‘Beirut After the Blast’ documentary finds its home on the metaverse

‘Beirut After the Blast’ documentary finds its home on the metaverse
A scene from Fahed Abu Salah's ‘Beirut After the Blast.’ (MContent)
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Updated 21 September 2022

‘Beirut After the Blast’ documentary finds its home on the metaverse

‘Beirut After the Blast’ documentary finds its home on the metaverse

DUBAI: A debutant filmmaker is using the metaverse as a platform to share the harrowing story of the 2020 Beirut port blast and its aftermath.

Fahed Abu Salah, who witnessed the tragedy first hand, told Arab News: “I saw the whole thing and all the damage and confusion that happened on that day. No one understood what was going on; it was such a shock for everyone.”

At least 218 people were killed when ammonium nitrate stored at a port facility in the Lebanese capital exploded on Aug. 4, 2020. The deadly blast caused $15 billion in property damage and left an estimated 300,000 people homeless.




Director Fahed Abu Salah at the ‘Beirut After the Blast’ premiere in Dubai. (MContent)

Abu Salah’s documentary “Beirut After the Blast” held its metaverse premiere in Dubai at the Waldorf Astoria DIFC this month ahead of its release online. It is now available to stream on the MContent app, one of the first Watch2earn content ecosystems and proponents of Web3 cinema.

“This is a next-generation platform for cinema, I totally believe in it. The app has amazing plug-ins and they provided technical support for everything we asked for,” Abu Salah said.

Umair Masoom, MContent founder and CEO, said in a statement: “One of the key strengths of a Web3 content company and streamer like MContent is our ability to pick up any story that our community wants to shed light on despite any power center disliking the underlying narrative. This premiere further highlights the unique independence of our content empowering filmmakers like Fahed with limited resources to create and widely distribute an incredibly important story.”

Before the explosions, Abu Salah was already dabbling in short videos online, but “Beirut After the Blast” is his first full-length documentary.

“I had two goals when I made the documentary. First of all, I didn’t want anyone to forget what happened. I wanted everything that happened to be documented properly, so people can watch over and over again and more people can know this story,” he said.

 
 
 
 

 
 
 
 
 
 
 
 
 
 
 

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“Second, people are suffering as we speak. They want answers and they want closure. Nobody even knows how many people really died. I wanted to look for answers.”

Making the documentary was no walk in the park either. “I had a lot of challenges. Since the explosion is an ongoing investigation, it was hard to get statements from people who are close to the investigation. A lot of the victims also refused to talk because they didn’t want to really remember what happened that day because of the trauma.”

He added: “We were shooting really close to the date of the memorial of the blast, so it was chaotic. There were a lot of protests as we tried to cover everything on that day and that was the closure of the shoot as well. It was hard to get a statement. It was hard to shoot.”


Art exhibition ‘Tales of Nostalgia’ debuts in Riyadh

Art exhibition ‘Tales of Nostalgia’ debuts in Riyadh
Updated 03 October 2022

Art exhibition ‘Tales of Nostalgia’ debuts in Riyadh

Art exhibition ‘Tales of Nostalgia’ debuts in Riyadh
  • Exhibition reflects upon notions of time and memory in an era of rapid change

RIYADH: The Misk Art Institute launched a new exhibition in Riyadh titled “Tales of Nostalgia” on Monday.

The exhibition showcases the works of 12 Saudi and international artists who reflect upon notions of time and memory, and nostalgia, exploring alternate narratives through emergent technologies.

Curated by Marnie Benney and Misk Art Institute assistant curator, Alia Ahmad Alsaud, it will be on display at the Prince Faisal bin Fahd Art Gallery until Jan. 15. 

“‘Tales of Nostalgia’ is both a reflection upon and a conversation about where we are, as a species, in our endless, intertwined relationship with time and technology,” the organizers said. 

Featuring immersive digital soundscapes, the exhibition aims to shed light on an increasingly technological and digitized world, particularly the increasing importance of artificial intelligence and machine learning techniques.

The exhibition will be accompanied by a series of talks, workshops, and opportunities to listen to and engage with participating artists over the course of several days.

 


Middle East Fashion Week set to return to Dubai this November

Middle East Fashion Week set to return to Dubai this November
Updated 03 October 2022

Middle East Fashion Week set to return to Dubai this November

Middle East Fashion Week set to return to Dubai this November

DUBAI: The second edition of Middle East Fashion Week (MEFW), organized by the Middle East Fashion Council (MEFC), is set to take place from Nov. 7-10 at The Agenda in Dubai Media City.

The event will also hold the second edition of the Middle East Sustainable Fashion Forum –  a panel of speakers leading discussions on environmentally responsible and financially viable ways to integrate sustainable practices into the design process and the supply chain.

Keeping this theme in mind, the choice of venue becomes more apparent. The Agenda’s vision is to become the world’s first carbon-negative performance venue. “The sound and lighting industry is historically very power hungry, and coupled with AC and facilities, traditionally a large CO2 footprint would be in place for an event such as this. The Agenda will be using the latest technology to reduce power consumption,” reads a description on the event's official website.

Guests attending the event will be able to see their individual carbon footprint for attending the shows and how it is offset.

Designer applications for Middle East Fashion Week are open until October 10, 2022. To apply, email [email protected]

 


Givenchy taps Gigi Hadid for Paris Fashion Week show

Givenchy taps Gigi Hadid for Paris Fashion Week show
Gigi Hadid hit the runway in an all-denim look. (AFP)
Updated 03 October 2022

Givenchy taps Gigi Hadid for Paris Fashion Week show

Givenchy taps Gigi Hadid for Paris Fashion Week show

DUBAI: Supermodel Gigi Hadid hit the outdoor runway at Givenchy’s latest show at Paris Fashion Week on Sunday.

The US Dutch Palestinian star showed off an all-denim look, featuring a button-down jacket along with a below-the-knee jean skirt with oversized pockets.

Gigi Hadid hit the runway in an all-denim look. (AFP)

Hadid walked the runway amid less than perfect weather as VIP guests, including US singer Olivia Rodrigo, survived torrential downpours only thanks to helpers clutching transparent umbrellas. But the show had to go on. For Matthew M. Williams, a designer who has garnered lukewarm reviews of late, this collection was a little like crunch time, The Associated Press reported.

For spring, the US designer moved his street aesthetic in a dressier direction — likely trying to bring himself to the safer ground of the age-old house’s traditional aesthetic.

An oversized tweed black bolero cut a creatively surreal silhouette atop a pencil-thin mini dress, twinned with Matrix-style shades. Elsewhere, features such as rouching on a silken top, or draping on a fluid skirt, resembled thick organic sinews or human ribs.

This felt like a positive, gently transgressive, direction for the house immortalized by Audrey Hepburn’s little black dress.

However, many of Williams’ design elements still felt out of place on the Paris runway, such as 90s low-slung cargo shorts that seemed unflattering, clashing with the black silken ruffled cuffs that dangled down.

Earlier at Paris Fashion Week, Hadid hit the runway at the Isabel Marant show, wearing the French label’s Spring-Summer 2023 collection. 

She strutted down the runway in an oversized cameo print jacket in neutral hues and was joined by her sister Bella, who showed off two looks. The first featured a white cut-out top embellished with silver studs, white pants, stilettos and a handbag. The second look was a black flowy mini dress with cut-out detailing across the chest.

The sisters also walked the catwalk for Italian brand Versace at Milan Fashion Week.

Donatella Versace’s collection conveyed female power in a way that only the label can.

“I have always loved a rebel,’’ Versace said in show notes. “A woman who is confidence, smart and a little bit of a diva (sic).”

The show conveyed a strong sense of female ritual as models traversed a runway lit by dark candles and lined with stained-glass windows with the Versace medusa head, before exiting through glass-enclosed spaces where bathrobe-clad men lounged on gilded chairs amid purple columns, underlining a shift in the power dynamic.

 


Why Egypt isn’t submitting any films for the 2023 Academy Awards

Why Egypt isn’t submitting any films for the 2023 Academy Awards
Updated 03 October 2022

Why Egypt isn’t submitting any films for the 2023 Academy Awards

Why Egypt isn’t submitting any films for the 2023 Academy Awards

CAIRO: Despite playing host to two of the Arab world’s most prestigious film festivals, as well as being famous for its storied film industry, Egypt has decided not to submit any titles for the Best International Feature Film category at the upcoming Academy Awards, with industry insiders telling Arab News the decision was a difficult one.

The members of the film selection committee, which falls under the Cinema Professionals Syndicate, decided to opt out of the running for the Oscars, which will be held on March 12, 2023. However, some critics did voice their support for a clutch of films.

Art critic Faiza Hindawi, a member of the committee, told Arab News that one film which generated huge buzz was Nadine Khan’s “Abu Saddam.” However, the film failed to make the cut due to strict regulations about its release date.

“‘Abu Saddam’ was not on the list of the four films closest to nomination due to its non-compliance with the conditions and regulations stipulated in the awards, including the date of the screening. One of the conditions is that the film was shown in the year 2022 and, unfortunately, ‘Abu Saddam’ was shown last year,” Hindawi explained.

“We are bound by conditions that must be met in the works that are nominated, procedural conditions (as well as) technical conditions, meaning that the films that meet the procedural conditions are presented to us to choose from, and the list did not contain ‘Abu Saddam,’” she added.

A few of the titles floated for consideration this year included “Kira Waljen” directed by Marwan Hamed; “Qamar 14” directed by Hadi El-Bagoury; “The Crime” directed by Sherif Arafa; and “2 Talaat Harb” directed by Magdy Ahmed Ali.

Egyptian producer, scriptwriter and member of the Academy of Motion Picture Arts and Sciences Mohamed Hefzy added that despite a bevy of commendable films released in 2022, none were nominated due to the high standard of films that will compete from around the world.

Mohamed Hefzy shared his thoughts on the lack of an Egyptian submission this year. (AFP)

“The committee that made the decision included more than 30 filmmakers, and it is clear that the films presented to them did not live up to their expectations to be nominated for the Oscars,” he told Arab News.

“As a person who is a member of the Academy, and those who vote for the best international film, I can say that the level of the 90 films that compete every year for Oscars from all over the world are well-made films, so the competition is very tough, and in my opinion when there aren’t any Oscar-worthy movies worth nominating it’s better to not nominate any,” he added.

Previous films submitted for Oscars consideration by Egypt include “Soad” (2019), “Youm El Din” (2018) and “Sheikh Jackson” (2017), among others.


US band OneRepublic to headline new music festival in Abu Dhabi

US band OneRepublic to headline new music festival in Abu Dhabi
Updated 03 October 2022

US band OneRepublic to headline new music festival in Abu Dhabi

US band OneRepublic to headline new music festival in Abu Dhabi

DUBAI: Just when you thought Abu Dhabi’s event calendar couldn’t get any busier, events organizer Live Nation has announced a new music festival headed to the UAE capital. Amplified Music Festival will take place on Yas Links from Nov. 11-13. Coming to the UAE for the first time, the three-day-long event will see international headliners OneRepublic, Ministry of Sound and CAS perform.

Performing on Nov. 11 will be American pop rock band OneRepublic, most famous for their smash single “Apologize.” The band recently released a new single, “I Ain’t Worried,” featured in “Top Gun: Maverick.”

On Nov. 12, festival-goers can witness the 15-piece Ministry of Sound Funk & Soul band presenting their celebrated live show, “Ministry of Sound Disco.”

On Nov. 13, alternative pop phenomenon CAS, who sold out two shows on their previous visit to the UAE earlier this year, will take to the stage as headliners.