Spectacular tale of Saudi culture wows crowds in Diriyah

Spectacular tale of Saudi culture wows crowds in Diriyah
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Updated 05 March 2023
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Spectacular tale of Saudi culture wows crowds in Diriyah

Spectacular tale of Saudi culture wows crowds in Diriyah
  • ‘Terhal’ melds traditional art, dance with acrobatics, special effects
  • ‘Saudi is an ascendant star,’ in world of theater, co-director says

DUBAI: Theatergoers in Diriyah are being treated to a spectacular celebration of Saudi Arabian culture thanks to a new production staged by the Ministry of Culture and Las Vegas-based theater show design company Dragone.

Created in partnership with Dragone, “Terhal” features acrobatics, stunts, aerial performances and dazzling special effects alongside traditional Saudi art and dance.

The show opened on Thursday and runs until March 19.

Dragone’s senior creative director and co-director of the show Filippo Ferraresi said the company got a call from the MOC in April asking if it could stage a “breathtaking show” in the Kingdom. The team immediately started researching Saudi culture.

“Wherever we go, we want to learn about the local culture and dig deep into it,” Ferraresi told Arab News.

“We started actively writing the show in June and it took us about two months and a half to come up with a concept, an idea, a stage design and a story.”

With the idea in place, the team then cast more than 60 Saudi artists and 60 international performers to lead audiences on an adventure that explores the role the Kingdom’s heritage and people play in shaping the future.

The company began building a new theater for the show in August.

“This is not a show that we brought to Saudi. We built a theater. We designed every little detail about this show,” Ferraresi said.

“I believe that this is the fastest show to ever be built, including the building of a theater.”

Even before the call from the MOC, Dragone was “waiting to jump” into the Saudi market, Ferraresi said.

“Saudi is an ascendant star. Saudi is the next protagonist of the scene. It is the country that is investing more in the entertainment field. What Saudi wants is to experience, to see and to learn. People in Saudi are eager to enjoy this experience,” he said.

“Terhal” tells the story of Riyadh student Saad as he travels across time and place. He encounters friends, danger and the intensity of nature, until he finally discovers that the key to the future lies in his country’s heritage.

Ferraresi said that when preparing for the show, the team always had a Saudi audience in mind.

“Each country has a different kind of audience. So, despite theater being universal, what works in Singapore is different than what works in Amsterdam. So, as creators, we have to know and consider the universality of the culture, but also its differences,” he said.

He said his favorite thing about the production was the “harmonic” blend of local and international talent from more than 20 different countries.

He also recalled a special moment with the troupe of 25 traditional dancers, known as shabab.

“I remember the first time they came, it was one of the very special moments in the life of a creator because … we immediately understood each other despite the differences.

“I have to say that with the shabab I had the most important time of creation because these guys weren’t used to a show like this. They came as traditional dancers, now they are artists,” he said.

“Our hope as creators is that the audience see in ‘Terhal’ all the different aspects of the culture. I hope that they enjoy the show because they can recognize themselves.

Ahead of the opening night, Fawzi Kabbara, Lebanon’s ambassador to Saudi Arabia, told Arab News that “Terhal” was “not just a captivating piece of theater, but a theatrical celebration of the beauty and talents contemporary Saudi Arabia shares with audiences for the first time ever.”

“Terhal” is the first Dragone creation to open since the death of the company’s founder and artistic director Franco Dragone. He was involved in the early stages of the show’s development and the team are keen to ensure it honors his legacy.


Film AlUla, Stampede Ventures reveal films to be shot in Saudi Arabia under 10-project deal

Film AlUla, Stampede Ventures reveal films to be shot in Saudi Arabia under 10-project deal
Updated 5 min 24 sec ago
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Film AlUla, Stampede Ventures reveal films to be shot in Saudi Arabia under 10-project deal

Film AlUla, Stampede Ventures reveal films to be shot in Saudi Arabia under 10-project deal

JEDDAH: Hollywood movies “Fourth Wall” and “Chasing Red” are set to be filmed in Saudi Arabia’s AlUla in 2024 as part of a 10-project deal between Film AlUla — the Royal Commission for AlUla’s film agency — and global media company Stampede Ventures.

The announcement was made at the Red Sea International Film Festival on Saturday. Stampede Ventures CEO Greg Silverman and executive director of Film AlUla Charlene Deleon-Jones gave further details of the three-year deal, which also includes the previously announced dramatic comedy “K-Pops!”

“Fourth Wall” follows a former child star from a popular TV sitcom who is kidnapped and wakes up in a complete recreation of the show’s set with the rest of the cast, where she must work through her trauma and recreate iconic moments from the series to stay alive and find a way out.

The announcement was made at the Red Sea International Film Festival on Saturday. (AN/ Huda Bashatah) 

Meanwhile, “Chasing Red” is a romance centered around straight-A student Veronica and wealthy playboy Caleb. It is an adaptation of a book by Filipino-Canadian author Isabelle Ronin and is being directed by Jessika Borsiczky, who told Arab News that the story attracted her because “romance is so universal, especially first love, and especially stories about women finding who they are and then finding who they are in relation to the world.”

Stampede Ventures will be among the first to use Film AlUla’s production facility, which includes a 30,000-square-foot soundstage, backlot, production support buildings, workshops, warehouses, recording studio and training and rehearsal space.

Jessika Borsiczky told Arab News that the story attracted her because “romance is so universal.”  (AN/ Huda Bashatah) 

There will be emphasis on using Saudi talent during the production process, Deleon-Jones said, adding: “One of the most significant parts of what we’re doing is the training and development, because this gives us an opportunity to really develop below-the-line crew in somewhere like AlUla, where traditionally the main careers open to you would have been agriculture. We have a young working population who are vibrant and digitally engaged somewhere which is seen as one of the more remote places, (and now) you have this whole new exciting career path.”

The key, she said, was to prove to talent in Saudi Arabia that the film industry is a “sustainable” career choice. Silverman echoed that, saying the deal was “designed specifically so that people can come in and get a chance to prove (themselves) and then there’s another movie coming in the next month that they can be pulled into.”

Silverman is an entertainment industry veteran known for his track record at Warner Bros. where he shepherded over 125 films to more than $38 billion in worldwide box office, most notably the “Harry Potter” series, Christopher Nolan’s “Batman” trilogy, Zack Snyder’s “300,” Todd Phillips’ iconic “Hangover” trilogy, and “Joker.”

Previous Hollywood productions shot in AlUla include the Gerard Butler-led action-thriller “Kandahar,” directed by Ric Roman Waugh, and “Cherry,” starring Tom Holland and directed by Anthony and Joe Russo.


Celebrity-loved footwear designer Amina Muaddi opens pop-up store in Dubai

Celebrity-loved footwear designer Amina Muaddi opens pop-up store in Dubai
Updated 02 December 2023
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Celebrity-loved footwear designer Amina Muaddi opens pop-up store in Dubai

Celebrity-loved footwear designer Amina Muaddi opens pop-up store in Dubai

DUBAI: Celebrity-loved footwear designer Amina Muaddi revealed this week that she opened a new pop-up store in Dubai at Kite Beach.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by AMINA MUADDI (@aminamuaddi)

The shoemaker, who is of Jordanian and Romanian descent, has collaborated with clothing retail company Ounass for a four-week pop-up.

“I wanted to create a special experience for our community, a space that feels like an oasis from an outer world,” she wrote, sharing pictures of the place. “Visit the store and shop the collection starting Dec. 1 for the next 30 days. Happy shopping!”

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by AMINA MUADDI (@aminamuaddi)

To celebrate the launch, Ounass hosted an exclusive A-list dinner that was attended by rapper Kanye West, his partner Bianca Censori, American singer Ty Dolla $ign and Lebanese actress Nadine Nassib Njeim.


The Weeknd donates $2.5m to Gaza

The Weeknd donates $2.5m to Gaza
Updated 02 December 2023
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The Weeknd donates $2.5m to Gaza

The Weeknd donates $2.5m to Gaza

DUBAI: The UN World Food Programme this week announced that its goodwill ambassador, Canadian singer The Weeknd — whose birth name is Abel Tesfaye — has donated $2.5 million from his XO Humanitarian Fund to aid WFP’s humanitarian response in Gaza.

The donation, which equates to 4 million emergency meals, will fund 820 tons of food parcels that could feed more than 173,000 Palestinians for two weeks, the organization said.

“This conflict has unleashed a humanitarian catastrophe beyond reckoning. WFP is working round the clock to provide aid in Gaza but a major scale up is needed to address the desperate level of hunger we are seeing,” Corinne Fleischer, WFP’s director for the Middle East, North Africa and Eastern Europe, said in a statement.

“We thank Abel for this valuable contribution towards the people of Palestine. We hope others will follow Abel’s example and support our efforts.”

The multi-platinum global recording artist was appointed a goodwill ambassador in October 2021.


Red Sea film fest celebrates ‘Women in Cinema’ with global stars 

Red Sea film fest celebrates ‘Women in Cinema’ with global stars 
Updated 02 December 2023
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Red Sea film fest celebrates ‘Women in Cinema’ with global stars 

Red Sea film fest celebrates ‘Women in Cinema’ with global stars 

JEDDAH: The Red Sea Film Festival and Vanity Fair Europe played host a celebration of “Women in Cinema” on Friday night, with celebrities from around in attendance at the soiree.  

Bollywood star Katrina Kaif joined Hollywood actresses Sofia Vergara, Sharon Stone, Diane Kruger, Michelle Rodriguez and Zoe Saldana at the evening event while British supermodel Naomi Campbell also made an appearance.  

Michelle Rodriguez at the Women In Cinema Gala during the Red Sea International Film Festival. (Getty Images)

From the Arab world, it was a glittering invitation list with Yasmine Sabri, Egyptian icon Yousra, Amina Khalil, Nadine Nassib Njeim, Andria Tayeh, Aseel Omran and Sarah Taibah attending, among many more regional stars.  

“In collaboration with Vanity Fair Europe, and on the sidelines of the third edition of the Red Sea International Film Festival, we were pleased to host ‘Women in Cinema’ celebrating women’s cinematic contributions — where we honored Egyptian cinema icon Nabila Ebeid, acknowledging her rich cinematic career,” the festival posted on Instagram.  

Nabila Ebeid and Mohammed Al-Turki at the Women In Cinema Gala during the Red Sea International Film Festival. (Getty Images) 

Born on Jan. 21, 1945, Ebeid has been dubbed “Egypt’s first star.” Ebeid is known as both an actress, with film and stage titles under her belt, and a producer.  

The Red Sea International Film Festival runs from Nov. 30 to Dec. 9 and boasts 11 categories of films: Special Screenings; Red Sea: Competition; Red Sea: Shorts Competition; Festival Favorites; Arab Spectacular; International Spectacular; New Saudi/ New Cinema: Shorts; Red Sea: New Vision; Red Sea: Families and Children; Red Sea: Series and Red Sea: Treasures.   

Mohammed Al-Turki and Naomi Campbell at the Women In Cinema Gala during the Red Sea International Film Festival. (Getty Images)

This year’s celebrity-studded festival jury is presided over by director Baz Luhrmann, joined by Swedish-American actor Joel Kinnaman (“Suicide Squad”); Freida Pinto (“Slumdog Millionaire”); Egyptian actor Amina Khalil (“Grand Hotel”) and Spain’s Paz Vega (“Sex and Lucía,” “The OA”).  

Sharon Stone and Shivani Pandya attend the Women In Cinema Gala during the Red Sea International Film Festival. (Getty Images)

The festival kicked off with a gala screening of Dubai-based Iraqi director Yasir Al-Yasiri’s “HWJN,” which is based on a YA novel by Saudi writer Ibraheem Abbas. Set in modern-day Jeddah, “HWJN” follows the story of a kind-hearted jinn — an invisible entity in Islamic tradition — as he discovers the truth about his royal lineage. 

Lebanese actress Njeim spoke to Arab News on the opening red carpet, saying: “The festival marks a turning point for every ambitious Saudi filmmaker, providing excellent support for young talents to showcase their work at international festivals.” 


‘Arab cinema needs support,’ says Cannes prize winner Asmae El-Moudir ahead of RSIFF debut

‘Arab cinema needs support,’ says Cannes prize winner Asmae El-Moudir ahead of RSIFF debut
Updated 02 December 2023
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‘Arab cinema needs support,’ says Cannes prize winner Asmae El-Moudir ahead of RSIFF debut

‘Arab cinema needs support,’ says Cannes prize winner Asmae El-Moudir ahead of RSIFF debut

TORONTO: The documentary that won Moroccan filmmaker Asmae El-Moudir a best director prize at this year’s Cannes Film Festival will be screened at the Red Sea International Film Festival in Jeddah.

“The Mother of All Lies” took the honors in the Un Certain Regard section, as well as winning the prestigious L’oeil d’Or prize for best documentary. The film explores El-Moudir’s personal journey, unraveling the mysteries of her family’s history against the backdrop of the 1981 bread riots in Casablanca.

El-Moudir, a regular on the international film festival circuit, spoke to Arab News about both the film and her desire to see Arab cinema attract more support.

“I think every filmmaker in the world dreams of having their film premiere in a big festival like Cannes or Sundance or the Berlinale or Venice,” she said.

“It wasn’t easy for me as a filmmaker, producer and editor to bring this film to the international level but with the support from the Red Sea Festival, the Arab Documentary Photography Program and Doha Film Institute, people from the MENA (Middle East and North Africa) region, things became easier.”

The film poster for 'The Mother of All Lies.' (Supplied)

Morocco has chosen “The Mother of All Lies” as its submission for the best international feature film category in the 96th Academy Awards, which will take place in March next year. With the official nominations yet to be announced, El-Moudir said: “This means a lot for me and for my characters, because I’m talking about a sensitive subject.

“I was also afraid to make this a subject to talk about because I was protecting my family, and I had no idea how we can talk about the past freely without hurting anyone, without looking for guilty people or denouncing anyone.”

El-Moudir’s decade-long journey in making “The Mother of All Lies” has taught her a valuable lesson — the importance of time in crafting meaningful stories.

“There is no rush to make films, especially when we are talking about real facts,” she said. “We should wait for the project. I made this film in 10 years. I was super tired and exhausted, but I don’t regret anything. If I had made this film five years ago, maybe nobody would have watched it. It needed maturity and took time to talk about how we can make a national story an intimate one.”

Discussing what she hoped the audience in Jeddah would take away from her film, El-Moudir emphasized the need for support within the Arab filmmaking community.

“I’m sure the audience in Saudi Arabia will identify themselves in this story. We have the same aspirations, we have the same vocations. I would tell the audience please come and discuss the films. Whether it’s Moroccan or Saudi Arabian, or Tunisian or Egyptian, Arab cinema needs support, and we should support each other.

“I hope people from Saudi Arabia will understand a lot of time has passed working on this film, and maybe younger generations of filmmakers will be happy to see we need time to make films. And we should not be afraid if ideas are not here today. In five years, they will be, and we will be everywhere.”