RIYADH: Saudi artists, academics and critics will take part in five discussion sessions as part of the Art Memento Exhibition being held at the National Museum in Riyadh until Nov. 6.
The dialogue sessions, organized by the Saudi Ministry of Culture, will focus on the history of visual arts in the Kingdom and the factors that influence artistic development, along with the role of what was previously known as the General Presidency of Youth Welfare in supporting art and artists over five decades.
The first of the dialogue sessions will be held on Monday under the title “The Journey of Art Collections from Youth Welfare to the Ministry of Culture.” Dr. Suzan Al-Yahya and Dr. Hanan Al-Ahmed will take part in this session as panelists, while Dr. Maha Al-Senan will be the facilitator.
The second session, “Towards a Better Organization of the Acquisition of Artworks,” will be held on Tuesday, with visual artists Mohammed Al-Saawi, Sara Al-Omran and Abdulrahman Al-Sulaiman as panelists and Hafsa Al-Khudairi as facilitator.
The third session will be held next Sunday under the title “The Features of Saudi Visual Arts from Modern to Contemporary,” and will feature Dr. Mohammed Al-Resayes, Dr. Eiman Elgibreen and Faisal Al-Khudaidi as panelists and Dr. Khulood Al-Bugami as facilitator.
“Fostering Arts and the Extent of their Cultural Impact on Society,” the fourth session, will be held next Tuesday, with Ehab Ellaban as panelist and Dr. Hanan Al-Hazza as facilitator.
The fifth and final session will take place on Nov. 2 under the title “The Journey of a Saudi Artist Between the Local and International Scenes.” It will feature Dr. Ahmed Mater, Bakr Shaikhoun and Maha Malluh as panelists and Dr. Noura Shuqair as facilitator.
The Art Memento Exhibition showcases artworks and paintings of Saudi artists over the past five decades, documenting the history of the Kingdom’s visual arts for public display.
Saudi artistic development is highlighted in terms of form, subject and ideas, while the exhibition also celebrates the efforts of leading artists and founders, preserves their history and presents their work to a new generation.
Clara Barbier Serrano performs arias taking audience on a special journey through European history
To be in this place in this Maraya concert hall was just incredible, because it’s beautiful; it’s so magical how we can bring this music to the whole world, and then people will somehow connect to it
Updated 10 min 50 sec ago
JEDDAH: The first recipient of the Andrea Bocelli Foundation-Community Jameel Scholarship, French soprano Clara Barbier Serrano, thrilled a Jeddah audience with her stunning performance on the Hayy Jameel stage on Jan. 22.
Serrano performed arias by composers such as Purcell, Handel, Mozart and Puccini, taking the Jeddawi audience on a special journey through European history from the 17th to the 20th centuries, via Italian opera, Mozart and finishing with French songs, accompanied by a pianist to complete a beautiful, intimate recital.
This event is considered the first classical music performance at Hayy Jameel.
In an exclusive interview at Hayy Jameel, Serrano told Arab News that she was lucky to receive the scholarship as it created chances for her, including the opportunity to perform next to Bocelli at different locations throughout the world.
“I had my first performance next to Bocelli after I received the Bocelli-Jameel scholarship, it is really always a pleasure to sing next to him,” she said.
“Now I feel more at ease when we’re on the stage together. I’m more relaxed than before because I know him a little bit. There is very nice energy that he gives on stage.”
The talented young singer performed the day before with Bocelli at one of the Kingdom’s prominent cultural destinations, the award-winning Maraya in AlUla.
“To be in this place in this Maraya concert hall was just incredible, because it’s beautiful; it’s so magical how we can bring this music to the whole world, and then people will somehow connect to it,” she said.
As a child, Serrano said that she did not know much about opera. “My family also didn’t listen to classical music, I was not particularly into it. I was listening more to jazz and things like that.”
Serrano’s journey into opera began 10 years ago when she was 16 years old. “I played the violin as a kid, and I took so many musical classes, singing in the choir, and playing the violin, I got more and more interested in the voice and then my teachers would tell me, you have a nice voice you should think solo, and that’s how I got interested in opera or more in lyrical singing.”
“At the time, I hadn’t seen many operas in my life. And it’s a very particular form of art actually. However, this interest in the voice just led me to practice this kind of singing,” she said.
Serrano said that when an opera is performed on stage a great narrative combination happens. “When we are on stage, it is like a story and a plot, it is like a theater piece being performed in a music style. The technique and the way we use our body to make the sound are very emotional. You have to take people with you in something very personal.”
Serrano received the Andrea Bocelli Foundation-Community Jameel Scholarship in 2020; she was rewarded with a two-year diploma in opera and a chance for her to be fully immersed in the opera world.
“I have been studying opera classical singing for six years, including my four years of bachelor in art and music in Germany, and now I am doing a special kind of postgraduate studies at the Royal College of Music in London,” she said.
Serrano performed with Bocelli in the 2020 “Believe in Christmas” concert at the Teatro Regio di Parma, at the annual Concerto di Natale in Assisi in 2020, and in 2021 at the Teatro di Silenzio in Bocelli’s Tuscan hometown of Lajatico.
The opera scholarship is open to students from around the world. Community Jameel, which supports the scholarship, and Art Jameel, which runs Hayy Jameel, are sister organizations founded by the Jameel family of Saudi Arabia.
The Andrea Bocelli Foundation and Community Jameel scholarship were established in 2019, with the aim of supporting up-and-coming singers to study opera at the Royal College of Music in London. The second Bocelli-Jameel Scholar was awarded to Egyptian talent Laura Mekhail in 2021.
Lebanese short film ‘Warsha’ premieres at Sundance Festival
Updated 24 January 2022
DUBAI: “Warsha,” a short film written and directed by Lebanese filmmaker Dania Bdeir, had its global premiere at the Sundance Film Festival.
The 15-minute-long film, which tells the story of a Syrian crane operator in Beirut named Mohamed (played by Lebanese singer Khamsa), is part of the annual festival’s online program until Jan. 30.
The film will be screened physically at the Clermont-Ferrand International Short Film Festival in France, which runs from Jan. 28 to Feb. 5, before it is set to make its Middle Eastern premiere later this year.
“Warsha” was also selected for the 2022 International Film Festival of Rotterdam.
DUBAI: The Syrian Arts and Culture Festival, a new multidisciplinary event showcasing the country’s creative talents, has opened in London.
The inaugural event, running until Feb. 4, brings together established and emerging artists, filmmakers, performers, and musicians to offer audiences alternative narratives and perspectives on Syria, its people, and its culture.
The SACF is a project by Zamakan, a non-profit platform that aims to create opportunities for artists, cultural workers, and creatives from West Asia and North Africa, and Marsm, a London-based events company.
SACF is a transliteration of the Arabic word saqf, meaning roof or ceiling, a word which is also used to represent the limit of something. According to the website, the festival, “aspires to be a creative platform where limits can be pushed and boundaries are broken.”
For the opening night, the festival presented two solo performances by the acclaimed Syrian classical guitarist Ayman Jarjour and and Palestinian ney (a type of flute) virtuoso Faris Ishaq.
Upcoming events feature screenings of Syrian filmmaker Omar Amiralay’s movies, a traditional food workshop, and a performance by Syrian musician Ibrahim Keivo.
LOS ANGELES: US actress Jessica Chastain’s “The 355” just hit theaters to mixed reviews and Arab News sat down with the star to hear more about the game-changing film.
In early 2018, Chastain pitched studios on a movie about an all-female team of spies — four years later, she’s starring in it.
Perhaps best known for her dramatic roles, the bombastic action of “The 355” is something of a departure for Chastain.
The story sees a team of spies from agencies around the world uniting to stop a dangerous enemy.
“It was never my intention even with making this film to be an action star or that kind of sarcastic one-liner character that you would see in all these genre movies,” the actress, who stars as spy Mace Brown, told Arab News. “I like playing all different kinds of parts as we see in ‘The Eyes Of Tammy Faye’ or in ‘Scenes From a Marriage’ and I just want to do everything.”
The film had a lacklustre showing at the American box office and with critics who cited a generic plot, flat characters and uninventive action. Chastain, however, believes the movie is being held to unfair standards.
“The industry tends to be more critical of a film that may be an ensemble of women or about a group of people that aren’t often celebrated by this industry,” she said.
“We’re living in a pandemic and there is no sense to anything that’s happening right now because people’s safety is the only thing that they care about. And we need to stop using the pandemic as a way to devalue the stories of others,” added Chastain.
Co-star Diane Kruger, who plays the role of spy Marie Schmidt, said her cast members helped her to overcome the physical and emotional stress of filming only six months after having a baby.
“It became exhilarating, week after week feeling I was able to kick higher, lift heavier just feeling my body coming back and becoming stronger again and taking control over myself again,” Kruger said. “It felt really empowering. It’s a little silly to say, but it did feel like this movie in a way helped me get back to me.”
‘I’m carried by passion’: Syrian actress Kinda Alloush says as she discusses upcoming projects
Updated 21 January 2022
DUBAI: It’s been five years since Kinda Alloush, one of the most popular actresses in the Arab world, decided to take a prolonged break for the first time in her career. She had dominated Syrian television in one decade and then Egyptian film and TV in the next, but Alloush had found, at the height of her fame, something that mattered more: The chance to start a family with her husband, Egyptian actor Amr Youssef.
Alloush, 39 and now the mother to a 3-year-old daughter named Hayat, has since returned to the screens both big and small, but while she is as popular as ever, the Syrian superstar is not the same person she was in the last phase of her acting journey. With each project she now takes, Alloush yearns for more, and she’s tired of playing it safe.
“For a long time, I played roles that were very similar to each other. I’m not sure why — maybe I fit a type. Maybe it’s my face,” Alloush, who has long played the ‘good girl’, tells Arab News.
“Now, I don't want to just add a new film to my archive, I don’t want to just say ‘I did a new movie, it’s so successful, I’m so happy.’ That’s not what I'm looking for. What I’m looking for is to learn. It’s about how to really make yourself richer on a human level, not just the acting level. I want to go back to my country and to feel that I am now a different person,” Alloush continues.
Each role that she has taken since her break from acting has pushed her in a different direction, stretching muscles — physical, mental, and spiritual — that she didn’t know she had. Currently, she’s filming “Yellow Bus” in Abu Dhabi, an OSN Original about an Indian girl who goes missing after falling asleep on a school bus, and her mother’s search to find out the truth. Alloush plays Mira, the missing girl’s school principal.
“I read maybe 10 pages of the script before I knew I had to be in this movie. It’s a human story that could have happened anywhere in the world. I assure you that if anyone watches this movie, they will feel the pain this family felt. And that is what happened to me; I felt the pain, I felt every detail written into this movie. And I felt that I wanted to be a part of this, no matter how busy my schedule was,” says Alloush.
The film also offers Alloush something none of her previous work has — the chance to act in a different language with a multi-cultural cast featuring Bollywood stars Tannishtha Chatterjee and Amit Sial along with an American director in Wendy Bednarz.
“It’s my first time acting in English. I’ve been doing this for more than 17 years in Syria and Egypt, but all my projects were in Arabic. I’ve spoken English for a long time, but it’s different to act in English rather than to just speak it. You need to be so real. I need to make you believe me, to make you feel what I’m feeling. And pushing myself to do that, opposite these amazing actors from different backgrounds and different styles, makes it such a rich and challenging experience,” says Alloush.
And with Mira, Alloush is finally playing against type, abandoning her ‘good girl’ persona.
“Mira is really different. She’s a bit controversial. You can’t really put your finger on her. You need to finish the movie before you have a full view of her many layers. At the beginning, you’ll wonder, ‘Why did she react like this? Why did she do that?’ And your curiosity pays off as you learn more about her story. She’s so unlike anyone I’ve ever inhabited.”
Alloush, who already boasts 10 million followers on Instagram, will also soon be introduced to a wider audience than ever before when she stars in the upcoming Netflix original film “The Swimmers,” based on the real-life story of Sara and Yusra Mardini, the famed Syrian refugees-turned-Olympians. The film was written by BAFTA-winner Jack Thorne and directed by Egyptian filmmaker Sally El-Hosaini.
“‘The Swimmers’ is so interesting, because every bit of it is true to life, with all the characters still living, including these two famous swimmers. Although my character is pure Syrian, working with German actor Matthias Schweighöfer, Ali Suliman from Palestine, and Ahmed Malek from Egypt also brought a real multicultural spirit to the project, which made for a rich experience as well,” says Alloush.
While Alloush moved to Egypt just as the Syrian civil war began, the actress has devoted much of her free time to the refugee cause ever since, becoming a ‘High Profile Supporter’ of the United Nations High Commissioner for Refugees. In another upcoming film, entitled “Nuzooh” (Displacement), Alloush will tackle the country’s trauma from the civil war, giving perhaps the most harrowing experience of her career.
“It’s about a Syrian family, and it’s a very difficult, sensitive subject. We filmed it in Turkey,” she says. “While I’m from Syria, I didn’t live through the war in Syria. With this movie that I’ve just finished, I felt like I was living the war in every small detail. It was a really difficult experience unlike any I’ve had.”
While Alloush is testing her limits as an actor, she’s also never been more fulfilled by her craft.
“I’m collecting experiences. When I enter a new project, I feel like I am empty, and I want to fill myself in some way — to learn, to hear, to talk to people from a different culture,” she says. “I’m carried by passion. Maybe other people have a different approach, but for me, it’s about love. I want this to make me richer on a human level. And it is working.”
With each of her three upcoming movies, she hopes that audiences can take away just as much as she did.
“With a great movie, you feel that you traveled to another civilization. With this craft, I can take you there. I can open your eyes to a new horizon, a new space, and new stories that you've never heard about, and people that you've never met,” says Alloush. “Each of these (films) can do that, I believe.”