‘I want to go global,’ says Palestinian designer Ihab Jiryis after Arab Fashion Week showing

‘I want to go global,’ says Palestinian designer Ihab Jiryis after Arab Fashion Week showing
Ihab Jiryis spoke to Arab News about his path to fashion design, as well as his dreams of going global. (Instagram)
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Updated 04 May 2021

‘I want to go global,’ says Palestinian designer Ihab Jiryis after Arab Fashion Week showing

‘I want to go global,’ says Palestinian designer Ihab Jiryis after Arab Fashion Week showing

DUBAI: Every designer has a story, but Palestinian talent Ihab Jiryis’s tale is rich in both passion and struggle — and his goals are as impressive as the hurdles he has overcome. 

Fresh off a successful show at the recent edition of Arab Fashion Week in Dubai, Jiryis spoke to Arab News about his path to fashion design, as well as his dreams of going global. 

The designer, who is based in northern Palestine, launched his label in 2010 after deciding this was his calling in life. 

“Ever since I was a child, I remember dreaming about being a fashion designer. To me the colors, the fabrics, the cuts, the shapes … this is my game in life, this is what attracts me. This is how I can express everything I am feeling or thinking, with visual concepts through what I design,” he said. 

“The sky is my limit,” said Jiryis, explaining that launching his own brand is not the only achievement he wants to secure. “My dreams are very big, and my personal and professional strategies have no limits. I know that with will and determination, people can reach wherever they want.”  

To that end, the designer is currently pursuing a PhD in fashion psychology. 

“I am researching the connection between the inside of us humans — what happens within us psychologically — and the outside, through clothing… how we can (convey the unsaid) through our clothes and what we wear,” he explained.

The designer added that the harsh reality of life in Palestine is what makes its creative talents so special. 

“The tough times or the scarcity that we live in creates bigger challenges for us and makes us, as designers, create more and express ourselves in artistic ways through which we can communicate with the world,” he said.

It is due to the hurdles he faces on a daily basis that Jiryis will not settle for anything less than “going global.”

“(I need) to be up to the standards that I have dreamed to reach,” he said, explaining that his benchmark for success is taking his brand beyond Palestine and the Middle East to the international market. 

Last month, Jiryis presented its Spring/Summer 2021 collection at Arab Fashion Week in Dubai.

The line included embroidered and feathered gowns that features thigh high slits, floor-length capes and royalty-worthy dresses in a striking color palette of deep black, elegant gold and powerful scarlet and cobalt tones. 




Last month, Jiryis presented its Spring/Summer 2021 collection at Arab Fashion Week in Dubai. (ihabjiryis.com)

 


Mohamed Hadid, Oscar-nominated Farah Nabulsi join hands for video on Jerusalem

Mohamed Hadid took part in the video. Here, he poses with daugher Gigi Hadid. (File/ AFP)
Mohamed Hadid took part in the video. Here, he poses with daugher Gigi Hadid. (File/ AFP)
Updated 15 May 2021

Mohamed Hadid, Oscar-nominated Farah Nabulsi join hands for video on Jerusalem

Mohamed Hadid took part in the video. Here, he poses with daugher Gigi Hadid. (File/ AFP)

DUBAI: Famous Palestinians have starred in a video expressing their love for the city of Jerusalem.

“Why do I love Jerusalem?” the opening sequence of the short video reads, in a message that is . translated into English, French, Russian and Spanish.

The monochrome clip features Mohamed Hadid, real estate mogul and father of models Gigi and Bella, as well as BAFTA-winning filmmaker Farah Nabulsi, whose short film was also nominated for an Oscar at this year’s Academy Awards, mountaineer Mostafa Salameh and actors Yasmine Al Massri and Eyas Younis, among other celebrities.

From its food, to its people, diversity and “the smell of the morning,” the figures all came together to reminisce about what makes Jerusalem so special.

“O Jerusalem, we love you!  Palestinian Personalities from around the world share their message of love and solidarity for Jerusalem. A message of Unity, love and hope for justice and peace for all. Seventeen Palestinians from different backgrounds get together in a simple message of love to Jerusalem. Actors, artists, musicians, chefs, journalists, sportswomen and men, unite their voices for the love of this historic city,” the caption of the video reads.


British star Sophie Turner shows support for refugees, women in conflict

 Actress Sophie Turner took to Instagram to show support for Women for Women International. (File/ AFP)
Actress Sophie Turner took to Instagram to show support for Women for Women International. (File/ AFP)
Updated 15 May 2021

British star Sophie Turner shows support for refugees, women in conflict

 Actress Sophie Turner took to Instagram to show support for Women for Women International. (File/ AFP)

DUBAI: British actress Sophie Turner took to Instagram this weekend to highlight a heartwarming story about Muslim refugees in Scotland and also took part in a virtual sale of her fashion items for an organization that supports women caught in conflict around the world on Saturday.

Turner, who shot to fame for her role on TV’s “Game of Thrones” and who is married to US pop sensation Joe Jonas, shared a post on Instagram Stories on Saturday that highlights an incident in Glasgow that has gone viral on social media.

Turner shared a post about a deportation attempt that had been foiled by hundreds of Glaswegians this weekend, who surrounded the van of immigration officials in a residential street on Thursday to stop the detention of a group of Muslim male refugees during Eid Al-Fitr.

“These are our neighbors, let them go,” the crowd of protesters shouted.

The actress shared a post about an incident in Glasgow, where a community rallied to support refugees. Instagram

On Thursday, Police Scotland issued a statement saying the men in the van had been released.

It said: “In order to protect the safety, public health and well-being of all people involved in the detention and subsequent protest in Kenmure Street, Pollokshields, today, Chief Superintendent Mark Sutherland, has, following a suitable risk assessment, taken the operational decision to release the men detained by UK Immigration Enforcement back into their community.”

Turner also took part in a virtual car boot sale this weekend, with proceeds from the event going to UK-based charity Women for Women International, for which Turner is an ambassador.

The organization supports women in conflict around the world and operates in Afghanistan, Bosnia and Herzegovina, Iraq, Kosovo and South Sudan, among other locations.

“As an ambassador for @womenforwomenuk I am proudly supporting their #VirtualCarBoot Sale, taking place this Saturday. Designers and fashion icons are emptying their wardrobes to donate items to raise money for women survivors of war. I will be joining them to sell three items too,” Turner wrote on Instagram before the event kicked off. The Hollywood star donated a suit by Annie Bing, a checkered romper by STAUD and a pair of Louis Vuitton slingback pumps.⁠⁠

The sale included more than 400 fashion and beauty items and experiences from such covete


Rare books shed light on history of the Arab world

Rare books shed light on history of the Arab world
Updated 14 May 2021

Rare books shed light on history of the Arab world

Rare books shed light on history of the Arab world
  • Regional highlights from the latest catalogue of rare book dealer Peter Harrington, which will be represented at the Abu Dhabi Book Fair later this month

A visual record of a Jeddah landmark

This “apparently unique” bespoke album contains 120 original photographs of Jeddah’s well-known Bayt Nassif, taken before its restoration in the early 1980s. The Saudi government purchased this historic landmark in 1975 and initially used as a library, but it is now a cultural center that hosts exhibitions and other events. King Faisal’s decision to rehabilitate the building “provided an enlightening and inspiring model for sustainability in historic areas,” according to a book cited in the Peter Harrington catalogue.

Located on the main street of Jeddah’s historic Al-Balad district, the house was built for the then-governor of Jeddah, Sheikh Umar Effendi Al-Nassif between 1872 and 1881 and is now, the catalogue states, “widely recognized as one of the most important surviving examples of Red Sea coralline limestone architecture.” The house was later used by King Abdulaziz bin Saud as his primary residence in the city until Khuzam Palace was constructed.

Until the 1920s, Bayt Nassif was also the site of the only tree in Jeddah’s old city — so the building is also known locally as The House of the Tree. That neem tree still survives and can be seen in images in this book.

Account of a 19th-century journey from Jeddah to Egypt

In 1819, Sir Miles Nightingall, commander-in-chief of Britain’s Bombay Army, was returning to England from India when their ship “Teignmouth” was grounded on a sandbank in the Gulf of Aden. Having got their boat moving again, Nightingall and his entourage — including Captain James Hanson, the author of this work — headed to Jeddah “where they were welcomed by the Turkish governor, newly installed following the restoration of Ottoman rule in Egypt. Having taken advice from Henry Salt, consul-general in Egypt, they decided on an overland route across the desert that would take in the ‘most interesting and marvelous ruins’ at Thebes.” Hanson’s book describes — and maps — their journey from Kosseir (now Quseer) on the Red Sea westwards inland to Kennah (Qena) on the Nile, just east of Dendera “passing ruined forts, ‘Hills having the appearance of Tombs’ and ‘Sterile Desert - not a blade of Vegetation.’”

Journals of a British naval officer in the Arabian Gulf 1928-51

This three-volume manuscript relate to Midshipman Francis Wyatt Rawson Larken’s service in the British Royal Navy in the early-to-mid 20th century, for part of which Larken was stationed in the Arabian Gulf around what the British then called the Trucial States, which later became the UAE. The books were unpublished at the time, and according to the catalogue, include “a compelling account of a visit to Dubai and an on-board reception for the Trucial Sheikhs.”  Those visitors would have included Sheikh Saeed bin Maktoum Al-Maktoum of Dubai, Sheikh Shakhbut bin Sultan Al-Nahyan of Abu Dhabi, and Sheikh Sultan bin Saqr Al-Qasimi of Sharjah, among others.

“There were some 8 or 10 of the higher cast (sic.) on board and these were taken round the ship by the Admiral and the Captain while their followers stayed on the Quarter Deck. … They all then congregated on the Quarter Deck where the band played. They then left in their respective barges — ornate and rather splendid motor dhows, the various Sheikhs receiving salutes — the number of guns ranging from 6 to 1 in ratio to their importance. They brought us gifts of Beef and Melon Jelly … and were sent away with Gold Flake Cigarettes and chocolate,” Larken writes. “Every man carries his broad curved belt knife — heavily set with worked silver — and the chief ones wore splendid ‘Bournous’ of gold work cloth. All were fine upstanding men very much like the Sheik of fiction.”

During his service, Larken also visited Aden, Muscat, Sohar, Sur, Khasab and Khor al-Jarama in modern Oman, as well as Dubai and the island of Sir Abu Nu’ayr in what is now the UAE.

British intelligence manual from the time of the ‘Arab Revolt’

This manual includes material from T.E. Lawrence (aka Lawrence of Arabia) and was produced by the British Arab Bureau as a guide to the “tribal and political organization, geography and passable routes in the region” at the time of the military uprising by Arab forces against the Ottoman Empire during World War I, led by Hussein bin Ali, the sherif of Makkah, backed by the British government. One of the “passable routes” that Lawrence himself gave information on was that from Madinah to Makkah.

This copy previously belonged to William Cochrane, deputy to Colonely Cyril Wilson, the British Agent at Jeddah. Among Cochrane’s duties was the organization of the Hajj for Muslims from British India, and he reportedly “took charge of the £125,000 in gold sovereigns that was brought to Jeddah each month by the Red Sea Patrol of the Royal Navy” — Hussein’s subsidy from the British for the uprising.

Eyewitness account of a Danish expedition to Arabia in the 1760s

An English translation of a two-volume account of the 1761-7 Danish expedition to the region — “the first great scientific expedition to the Middle East” — by the surveyor Carsten Niebuhr, the only member of that expedition to survive.

“The party left Copenhagen in early 1761, travelling via Constantinople to Alexandria and spending a year in Egypt, ascending the Nile and exploring Sinai. They then crossed from Suez to Jeddah and sailed down the Arabian coast to al-Luhayyah in Yemen, making frequent landfalls, before continuing overland to Sana’a via Mocha, with two members of the party dying en route. On returning to Mocha, the remaining four collapsed with fever and were put on a ship bound for Bombay, with only Niebuhr surviving the sea voyage.”

Niebuhr’s account of the trip, the catalogue says, “has long been considered one of the classic accounts of the geography, people, antiquities and archaeology of the Arabian Peninsula and wider Middle East, with maps which remained in use for over 100 years” and is “a singularly important account of the Gulf in this still-obscure period.”

A chronicle of traditional Arab seamanship

The full title of this work from 1940 is “Sons of Sinbad. An Account of Sailing with the Arabs in their Dhows, in the Red Sea, around the Coasts of Arabia, and to Zanzibar and Tanganyika; Pearling in the Persian Gulf; and the Life of the Shipmasters, the Mariners and Merchants of Kuwait.” As it suggests, the book — written by Australian adventurer Alan Villiers — is a comprehensive account of traditional seamanship, boat building and trade in the region at a time when those traditions were coming to an end with the discovery of oil. It includes dozens of illustrations from photographs and charts too.


In the line of fire: Angelina Jolie on ‘Those Who Wish Me Dead’

In the line of fire: Angelina Jolie on ‘Those Who Wish Me Dead’
Updated 14 May 2021

In the line of fire: Angelina Jolie on ‘Those Who Wish Me Dead’

In the line of fire: Angelina Jolie on ‘Those Who Wish Me Dead’
  • Angelina Jolie and co-stars discuss shooting Taylor Sheridan’s latest movie

DUBAI: It has been two decades since Angelina Jolie, one of the world’s top movie stars, began dedicating herself to helping the people of the world most in need, working with the UNHCR to visit refugee camps across the Middle East and the world.

As renowned as she is for her acting and directing, it is her humanitarian work that is closest to her heart, and through all the tumult that she has gone through in her life, it’s the one thing that has kept her grounded.

“We’re all connected,” Jolie tells Arab News. “A life in service of others makes us better. It makes us grow.”

Jolie’s latest film, “Those Who Wish Me Dead,” written and directed by Taylor Sheridan, may not, on its surface, mirror the mission that Jolie has been following for the most important decades of her life, but it shares those same themes.

“Those Who Wish Me Dead” is written and directed by Taylor Sheridan. (Supplied)

In it, she plays Hannah, an elite firefighter called a smokejumper based in the wooded hills of Montana in the northern United States who risks her life at the first sign of a forest fire by parachuting directly into the flames. She’s plagued by the memory of a group of young boys she wasn’t able to save from a fire years earlier. While camped out in the woods, she comes in contact with a young boy on the run from two hitmen, and by helping save the boy, she saves herself.

For Jolie, while the arc of the character is ultimately about the importance of selflessness, she had to keep first and foremost in her mind that Hannah was a troubled character who lacks the maternal instincts that Jolie herself, the mother of six children, has in spades.

“[At first], they are both struggling to be around each other. She doesn't actually hold him closer to her. But it's that interesting moment we see as he says, ‘Are you someone I can trust?’ I think in that moment, she has no idea who she is. If you're somebody that feels like you've failed in your life and you're in grief and somebody comes to you and says, ‘Are you somebody who can help me? Can I trust you? Can you be the person that protects me?’ You want to be, but you can't imagine you are,” says Jolie.

It’s no surprise that Hannah is so broken—after all, she has walked through the fire both literally and spiritually, over and over. While the title of the film seems to be a reference to the hitmen in pursuit of the young boy, Jolie interprets it as being about Hannah.

“It's funny, during filming we used to joke, after Hannah gets hit by lightning, what else can happen to her? It's like the universe is trying to kill her — it’s the universe that wishes her dead. I think most of us have felt that in life. You feel for a moment that you're just completely up against it and what more can be thrown at you or who else can attack? But yes, definitely, we grow stronger. We grow stronger if we survive it,” says Jolie.

While the phrase ‘what doesn’t kill you makes you stronger’ is oft repeated, for Jolie, the concept of what ‘stronger’ means needs to be more deeply interrogated.

“You go through the fire, but how do you come out the other end? Did you come out bitter, angry, broken, at a loss and overwhelmed? Or did you come out of it where your spirit got stronger, you confronted your fears, you protected others? And within that fire you found something that made you stronger,” says Jolie.

The fires were not only both literal and spiritual for her character; they were in fact a real part of the shoot. Director Taylor Sheridan avoided using computer-generated imagery to add to the film’s realism.

“He's amazing. He built a fake forest to light it on fire instead of using CG, because he wants to immerse his actors in what's going on and make them understand what the character's going through,” says Finn Little, who plays Connor, the young boy Hannah protects.

The realism extended past the flames. Through Sheridan’s films “Sicario,” “Hell or High Water” and “Wind River,” he has become his country’s premiere chronicler of rural America, with “Those Who Wish Me Dead” continuing that mission with a keen eye and a true heart.

That’s something that has kept actor Jon Bernthal, who plays a police officer named Harrison in the film, coming back to work with Sheridan, with whom he previously worked on “Sicario” and “Wind River.”

“I think Taylor Sheridan is a great American storyteller. He understands the West, he understands the wilderness and what it means to live off the land. If you look at all his films, there’s a richness and authenticity to them,” says Bernthal.


THE BREAKDOWN: Saudi artist Rashed Al-Shashai discusses conceptual artwork ‘Brand 14’

THE BREAKDOWN: Saudi artist Rashed Al-Shashai discusses conceptual artwork ‘Brand 14’
Updated 14 May 2021

THE BREAKDOWN: Saudi artist Rashed Al-Shashai discusses conceptual artwork ‘Brand 14’

THE BREAKDOWN: Saudi artist Rashed Al-Shashai discusses conceptual artwork ‘Brand 14’

DUBAI: The Saudi artist discusses his conceptual artwork, recently displayed at Art Dubai through Jeddah-based Hafez Gallery, fueled by the theme of modern day consumerism.

I come from an academic background; even though I loved art before academia. I grew up in a village and, at one point, my father was an art educator. From an early age, he gave me the confidence to make art and I used to design things in the house. I graduated with degrees in art in Makkah and I’ve been teaching art for around 20 years.

I’m one of those people that likes to think outside the box. I don’t like traditional art. In the past few years, I’ve leaned towards using art as a medium of expression, knowledge, enlightenment and an embodiment of things that affect our daily lives.

In the Gulf, we are living in a time of rapid development, which is due to the presence of oil and people’s need to have a better quality of life. This rapid change leads to changes in different aspects of life, including art. I always focus on change in its social and collective context. I’m always keen that my work is visually attractive and conceptually deep.

My ‘Brand’ series discusses how humanity has been cheapened in the face of global organizations and world economic trade. I’m not against organizations, but I’m against organizations taking advantage of people. A person has become cheap — like a second-or third-class citizen. It’s like you’re telling a person that you’re just a number in this organization. The problem isn’t the consumer; it’s these organizations that are brainwashing us. People have this stunning will to buy. They’re always working on this idea that you work to buy a new television; you work to buy a new car.

In “Brand 14,” I focused on the consumption of cleaning and decorating products as seen on supermarket shelves. The cases in the front are made of plastic, which were used as supermarket crates. I’ve used light in many of my works. As you can see here, I always place light in the background of the artwork and not in the front. Light isn’t there just to see the work, but it is a main component. I feel that light has a filtering that creates another story.