Israel to amend Eurovision entry over political lyrics

Israel to amend Eurovision entry over political lyrics
Eden Golan‘s entry contained references to Hamas’ Oct. 7 attack on Israel. (Supplied)
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Updated 04 March 2024
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Israel to amend Eurovision entry over political lyrics

Israel to amend Eurovision entry over political lyrics

DUBAI: Israel’s public broadcaster will request changes to the lyrics of a song under consideration for this year’s Eurovision Song Contest, reversing its previous stance on the issue.

Eurovision barred the song last week for breaking rules on political neutrality in song lyrics. Artist Eden Golan‘s Israel entry, “October Rain,” contains references to Hamas’ Oct. 7 attack on Israel.

Israeli broadcaster Kan, which will determine which song enters Eurovision for the country, pledged last week that it wouldn’t request any alteration of the lyrics.

But Israel’s President Isaac Herzog today called for “necessary adjustments” to ensure Israel can enter the show.

The original lyrics of the song were published on Kan's website last month in English. 

They include the lines "They were all good children, every one of them" and "Who told you boys don't cry/ Hours and hours/ And flowers/ Life is not a game for the cowards."

The reference to flowers often denotes war fatalities, according to Israeli media. 

Kan is also considering a song called “Dance Forever.”

The 68th Eurovision Song Contest will be held in Malmo, Sweden, in May.


A celebration of Saudi Arabia’s artisanal heritage 

A celebration of Saudi Arabia’s artisanal heritage 
Updated 17 January 2025
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A celebration of Saudi Arabia’s artisanal heritage 

A celebration of Saudi Arabia’s artisanal heritage 
  • The Ministry of Culture has designated 2025 as The Year of Handicrafts. Here, Arab News highlights some of the Kingdom’s most significant traditional crafts 

Al-Khous 

While palm trees are famed for providing dates, which play such a significant role in traditional Khaleeji hospitality, the plants themselves are equally important in Arabic heritage. The tree trunks and leaves were commonly used to create temporary or permanent accommodation, and Al-Khous — the weaving of palm fronds — is one of the oldest regional handicrafts. Bedouins would use the technique to create baskets, bowls, mats, tablecloths, brooms, and bags to be carried by their camels. The palm leaves are dried out in the sun, then cut (to ensure all thorns are removed) and soaked before being dyed, if required, and then sewn together. It’s a painstaking process, that requires great attention to detail and a steady hand.  

Bisht  

This traditional long cloak, traditionally made from wool, was originally worn by Bedouins in winter, but is now an important part of the regional wardrobe for special occasions including weddings, graduations, and Eid. These days, most bishts are machine-made, and a high-quality, hand-tailored bisht is seen as something of a status symbol, having become the formal wear for politicians and other high-ranking individuals in the Gulf and beyond. 

Al-Ahsa, in Saudi Arabia’s Eastern Province is renowned for its bisht tailoring, and many of the products are known by the names of the families who have made them for generations, including the Al-Qattan, Al-Kharas, Al-Mahdi, and Al-Bagli. Each tailor has their own thread (zari) design. 

Speaking to Arab News a few years ago, one Al-Ahsa tailor, Abu Salem, said: “Black bishts with gold stitching are the most popular. In the early Nineties, new colors were introduced to the bisht market. Blue, grey and maroon are mostly worn by the younger generation. The older generation sticks to the traditional black, brown and cream.  

“Tailoring bishts is an art that requires accuracy and skill. The gold embroidery requires patience and takes many hours,” he continued. “Hand-making one of these bishts could take from 80 to 120 hours and four tailors, each with one specific task.” 

Sadu weaving 

This ancient tribal craft dates back centuries. Bedouin Sadu weavers would create tightly spun tent awnings, rugs and more in a variety of colored patterns for their tribes using dyed wool, hair or fur woven on a floor loom. These days, Sadu patterns are commonly seen on clothing and interior décor. Speaking to Arab News in 2021, Mohammed Khoja, founder of clothing brand Hindamme, said that Sadu and its range of patterns “reflects an element of storytelling because it says so much about the livelihoods of the early Arabs. It comes in many forms in various colors, so it’s incredibly inspiring. I knew that I wanted to reference it in my designs. I wanted to reflect its beauty in a more contemporary format.” 

Dr. Delayel Al-Qahtani, director of the studies and research department at Atharna, a social enterprise dedicated to Arabian culture and handicrafts, told Arab News: “Al-Sadu is a craft that requires innovative skills and a lot of effort, as the weaver has to work hard to transform the raw material into something new. It is an intricate craft that requires precise hand movements. The final product is always a beautiful design.”  

Henna tattooing 

The practice of applying henna — a reddish-brown dye made from dried, powdered leaves of the henna tree — to the body was recently added to UNESCO’s Intangible Cultural Heritage List, thanks in large part to the efforts of Saudi Arabia’s Heritage Commission. Henna has been used to dye skin, hair and fingernails since for millennia, dating back at least to the time of the ancient Egyptians.  

A report from the Saudi Press Agency at the time henna was added to the UNESCO list stated: “Henna has great cultural significance in Saudi Arabia, with the art mastered by women and passed down through generations. It represents ‘joy and optimism’ and is a social tradition that strengthens community bonds.” 

Pottery 

Midianite pottery dating back more than 1,500 years has been discovered in northwestern Saudi Arabia, and it’s clear that pottery has a long and distinguished history in the Gulf in general. Cooking pots, cups and utensils are among the most common items crafted by traditional potters, and clay pots, especially, play a vital role in the region’s culinary heritage. As a recent Saudi Press Agency report stated: “The slow and even distribution of heat enhances the dishes cooked in (them), such as madhbi and mandi.” Local authorities in Jazan and other regions have been organizing workshops and courses to encourage the younger generation to keep this tradition alive. 

Sword and janbiya making 

The crafting of weaponry is another centuries-old skill that is being preserved in various areas of the Kingdom. The Najran region, in particular, is famed for producing some of the most stunning ornamental swords and janbiya (short, curved daggers). What were once necessities for desert tribesmen are now generally for decoration only, but the artistry required to produce them remains the same and is a source of great pride in the Kingdom and the wider Arabian Gulf. The daggers are generally “made from iron, with handles of animal horn, often adorned with silver or gold,” according to a recent SPA report. Carvings on the hilts and sheaths are often used to depict the owner’s tribal background. The finest examples can cost thousands of dollars. 


‘Dubai Bling’ season 3: A rollercoaster of drama, fashion and unfinished business 

‘Dubai Bling’ season 3: A rollercoaster of drama, fashion and unfinished business 
Updated 17 January 2025
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‘Dubai Bling’ season 3: A rollercoaster of drama, fashion and unfinished business 

‘Dubai Bling’ season 3: A rollercoaster of drama, fashion and unfinished business 

DUBAI: Here we go again. It’s season three of “Dubai Bling,” featuring jaw-dropping opulence from the extravagant lives of the rich and sort-of famous. And from the very first episode, the drama is ramped up with the kind of intriguing revelations that keep viewers hooked. 

The new season features returning cast members Loujain Adada, Zeina Khoury, Mona Kattan, Ebraheem Al-Samadi, Safa and Fahad Siddiqui, Farhana Bodi, and Marwan Al-Awadhi (aka DJ Bliss) and his wife Danya Mohammed. Media personality Mahira Abdel Aziz and Iraqi singer and actress Jwana Karim are new faces, bringing fresh energy and conflict, particularly as the latter already has history with a couple of the regulars. 

One of this season’s standout moments is Safa’s quirky farewell party for her car. She also showcases her playful personality by bringing her daughters to her office and setting up a ball pit. Mother and daughters all wear coordinated outfits, complete with matching heels.  

Safa’s humor and charisma once again shine through, making her one of the most entertaining personalities on the show. 

This season also delves deeper into DJ Bliss and Mohammed’s journey to improve their marriage and wraps up a few long-running conflicts, including Khoury, Safa and Bodi’s ongoing tensions, and Adada and Karim’s years-long fight. Although it then leaves viewers hanging on a few other issues, so it’s safe to assume we’ll see a fourth season. 

Often, though, the show’s emotional arcs feel overly staged (even by reality TV’s standards). It’s not always clear that these people are really friends, rather than unconvincing actors playing friends. Al-Samadi’s hijacking of a pregnancy announcement, for example, seems wholly contrived in order to provoke a reaction. 

Visually, at least, the show remains stunning, showcasing high-end fashion, striking makeup, and sculpted hairstyles. Every frame is luxurious.  

Ultimately, “Dubai Bling” offers entertaining escapism. Fans will once again enjoy the glitzy aspirational glamor, but those seeking authenticity should look elsewhere. 


REVIEW: ‘American Primeval’ charts the truly Wild West 

REVIEW: ‘American Primeval’ charts the truly Wild West 
Updated 16 January 2025
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REVIEW: ‘American Primeval’ charts the truly Wild West 

REVIEW: ‘American Primeval’ charts the truly Wild West 
  • Netflix thriller is as relentless as it is unflinching

LONDON: When director Peter Berg had an idea for a project based on the Mountain Meadows Massacre — a series of attacks during the US’s 19th-century Utah War — he reached out to “The Revenant” writer Mark L. Smith to flesh out the show. As luck would have it, Smith was already working on an idea set during the same period following real-life pioneer Jim Bridger, a character he’d explored as a much younger man in that film. The result is Netflix’s “American Primeval,” set in the untamed world that predates the Wild West as audiences have come to know it. This is a brutal, savage place in which US army forces battle Mormon militias, and native tribes try to eke out a peaceful existence amid the chaos. 

Sara Rowell (Betty Gilpin) and her son Devin (Preston Mota) arrive at Fort Bridger, in search of a guide to escort them through the perilous country. Bridger (Shea Whigham) introduces them to Isaac Reed (Taylor Kitsch), a bereaved hunter and trapper who eventually agrees to go with them. The trio, later joined by runaway Shoshone Two Moons (Shawnee Pourier), set out on the dangerous trek, dodging armies, evading bounty hunters, and navigating settlers with their own (often unsavory) plans.  

At the same time, Mormon settler Jacob Pratt (Dane DeHaan) searches for his kidnapped wife Abish (Saura Lightfoot-Leon), while Mormon leader Brigham Young (Kim Coates) sets his eyes on Fort Bridger as a means to defend his followers from what he assumes to be an imminent attack by US Army forces. 

Every minute of the six episodes feels relentless. There’s little room for quieter character development — Isaac’s backstory is glossed over, Abish’s relationship with her captors doesn’t get the airtime it deserves, and Jacob’s realizations about the behavior of his Mormon brothers feels rushed.  

What Berg does cram in is certainly spectacular — “American Primeval” is brutal, bloody and gorgeous in equal measure — and the sense of constant peril is effective and exhausting. Kitsch and Gilpin are great, too, but there’s a sense that, with a little more time, Isaac and Sara’s relationship could be an even more interesting counterpoint to the savagery around them. This is a breathless series. With a beat or two more to breathe, it could have been truly epic. 


Netflix drops trailer for Nadine Labaki-starring ‘Sand Castle’

Netflix drops trailer for Nadine Labaki-starring ‘Sand Castle’
Updated 15 January 2025
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Netflix drops trailer for Nadine Labaki-starring ‘Sand Castle’

Netflix drops trailer for Nadine Labaki-starring ‘Sand Castle’

DUBAI: Netflix has just dropped the trailer for “The Sand Castle,” a highly anticipated mystery thriller starring Lebanese multi-hyphenate Nadine Labaki, set to drop on the streaming platform on Jan. 24.

US Emmy-nominated director Matty Brown — whose shorts have won accolades — makes his feature film debut with “The Sand Castle.”

The film, which premiered at the Red Sea International Film Festival in December 2024, revolves around a family of four stranded on an island. The mother of the family, Yasmine, played by Labaki, is on the lookout for signs of a boat so that the family can escape the island. The father, Nabil, portrayed by Palestinian actor Ziad Bakri (“Meet the Barbarians”), tries to radio for help. The couple’s two children, Adam and Jana, are depicted by Labaki-directed “Capernaum” stars Zain and Riman Al-Rafeea.

“As events spiral out of control and the line between reality and fiction blurs, the family is forced to confront harsh truths and difficult choices, testing their resilience and their hopes of making it back home,” reads the official synopsis.

Brown co-wrote “Sand Castle” with Jordan’s Yassmina Karajah and Egyptian-Qatari writer-director Hend Fakhroo.

Meanwhile, Labaki had a busy 2024, serving as a jury member at the 77th Cannes Film Festival, alongside jury president Greta Gerwig.

Labaki, recipient of the Jury Prize at the 2018 Cannes Film Festival for “Capernaum,” shares a long history with the festival.

She began her relationship with Cannes in 2004, writing and developing her first feature, “Caramel,” at the Cinefoundation Residency before showcasing the film at the Director’s Fortnight in 2007. Both of Labaki’s subsequent films — “Where do We Go Now?” in 2011 and “Capernaum” in 2018 — debuted at the festival, each in increasingly competitive categories.

“I feel like I’m their baby, in a way. With a baby, you start watching their first steps, see them grow, protect them, push them … They’ve accompanied me in this journey and recognized and encouraged me. It’s great — I really love this festival. I think it’s the best festival in the world,” Labaki told Arab News in an earlier interview on the sidelines of the Cannes Film Festival in 2019.


Hend Sabri to host acting masterclass in Jeddah

Hend Sabri to host acting masterclass in Jeddah
Updated 14 January 2025
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Hend Sabri to host acting masterclass in Jeddah

Hend Sabri to host acting masterclass in Jeddah

JEDDAH: Actress Hend Sabri is set to host a masterclass organized by the Saudi Ministry of Culture’s Film Commission on Jan. 17.
The Egyptian Tunisian actress was featured on the BBC’s 100 Women list for 2024, featuring the British broadcaster’s 100 most influential women.
The BBC described Sabri “as one of the most famous women in Arab cinema” in its listing. In 2019, the actress became the first Arab woman to serve as a judge at the Venice Film Festival.
With titles such as “Finding Ola” and the Oscar-nominated “Four Daughters” under her belt, Sabri is well placed to speak to industry insiders at the event in Jeddah on Friday.
According to the Film Commission, she will discuss the interplay between actors and directors and how the former can employ various acting techniques to serve the filmmaker’s vision.
The session is the latest in a stellar lineup of activities for those involved in Saudi Arabia’s burgeoning film scene — last week, Saudi actresses Sumaya Rida, Adwa Bader and Mila Al-Zahrani participated in a workshop hosted by the California-based drama school Ivana Chubbuck Studio in Riyadh. 
The workshop is part of the Ministry of Culture and the Film Commission’s Filmmakers Program, which runs until the end of January.

Ivana Chubbuck, founder and director of the studio, is a US acting coach and creator of the widely adopted Chubbuck Technique, known for its role in Oscar-winning and nominated performances. 
She heads the drama school in Los Angeles and conducts acting workshops worldwide.
Chubbuck has worked with renowned actors such as Charlize Theron, Brad Pitt, Sylvester Stallone, Terrence Howard, James Franco, Jake Gyllenhaal, Elisabeth Shue, Catherine Keener, Halle Berry, and Jared Leto, among others. 
She is also the author of the best-selling book “The Power of the Actor,” published by Penguin Books’ Gotham division, which has been translated into 20 languages.

Chubbuck’s Riyadh workshop was also attended by Saudi actor and comedian Fahad Albutairi, who shared a carousel of images from the event on Instagram. Among the pictures was a signed note from Chubbuck that read: “Fahad, you are so talented and (I) look forward to continuing our journey together.”