Review: Alkhallat+ first Saudi movie to be created for Netflix

Review: Alkhallat+ first Saudi movie to be created for Netflix
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Updated 13 February 2023
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Review: Alkhallat+ first Saudi movie to be created for Netflix

Review: Alkhallat+ first Saudi movie to be created for Netflix
  • The Arabic-language film’s anecdotes paint a picture of how Saudi Arabia used to be

In the span of two hours, this Netflix original movie takes viewers through four vignettes, each showing Saudi men and women dealing with precarious modern predicaments, and each featuring a fish-out-of-water interaction with a close companion.

The dark comedy is the first Saudi movie to be created for the streaming giant. It premiered at the International Red Sea Film Festival in Jeddah in 2022, and has been the No.1 Netflix movie in the Kingdom since it was made available to viewers in mid-January.

The Arabic-language film’s anecdotes paint a picture of how Saudi Arabia used to be. With local dialects and references that Saudis of a certain age will recall, the jokes are dark and full of meaning. The humor is timeless, yet seems frozen in an era not too long ago, but far enough away that we can see it with fresh eyes.

 

 

The film serves almost as a digital time capsule, reminding us of a period when the Kingdom was not as open as it is today. The title is a nod to the film’s humble beginnings on YouTube. In Arabic, the word “khallat” means blender. In many ways, it is an apt name since the film is a blend of mixed-up stories.

In the first, a humble home is preparing for a wedding, a chaotic celebration that is full of unexpected family drama. 

The second story takes place at a upmarket restaurant, and appears to be a sort of loose nod to the American romantic comedy “The Parent Trap,” in which a child attempts to reunite separated parents through dining. 

The third story starts abruptly at the scene of a car accident where a husband has been killed, while the final vignette, the only one set outside the Kingdom, shows the misadventures of a frugal family man staying in a complimentary hotel room. 

Find it on Netflix MENA.


Chris Hemsworth shares career insights at RSIFF 

Chris Hemsworth shares career insights at RSIFF 
Updated 05 December 2023
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Chris Hemsworth shares career insights at RSIFF 

Chris Hemsworth shares career insights at RSIFF 

JEDDAH: Marvel superstar Chris Hemsworth held a panel discussion during the Red Sea International Film Festival this week — and he gave fans insight on his career choices during the talk.  

Moderated by director Baz Luhrmann, who is also the head of the jury for this year’s edition of the film festival, the pair discussed Hemsworth’s involvement in the upcoming “Furiosa: A Mad Max Saga” movie. “There’s a lot of anticipation for myself and from the fanbase that has been there for the 45 years,” Hemsworth said. 

Luhrmann and Hemsworth also addressed how “Mad Max” franchise director, George Miller, was brave enough to create a fictional universe from scratch, with Hemsworth adding:  

 “Taking leap, doing something different, thinking outside the box. The fear and the anxiety that comes with that is something to face and overcoming that and choosing to tell a story from your perspective, to be influenced by other people but not to be directly mimicking anyone else … there’s courage to that.” 

Hemsworth later shared with the audience that the escapism offered by films attracted him to the art of storytelling from a young age — he also noted that the ability to shapeshift and inhabit different characters is part of the reason he got into the film industry. 

“From a very young age, whether it would be books or television films, I enjoyed the fantasy, I enjoyed the escapism, the journey that the narrative and the story would take me one,” he said.  

“I think the vivid imagination of me as young kid carried through and still does now and that was the attraction to inhabit different spaces and different worlds and be taken on a journey,” he added. 

 Hemsworth appeared at the festival as part of the In Conversation series that has already featured the likes of US actor Will Smith, Bollywood star Katrina Kaif and Arab stars Amina Khalil and Yasmine Sabri. 


Filmmaker Talal Almusaad talks ‘weird, psychedelic’ short film ‘Salem’s Legs’ at RSIFF

Filmmaker Talal Almusaad talks ‘weird, psychedelic’ short film ‘Salem’s Legs’ at RSIFF
Updated 05 December 2023
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Filmmaker Talal Almusaad talks ‘weird, psychedelic’ short film ‘Salem’s Legs’ at RSIFF

Filmmaker Talal Almusaad talks ‘weird, psychedelic’ short film ‘Salem’s Legs’ at RSIFF

RIYADH: At just 18, Saudi filmmaker Talal Almusaad is making his cinema debut with a short film titled “Salem’s Legs” at the Red Sea International Film Festival.

Almusaad was raised in the Eastern Province city of Dhahran at a time when cinemas were nonexistent in the Kingdom. Nevertheless, he saw films, notably the “Halloween” movie franchise, during visits to Bahrain. He cites Hollywood film giants Stanley Kubrick and Quentin Tarantino as among his favorite directors.

“From childhood, all I wanted to do was tell stories,” Almusaad, who is based in Riyadh, told Arab News. 

The fledgling director said that he is interested in making films about Saudi culture for non-Arab audiences, but also wants to surprise Arab audiences with “creepy and weird” plots.

“I want to make something new in Saudi cinema,” he said.

“Salem’s Legs,” which runs for just five minutes, is an Arabic-language dark comedy about two young friends, Salem and Mohammed. When the former swallows an anonymous pill and collapses, Mohammed panics and believes that his friend has died. He tries to get rid of Salem’s body by rolling it up in a carpet. Their adventures lead them to the Saudi desert.

‘Salem’s Legs,’ which runs for just five minutes, is an Arabic-language dark comedy. (Supplied)

“It’s a weird, psychedelic movie. You can even see that in our poster,” said the director of the fluorescent pop-art design.

“There is no message in the film, but that is the message: You don’t have to do a film with a message just to brag and say you’re an artist.”

The plotline was put together by scriptwriter Nawaf Alzahrani and the film features three actors, Mohammed Alajmi, Salem Alattas, and Norah Abdalaziz.

“I told the group, ‘Let’s make something we love. Don’t think about if we win or lose at the Red Sea Festival.’”

The film was shot in just 48 hours and will be screened at Vox Cinema in the Red Sea Mall on Dec. 5 and 8.

It is a surreal experience for Almusaad to showcase his work at the festival, as he only recently graduated from high school and hopes to study filmmaking abroad.

He would like to shoot one more film in his homeland, which has recently undergone a major transformation in terms of cinema access and production. At the festival alone, there are more than five Saudi feature films screening this year.

“If you told me five years ago that many filmmakers will do films in Saudi Arabia, I would not have believed that. It’s crazy,” Almusaad said.


Short animation ‘Saleeg’ heads back to Saudi Arabia after international screenings

Short animation ‘Saleeg’ heads back to Saudi Arabia after international screenings
Updated 05 December 2023
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Short animation ‘Saleeg’ heads back to Saudi Arabia after international screenings

Short animation ‘Saleeg’ heads back to Saudi Arabia after international screenings

JEDDAH: With Jeddah’s Red Sea International Film Festival in full swing, Saudi Arabia’s up-and-coming talents are firmly in the spotlight.

Among the selection of Saudi films screening at the event, which runs until Dec. 9, “Saleeg,” a captivating short animation directed by Afnan Bawyan, stands out. This short masterpiece, running just shy of 10 minutes and produced in 2022, employs diverse puppetry techniques and was created in Amsterdam at 5 A.M. Studios.

“Saleeg” is showing in the “New Saudi, New Cinema: Shorts” category among the other 19 shorts from the Kingdom.

Saudi film director Afnan Bawyan  expressed her excitement about screening “Saleeg” in Jeddah, the city that inspired the film’s creation. In an interview with Arab News before the screening, she anticipated a profound connection between the local audience and the narrative, given its roots in Jeddah and the west of Saudi Arabia.

“I am thrilled to participate in the Red Sea International Film Festival as it signifies the inaugural screening of my film in Jeddah, the city that inspired its creation. I am optimistic that the audience in Jeddah and the Saudi western region will perceive the film uniquely and forge a deeper connection with the narrative and characters compared to any other audience as they will be able to relate to it,” Bawyan said.

The film’s title draws inspiration from the traditional Saudi Hijazi dish saleeg, which originates in Taif in the Makkah region. In the film, 60-year-old Hajer is preparing saleeg for dinner with her son. In need of vegetables, she rushes outside when she hears the grocer’s bell, but forgets to cover the pot. Meanwhile in the kitchen, the rice has fallen into the boiling water where it has expanded, overflowed and is soon flooding through the house and out into the yard, carrying Hajer with it.

The film is a family drama with voices in a Saudi dialect of Arabic, subtitled in Urdu, Tigrigna and English, and it made its mark on the international stage with a premiere at the Annecy International Animation Film Festival in France earlier this year.

The film poster for Saudi animation 'Saleeg.' Supplied

“The film has been fortunate to receive significant publicity, especially after its screening at Annecy International Animation Film Festival in France,” the director said.

“Saleeg” was also screened in the Saudi Cultural Exhibition in Paris and at the Film Criticism Conference in Riyadh and took part in more than 15 Saudi, Arab, and international film festivals.

The work discusses various issues in Saudi society, including rapid urbanization and the tension between traditional and contemporary ways of living, particularly how the elderly is affected.

Behind this film stands a director who, despite a background in chemistry, embarked on a self-taught journey into filmmaking, enhanced by attending workshops by the Saudi Film Commission.

Crafting the stop-motion film demanded over 65 days of meticulous work, she said. Bawyan’s expertise as a script supervisor for seven Saudi feature films laid the foundation for her debut as a writer and director with “Saleeg,” which was co-produced with animation writer and producer Mariam Khayat.

Looking ahead, Bawyan is working on a clutch of projects, including a new short-animated film set in her hometown, Makkah.


Red Sea International Film Festival spotlights Korean entertainment

Red Sea International Film Festival spotlights Korean entertainment
Updated 04 December 2023
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Red Sea International Film Festival spotlights Korean entertainment

Red Sea International Film Festival spotlights Korean entertainment

JEDDAH: Saudi Arabia’s Red Sea International Film Festival is making a visible effort to attract titles from across the world — with Arab, Bollywood, Hollywood and Korean celebrities gracing many a red carpet at the Nov. 30-Dec. 9 event in Jeddah.

Earlier this week, the star of the Korean thriller mini-series “The Deal” Yoo Seung-Ho walked the red carpet at VOX Cinemas in the Red Sea Mall.

“The Deal” is an eight-episode South Korean drama that is based on a Korean comic series made by artist Woonam 20. It tells the story of Jae-Hyo who kidnaps his rich friend Park Minwoo to ask for a ransom from the latter’s mother, and Lee Jun-Seong, played by Yoo Seung-Ho, who is torn between rescuing his friend Minwoo or assisting his friend Jae-Hyo in the criminal act due to his urgent need for money to save his and his father’s lives.

Only the first three episodes of the emotionally provoking series premiered on the silver screen in Jeddah. After the screening, the director spoke to the audience about why he decided to turn the comic story into a live-action series.

The poster for 'The Deal.' (Supplied) 

“Why did I do it? Because the concept of a friend kidnapping a friend is very provocative, or as we say in Korea ‘very spicy’,” said director Lee. “I decided that this is a concept which can show how the younger people, the youth in Korea, live.”

 When asked by Arab News about the scene he found the most challenging, Seung-Ho said the role as a whole was a tough nut to crack.

“The biggest challenge was having to be this character whose hostile hostage is a friend, and the kidnapper is also his friend. And I’m in the middle of it all,” said Seung-Ho.

 “And of course, the fights were physically challenging, but there was also this psychological and mental challenge of playing the scenes where I am the friend of both the kidnapper and the hostage,” he said.


RSIFF title ‘Antidote’ sheds light on the challenges faced by Saudi musicians in the past

RSIFF title ‘Antidote’ sheds light on the challenges faced by Saudi musicians in the past
Updated 04 December 2023
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RSIFF title ‘Antidote’ sheds light on the challenges faced by Saudi musicians in the past

RSIFF title ‘Antidote’ sheds light on the challenges faced by Saudi musicians in the past

JEDDAH: Saudi director Hassan Saeed is set to unveil his short film “Antidote” at the Red Sea International Film Festival in Jeddah and spoke to Arab News ahead of the screening to explain the themes he explores and why he chose to tell this story. 

The 20-minute film tells the story of a young boy, Ali, who sets out with his father’s tape recorder to record a folk singer named Abu Hussain.

However, Abu Hussain loses his voice after undergoing throat surgery, and Ali reconnects with him through a previous recording. The deliberate use of silence surrounding Abu Hussain serves as a powerful motif, symbolizing his enduring struggle and passion for music, set against the challenges faced by Saudi musicians in the past.

Saeed said that he drew inspiration for “Antidote” from his formative years in the Eastern Province of Saudi Arabia.

“Having grown up in a society where musicians and music were not widely embraced, my goal was to portray the challenges encountered by underground musicians in the 1990s. The film intertwines a personal narrative with a broader cultural context, showcasing the unwavering determination and commitment of artists in the face of adversity,” he said.

Saudi director Hassan Saeed on set. (Supplied)

The director is excited about showing his work to global audiences at the festival, which attracts participation from international industry figures.

“I firmly believe that our stories possess a unique quality, and through ‘Antidote,’ we can offer a fresh and captivating perspective to audiences worldwide. I anticipate the film resonating deeply with viewers, sparking meaningful conversations, and bridging cultural gaps,” he said.

“I am thrilled about the prospect of presenting ‘Antidote’ at the Red Sea Film Festival, as it offers an ideal setting to connect with international directors and producers who share a profound passion for cinema.”

Reflecting on his career as a filmmaker, Saeed said that growing up in a conservative society with limited access to cinema, his fascination with the art form began with a VHS camcorder in the late 1980s. This early exposure to capturing moments on film sparked his love for observing the world through a lens.

The film's poster. (Supplied)

Saeed’s hope is that “Antidote” will allow audiences to connect with the characters and their struggles, and also spark an appreciation for local stories.

“The characters and their journeys are not limited to a specific culture or region; they represent universal experiences that can resonate with people from different backgrounds,” he said.

“Through my work, I hope to bridge cultural gaps and foster a deeper understanding and appreciation of Saudi culture.”

With its unique storytelling and cinematic style, “Antidote” stands out, particularly as a period piece set in the 1990s.

The film was made in collaboration with German director of photography Christoph Schumann, and has garnered widespread recognition, including two Golden Palm awards for best short film and best cinematography at the 2023 Saudi Film Festival.

Saeed said that through “Antidote” and future projects, he hopes to contribute to a “more comprehensive and accurate understanding of Saudi culture on a global scale.”

He added: “Film has the power to transcend boundaries and bring people together, and it is my mission to use this medium to tell meaningful and impactful stories.”