Andy Murray wins five-set epic on return to Australian Open

Andy Murray wins five-set epic on return to Australian Open
Andy Murray, ranked 113 and playing as a tournament wild card, showed his trademark fighting spirit to edge home in the gripping final set. (Reuters)
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Updated 18 January 2022

Andy Murray wins five-set epic on return to Australian Open

Andy Murray wins five-set epic on return to Australian Open
  • The three-time Grand Slam champion is playing with a metal hip following career-saving surgery in 2019
  • ‘It’s amazing to be back and winning a five-set battle like that, I couldn’t ask for any more’

MELBOURNE: Andy Murray battled to his first win at the Australian Open since 2017 with an epic five-set victory over 21st seed Nikoloz Basilashvili on Tuesday.
The three-time Grand Slam champion, playing with a metal hip following career-saving surgery in 2019, wrestled with the Georgian for almost four hours before claiming his place in the second round.
Scotland’s Murray, ranked 113 and playing as a tournament wild card, showed his trademark fighting spirit to edge home in the gripping final set and clinch a 6-1, 3-6, 6-4, 6-7 (5/7), 6-4 victory in 3 hours and 52 minutes on John Cain Arena.
It comes after his tearful exit from the 2019 Melbourne event with the hip injury which raised the possibility of his imminent retirement from tennis, before he went ahead with surgery just weeks later.
“Amazing, been a tough three or four years. Put in a lot work to get back here,” a relieved Murray, 34, said on court.
“I’ve played on this court many times and the atmosphere is incredible.
“It’s amazing to be back and winning a five-set battle like that, I couldn’t ask for any more.”
It continued a keen rivalry between the pair with Murray rallying from a set down to defeat the big-hitting Georgian last week in Sydney and also prevailing over four sets in the first round at Wimbledon last year.


The French connection: Louvre opens exhibition of artefacts from Byblos

The French connection: Louvre opens exhibition of artefacts from Byblos
Updated 21 min 46 sec ago

The French connection: Louvre opens exhibition of artefacts from Byblos

The French connection: Louvre opens exhibition of artefacts from Byblos

PARIS: A new exhibition at Paris’ Louvre Museum illustrates the longstanding cultural relationship between France and Lebanon.

“Byblos et le Louvre,” which runs until Sept. 11, is a unique display of archaeological artifacts from the Lebanese seaport town of Byblos (also known as Jbeil), one of the world’s oldest continuously inhabited cities. 

Visitors will find ceramic jars, small figurines, cuneiform tablets, and ancient weapons on display, some of which are thousands of years old. Despite their age, many of the items are in remarkably good condition. 

Ensemble figurines votives, Byblos Musée du Louvre, Raphaël Chipault. (Supplied)

“What is amazing is the pottery, which looks like it’s been made yesterday,” Tania Zaven, an archaeologist of Lebanon’s Directorate General of Antiquities, told Arab News. 

For Louvre archaeologist Julien Chanteau, who was on site during recent excavations, Byblos is a hugely significant site with a lot of stories to tell. 

“It’s a very small site, maybe six hectares. But you can read all the history of mankind there, from the Neolithic period until today,” Chanteau said. “Byblos is like a book. 

Byblos et le Louvre. (Supplied)

“You have all cultures and civilizations: The Egyptians, the Canaanites, the Phoenicians, the Romans, the Greeks, and the Arabs have all left traces on this site,” he continued. “It’s very impressive for an archeologist to have such an amount of information. It’s like a chronicle of humanity.” 

Under Napoleon III, the first French-led excavations in Byblos began in 1860, led by scholar Ernest Renan. He brought many objects back to France, and released detailed publications of the excavation. 

Excavations have continued to the present day — although they were interrupted in the Seventies because of the Lebanese Civil War. In 2018, a scientific excavation program was relaunched, pairing archaeologists and experts from the Louvre Museum and the DGA. They have explored the area’s royal underground chambers, tombs, and temples. 

Byblos et le Louvre. (Supplied)

Zaven noted some of the challenges of undertaking archeological missions in Lebanon, including security and looting. “Every day we are working against illicit trafficking,” she said. “We wanted to have this exhibition to show that Lebanon is still here. We believe in our culture and we want our culture to stay alive.” 

In October, the exhibition will travel to a museum in the Dutch city of Leiden. It will also be exhibited, next spring, in an old house in Byblos, coming full circle. 


Oil prices ease on recession fears, headed for 3rd weekly loss

Oil prices ease on recession fears, headed for 3rd weekly loss
Updated 28 min 55 sec ago

Oil prices ease on recession fears, headed for 3rd weekly loss

Oil prices ease on recession fears, headed for 3rd weekly loss
  • OPEC+ sticks to oil output policy, avoids debate on September
  • Traders prepare for long Fourth of July holiday weekend
  • Some Norway oil workers to strike from July 5

TOKYO: Oil prices eased on Friday as lingering fears of a recession demand weighed on sentiment, putting the benchmarks on track for their third straight weekly losses, according to Reuters.

Brent crude futures were down 20 cents, or 0.2 percent, at $108.83 a barrel by 0428 GMT, giving up earlier gains of over $1.

WTI crude futures for August delivery slid 37 cents, or 0.4 percent, to $105.39 a barrel, also surrendering an early gain of nearly $1.

Both contracts fell around 3 percent on Thursday.

“Earlier in the session, the market took a breather from Thursday’s sell-off as the OPEC+ gave no surprise, saying it would stick to its planned oil output hikes in August,” said Tsuyoshi Ueno, senior economist at NLI Research Institute.

“But uncertainty over OPEC+ policy in and after September and fears that the aggressive rate hikes by the Federal Reserve would lead to a US recession and hamper fuel demand dampened sentiment,” he said.

On Thursday, the OPEC+ group of producers, including Russia, agreed to stick to its output strategy after two days of meetings. However, the producer club avoided discussing policy from September onwards.

Previously, OPEC+ decided to increase output each month by 648,000 barrels per day (bpd) in July and August, up from a previous plan to add 432,000 bpd per month.

US President Joe Biden will make a three-stop trip to the Middle East in mid-July that includes a visit to Saudi Arabia, pushing energy policy into the spotlight as the United States and other countries face soaring fuel prices that are driving up inflation.

Biden said on Thursday he would not directly press Saudi Arabia to increase oil output to curb soaring prices when he sees the Saudi king and crown prince during a visit this month.

“All eyes are on whether or not Saudi Arabia or any other Middle Eastern oil producers would bolster output to respond the US request,” NLI’s Ueno said.

Elsewhere, 74 Norwegian offshore oil workers at Equinor’s Gudrun, Oseberg South and Oseberg East platforms will go on strike from July 5, the Lederne trade union said on Thursday, likely shutting about 4 percent of Norway’s oil production.

Oil prices are expected to stay above $100 a barrel this year as Europe and other regions struggle to wean themselves off Russian supply, a Reuters poll showed on Thursday, though economic risks could slow the climb. (Reporting by Stephanie Kelly and Yuka Obayashi; editing by Richard Pullin and Kim Coghill)


Curtain falls on Arab Men’s Fashion Week with Amato show 

Curtain falls on Arab Men’s Fashion Week with Amato show 
Updated 32 min 19 sec ago

Curtain falls on Arab Men’s Fashion Week with Amato show 

Curtain falls on Arab Men’s Fashion Week with Amato show 

DUBAI: Arab Men’s Fashion Week came to a close on Thursday with Dubai-based label Amato presenting the final show. 

This is Filipino designer Furne One’s ninth time closing an edition of the Dubai-based fashion week. 

The founder of the brand presented various designs in a spectrum of colors, inspired by the bold and bright hues of India. 

A complete turnaround from his previous men’s collection, which featured all-white ensembles, this season, the designer went back to the brand’s roots with colorful fabrics and experimental silhouettes.

Materials included lace, tulle, silk, cotton and leather. 

“I was fascinated by the idea of having a moment of realization and celebration,” One said in a released statement.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Maison Du Mec (@maisondumec)

His aim was to intensify the senses and make the audience look at the details of each garment — the silhouette, the neckline and the surface decoration — rather than focusing on “looks.” 

“I was also inspired by India’s diversity — from culture, religion, languages, geography and everything in between,” he added. “Their unique differences while building one nation really inspires me — I want to dig deeper and find out how this uniqueness made them create dimensional colors that we only see within our naked eyes.”

The event, which kicked off on June 28, presented the Spring/Summer 2023 collections of more than 10 regional and international designers, including Lebanese brand Maison du Mec, London-based label Permu, Beirut fashion house Tagueule and Dubai-based couturier Michael Cinco. 

The first day of the fashion week kicked off with a collaboration between Swiss tech accessories brand Ferronato and Maison du Mec that was a mash up between fashion and technology.

The collaboration featured soft leather backpacks, micro smartphone cases, multi-functional clutches and slouchy drawstring bags in shades of blue and burgundy. A life size robotic dog, representing Ferronato’s innovative accessories, closed the show.

For Permu, designers Heyun Pan and Jing Qian presented daily ensembles and occasion wear that featured skin-tight tops, bucket hats, backwards-facing blazers and jackets with cut slits, puffed sleeves and exaggerated shoulder pads. 

Tagueule’s silky trousers and shirts in monochrome shades were featured on the same runway as vests and cargo pants outfitted with utilitarian pockets and straps.

Cinco’s designs were marked by a sunset color gradient ranging from orange and yellow to black. Capes and kandoras were a salute to Emirati culture, while an array of smart, sporty sets spoke to a wider clientele.


The Roundup: Pop-culture highlights from across the region

The Roundup: Pop-culture highlights from across the region
Updated 48 min 7 sec ago

The Roundup: Pop-culture highlights from across the region

The Roundup: Pop-culture highlights from across the region
  • From an Algerian indie veteran and Lebanese newcomers to Libyan trap-pop and Egyptian ‘mind-map art,’ here are six regional artists making waves with their work

Souad Massi

‘Dessine-Moi Un Pays’ 

The Algerian singer-songwriter’s first single from her upcoming tenth album “Sequana” is a deceptively simple folk-tinged ballad — stripped back but with a beautifully subtle acoustic guitar line over which Massi’s emotive, yearning vocals fit perfectly. Syrian flautist Naïssam Jalal adds an impressive solo. The song’s title translates as “Draw Me A Land,” and Massi said in a press release that it was inspired by exile. “Those people who (clung) to planes leaving Kabul when the Taliban returned — it was for them that I wrote this song,” she explained. “Whilst rooted in France, there is a sense the song is filled with memories of a lost Algeria and of her childhood,” the release states.

Yazan Abu Salameh

‘Bending Toward The Sun’

The Palestinian artist’s solo exhibition is available to view in 3D online until July 30, courtesy of Ramallah’s Zawyeh Gallery. The show’s title is a reference to how plants seek light, but Abu Salameh’s works are concerned with finding the light in Palestine’s densely built-up towns, where expansion is restricted by the occupation. His ink paintings reference Israel’s “Seperation Wall” and other military structures. The show includes “Gift Box 3,” shown here.

“The sun dominates Abu Salameh’s artworks and appears in the background overlooking structures of concrete,” the gallery’s press release explains. “The melancholy of the urban environment and the overwhelming presence of concrete as a byproduct of the military occupation overshadows the works.” Abu Salameh’s boxes of “congested buildings with little white windows” are left partly open “as if the towns desire to escape confinement.”  

Felula 

‘Seket’ (live)

Recorded during Felula’s performance for the 10th anniversary celebrations of Beirut Jam Sessions, this funky Arabic pop track shows off the duo’s knack for laying earworm-y hooks under Sara Abdo’s understated-but-powerful vocals. The show was actually Abdo and guitarist Roger Zouein’s first performance as Felula, but they played like they’d been doing it for years. 


Mexico’s Carlos Ortiz leads LIV Golf Portland Invitational

Mexico’s Carlos Ortiz leads LIV Golf Portland Invitational
Carlos Ortiz watches his tee shot on 15th hole during the first round of the LIV Golf Portland Invitational tournament. (AP)
Updated 54 min 56 sec ago

Mexico’s Carlos Ortiz leads LIV Golf Portland Invitational

Mexico’s Carlos Ortiz leads LIV Golf Portland Invitational
  • Two-time major winner Dustin Johnson, one of the series’ most prized catches, was a stroke back on 68, capping his round with an unlikely par save with a shot through the trees on his final hole, where he was well right off the tee

LOS ANGELES: The first US event in the Saudi-backed LIV Golf series teed off in Oregon on Thursday.

Mexico’s Carlos Ortiz, making his LIV Golf debut, took the lead in the 54-hole event, firing seven birdies with two bogeys in a 5-under par 67 at Pumpkin Ridge near Portland, Oregon.

Two-time major winner Dustin Johnson, one of the series’ most prized catches, was a stroke back on 68, capping his round with an unlikely par save with a shot through the trees on his final hole, where he was well right off the tee.

South Africa’s Branden Grace and Japan’s Hideto Tanihara could have joined Johnson at 4-under par, but late bogeys dropped them to tied third place alongside another LIV Golf debutant, Pat Perez.

Bannered by Johnson and Perez, the Four Aces led the team championship in the LIV Golf Portland Invitational by two shots at seven-under par. The champion team in London, the all-South African squad of Stinger, were second at -5.

Aussie Wade Ormsby was the best placed Asian Tour member, tied sixth at two-under par alongside four-time major champion Brooks Koepka and South African Hennie du Plessis.

“I hit a few of them close on my first nine, but that is the difficult half of the golf course. I just played steady and made a few birdies coming in,” said Ormsby, captain of the all-Australian Punches team this week and winner of three titles on the Asian Tour, including two Hong Kong Opens.