REVIEW: Yassin Adnan’s ‘Hot Maroc’ explores Marrakech, and the influence of the digital world on reality

REVIEW: Yassin Adnan’s ‘Hot Maroc’ explores Marrakech, and the influence of the digital world on reality
Yassin Adnan’s novel “Hot Maroc” was longlisted for the International Prize for Arabic Fiction in 2017. (Supplied)
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Updated 16 September 2021

REVIEW: Yassin Adnan’s ‘Hot Maroc’ explores Marrakech, and the influence of the digital world on reality

REVIEW: Yassin Adnan’s ‘Hot Maroc’ explores Marrakech, and the influence of the digital world on reality

CHICAGO: Longlisted for the International Prize for Arabic Fiction in 2017, and published in English for the first time in July this year, Yassin Adnan’s novel “Hot Maroc” is a glimpse into Marrakech, Morocco through the eyes Rahhal Laâouina, a university student desperate both for the degree that will allow his life to match the legend he has made of himself in his mind, and to make his father proud. While this contemporary story begins with Rahhal’s journey, it is also a tale of the generations since Morocco’s independence, university life, identity politics, protests, and the Internet. When Rahhal learns that he can control certain aspects of life using the latter, he becomes obsessed.

Rahhal, named after a martyr, sees his counterparts as animals and himself as a squirrel. It helps him make sense of the city around him. From Cadi Ayyad University in Marrakech, where he is studying for a degree in Arabic language and literature from the School of Humanities and Social Sciences, Rahhal can put aside his upbringing in the Ain itti neighborhood outside the city walls. He can join the National Union of Students in Morocco and can drown himself in a narrative that he lives in dreams but that plays out quite differently in real life. When he finds himself managing the Atlas Cubs Cyber Café, Rahhal revels in hiding behind his anonymity in the virtual world and pursuing outcomes he could never imagine in real life.

With Morocco’s rich history as a backdrop and set against a modern-day distrust among Marrakech’s residents of secret police, politicians, and each other, Adnan creates a space where a person’s identity and past can mean everything in the real world and nothing on the Internet. Online, every opinion, if it garners enough attention, matters, and Rahhal does not let opportunity pass him by. Adnan’s main character can steer the narrative to fit his liking, as long as he is careful.

Adnan introduces every character with a wit and ease, their eccentricities and most intimate desires laid out on the page. Each personality is carefully crafted to create an extraordinary stage of characters. Translated into English by Alexander E. Elinson, Adnan’s novel highlights the Red City’s modern and ancient stories, its heroes and villains, its takers and givers, creating a seamless line between its inhabitants and their city, paying homage to Marrakech and its bustling streets, resolute residents, and cyber avenues.


What We Are Reading Today: The Lessons of Tragedy

What We Are Reading Today: The Lessons of Tragedy
Updated 28 November 2021

What We Are Reading Today: The Lessons of Tragedy

What We Are Reading Today: The Lessons of Tragedy

Authors: Hal Brands and Charles Edel

Today, after more than seventy years of great‑power peace and a quarter‑century of unrivaled global leadership, Americans have lost their sense of tragedy. They have forgotten that the descent into violence and war has been all too common throughout human history. This amnesia has become most pronounced just as Americans and the global order they created are coming under graver threat than at any time in decades.
In this book, Hal Brands and Charles Edel argue that a tragic sensibility is necessary if America and its allies are to address the dangers that menace the international order today, according to a review on goodreads.com.


Jack Lang launches an Exhibition on Eastern Jews to ‘fix ignorance’

The show exhibits 280 works of art that bear witness to 15 centuries of Jewish cohabitation in the Arab world in a 1,000-square-meter space. (ANFR Photo/Anne Ilcinkas)
The show exhibits 280 works of art that bear witness to 15 centuries of Jewish cohabitation in the Arab world in a 1,000-square-meter space. (ANFR Photo/Anne Ilcinkas)
Updated 27 November 2021

Jack Lang launches an Exhibition on Eastern Jews to ‘fix ignorance’

The show exhibits 280 works of art that bear witness to 15 centuries of Jewish cohabitation in the Arab world in a 1,000-square-meter space. (ANFR Photo/Anne Ilcinkas)
  • The Parisian institution exhibits 280 works of art that bear witness to 15 centuries of Jewish cohabitation in the Arab world, in an area larger than 1,000 sq. m.
  • ‘This event is a response by reason, by culture, by knowledge, a response by history,’ says Arab World Institute president 

PARIS: After exhibitions titled “Hajj, the pilgrimage in Makkah” in 2014 and the “Christians of the East, 2,000 years of history” in 2017, the Arab World Institute in Paris is continuing its trilogy dedicated to monotheistic religions with “Jews of the East, a multi-millennial history.”

It exhibits 280 works of art that bear witness to 15 centuries of Jewish cohabitation in the Arab world in a 1,000-square-meter space.

“This institute would only truly find its vocation if it were open to all the spiritual and intellectual heritages that have marked the history of the Arab world,” IMA President Jack Lang said in a speech to the press a few days before the exhibition’s inauguration. It is set to take place from Nov. 24 to March 13, 2022.

The Parisian institution exhibits “exceptional and unpublished” work, which were made available by 35 lenders — institutions or individuals — bearing witness to 15 centuries of Jewish cohabitation in the Arab world, from the Atlas plateaus to the banks of the Euphrates.

“Was it normal that the Jews, their culture and the Jewish religion did not have their full place here?” IMA’s president asked.

He began to handle the issue two years ago, “shortly before the appearance of these movements, that are in reality very old but reappear regularly in France, of negationism, of hatred, of racism, of denouncing the truth, of confusion.”

He continued: “This event is a response by reason, by culture, by knowledge, a response by history.”

For French President Emmanuel Macron, this is a “great lesson” about “coexistence, mutual enrichment and exchanges between monotheisms.” 

He said: “Identity is always more complex than we think and rubs against other identities to feed on it,” while also denouncing the “obscurantisms” of recent times.

For the first time, Arab News en Francais has partnered up with the IMA for this exhibition. “We are very happy to work with you,” Lang rejoiced in an interview, evoking his “immense admiration for the work accomplished today in the Kingdom by Saudi authorities in general and by Prince Badr in particular.”

“People around the world have absolutely no idea how far a real cultural revolution is taking place in Saudi Arabia, in all fields such as art, cinema, theater, literature, painting, sculpture, music…,” continued the president, who will fly in a few days to Jeddah on the occasion of the Red Sea Film Festival, which promises to be a “huge event.”

He added: “I told Prince Badr, whom I met with 10 days ago: You are not broadcasting enough the magnitude of the cultural changes taking place in the Kingdom today.”

Among these Saudi sites “which one day will be more known” is the Khaybar oasis, represented by three photographs by Humberto da Silveira at the beginning of the exhibition “Jews of the East,” which retraces in a chronological and thematic journey, 15 centuries of Jewish presence in now Arab countries. The Khaybar oasis, located on a major caravan route in the Hejaz, was indeed occupied by Jewish tribes in ancient times, before the Prophet Muhammad made it the “land of Islam.”

“Today, there is a French team of archaeologists undertaking research on the spot to better understand this complex history of the Jews and the Muslims in this historic place, Khaybar, with the consent of Saudi authorities,” added the IMA president.

One of the pieces of the exhibition that most impressed Lang also comes from the Arabian Peninsula. 

He admitted having great difficulty in choosing just one, given the richness of the works exhibited: “Jewish women of Yemeni origin, who have now become Israeli citizens, have created a fabulous music group that travels the world. This relationship is extraordinary, because these Jewish Yemeni women sing in Arabic.” The three Haim sisters (Tair, Liron, and Tagel) with their group A-WA, have enjoyed phenomenal success on YouTube with their song “Habib Galbi,” which mixes traditional Yemeni songs with hip-hop beats.

The public will rediscover the “Hana Mash Hu Al-Yaman” clip at the conclusion of the exhibition, the last stage in a history spanning more than 2,000 years. It shows the history of Jewish communities in the Arab world, of the first links forged between the Jewish tribes of the Kingdom and Prophet Muhammad up to the final exile, the emergence of great scholars, such as Saadia Gaon, Maimonides or Joseph Caro, during the medieval caliphates in Baghdad, Fez, Cairo and Cordoba, and the rise of Jewish urban centers in the Maghreb and the Ottoman Empire.

“Never before has the history of the Jews been told in these countries which have become Arab countries today. It had never been told on a millennial scale, from ancient times until today,” said Lang, adding: “It is a way of repairing ignorance, of showing that the Arab world is rich in successive religions and cultures, which fashioned its originality.”

Asked about the apprehensions that this exhibition could arouse on the Palestinian side, the Lang explained that “the exhibition absolutely does not address the political questions of today.” 

“There are other occasions for the IMA to bring them up,” he said, referring to the upcoming publishing of a book titled “What Palestinians Bring to the World.”

Just like the general curator of the exhibition, historian Benjamin Stora, who said that “we would miss our target if we only spoke of the end, of the ‘why’ did the Jews depart,” Lang insists on showing that: “Above all, we want to show that the presence of Jews goes back a long way in history.”


The best dressed stars at the 2021 Cairo international Film Festival

The best dressed stars at the 2021 Cairo international Film Festival
Tara Emad posing on the red carpet at the event, running until Dec. 5 at the famed Opera House in Zamalek.AFP
Updated 27 November 2021

The best dressed stars at the 2021 Cairo international Film Festival

The best dressed stars at the 2021 Cairo international Film Festival

DUBAI: The 43rd edition of the Cairo International Film Festival (CIFF) kicked off in style on Friday evening with a plethora of glamorous A-list Arab celebrities walking the red carpet at the annual opening ceremony in Egypt.

Running until Dec. 5 at the famed Opera House in Zamalek, the Arab world’s longest-running film festival brought together a host of stars, including actors Tara Emad, Dorra Zarrouk and Salma Abudeif in addition to 68-year-old film icon Fifi Abdou, who were all dressed to the nines in up-and-coming as well as established regional designers.

Check out our pick of the best dressed stars at the 2021 Cairo International Film Festival below.

 

Tara Emad in Nicolas Jebran

Youssra in Rami Kadi

Bushra Rozza in Samah Mahran

Dorra Zarrouk in Zuhair Murad

Laila Eloui in Hany Elbehairy

Mona Zaki in Maram Bohran

Nelly Karim in Maison Yeya

Nour in Sandy Nour

Raya Abirached in Zuhair Murad

Salma Abu Deif in Rose Fabrics

Fifi Abdou


Past and future meet in UAE-based trio’s ‘Beyond: Emerging Artists’ display

Past and future meet in UAE-based trio’s ‘Beyond: Emerging Artists’ display
“Beyond: Emerging Artists,” a section of the now-wrapped up Abu Dhabi Art fair. Courtesy of Abu Dhabi Art
Updated 27 November 2021

Past and future meet in UAE-based trio’s ‘Beyond: Emerging Artists’ display

Past and future meet in UAE-based trio’s ‘Beyond: Emerging Artists’ display

DUBAI: Challenges of the future and painful reminders of the past are among themes explored by three UAE-based artists in an exhibition in Abu Dhabi’s Manarat Al-Saadiyat.

New commissions by Emirati artists Maitha Abdalla and Hashel Al-Lamki, along with American Christopher Benton, now based in Dubai, are included in “Beyond: Emerging Artists,” a section of the now-wrapped up Abu Dhabi Art fair.

Maitha Abdalla, Too Close to the Sun. Courtsey of Abu Dhabi Art

“Beyond: Emerging Artists” was curated by Sam Bardaouil and Till Fellrath and is running beyond the end of the fair until Dec. 4, 2021.

Bardaouil and Fellrath told Arab News that the three artists’ strong links with Abu Dhabi allowed them to examine the city’s history and diversity, as well as its challenges and opportunities.

The artists rely on media ranging from painting to sculpture, soundscapes, video works, found objects and site-specific installations.

Abdalla’s commissions are part of a series of works that “negotiates the wild nature of women that social forces have often attempted to tame,” according to the artist.


 

Hashem Al-Lamki, Neptune. Courtsey of Abu Dhabi Art


“In my work, I am interested in storytelling and folk tales, and for this exhibition I was inspired by the book ‘Women Who Run with the Wolves,’ by Clarissa Pinkola Estes, an American psychoanalyst. She talks about how in every woman there is a wild creature and that this creature is powerful. She calls it wild woman and says this creature is an endangered species,” Abdalla said.

Fair Director Dyala Nusseibeh told Arab News: “The work is amazing — from performances that revolve around notions of female wildness to sculptures and paintings that provoke discussion around what’s considered right and wrong behavior and thought in communities.”

Benton’s installation of a chained palm tree also fosters debate around labor economies and the appropriation of Middle Eastern culture in the US.

Christopher Joshua Benton, chained palm tree installation. Courtsey of Abu Dhabi Art

The artist’s film “The Kite Has Come” features archival images of Zanzibar from 1860-1910 — when the world’s last slave market operated in the city — and explores how slave histories in past centuries resonate in today’s world.

Meanwhile, Al-Lamki examines the rapid pace of change in the UAE, particularly evident in his hometown of Al-Ain.  

The artist, who founded the art group Bait 15 in a residential neighborhood in downtown Abu Dhabi, uses natural pigments collected from regional locations, referencing traditions that are under threat from new technologies and consumerism.

“The extravagance of the glitter and dyes in his paintings alongside the use of batteries, star stickers and popcorn in his sculpture, contribute to a sense of spectacle and futurism, but also a note of wistfulness for what is left behind,” Nusseibeh said.


US singer Nick Jonas to hit the stage at VidCon Abu Dhabi

US singer Nick Jonas to hit the stage at VidCon Abu Dhabi
The artist will perform live on Dec. 3. File/AFP
Updated 27 November 2021

US singer Nick Jonas to hit the stage at VidCon Abu Dhabi

US singer Nick Jonas to hit the stage at VidCon Abu Dhabi

DUBAI: US singer Nick Jonas is set to hit the stage at VidCon Abu Dhabi for a live performance on Dec. 3.

He will join a lineup including R&B singer Kehlani, who will perform at the three-day event taking place at the Abu Dhabi National Exhibitions Company (ADNEC) on Dec. 4.

The 29-year-old, who gained prominence as a member of the Jonas Brothers with his two older siblings, also has a fruitful solo career, giving us hits like “Jealous” and “Levels.”

VidCon Abu Dhabi was originally set to be held in March 2020, but was postponed due to the COVID-19 pandemic.

Other big names set to appear include Egyptian TV show host and comedian Bassem Youssef, Emirati influencers Khalid Al-Ameri and Salama Mohamed, Saudi YouTuber Naz and travel blogger Iknani, among others.