to actually going somewhere. (Supplied

“Baalbek Reborn: Temples” allows you to see this UNESCO World Heritage Site — known as Heliopolis in Roman times — as it was in the past and as it is now. It provides a 38-minute guided tour with an audio track available in English, Arabic, French and German. It includes a map with 38 individual stops — some of which are inaccessible in reality — that can be ‘visited’ in panoramic, up-close, and satellite views. Highlights include the iconic six columns of the Temple of Jupiter and the Temple of Baachus, considered by experts as one of the world’s best-preserved examples of Roman-era temples.

The app, released in late March, is another example of how the COVID-19 pandemic has changed tourism and travel. Since global lockdowns began a year ago, there has been increasing interest in the use of advanced technology and virtual reality to allow people to explore the world.

Advanced and impressive as such ‘travel’ may be, however, the app’s project manager Henning Burwitz is aware that it is a very different experience to actually going somewhere.

In modern times, Baalbek has been a major artistic hotspot in the Arab region, hosting high-profile performers including Ella Fitzgerald, Miles Davis, Fayrouz and Umm Kulthum at the open-air Baalbeck International Festival. (Supplied)

“This was never intended to replace an actual visit,” Burwitz told Arab News. “To learn about a World Heritage Site in a book, in an app, is great. But to be there is a different thing. We (see) this as a way to encourage people to learn about it, to get people to go there, or to maybe even hear about it for the first time.”

Burwitz recalled the first time he laid eyes on Baalbek back in 2002: “When you go there once, you want come back a lot of times. The size and the impression it leaves on you… It is anything but modest.”

The graphics of “Baalbek Reborn” were originally based on 20th-century German archaeologist Theodore Wiegand’s book documenting his findings at Baalbek. (Supplied)

In modern times, Baalbek has been a major artistic hotspot in the Arab region, hosting high-profile performers including Ella Fitzgerald, Miles Davis, Fayrouz and Umm Kulthum at the open-air Baalbeck International Festival. During the 1950s and 1960s, Baalbek’s temples were prominently featured in tourism and aviation posters. So aside from its historical importance, what is it about Baalbek that creates such a lasting impression on people?

“The fact that Baalbek and its sites are still preserved as they are today, after the civil war, after a lot of bad (times) this beautiful country has seen, is due to the people,” Burwitz said. “They love their site and they do this because it’s their life, it’s their wellbeing.”

Time-traveling has always been the passion of American digital archaeologist and professor Bernard Frischer. (Supplied)

Time-traveling has always been the passion of American digital archaeologist and professor Bernard Frischer, who was involved in the development of the app. Through his company, Flyover Zone, his team has virtually recreated the entire city of Ancient Rome and upcoming plans include sites in Egypt and Mexico. “The cultural mission of what we’re doing — of bridging time and space — is to help bridge people and show people each other’s cultures, starting from when they’re children,” Frischer said. “We have to show young people that there are many great monuments around the world and we have to make them easily accessible.”

“Baalbek Reborn: Temples” includes a map with 38 individual stops — some of which are inaccessible in reality — that can be ‘visited’ in panoramic, up-close, and satellite views. (Supplied)

The graphics of “Baalbek Reborn” were originally based on 20th-century German archaeologist Theodore Wiegand’s book documenting his findings at Baalbek. A 3D-model was developed and minor details that make the research more scientifically viable and accurate were later added, along with touches that gave the images of Baalbek, captured via drone, a richer look and feel.

According to Burwitz and Frischer, the app has been positively received in the region and abroad, with around 9,000 downloads within a few days of its launch.

The project also supports a crowdfunding campaign to raise funds for the Lebanese non-governmental organization, Arc en Ciel. This initiative will offer restoration training for 100 artisans and workmen in Lebanon, in an effort to rehabilitate Beirut’s heritage homes damaged in the August port explosion.

A 3D-model was developed and minor details that make the research more scientifically viable and accurate were later added. (Supplied)

With the situation in Lebanon so desperate — with political turmoil, an economic meltdown, increased migration and the collective trauma caused by last year’s Beirut blast all exacerbating the issues caused by the ongoing pandemic — Burwitz and his team hope that this project, reconstructing a beloved architectural gem in remarkable detail, might provide the Lebanese people with something to smile about.

“We are all hoping for a light at the end of the tunnel and this might be the little torch trying to guide the people,” said Burwitz.

“We want them to feel that this is good news, which will make them happy and give them some hope,” added Frischer. “It should also give them a special sense of pride that they live in a country that was able to achieve the monumentality of a site like Baalbek.”


Saad Kamel’s daughter discusses late artist’s Egyptian folklore

Saad Kamel’s daughter discusses late artist’s Egyptian folklore
Updated 22 April 2021

Saad Kamel’s daughter discusses late artist’s Egyptian folklore

Saad Kamel’s daughter discusses late artist’s Egyptian folklore
  • The late artist’s daughter discusses the latest exhibition of her father’s work

LONDON: “My father enjoyed delving into Egyptian folklore. He studied folk tales and was intrigued by the painted motifs that adorned the walls of houses — including the murals painted by pilgrims upon their return from Mecca,” said Amany Kamel, daughter of the late contemporary Egyptian artist Saad Kamel, of an exhibition in Cairo last month featuring a rare collection of her father’s work.

“Folklore Tales” was held at Mashrabia Gallery of Fine Art, founded by Saad Kamel in the Eighties. It promised to take visitors on “a unique journey of fairy tales; the exciting world of Saad Kamel's imaginations, inspired by our Egyptian folklore heritage, enriched by his genius creativity, sensual details, and diverse, innovative techniques.”

“He used to travel across Egypt and collect these folk tales, drawings and myths that have been passed from one generation to the other, then reinterpret them using his own imagination,” said Amany, an architect and designer who co-manages the gallery with her brother, Ayman.

“Folklore Tales” was held at Mashrabia Gallery of Fine Art, founded by Saad Kamel in the Eighties. (Supplied)

Among the folkloric and historic figures incorporated by Saad Kamel into his work were the famed moulid sugar dolls, the 11th-century Arab leader and warrior Abu Zeid al-Hilali, and the pre-Islamic poet al-Zir Salem.

One epic narrative of which he was particularly fond was that of al-Shater Hassan, the humble fisherman who fell in love with a beautiful girl he saw daily at the seashore, whom he later realized was a princess. When the princess suddenly disappears, Hassan keeps going back to the seashore where they first met, until he stumbles upon one of her guards who asks Hassan to accompany him to the palace. There, Hassan finds out that the princess has fallen ill, and that the only cure was visiting the sea. He decides to take her out to sea, where they remain until she fully recovers. When the princess returns to the palace and expresses her wish to marry Hassan, the reluctant king sets Hassan the seemingly impossible task of procuring a huge diamond. Hassan grows hopelessly depressed, but one day discovers a diamond inside one of his freshly caught fish. Hassan is able to marry the princess, and the couple lives happily ever after.

Among the folkloric and historic figures incorporated by Saad Kamel into his work were the famed moulid sugar dolls, the 11th-century Arab leader and warrior Abu Zeid al-Hilali, and the pre-Islamic poet al-Zir Salem. (Supplied)

“He was infatuated with these examples of popular imagination and eventually amassed a huge collection of works traversing popular culture, as well as Islamic and Coptic heritage,” Amany said.

Beyond having manifold influences, Kamel was also a versatile artist, having mastered a number of printmaking techniques. He experimented with batik design, engraving, and painted kilim, among other methods.

“Some of his works are very rare,” Amany said. “There is only one copy of his depiction of Sitt al-hosn (the ‘lady of beauty’ whose hair hung down from the window of a tower) for example. As far as we know, he didn’t make any copies of it, and only he knew the technique [used], so there’s no way we could replicate it.”

There is only one copy of his depiction of  “Sitt al-hosn.” (Supplied)

It is this singularity of Kamel’s work — not just his technical experimentation but the fact that, among the current generation of Egyptian artists at least, national folklore is an uncommon theme — that continues to inspire Amany to celebrate her father’s legacy, including staging an exhibition of his work every year on his birthday.

“There is an entire generation of artists who are not familiar with Saad Kamel and his work. In that sense, it becomes important to remind them of his oeuvre, and perhaps encourage them to borrow some aspects of his work in their own art,” Amany said.

“My father’s dream was to disseminate art, and he specifically wanted to showcase Egyptian art to the world. That’s why he founded Mashrabia gallery back in the Eighties,” she continued. “So as his children, the least we can do is showcase and celebrate his own art in this gallery he founded.”


REVIEW: Riz Ahmed-starring ‘Sound of Metal’ makes all the right noises

REVIEW: Riz Ahmed-starring ‘Sound of Metal’ makes all the right noises
Updated 22 April 2021

REVIEW: Riz Ahmed-starring ‘Sound of Metal’ makes all the right noises

REVIEW: Riz Ahmed-starring ‘Sound of Metal’ makes all the right noises
  • Delayed Oscar-nominated drama proves worth waiting for

LONDON: In a peculiar twist of pandemic-related fate, it’s been almost two years since “Sound of Metal” premiered at the Toronto Film Festival — and two years of whisperings (from those lucky enough to have seen it) that director Darius Marder and star Riz Ahmed had made a film that was very special indeed.

Those rumblings were only heightened when the movie was nominated for six Oscars ahead of this month’s ceremony, and now, with Amazon Prime finally bringing the film to audiences around the world, it’s possible to say whether or not it lives up to the hype.

“Sound of Metal” premiered at the Toronto Film Festival. (Supplied)

It’s a resounding yes. Marder (co-writer of “The Place Beyond the Pines”) has made a movie that is sometimes abrasive, sometimes shocking, and sometimes heartwarming. At the center of these contradictory moods is Ahmed, who plays drummer Ruben Stone with a sense of practiced nihilism (yet rough-around-the-edges decency) upon which the whole story relies.

Ruben and his girlfriend Lou (Olivia Cooke) are a metal duo called Blackgammon. As they gig round the US in their RV, Ruben’s hearing suddenly drops out before a show. Worried that he might relapse (due to a history of addiction), Lou takes him to a deaf shelter run by Joe (Paul Raci), who tries to show Ruben that his outlook isn’t quite as catastrophic as he fears.

Marder and his sound team (who quite rightly received one of the movie’s six Oscar nods) put us right there with Ruben, as the audio flits from vibrant and busy to muffled and indistinct. It’s a discombobulating experience, but one that relies on Ahmed’s spectacular performance as a musician struggling to find any positives after his world changes overnight.

Ahmed (who learned sign language and drumming for the part) displays a sensitivity and an awareness that Ruben can only dream of at the start of the movie. He is utterly captivating as the beating heart of the film. Cooke and Raci deserve credit for the richness they bring to complex characters, but it is Ahmed who brings “Sound of Metal” to life — a movie that deserves all the plaudits surely heading its way.