Palestinian-Chilean singer Elyanna faces ‘overwhelming’ demand at US show

Palestinian-Chilean singer Elyanna faces ‘overwhelming’ demand at US show
The music sensation is now set to perform at the El Rey Theatre instead of the Roxy Theater. (Instagram)
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Updated 22 July 2023
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Palestinian-Chilean singer Elyanna faces ‘overwhelming’ demand at US show

Palestinian-Chilean singer Elyanna faces ‘overwhelming’ demand at US show

DUBAI: Palestinian-Chilean singer Elyanna this week announced that due to the “overwhelming” ticket demand for her Aug. 14 concert in Los Angeles, she has changed the venue to a bigger theater.

The music sensation is now set to perform at the El Rey Theatre instead of the Roxy Theater.

“I LOVE MY PEOPLE,” she wrote to her 791,000 fans on Instagram. “Due to the overwhelming demand, we are taking the show to @elreytheater. Im speechless from all the love and support I’m receiving!! The show got sold out so quickly and all I have to say its Arab take overrrrr habibi!!”

Her followers, including US-Dutch-Palestinian model Anwar Hadid and Canadian-Lebanese singer Massari, quickly took to the comments sections to congratulate her.

“Prada u sis (sic),” Hadid wrote, while Massari commented with fire emojis.

Most famous for her songs “Ghareeb Alay,” “Ala Bali” and “Ana Lahale,” the Los Angeles-based musician has been normalizing Arabic lyrics in Western regions throughout her career, taking inspiration from many artists, including Lana Del Ray and Beyonce, as well as Middle Eastern legends such as Fayrouz.

Elyanna recently released a new single called “Mama Eh,” which fans are expecting her to perform at the gig.

In April, the star made history as the first artist to perform a full set in Arabic at Coachella, the famed music festival held annually in California.

In a previous interview with Arab News, she said: “We are introducing a new culture and we are making sure that everybody hears us, everywhere from all around the world.”

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Coachella (@coachella)

Elyanna’s music is a mix of Arabic and Western beats, something that the singer attributes to her multinational upbringing.

She began singing at a young age. After moving from Nazareth to the US at the age of 15, she was discovered by fellow Palestinian musician and producer Nasri Atweh.

“He introduced me to Sal (Lebanese-Canadian entrepreneur Wassim Slaiby, CEO of record label XO and manager of Canadian superstar The Weeknd). I remember I sang “At Last” to Sal. He was very impressed. I was very nervous, too. And then I met Massari and we made ‘Ana Lahale,’ which is such a crazy thing,” she recalled.


First Muslim film festival to launch in London

First Muslim film festival to launch in London
Updated 27 May 2024
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First Muslim film festival to launch in London

First Muslim film festival to launch in London
  • Event features narratives from Muslim filmmakers, productions inspired by Muslim culture and faith

LONDON: A new film festival in the UK is on a mission to explore Muslim experiences through film.

The inaugural Muslim International Film Festival will begin on May 30 in London’s Leicester Square.

The four-day event features narratives from international Muslim filmmakers as well as productions inspired by Muslim culture and faith.

“The idea behind the festival is about reclaiming our identity and celebrating it. For the longest time, being Muslim has felt like something we can’t be proud of,” MIFF director Sajid Varda told Arab News.

He added: “We’ve had to hide our identity, and the narrative around our faith and identities has often been controlled by others.

“There’s been a persistent frustration with how to change those perceptions and how to reconnect with wider audiences and communities.

“We want to give them a glimpse into our lives and lived experiences, while also showcasing the cinematic brilliance of our creative community and its contributions to cinema.”

The event will begin with the London premiere of “Hounds” (“Les Meutes”) by Moroccan director Kamal Lazraq. The film follows a father and son in Casablanca’s suburbs who make ends meet by committing petty crimes for a local mob until a kidnapping goes horribly wrong.

Other highlights include critically acclaimed films set in the UK, France, Turkiye, Tunisia, Jordan, Iran and Sudan.

The festival will include Q&A sessions, panels and networking events in partnership with the British Film Commission, Netflix and the BBC.

Organizers have made the festival as accessible as possible to wider audiences, Varda said.

“We wanted to ensure that the films align with our faith and ethos, avoiding gratuitous violence, nudity and overtly sexual themes. This makes the content accessible to all, not just Muslims, but also people of other faiths and beliefs who might be sensitive to these issues.”

He added: “Our ticket costs are much lower compared to other festivals. We’ve also given out many tickets at no cost to various organizations, and offered discounts to students and those facing financial hardship.”


Review: ‘Norah’ makes Cannes history with its delicate handling of a Saudi story

Review: ‘Norah’ makes Cannes history with its delicate handling of a Saudi story
“Norah” had its official screening at the 77th Cannes Film Festival. (AN/ Ammar Abd Rabbo)
Updated 27 May 2024
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Review: ‘Norah’ makes Cannes history with its delicate handling of a Saudi story

Review: ‘Norah’ makes Cannes history with its delicate handling of a Saudi story

CANNES: Director Tawfik Alzaidi's “Norah” made history when it was selected as the first Saudi film to screen on the official calendar at the Cannes Film Festival.

The film premiered at December’s Red Sea International Film Festival in Jeddah before heading to the French Riviera last week, where it ran in the famed festival’s Un Certain Regard section.

“Norah” is the story of a restless young woman (played with wonderful ease by Maria Bahrawi), who dreams of a life beyond her immediate surroundings.

Set in 1990s Saudi Arabia when conservatism ruled and the pursuit of all art, including painting, was frowned upon, a new world opens up for Norah when Nader (Yaqoub Alfarhan), a failed artist and teacher from the city, comes to her village. Despite the rigid rules of society, the pair form a platonic relationship, linked by a passion for the arts. What emerges is a story in which the characters inspire each other, played out against the backdrop of the scenic AlUla region in Saudi Arabia, a location that is becoming a major moviemaking hub.

Norah, brought up by her uncle and aunt after having lost her parents early on, listens to music and pores over magazines. She encourages Nader to follow his passion for drawing, and their affection for each other gradually develops into an unshakable union.

The director strives to walk a tightrope, maintaining an equilibrium between Saudi sensibilities and a daringly emotional outlook. He explores the hesitant heartbeats of Norah and Nader but stops short of entering any overt romantic territory. The love affair, in this case, in one with the arts — both lead characters yearn for the chance to creatively express themselves.

While the narrative carries on at a gentle pace, the tone and tenure seem ruffled and out of place in the finale — with a rather bizarre ending marred by uncertainty. Alzaidi loses his grip over the narration, which until then seemed to have traversed a smooth road.


Sofia Carson shows off Elie Saab gown on the red carpet

Sofia Carson shows off Elie Saab gown on the red carpet
Updated 26 May 2024
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Sofia Carson shows off Elie Saab gown on the red carpet

Sofia Carson shows off Elie Saab gown on the red carpet

DUBAI: US actress Sofia Carson showed off a gown by Lebanese designer Elie Saab at the closing ceremony of the 77th annual Cannes Film Festival.

The star, who has showed off Lebanese labels on multiple red carpets in the past, opted for an olive-toned ensemble from the designer’s Spring/ Summer 2024 couture collection.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by ELIE SAAB (@eliesaabworld)

Styled by Erin Walsh, Carson posed for photos on the red carpet in the look that featured a draped skirt and embellishments on the neckline.

The latest red carpet appearance proves Carson is something of a fan of Lebanon’s couturiers — In 2022 the “Purple Hearts” actress was spotted in New York wearing an ensemble by Zuhair Murad. Carson attended the Global Citizen Festival in a coordinating look from Murad’s Resort 2023 collection. The outfit featured an embellished crop top and mini skirt set with matching thigh-high leather boots.

In late 2023, the actress cut an elegant figure in a Zuhair Murad gown at the second annual Cam for a Cause event in memory of her former co-star Cameron Boyce, who died at the age of 20 due to an epileptic seizure.

Fast forward to 2024 and the now-concluded Cannes Film Festival has played host to a number of Arab-created looks.

Saudi designer Eman Al-Ajlan dressed Leomie Anderson. (Getty Images)

Saudi designer Eman Al-Ajlan dressed British model and TV presenter Leomie Anderson in a structured look featuring a mini dress with a net-like skirt fitted underneath at the 2024 amfAR Gala in Cannes.

A few celebrities opted for gowns by Murad at the same event, including German model Toni Garrn, sports commentator Alex Scott and Brazilian model Thayna Soares.

Meanwhile, German model Kim Dammer dazzled on the red carpet in a glamorous halter-neck black gown, intricately embroidered with geometric shapes by Lebanese couturier Rami Kadi. Lebanese designer Nicolas Jebran was championed by Turkish actress Hande Ercel, who wore a black gown adorned with red and blue beads.

Egyptian actress Yasmine Sabri was also in attendance, wearing a sparkling silver dress by Lebanese designer Jean Pierre Khoury. The dress featured thousands of mirrored tube beads hand-sewn onto a corseted silhouette, according to the fashion house.


Saudi animation on pandemic-era worship in Makkah draws praise in Cannes

Saudi animation on pandemic-era worship in Makkah draws praise in Cannes
Soraya Al-Shehri, Nabila Abu Al-Jadayel, Kariman Abuljadayel, and Salwa Abuljadayel. (Supplied)
Updated 27 May 2024
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Saudi animation on pandemic-era worship in Makkah draws praise in Cannes

Saudi animation on pandemic-era worship in Makkah draws praise in Cannes

JEDDAH: Saudi film “Wa Isjod Wa Iqtareb” (“Prostrate and Draw Near”) won the “Animation That Matters” award during the Animaze Animation Day event at Marché du Film, the industry networking section of the Cannes Film Festival.

Directed, produced, and written mother-daughter duo Suraya Al-Shehry and Nabila Abuljadayel, the film was created via production company Suraya Productions and explores the period of time during the COVID-19 pandemic when cleaning staff replaced the usual mix of international worshippers at the Grand Mosque in Makkah.

The film integrates traditional art and 2-D animation, but it is its subject matter that makes it unique, according to Al-Shehry.

“In the history of cinema, there has been a noticeable lack of films focusing on Makkah and the Holy Mosque, particularly in the realm of animation. Collaborating with my daughter … on our short animated film has brought me immense joy and a profound sense of fulfilment,” she said.

She added that the film portrays a significant moment in global and Islamic history by showcasing the Grand Mosque devoid of pilgrims, with the exception of the cleaning and maintenance staff who had the unique opportunity to pray there during the pandemic when no one else could.

Abuljadayel reflected on the nearly two-year project, saying: “For me, the best reward was the chance to collaborate with my mother, an experience that transcends any accolade.”

She emphasized that receiving the award aligned with the film’s core message of celebrating shared humanity.

“I firmly believe that what comes from the heart resonates with others, whether expressed through animation or my artwork, and the greatest testimony of that is the success of this film,” she said.

The creative duo seem to be keen to continue their success, with another project scheduled for completion next year.

 


British-Pakistani opera singer receives royal honor for recording national anthem post-coronation

British-Pakistani opera singer receives royal honor for recording national anthem post-coronation
Updated 25 May 2024
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British-Pakistani opera singer receives royal honor for recording national anthem post-coronation

British-Pakistani opera singer receives royal honor for recording national anthem post-coronation
  • Saira Peter says she is privileged to contribute her voice to British government’s public events, citizenship ceremonies
  • She also recorded ‘God Save the Queen’ in 2018 and received acknowledgement and gratitude of Queen Elizabeth II

ISLAMABAD: A British-Pakistani Sufi Opera singer, Saira Peter, announced in a video message circulated on Saturday she received a letter of appreciation from Buckingham Palace for recording the British national anthem, “God Save the King,” following the coronation of King Charles III.
The British king’s coronation took place last May at Westminster Abbey in London. The event brought leaders and high-profile personalities from around the world and marked his official accession to the throne after the passing of Queen Elizabeth II in September 2022.
Upon receiving the recording, performed in the soprano vocal range, the highest of the female voice types in classical singing, the king sent Peter a letter conveying his good wishes and sincere thanks for her public services.
She also received a signed photo card from him and Queen Camilla.
“I want to share with all my followers how excited I am to receive a letter and card of appreciation and gratitude from His Majesty King Charles the Third,” Peter said in the video, where she mentioned she was Pakistan’s first opera singer. “This arrived in response to my civic service of recording the British national anthem, ‘God Save the King.’”
“Being British-Pakistani, I feel so privileged to contribute my skill and voice to the British government’s public events and citizenship ceremonies,” she added.
Peter informed the British national anthem was recorded at the request of UK Government offices at Hastings Town Hall in East Sussex. The recording is now used across her adopted country for official government events.
Previously, she recorded “God Save the Queen” in 2018, making her the first Asian and the only Pakistani officially invited to undertake the task. Peter also received acknowledgment and gratitude from the late queen.
Born in Karachi, the opera singer told Arab News during her visit to Pakistan last year she used to sing in church choirs and began her Western classical journey, learning from Paul Knight, a disciple of Benjamin Britten, in London in the early 2000s after her family moved there.
Peter’s father, Zafar Francis, pioneered the Noor Jehan Arts Center in London, which was opened by British superstar Sir Cliff Richard in 1998.
She is the director of the performing arts center and teaches both Western and Pakistani classical music there.
She said her work in Britain was projecting “a positive image of Pakistan.”