Saudi model Amira Al-Zuhair talks Paris catwalks and London student life

Saudi model Amira Al-Zuhair talks Paris catwalks and London student life
Amira Al-Zuhair walking for Giambattista Valli in Paris Haute Couture Week on July 4, 2022. (Getty Images)
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Updated 19 August 2022

Saudi model Amira Al-Zuhair talks Paris catwalks and London student life

Saudi model Amira Al-Zuhair talks Paris catwalks and London student life
  • The in-demand model is killing it on the catwalk and in the classroom

DUBAI: It’s been a breakout year for 21-year-old Saudi model Amira Al-Zuhair. At last month’s Paris Haute Couture Week, she walked the runway for some of the world’s most renowned couturiers, including Lebanese designer Georges Hobeika and Giorgio Armani, attracting international headlines. A couple of weeks before that, she picked up her Bachelor’s degree (with first-class honors) in philosophy, politics, and economics from King’s College, London. 

Al-Zuhair signed to the prestigious Elite Model Management agency aged just 15. “I was having lunch with my family at a restaurant in Paris, and I was spotted by a former Elite agent who told me I should go to the agency and that they’d really like me. So I went, and within 10 minutes I got a contract, which was pretty surreal,” Al-Zuhair tells Arab News. 




Amira Al-Zuhair backstage prior to the Alexis Mabille Haute Couture Fall Winter 22-23 show as part of Paris Fashion Week on July 5, 2022. (Getty Images)

But she didn’t become a model full-time until she was 18. Instead, she had a gradual introduction to the industry with test shoots and editorials.

“School and my education have been a top priority,” she explains. “I’ve always been a bit of a nerd — I represented my school in national math competitions, I was head of the math team, and a member of the UK’s Youth Parliament. And then I focused on my degree. It’s still my goal today to become a lawyer.”

Al-Zuhair was born in Paris to a French mother and Saudi father. She was raised in London, however (“My father wanted me to follow his steps and graduate from a UK university,” she says). The family traveled frequently between the UK and Riyadh, so Al-Zuhair feels a strong cultural and emotional attachment to the Kingdom. 




Al-Zuhair walks the runway during the Alexis Mabille Haute Couture Fall-Winter 22-23 show at Paris Fashion Week. (Getty Images)

“I love Saudi. It’s a big part of who I am and I really appreciate everything that’s going on at the moment — the advancements in culture, education, economy, and infrastructure,” she says. “The current leadership has done an amazing job at putting the country at the forefront of the global stage, and I’m really proud to see these changes.”

Although Al-Zuhair grew up in Europe, she says she was raised with “traditional values” and that her religion is very dear to her. From the get-go, she was clear about what she would, or wouldn’t, be prepared to do as a model. 

“I think the industry is very accommodating,” she says. “It’s all about what boundaries you set. My agency is amazing – and these boundaries have been respected with all aspects of my work and with all my clients. I’ve been very fortunate to have a very good experience.”




Amira Al-Zuhair (third from right, front row) backstage at the George Hobeika show in Paris Haute Couture Week with Georges Hobeika and his son Jad. (Getty Images)

Paris Haute Couture Week was a triumph for Al-Zuhair — if you ignore the time that some guy on a bike tried unsuccessfully to steal her vintage purse. In the same month, she was also part of Dolce & Gabbana’s monumental show in Sicily, where the label celebrated 10 years of its Alta Moda line. Wearing a black habit and black dress with sheer panels, she was an absolute vision on the runway situated in the historic Piazza Duomo in Siracusa.

Al-Zuhair has also worked with some of the industry’s biggest names in the form of ad campaigns and editorials, including Tiffany & Co, Burberry, and Carolina Herrera. In 2020, she landed her first Vogue Arabia cover, attracting widespread praise. 

“It was shot in NEOM, and we were the first group to shoot there,” she says. “It was such an exhilarating experience because I discovered a whole new side of Saudi Arabia. It’s just one of the most beautiful landscapes I’ve ever seen — the sea, the mountains, the land — you cannot get sick of the views. We had lots of trailers in the middle of the desert; it kind of felt like a movie set. I also got to meet lots of local Saudi production members and stylists. It was so nice to have that representation.”




Al-Zuhair walking for Alexis Mabille at Paris Haute Couture Week on July 5. (Getty Images)

Juggling a demanding modeling career and a full-time university course was no easy feat. “That that was one of the most difficult aspects — the balance. It requires a lot of discipline and good time-management because every second counts. Every day I had to study, exercise, eat, go to university and see my family. There weren’t enough hours. Once, I went to Milan for work, and within 48 hours I’d been in five different cities and four countries.” 

Al-Zuhair shows no signs of slowing down, though. She’s already applying to universities to continue her education and it’s clear that her modeling career is on a steep upward trajectory, with labels and brands clamoring to work with her. It seems that she’ll grab as many opportunities as possible.

“With each show you get a different atmosphere, mood and energy. There’s a different inspiration behind each collection, and that’s reflected in the clothes and the we way act and walk. I’m very grateful for all the opportunities that I’ve been given and to all of these designers for trusting me. It’s a big responsibility,” she says. “I see the work that goes into it behind the scenes, and it’s a very emotional experience. To me, fashion is an art and a form of self-expression. I’m honored to be able to present these collections and their designers’ works of art to the world.”


Review: ‘Down to Earth with Zac Efron’

Review: ‘Down to Earth with Zac Efron’
Updated 45 min 44 sec ago

Review: ‘Down to Earth with Zac Efron’

Review: ‘Down to Earth with Zac Efron’
  • With eight episodes per season, we really got to know Efron and his travel companion, well-being expert Darin Olien
  • Each episode of the second season ends with the message: ‘The team acknowledges the traditional owners of the lands across Australia’

One of the shows that helped me escape my confined space during the 2020 pandemic was Netflix’s “Down to Earth with Zac Efron.”

In the first season actor Zac Efron ventured to France, Puerto Rico, London, Iceland and many other spots.

In each of those places he touched upon the themes of nature, sustainable living and green energy.

He sometimes brought in his famous friends to help with certain adventures. At other times he consulted experts to explain what they were working on to help save the planet.

The first season was a bit all over the place, jumping from topic to topic, much like our attention span during lockdown. This made it the perfect show for those times.

I had only been a casual viewer of Efron’s work up to that point, and knew nothing of his personality, but by the end of season one I had concluded that he seemed like a cool guy to go on a trip with. Many critics agreed, as the season won a daytime Emmy in 2021.

With eight episodes per season, we really got to know Efron and his travel companion, well-being expert Darin Olien.

The second season, also made up of eight episodes, premiered on Netflix in November.

The new season is much more focused, not only because it is centered in one country, or continent, but the two are much more aware of their immense male white privilege, something that seemed a bit lacking in the first — albeit immensely fun — season.

The duo this time around explored the indigenous communities of Australia much more mindfully, and seemed to pass on the mic so that natives could tell us their own story.

Both Efron and Olien were there to learn, enjoy and inspire. And we were like flies on the wall who got to witness it all without leaving our sofas.

Each episode ends with the following message: “The team acknowledges the traditional owners of the lands across Australia.

“We pay respect to the elders past, present and emerging for they hold the memories, the traditions, the culture and hopes of Aboriginal and Torres Strait Islander people across the country.”

Showing the additional wisdom of the last two years, the two men seemed to really want to get it right this time and not be “the white saviors” in this narrative.

They wanted to be the individuals who let natives take up the space and rightfully guide us all.

Efron and Olien, along with the audience, were merely coming along for the ride. We were all passengers on the journey, with the natives the ones at the wheel.

Narrated by Efron, who would often sneak in playful puns and philosophical observations, season two is a more down-to-earth exploration and one well worth sitting through.

Both seasons can now be streamed on Netflix MENA.


Saudi Arabia’s Ithra hosts football-inspired NFT art show in Qatar

Saudi Arabia’s Ithra hosts football-inspired NFT art show in Qatar
“From Strike to Stroke” is on show at Msheireb Galleria, Doha. (Supplied)
Updated 05 December 2022

Saudi Arabia’s Ithra hosts football-inspired NFT art show in Qatar

Saudi Arabia’s Ithra hosts football-inspired NFT art show in Qatar

DUBAI: Saudi Arabia’s King Abdulaziz Center for World Culture (Ithra) is hosting a football-themed exhibition on the sidelines of the 2022 FIFA World Cup in Qatar.  

“From Strike to Stroke” is on show at Msheireb Galleria, Doha, and features 64 NFTs by 32 artists from the competing nations. Meanwhile, Artificial Intelligence (AI) will fuse the pieces from the contending two countries in each of the matches into a unique piece based on the results of the game. The result will be a singular collection of 64 one-of-a-kind NFTs created through a collaboration of man and machine.  

The exhibition will run until Dec. 23. 

“The passion shared by football fans for the love of the beautiful game can be tangential to the passion shared by art aesthetes,” said Dr. Shurooq Amin, according to a released statement. “By connecting 32 artists from both the traditional and digital arenas, Ithra not only bridges the gap between Web2 to Web3, and between football and art, but furthermore between human and machine.” 


US director Spike Lee talks ‘Malcolm X’ at Red Sea International Film Festival

US director Spike Lee talks ‘Malcolm X’ at Red Sea International Film Festival
Lauded US director Spike Lee was at Jeddah’s Red Sea International Film Festival on Sunday. (AFP)
Updated 05 December 2022

US director Spike Lee talks ‘Malcolm X’ at Red Sea International Film Festival

US director Spike Lee talks ‘Malcolm X’ at Red Sea International Film Festival

JEDDAH: Lauded US director Spike Lee was at Jeddah’s Red Sea International Film Festival on Sunday to present a screening of his Oscar-nominated 1992 epic biopic “Malcolm X.”

He also took part in an In Conversation event and touched on a number of topics, including whether her would consider filming in Saudi Arabia.

Spike Lee at the Red Sea International Film Festival. (AFP)

“I can barely speak English. I speak fluent Brooklynese. There are so many things I want to do but to come into a culture you don’t know is dangerous territory. I’ve seen that in many attempts to make films about Black people,” he said.

The director’s trip coincides with the 30th anniversary of his film on American civil rights activist Malcolm X — the first fiction feature to shoot in Makkah, using a Muslim crew to shoot B-roll in the city.  

“It was imperative that we shoot, that we film Malcolm’s Hajj so we were the first film ever allowed to bring a camera in the old city of Mecca. I couldn’t go. We hired a Muslim crew. The highest law court, they didn’t do that for me, they realized how important Malcolm was to Islam,” he said.

“We had a screening yesterday. That is the first time Malcolm X has ever been screened in the country on a movie screen. We’ve come full circle.”


Review: Red Sea title ‘The Banshees of Inisherin’ explores a friendship that goes tragically wrong 

Review: Red Sea title ‘The Banshees of Inisherin’ explores a friendship that goes tragically wrong 
‘The Banshees of Inisherin' is part of the ongoing second edition of the Red Sea International Film Festival. (Supplied)
Updated 05 December 2022

Review: Red Sea title ‘The Banshees of Inisherin’ explores a friendship that goes tragically wrong 

Review: Red Sea title ‘The Banshees of Inisherin’ explores a friendship that goes tragically wrong 

JEDDAH: A hit at the recent Venice Film Festival, Martin McDonagh’s “The Banshees of Inisherin” is part of the ongoing second edition of the Red Sea International Film Festival in Jeddah. McDonagh’s latest adventure got its lead star Colin Farrell an acting award in Venice.  

Much like the director’s “Three Billboards Outside Ebbing, Missouri,” which won its lead star Frances McDormand an Oscar in 2018, “Banshees” is a poignant story. 

This time it is about a broken friendship between two men. It is set in 1923 on the fictional island of Inisherin as the sound of Irish civil strife is heard wafting across the sea. This is a harbinger of things to come – of an internecine struggle that is knocking on the door of dairy farmer Padraic (Colin Farrell) and his best friend is Colm (an equally brilliant performance by Brenden Gleeson). While Padraic is a simpleton, who can talk for hours about horse manure, Colm is an artist, writing music and playing the fiddle, and is prone to bouts of melancholy.

 The pair are inseparable, but something triggers a stand-off. Colm begins to avoid Padraic. The musician sits on his chair in deep thought and the film never makes the reason clear — leaving us as confused as the poor Padraic, who nags his sister, Siobhan (Kerry Condon), for information. “Perhaps, he just does not like you no more,” she quips. This may have sounded like a joke, but the truth leads to horrifying incidents.  

Colm is anxious about the passing years and does not want to waste his time with a “limited man.” He is serious about keeping Padraic away, and every time he tries to connect, the tortured artist cuts off one of his fiddle-playing fingers. But in the midst of all this macabre, there are lighter moments that will make the audience laugh.  

Cinematographer Ben Davis and production designer Mark Tildesley create artistic interiors which look like a 17th century Vermeer painting. Meanwhile composer Carter Burwell makes the film feel like a fairy tale. The cast is absolutely flawless and “The Banshees of Inisherin” has an excellent chance of making a mark at the upcoming Oscars. 


Nineteen-year-old Saudi director’s ‘When Red Blooms’ to screen at RSIFF

Nineteen-year-old Saudi director’s ‘When Red Blooms’ to screen at RSIFF
A still from ‘When Red Blooms.’ (Supplied)
Updated 05 December 2022

Nineteen-year-old Saudi director’s ‘When Red Blooms’ to screen at RSIFF

Nineteen-year-old Saudi director’s ‘When Red Blooms’ to screen at RSIFF

RIYADH: It will be “a huge honor” for Tala Al-Harbi when her directorial debut “When Red Blooms” is screened at the Red Sea International Film Festival on Dec. 5.

“I believe it can add to my credibility as a director and can help me build up a career in the Saudi film industry,” the 19-year-old director told Arab News.

“When Red Blooms” is a philosophical film that ventures into the mind of a girl who sets unrealistically high expectations for herself with a morbid perfectionism, leading to self-destruction. 

A still from ‘When Red Blooms.’ (Supplied)

“‘When Red Blooms” is a film that may represent different things to different people. To me, the film represents the struggle we all face as humans and how society expects us to be perfect, but we all face our own conflicts — with the world around us and ourselves,” Al-Harbi said. 

Al-Harbi was one of the winners of the second edition of the Red Sea’s 48-hour Filmmaking Challenge, which was held in September. 

“It was truly a surreal feeling as I was surrounded by the team that helped me make the film possible: Madawi Al-Yahya, Natalie Al-Sarraj, Lujain Salaam, Raghdaa Mubarak, Sam Al-Ashari, and our amazing actress Raghad Bokhari,” Al-Harbi told Arab News. 

A still from ‘When Red Blooms.’ (Supplied

The director said that one of her team’s most significant challenges was having to write a story, shoot it and edit it in only 48 hours.

“We had to put our all into the film in the short 48 hours we had.”

“We had many ideas, but with the limited time we had, we needed to work quickly and efficiently to produce something we are proud of,” she said.

As filmmaking students, Al-Harbi and her team always wanted to create something that could show their style and vision “without the limitations of our studies.” The competition was the perfect opportunity for them “to see what we could on our own.” 

Al-Harbi advised aspiring directors to believe in themselves, even if others did not. “If you believe in yourself, you can truly accomplish anything,” she said.